Charlie Wilson, Muni Long, and Cedric the Entertainer Lead All-Star Lineup for Soul Beach Music Festival

Charlie Wilson

Charlie Wilson, Muni Long, and Cedric the Entertainer Headline Soul Beach Music Festival’s Triumphant Return to St. Maarten

The Soul Beach Music Festival is set to return to St. Maarten this Memorial Day weekend, bringing an all-star lineup featuring Charlie Wilson, Muni Long, and Cedric the Entertainer. The festival, which first launched on the island 29 years ago, is expected to draw thousands of fans for a weekend of music, comedy, and celebration from May 21-26, 2025.

This year’s headliners bring together a mix of R&B legends, contemporary hitmakers, and comedy greats. Charlie Wilson, whose career spans decades as a solo artist and as the lead singer of The GAP Band, has built a catalog of timeless classics including "You Dropped the Bomb on Me," "Outstanding," and "Burn Rubber on Me." His solo career has been just as impactful, with 13 No. 1 Billboard R&B singles and 13 Grammy nominations, solidifying his status as one of the genre’s most enduring figures.

Muni Long, one of R&B’s brightest stars, continues to build on her Grammy-winning success. Best known for "Hrs & Hrs," which earned her Best R&B Performance at the 2023 Grammy Awards, she has followed up with hits like "Made For Me" and "Slow Grind," cementing her position as one of the genre’s most exciting new voices.

Comedy will also take center stage with Cedric the Entertainer, whose career in stand-up, television, and film spans decades. From his roles in "Barbershop" and "The Original Kings of Comedy" to his starring role in the hit CBS sitcom "The Neighborhood," Cedric remains one of the most in-demand comedians today. Festival organizers say his performance will set the tone for a weekend filled with energy and excitement.

Doug E. Fresh and comedian Chris Spencer will serve as hosts, while DJ Envy, co-host of iHeartMedia’s nationally syndicated "The Breakfast Club," will provide the soundtrack for some of the festival’s biggest events.

The festival’s return to St. Maarten is seen as a significant moment for both music fans and the island itself. Grisha Heyliger-Marten, the island’s Minister of Tourism, Economic Affairs, Transport & Telecommunication, emphasized the event’s broader impact, calling it an important moment for the local economy and tourism industry.

"The return of the Soul Beach Music Festival is a major milestone, bringing together visitors and residents for a safe, vibrant celebration of culture and entertainment," Heyliger-Marten said.

Festival producer Mark Adkins echoed those sentiments, highlighting the festival’s history and its ability to bridge generations.

"Charlie Wilson embodies multi-generational greatness, while Muni Long represents the bright future ahead," Adkins said. "Blending the seasoned with the new creates an enduring and everlasting experience. This year is both a nostalgic tribute to our past and an inspiring glimpse into the future."

With five days of performances, parties, and cultural events, Soul Beach Music Festival continues to be one of the most anticipated experiences for R&B, hip-hop, and comedy fans. Organizers say this year’s festival will blend past traditions with new surprises, offering attendees a chance to witness some of the biggest names in entertainment in an unforgettable setting.

For more information, tickets, and travel details, visit SoulBeach.com.

Jay-Z Sues Attorney Tony Buzbee and Jane Doe Over ‘False’ Rape Allegations

Shawn "Jay-Z" Carter has filed a lawsuit against the woman who accused him of sexual assault and her attorney, Tony Buzbee, alleging that the claims were knowingly false and part of an extortion scheme. Filed in the U.S. District Court for the Southern District of Alabama, the lawsuit contends that Jane Doe and her legal team conspired to extract a financial settlement while publicly defaming him.

Jane Doe initially filed a lawsuit against Sean "Diddy" Combs in October 2023, accusing him of drugging and raping her when she was 13 years old at an MTV Video Music Awards afterparty in 2000. The original lawsuit alluded to an unnamed "male celebrity" as a co-assailant. In December, she amended the complaint to name Jay-Z.

Carter’s lawsuit claims that before Jane Doe identified him publicly, Buzbee sent a "blatantly extortionate" demand letter seeking a financial settlement in exchange for keeping his name out of the case. "This was an evil conspiracy to leverage knowingly false accusations to force a multimillion-dollar settlement," the suit alleges.

Jay-Z further contends that Jane Doe later admitted to his legal team that the allegations were untrue but that Buzbee continued pushing the case regardless. "Jane Doe knew these allegations were false, and she told Buzbee they were false. But he pushed her to go forward with the false narrative," the lawsuit states. It also argues that the accusations resulted in reputational damage and lost business opportunities, with Carter estimating that Roc Nation lost at least $20 million in annual revenue due to the case.

Buzbee has dismissed Carter’s lawsuit as baseless. "Shawn Carter’s investigators have repeatedly harassed, threatened, and harangued this poor woman for weeks, trying to intimidate her and make her recant her story. She hasn’t, and won’t. Instead, she has stated repeatedly that she stands by her claims," Buzbee said in a statement.

He further accused Jay-Z’s team of attempting to silence Jane Doe. "These same group of investigators have been caught on tape offering to pay people to sue me and my firm," he added. "This is just another attempt to intimidate and bully this poor woman that we will deal with in due course. We won’t be bullied or intimidated by frivolous cases."

Jane Doe has also responded, standing by her allegations. "I was approached by people claiming to be investigators for Jay-Z, and they tried to pressure me into signing documents recanting my claims. I refused," she said. She denied admitting to fabricating her allegations and maintained that she will fight the case.

Carter’s legal team has requested that Jane Doe remain anonymous in court filings, citing her history of mental illness and self-harm. His lawsuit seeks damages for defamation, malicious prosecution, abuse of process, and civil conspiracy, arguing that the false allegations have caused severe damage to his career and personal life.

Usher to Receive Honorary Doctorate, Deliver Keynote at Emory University Commencement

 

Usher at the 2015 Kennedy Center Honors Dinner. 

Grammy-winning R&B icon Usher Raymond IV is adding another prestigious honor to his legacy — an honorary doctorate from Emory University.

The multi-platinum artist, philanthropist, and entrepreneur will also serve as the commencement speaker for Emory’s 180th graduation ceremony on May 12 in Atlanta.

Emory announced the news on February 27, with University President Gregory L. Fenves highlighting Usher’s profound impact on music, culture, and community service.

“There are few artists in the history of popular music who have innovated as ceaselessly as Usher,” Fenves said. “Through acclaimed albums, era-defining songs, global tours, and live performances that showcase his peerless talent as a singer, songwriter, and dancer, Usher has connected profoundly with generations of fans, building a dedicated audience that continues to grow.”

A Legacy Beyond Music

Usher, who moved to Atlanta at age 12 to pursue his music career, has spent three decades at the forefront of R&B and pop music. Since his self-titled debut album in 1994, he has delivered nine No. 1 hits on the Billboard Hot 100, including timeless classics like “U Got It Bad,” “Yeah!,” “Burn,” “My Boo” and “OMG.”

The eight-time Grammy winner has continued to evolve, headlining the 2024 Super Bowl Halftime Show and bringing Atlanta culture to a global audience through his sold-out Las Vegas residency from 2021-2023.

Beyond his trailblazing career in music, Usher has cemented his place as a philanthropist and mentor to young people. In 1999, he founded Usher’s New Look  an Atlanta-based nonprofit that has guided over 55,000 under-resourced teens through mentorship, leadership training, financial literacy education and career development.

Through a longstanding partnership with Emory University, Usher’s foundation has worked to empower students with the resources they need to succeed in high school, college, and beyond.

“New Look fills a critical need by stepping up to help students realize their potential,” Fenves noted. “Emory University has been proud to partner with this incredible organization over the years.”

Usher Reflects on the Honor

As he prepares to address Emory’s Class of 2024, Usher expressed his excitement about sharing his journey and inspiring graduates.

“I have spent my life following my spark — my passion — and trying to support young people as they find and follow their own passions,” Usher said. “I’m thrilled to have the opportunity to speak to these incredible Emory students as they graduate and prepare to make their mark on the world.”

Wu-Tang Clan Announces ‘Final Chamber’ Tour With Run the Jewels

Photo Credit: Kyle Christy

Wu-Tang Clan is forever — but their days of touring together may finally be coming to a close.

The hip-hop collective has embarked on what they are calling "Wu-Tang Forever: The Final Chamber", a farewell tour that kicks off June 6 in Baltimore and wraps up July 18 at the Wells Fargo Center in Philadelphia. Along the way, the tour will hit major cities across North America, including Los Angeles, Houston, Toronto, and, of course, their hometown of Staten Island before finishing in Newark, New Jersey.

The tour, which will feature Run the Jewels as the opening act, comes as Wu-Tang marks the 30th anniversary of "Enter the Wu-Tang (36 Chambers)," the groundbreaking debut album that redefined hip-hop.

Wu-Tang Clan co-founder RZA shared his excitement for the final tour, reflecting on the group's decades-long legacy and their bond with fans.

“Wu-Tang Clan has shown the world many chambers throughout our career; this tour is called The Final Chamber. This is a special moment for me and all my Wu brothers to run around the globe together one more time and spread the Wu swag, music, and culture,” RZA said.

Promising to deliver a once-in-a-lifetime experience, he added:

"On this tour we’re playing songs we’ve never played before to our audience, and me and our production team have designed a Wu-Tang show unlike anything you’ve ever seen.”

Hip-hop fans and fellow artists have shared their reactions online, with Run the Jewels' Killer Mike offering a personal reflection on Wu-Tang’s impact on his career:

"The GZA took me on tour and gave me Godbody game. The Chef, Ghost, and Cap had my petty ass running errands just to be in their presence. To hit the road with The Wu is a dream come true," he wrote.

Tickets went on sale last Friday, and some dates have already sold out. Fans hoping to witness Wu-Tang’s final run are encouraged to secure tickets before it’s too late.

Full Tour Dates:

• June 6 – Baltimore, MD – CFG Bank Arena
• June 7 – Raleigh, NC – PNC Arena
• June 8 – Tampa, FL – Amalie Arena
• June 9 – Atlanta, GA – State Farm Arena
• June 12 – Fort Worth, TX – Dickies Arena
• June 13 – Houston, TX – Toyota Center
• June 14 – Austin, TX – Moody Center
• June 15 – Tulsa, OK – BOK Center
• June 18 – Phoenix, AZ – Footprint Center
• June 19 – Ontario, CA – Toyota Arena
• June 20 – San Diego, CA – Pechanga Arena
• June 21 – Los Angeles, CA – Kia Forum
• June 23 – San Francisco, CA – Chase Center
• June 25 – Sacramento, CA – Golden 1 Center
• June 26 – Seattle, WA – Climate Pledge Arena
• June 27 – Vancouver, BC – Rogers Arena
• June 28 – Portland, OR – Moda Center
• June 30 – Greenwood Village, CO – Fiddler’s Green Amphitheatre
• July 3 – Chicago, IL – United Center
• July 5 – Detroit, MI – Little Caesars Arena
• July 6 – Columbus, OH – Nationwide Arena
• July 9 – Boston, MA – TD Garden
• July 11 – Laval, QC – Place Bell
• July 12 – Toronto, ON – Scotiabank Arena
• July 14 – New York, NY – Madison Square Garden
• July 18 – Philadelphia, PA – Wells Fargo Center

As the Wu-Tang Clan prepares for one final run, one thing is certain: Wu-Tang is forever, but this tour won’t be.

Judge Rules Jay-Z’s Defamation Suit Against Lawyer Tony Buzbee Can Proceed

The legal battle between Jay-Z and Houston attorney Tony Buzbee has escalated, as a California judge ruled that the rapper’s defamation lawsuit against Buzbee has enough merit to proceed to trial. The ruling follows a now-dismissed sexual assault lawsuit in which Jay-Z was accused alongside Sean "Diddy" Combs.

Los Angeles County Superior Court Judge Mark H. Epstein determined that Buzbee’s public statements, including social media posts, could be considered defamatory and raised "serious questions" about whether he acted with actual malice — an essential standard in defamation cases involving public figures. The decision represents a significant legal turn in the high-profile case that has entangled some of the biggest names in the music industry.

Buzbee initially filed a lawsuit on behalf of an anonymous woman who claimed she was raped at a 2000 MTV Video Music Awards afterparty. While the original filing did not name Jay-Z, a subsequent amended complaint, submitted in December, identified him directly. The lawsuit was dismissed with prejudice earlier this month, barring it from being refiled. However, Jay-Z has argued that Buzbee’s handling of the case inflicted severe reputational harm.

According to the court, one of the key points of contention is Buzbee’s social media activity. Judge Epstein specifically cited Buzbee’s decision to "like" a post on X (formerly Twitter) that identified Jay-Z as the unnamed defendant in the case, prior to him being formally named. "It’s hard to say that when somebody states, ‘Doe is Carter,’ and your client likes it, it’s not reasonable to infer that your client has affirmed they’re right," Epstein said. He ruled that this, along with Buzbee’s direct statements, constituted grounds for a defamation claim.

The judge also allowed claims to proceed against Buzbee for publicly referring to the plaintiff as a "sexual assault survivor," despite the lack of evidence supporting her allegations, and for remarks made during interviews with outlets such as TMZ and Piers Morgan. In a televised interview, Buzbee suggested his case against Jay-Z was part of a broader legal strategy, stating, "It may not be big names at first, but we have a long list of names." He also told TMZ that his client might take Jay-Z’s advice and "file a criminal complaint" against him, further fueling speculation.

Jay Z release this statement through Roc Nation after the dismissal of the  sexual assault lawsuit filed against him by Houston lawyer Tony Buzbee.

Judge Epstein has not yet ruled on Jay-Z’s extortion claim but left open the possibility of reconsidering it if new evidence is presented. He advised Jay-Z’s legal team to submit additional documentation that might substantiate their argument that Buzbee made settlement demands without his clients’ consent or intention to sue.

The ruling marks a rare legal setback for Buzbee, a high-profile Texas attorney known for taking on powerful figures. His legal battles against Combs have included multiple lawsuits alleging sexual misconduct. However, the dismissal of the Jane Doe case against Jay-Z has now raised questions about his handling of such claims.

Jay-Z also addressed the personal toll of the allegations in his filing, stating that it was "incredibly painful" to explain the situation to his children, particularly his eldest daughter, whose friends could see the headlines and ask questions. "I mourn this loss of innocence for my children, including one who is around the age that the female minor claims to have been when she falsely claims that these heinous acts happened," he wrote.

BigXthaPlug Arrested for Misdemeanor Drug Charge After Traffic Stop

Arlington Police Department

Dallas rapper BigXthaPlug, a rising star in hip-hop, was arrested early Wednesday on a misdemeanor marijuana charge after police pulled him over for expired registration, authorities said.

BigXthaPlug, whose real name is Xavier Landum, was driving on North Collins Street just after midnight when an Arlington, Texas, police officer stopped his vehicle. As the officer approached, they reported smelling marijuana coming from the car.

According to police, Landum and his passenger, 22-year-old Cleodist Landum, were ordered to step out of the vehicle. A search of the car uncovered cigarettes, a green leafy substance in the center console, and a handgun in the passenger-side door pocket.

Passenger Had Outstanding Felony Warrant

Further investigation revealed Cleodist Landum had an active felony warrant out of Bexar County for failing to appear in court. He was taken into custody on the warrant, as well as additional charges of possession of marijuana and unlawful carrying of a weapon, after officers found cannabis on him.

Xavier Landum was also arrested and booked into Arlington City Jail on a misdemeanor charge of possession of less than two ounces of marijuana. He was later released.

Wouldn’t Have Faced Arrest in Dallas

The location of the arrest played a significant role in the outcome. While Arlington police arrested Landum, Dallas law enforcement does not detain or issue citations for marijuana possession under four ounces. Had the traffic stop taken place just a few miles away in Dallas, BigXthaPlug likely wouldn’t have been taken into custody.

From Viral Stardom to Legal Troubles

BigXthaPlug has emerged as one of Texas’ most talked-about artists, with his breakout hit "Texas" amassing more than 200 million streams across Spotify and YouTube.

His 2024 album "Take Care" was named one of NPR’s 50 Best Albums of the Year, and he was honored as a XXL Freshman, solidifying his national recognition. His music is a staple at Texas sports venues, with franchises like the Texas Rangers frequently playing his songs during games.

The arrest comes at a critical moment for the Dallas-based rapper, who is set to join Lil Baby’s WHAM World Tour this June. The second stop of the tour is at Dallas’ American Airlines Center, making it a highly anticipated homecoming performance.

Beyoncé Expands Cécred to Ulta Beauty in Record-Breaking Retail Move

Courtesy Photo: Cécred

Beyoncé is making power moves once again — this time in the beauty industry. Her hair care brand, Cécred, is set to launch in over 1,400 Ulta Beauty stores nationwide and online starting April 6, marking the largest exclusive hair care rollout in the retailer’s history.

The partnership between Cécred and Ulta Beauty expands access to the Grammy-winning artist’s "science-backed and ritual-inspired" hair care products, which debuted just a year ago. Until now, Cécred has been available only through its direct-to-consumer website.

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A post shared by Beyoncé (@beyonce)

Beyoncé took to Instagram on Wednesday to share the news with her 312 million followers, posting a video where she delivers her iconic “World stop... carry on” line from Nicki Minaj’s 2014 hit “Feeling Myself.” Dressed in a sleek, thigh-slit white gown, she teased the expansion while sitting in front of a mirror as her hair blew in the wind.

Since its February 2024 launch, Cécred has gained a dedicated following. The collection includes the bestselling Hydrating Shampoo and Conditioner, the Fermented Rice & Rose Protein Ritual, and the Restoring Hair & Edge Drops — products the brand position as designed to strengthen and nourish all hair types.

“Cécred is rooted in the deep connection we share with hair across generations,” the brand states on its website. “Blending patent-pending technology with ancient wisdom, our formulas are designed to promote healthier, stronger, and more resilient hair.”

Ulta Beauty’s nationwide footprint and full-service in-store salons make it a strategic partner for Cécred, allowing customers to not only shop the brand’s full range but also experience it through exclusive salon services. The rollout will include prominent in-store branding, interactive displays featuring Cécred’s sleek, patent-pending bottles, and a first-of-its-kind salon integration.

The move signals a major moment for Cécred, solidifying its place in the competitive hair care industry while reinforcing Beyoncé’s influence beyond music. With its expansion into Ulta Beauty, the brand is now more accessible than ever — offering fans and beauty lovers alike the opportunity to bring a touch of Queen Bey’s hair care routine into their own homes.

Rihanna Supports A$AP Rocky as Jury Returns Not Guilty Verdict

Rihanna and A$AP Rocky, seen in a Fenty Skin campaign. Rocky was found not guilty today of two felony assault charges stemming from a 2021 shooting incident in Los Angeles. 

A Los Angeles jury has acquitted rapper A$AP Rocky of two felony assault charges related to a 2021 shooting incident involving his former friend, Terell Ephron, known as A$AP Relli. The jury deliberated for approximately three hours before delivering the not-guilty verdict.

Following the verdict, A$AP Rocky, whose legal name is Rakim Mayers, expressed his gratitude, stating, "Thank y'all for saving my life."

He then embraced his partner, Rihanna, who had been present throughout the trial, along with their two young sons.

Asap rocky jumps and hugs Rihanna after being found not guilty pic.twitter.com/Cg1SpkvsDx

— f⌖ (@ohfold) February 19, 2025

The charges stemmed from a November 6, 2021, altercation in Hollywood, where Ephron alleged that Mayers pointed a semi-automatic firearm at him and fired, resulting in minor injuries. The defense contended that the weapon was a prop gun from a music video shoot, firing only blanks, and argued that Ephron was the aggressor in the incident.

During the trial, fellow A$AP Mob member A$AP Twelvyy testified, supporting the defense's claim that the gun was a prop and that Ephron had instigated the confrontation. The prosecution, however, maintained that Mayers had deliberately fired at Ephron.

Los Angeles County District Attorney Nathan J. Hochman acknowledged the jury's decision, stating, "While this was not the result we sought, we respect the jury’s decision and the integrity of our justice system."

With this acquittal, Mayers avoids a potential sentence of up to 24 years in prison. Ephron has also filed a civil lawsuit against Mayers, which remains pending.

This verdict concludes the criminal proceedings related to the 2021 incident, allowing Mayers to continue his personal and professional life without the looming threat of incarceration.

Judge Dismisses Jay-Z Sexual Assault Case ‘With Prejudice,’ Ending Legal Battle

Jay-Z has been officially cleared of sexual assault allegations after a Jane Doe accuser voluntarily dismissed her lawsuit with prejudice, preventing it from being refiled. The lawsuit, which initially named Sean "Diddy" Combs and later identified Jay-Z as "Celebrity A," alleged an attack took place in 2000 at one of Combs' parties following the MTV Video Music Awards. The abrupt dismissal marks the end of a case that had drawn significant media attention and public scrutiny.

In a statement issued Friday, Jay-Z, whose real name is Shawn Carter, denounced the lawsuit as "frivolous, fictitious, and appalling." “This civil suit was without merit and never going anywhere,” he said. “The fictional tale they created was laughable, if not for the seriousness of the claims. I would not wish this experience on anyone. The trauma that my wife, my children, loved ones, and I have endured can never be dismissed.”

The lawsuit, filed in December, accused Jay-Z of sexual assault and described him as an accomplice to an alleged crime committed at Combs' party. The plaintiff, who remained anonymous under the pseudonym Jane Doe, claimed she had been drugged and raped. However, inconsistencies in her allegations, including statements she made during a mid-December NBC interview in which she admitted to “mistakes,” weakened the case.

Jay-Z’s legal team, led by high-profile attorney Alex Spiro, aggressively pushed back against the allegations. Spiro dismissed the claims as “heinous and false,” highlighting discrepancies in Doe’s account and challenging the credibility of her accusations. Spiro also attempted, unsuccessfully, to have the plaintiff's real name disclosed and sought legal consequences for what he described as a “lack of diligence” in pursuing the case.

Legal maneuvers escalated when Jay-Z filed a separate lawsuit against Doe's attorney, Tony Buzbee, accusing him of extortion. The high-profile Texas lawyer, known for taking on powerful defendants, had previously represented multiple women in sexual misconduct cases against Combs. However, the credibility of the allegations against Jay-Z remained in question, leading to a swift dismissal.

Following the voluntary withdrawal of the lawsuit, Spiro emphasized his client’s complete exoneration. “The false case against Jay-Z, that never should have been brought, has been dismissed with prejudice,” Spiro said. “By standing up in the face of heinous and false allegations, Jay has done what few can — he pushed back, he never settled, he never paid one red penny, he triumphed and cleared his name.”

Legal experts note that a dismissal with prejudice ensures the case cannot be refiled in its current form, providing a definitive conclusion to the lawsuit.

Meanwhile, Combs, who remains entangled in multiple legal battles, has yet to issue a statement regarding the latest development. The dismissal comes at a time when the hip-hop mogul faces mounting scrutiny over separate allegations. Despite being removed as a defendant in this particular case, his legal troubles are far from over.

For Jay-Z, the ruling represents both a personal and professional victory. The Roc Nation founder and billionaire entrepreneur has built an empire spanning music, business, and philanthropy. Throughout the ordeal, he maintained his innocence, refusing to engage in settlements or negotiations that would suggest otherwise. The legal victory underscores his commitment to fighting allegations he deemed baseless.

While the case has been closed in court, the public discourse surrounding high-profile accusations and legal battles in the entertainment industry is far from over. The impact of such claims, even when dismissed, lingers in the court of public opinion, leaving lasting effects on reputations and careers. For now, however, Jay-Z walks away from the legal battle unscathed, his name cleared in a lawsuit that will not see another day in court.

From Houston to High Fashion: Paul Wall and Paul Masson Celebrate ‘ICE’ with Exclusive Jewelry Drop

Paul Wall showcases the custom Paul Masson ICE chain and brandy, part of a giveaway tied to his upcoming birthday bash. The Houston rapper and jeweler Johnny Dang are offering one fan the chance to win the $15,000 pendant as the city prepares to celebrate Wall’s legacy.

Paul Wall, the Houston rapper known as "The Iceman," is giving one lucky fan the chance to experience his signature lifestyle, complete with a $15,000 custom chain designed by his longtime jeweler Johnny Dang and a VIP trip to his birthday concert in Dallas. The contest, backed by Paul Masson Brandy, promises the winner an exclusive backstage party where Wall will personally present the jewelry while bottles of Paul Masson ICE, the liquor brand’s latest flavored brandy, are poured.

At first glance, the collaboration seems like a natural fit. Wall, who helped make diamond-studded grillz a hip-hop staple, has built his image around jewelry, luxury, and Houston’s underground rap scene. His partnership with Dang is legendary, their influence cemented in hip-hop history. Owning a custom Johnny Dang chain isn’t just about flash — it’s a status symbol, making this contest feel like more than just a promotional stunt. But behind the glitz and exclusivity, there’s a familiar tension between hip-hop culture and corporate branding, raising the question of whether this is an authentic moment or just another attempt to sell more liquor.

The intersection of hip-hop and alcohol marketing is nothing new. Liquor brands have spent decades embedding themselves into rap culture, from the days when Cognac companies latched onto their unprompted shoutouts in lyrics, to modern deals where rappers become the face of a brand, collecting checks while pushing bottles.

The custom Paul Masson ICE chain, designed by famed jeweler Johnny Dang, features VS and VVS diamonds set in a frosty light blue medallion, mirroring the brand’s signature colors and cooling effect.

 Paul Masson has followed that formula, leveraging hip-hop’s love of luxury while maintaining a mass-market appeal. Its new Paul Masson ICE brandy was even designed with a gimmick tailored to Wall’s persona — the bottle’s thermochromic label shifts color when chilled, mimicking the way diamonds catch the light. Even its 59-proof alcohol content is a nod to Wall’s Houston roots, referencing the 5900 block of Southlea Street where he lived when he dropped "The People's Champ," his Billboard No. 1 album that turns 20 this year.

Wall’s influence, however, extends beyond marketing deals and jewelry. He has remained deeply connected to Houston’s rap scene and his community, organizing school supply drives, helping with Hurricane Harvey relief efforts, and maintaining his independence in an industry that often exploits artists. He built his brand from the ground up, and his partnership with Dang revolutionized custom jewelry in hip-hop. That legacy is part of what makes this contest appealing — this isn’t just a chain; it’s a symbol of the culture Wall helped shape.

But that authenticity is also what makes the campaign feel like a double-edged sword. For one lucky winner, it’s a chance to step into Wall’s world, draped in a Johnny Dang original while rubbing elbows backstage at a hip-hop event. For everyone else, it’s a well-executed advertisement disguised as a cultural moment. The contest runs through Feb. 28, with details available at PaulMassonIce.com, but as hip-hop continues to be one of the most powerful marketing tools in the world, the bigger conversation about how brands capitalize on the culture is far from over.

Ye and the Art of the Swastika Grift: Kanye Drops Super Bowl Ad for Nazi Merch, Then Disappears

A screengrab fromYe's Super Bowl commercial.

After a weekend of hateful posts on X — where he declared himself a Nazi, praised Adolf Hitler, and made a series of misogynistic and conspiracy-laden remarks — Ye’s account suddenly disappeared Sunday night. The move came hours after he aired a bizarre self-shot Super Bowl commercial, directing viewers to his website, yeezy.com, where the only item for sale was a $20 white T-shirt emblazoned with a black swastika.

The page featured no explanation, only the text "HH-01," a term widely interpreted as shorthand for “Heil Hitler.” The Anti-Defamation League quickly condemned the shirt, calling it “further proof of Ye’s dangerous, escalating antisemitism.” The organization, which combats anti-Jewish discrimination, pointed out that the swastika “continues to threaten and instill fear in those targeted by white supremacy.”

The Super Bowl ad, which aired in select markets including Los Angeles, showed Ye reclining in a dentist’s chair, telling viewers, “I spent all the money for the commercial on these new teeth. So once again, I had to shoot it on the iPhone. Um, um, um, go to yeezy.com.” There was no mention of the swastika shirts, but by Monday morning, they were the only item available for purchase.

In an ironic twist, Ye had explicitly stated days earlier that he would never sell such a shirt, posting: “I would never sell a swastika tee because people could be physically harmed wearing it … I love my fans and supporters.” His rapid reversal fueled speculation that his latest spiral is not just another episode of erratic behavior but a calculated attempt to provoke outrage and capitalize on controversy.

Before his abrupt departure from X, Ye expressed gratitude to Elon Musk for keeping his platform open to him. “I appreciate Elon for allowing me to vent,” he wrote. “It has been very cathartic to use the world as a sounding board.”

Musk, for his part, publicly distanced himself from Ye's content but allowed him to continue posting well beyond the point where most accounts would have been banned. He acknowledged that Ye had posted explicit content, replying to one X user, “Given what he has posted, his account is now classified as NSFW. You should not be seeing that anymore.”

Ye’s latest outburst also included a bizarre defense of jailed music mogul Sean “Diddy” Combs, whom he called his “idol” while criticizing celebrities for not speaking out on Combs’ behalf. He then claimed “dominion” over his wife, Bianca Censori, who has drawn attention in recent weeks for appearing nearly nude in public alongside Ye.

His antisemitic rhetoric is nothing new. In 2022, he infamously tweeted that he was going “death con 3 on Jewish people,” which led to his suspension from Twitter and Instagram, the loss of multi-billion-dollar deals with Adidas and other companies, and widespread condemnation. He later apologized in 2023, claiming he was committed to “learning from the experience.” But as his latest meltdown demonstrates, any notion of repentance was short-lived.

Now, Ye’s X account is gone, his swastika-laden shirts are the only remnant of his latest self destruction, and his Super Bowl stunt has left the world wondering: Will he finally face real consequences, or is this just another cycle in his endless spiral of controversy?

Gary Grier, Veteran Member of The Contours, Dies at 72

Gary Grier, bottom left, with The Contours in 2017. Grier, a longtime member of the Motown vocal group, died in February, the band announced.

Gary Grier, a veteran performer and staple of Motown’s legendary vocal group The Contours, has died at 72. The group announced his passing on Facebook.

"Today, we lost one of our own," the statement read. "We are profoundly saddened by the sudden death of Gary Grier. He was an integral part of our group, and he will be sorely missed. Our thoughts and prayers go out to all of Gary’s family and friends."

Grier, who joined The Contours in 1993, spent more than three decades helping preserve and extend the legacy of one of Motown’s most beloved groups. Although he was not part of the original lineup, his voice and stage presence became a defining part of the band’s continued success. He took over after the departure of Darell Nunlee, joining a roster that had already been evolving since the group's early years.

The Contours first rose to fame in the early 1960s as one of Motown’s premier vocal acts. Their signature hit, “Do You Love Me,” written by Berry Gordy, was a massive success in 1962, topping the R&B charts and reaching No. 3 on the Billboard Hot 100. The track, known for its raw, high-energy vocals, became one of the defining sounds of early Motown and sold more than a million copies.

The song experienced a second wave of success in 1988, when it was prominently featured in the box-office smash Dirty Dancing. The exposure propelled it back onto the Billboard Top 40 charts for another eight weeks, introducing a new generation to the group’s infectious sound.

Beyond “Do You Love Me,” The Contours recorded several other charting singles, including “Can You Do It,” “Shake Sherry,” “First I Look at the Purse” and “Just a Little Misunderstanding.” Though they never reached the same heights as their debut smash, The Contours’ impact on rhythm and blues — and their reputation as one of the most dynamic acts in early Motown history — remained intact.

Grier played a key role in keeping the group’s legacy alive, performing well into the 2000s alongside longtime members Joe Billingslea and Al Chisholm. SoulTracks.com described him as “a seasoned performer with a commanding stage presence”, a reputation he upheld in performances across the country.

The Contours remained active in the decades following Motown’s golden era, adapting to lineup changes while continuing to tour and perform for loyal fans. In 2015, they were inducted into the R&B Hall of Fame, followed by their 2016 induction into the Michigan Rock and Roll Legends Hall of Fame.

Master P, Louis Armstrong, Lil Wayne Among Inductees on New Orleans Walk of Fame

Master P

New Orleans’ rich cultural legacy is now set in stone — literally.

On Thursday, hip-hop mogul and city ambassador Percy "Master P" Miller officially unveiled the New Orleans Walk of Fame in downtown New Orleans, honoring 50 influential figures who have shaped the city’s music, sports, business, and activism.

The inductees — ranging from jazz greats and hip-hop pioneers to civil rights leaders, actors, and entrepreneurs — were honored with custom-designed Fleur-de-lis plaques embedded along Canal Street.

"This Walk of Fame is a curriculum," Master P said. "We want kids to be able to know who these people are and who these people were. So, from Louis Armstrong to Tom Benson to Archie Manning, we want people to be able to celebrate the greats that come from here."

The inaugural class includes music legends such as Armstrong, Fats Domino, Allen Toussaint, and Lil Wayne, alongside actors like Wendell Pierce and Carl Weathers and sports icons Peyton, Eli and Archie Manning. The honorees also include trailblazers in politics, education, and activism, such as civil rights attorney A.P. Tureaud, restaurateur Leah Chase and educator Norman Francis.

New Orleans Mayor LaToya Cantrell, the city’s first Black woman mayor, was among the inductees and played a key role in bringing the Walk of Fame to life. The city has granted 4.5 miles for expansion, and plans are already in motion to establish a museum highlighting the contributions of each honoree.

The Fleur-de-lis plaques, created by local artist Brandon "BMike" Odums, reflect a symbol that has been woven into New Orleans’ history since its founding in 1718 and remains synonymous with the city’s identity.

Master P and Joseph "Mongo" Mongeluzzi, global vice president of nightlife and entertainment for Hard Rock International and Seminole Gaming, stand Friday with memorabilia from the No Limit Reunion Tour donated to Hard Rock Cafe New Orleans.

Following the Walk of Fame unveiling, Master P continued the celebration Friday by donating a piece of hip-hop history to the Hard Rock Café New Orleans on Bourbon Street. The rap icon handed over the camouflage outfit he wore on the No Limit Reunion Tour in 2020 during performances of his anthems "Make 'Em Say Uhh!" and "I Got the Hook-Up!"

“We’re thrilled to welcome this new piece of memorabilia to our extensive collection of items from music history,” said Giovanni Taliaferro, vice president of memorabilia and design at Hard Rock International. “Master P’s influence on Southern hip-hop is undeniable, and we are proud to showcase this outfit in New Orleans, where locals and fans alike can celebrate his legacy for years to come.”

The donation ceremony was attended by family, friends, and fans, adding to the excitement of a day that celebrated New Orleans’ rich artistic and cultural heritage. With the Walk of Fame set to expand and a museum in the works, Master P and city officials hope the project will serve as an educational and inspirational landmark for generations to come.

For visitors, Super Bowl LIX attendees, and lifelong residents alike, the Walk of Fame now stands as a permanent tribute to the figures who made New Orleans the cultural powerhouse it is today.

Ye's Latest Rant: Praise for Hitler, Support for Diddy, and More

Kanye West, reignited controversy with an explosive spree of antisemitic posts on X, echoing the rhetoric that cost him billion-dollar fashion deals and mainstream credibility two years ago.

In dozens of posts early Friday morning, he praised Hitler, called himself a Nazi, and dismissed antisemitism as “just some bulls–t Jewish people made up to protect their bulls–t.” Making it clear that his statements were intentional and not influenced by substances, he wrote, “AMY JEWISH PERSON THAT DOES BUSINESS WITH ME NEEDS TO KNOW I DONT LIKE OR TRUST ANY JEWISH PERSON AND THIS IS COMPLETELY SOBER WITH NO HENNESY.” He doubled down moments later, adding, “IM NEVER APOLOGIZING FOR MY JEWISH COMMENTS.”

Ye on X

The outburst was a near-carbon copy of his 2022 antisemitic tirades, which included incendiary remarks on social media, a string of unhinged interviews, and an infamous dinner with Donald Trump and white nationalist Nick Fuentes at Mar-a-Lago. The fallout was swift, as Adidas, Balenciaga, and GAP all severed ties, stripping him of lucrative partnerships. He was banned from multiple platforms and lost an estimated $1.5 billion in brand value in just a matter of weeks. Despite eventually being reinstated on X, his latest comments have once again raised the question of whether there will be lasting repercussions this time around.

In the midst of the antisemitic rant, Ye abruptly pivoted to advocating for the release of Sean "Diddy" Combs, who remains jailed on federal charges. “FREE PUFF,” he posted to his 32 million followers, calling Combs his “idol” and “hero.” Hours later, he stunned fans by announcing a Yeezy x Sean John collaboration, claiming it was something they had discussed before Combs’ arrest. “I’M SELLING THE SEAN JOHN COLLABORATION THAT ME AND MY BROTHER SPOKE ABOUT BEFORE THEY LOCKED HIM UP WE SPLITTING THE PROFITS 50/50.” He went further, alleging that Combs is prohibited from earning money while behind bars, saying, “I JUST FOUND OUT THAT PUFF IS NOT ALLOWED TO MAKE OR COLLECT MONEY WHILE HE'S LOCKED UP SO I'MA SEND HIS HALF OF THE MONEY TO JUSTIN.”

The move was unexpected given Ye’s history with Combs. In 2022, Combs publicly condemned Ye for his "White Lives Matter" stunt and attempted to intervene during his antisemitic meltdown. Ye responded by mocking him, calling him a pawn of Jewish executives. Now, despite their past tension, Combs acknowledged Ye’s support from jail, writing on Instagram, “Thank you to my brother @Ye YEEZY.COM.” His son, Christian Combs, echoed the message in a repost.

Ye didn’t stop with Combs. In his flurry of posts, he also attacked other celebrities for not speaking out, calling them “pssies” and “btches,” and praised Chris Brown, despite Brown facing past allegations of violence against women. He hurled homophobic slurs, made crude remarks about former Vice President Kamala Harris, and made a series of bizarre declarations, including claiming that he is a billionaire again, announcing that he is a racist, and stating that he no longer listens to rap music.

While the backlash to Ye’s comments has been swift, his X account remains active, a stark contrast to 2022 when his antisemitic remarks led to outright bans from Twitter and Instagram. His willingness to embrace public self-destruction—burning bridges, alienating allies, and reveling in controversy—seems to know no bounds. The only question now is whether he will once again face real consequences or if the cycle of outrage and acceptance will repeat itself yet again.

Long Live Dilla: Detroit Honors Hip-Hop Visionary With Street Renaming and ‘J Dilla Day’

The newly unveiled J Dilla Street sign stands at the intersection of Nevada and Charest in Detroit today, a day before what is now officially recognized as "J Dilla Day." 

Detroit has immortalized J Dilla, the visionary producer and hip-hop artist, with a street named in his honor and an official day of recognition in his hometown.

On Thursday city officials, fans, and Dilla’s family gathered for the unveiling of J Dilla Street, marking the corner of Nevada and Charest on the east side of Detroit — just steps from where he grew up. The ceremony took place on the eve of what is now officially "J Dilla Day," set to be observed annually on February 7, following a unanimous vote by the Detroit City Council earlier this week.

J Dilla Street has been unveiled in Detroit just in time for Dilla’s birthday (Feb. 7th)

The sign stands on the corner of Nevada & St. Charles

(via @EvezzyE)pic.twitter.com/Kgkt5Kmx8C

— Andrew Barber (@fakeshoredrive) February 6, 2025

Dilla’s daughters, Ja'Mya Yancey and Ty'Monae Whitlow, were in attendance to witness the momentous occasion.

"Words cannot describe how grateful we are for this declaration," Ja’Mya said. "For years, he has been celebrated all over the world, and this is such a monumental step to help us continue the work he left behind."

J Dilla, born James Dewitt Yancey, rose to prominence in the mid-1990s as a member of the influential rap group Slum Village before solidifying his place as one of the most revered producers in hip-hop. His distinct, jazz-infused, off-kilter drum patterns and soulful sampling techniques redefined production, influencing artists such as The Roots, Common, Busta Rhymes, D'Angelo and Kanye West.

His solo catalog includes the critically acclaimed albums "Donuts" and "Welcome 2 Detroit," as well as production credits on classic records for A Tribe Called Quest, Erykah Badu, and Madlib, among many others.

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A post shared by Official J Dilla (@officialjdilla)

Dilla died on February 10, 2006, at age 32 after battling thrombotic thrombocytopenic purpura (TTP), a rare blood disorder, and lupus. Despite his passing, his influence has only grown, with his beats, legacy, and signature sound continuing to inspire new generations of musicians.

A J Dilla street sign is going up on Nevada and Charest Thursday. Joylette Hunter, a spokesperson for the James Dewitt Yancey Estate, came to Detroit city council today with J Dilla’s daughters, Ja’Mya Yancey and Ty-Monae Whitlow. pic.twitter.com/6zEVeaii7I

— Sam Robinson (@samueljrob) February 4, 2025

The inaugural J Dilla Day in Detroit coincides with the upcoming Dilla Day L.A. concert on Saturday, hosted by Maureen "Ma Dukes" Yancey and the James Dewitt Yancey Estate. The event will feature performances by Slum Village, Guilty Simpson, and others, with proceeds benefiting victims of the Eaton wildfires.

Dilla’s daughters, now in their early twenties, say their mission is to preserve his legacy and ensure his genius is never forgotten.

"He put his stamp on the map," Ty’Monae Whitlow said. "Now it’s official. It’s on the street, and the world knows what we’ve known all along."

Killer Mike Sues Security Firm After Grammys Arrest, Claims Assault and Negligence

Photo Credit: Alberto E. Rodriguez/Getty Images for The Recording Academy

Killer Mike, the Grammy-winning rapper and activist, has filed a lawsuit against private security company S&S Labor Force, alleging false imprisonment, assault, and emotional distress over his arrest at the 2024 Grammy Awards.

The rapper, whose legal name is Michael Render, was detained on Feb. 4, 2024, at Los Angeles’ Crypto.com Arena, just moments after winning three Grammy Awards, including Best Rap Album for "Michael."

The lawsuit contends that security personnel wrongfully restrained and detained him, despite multiple attempts to clarify his identity and purpose for being backstage. Render alleges he was physically grabbed and surrounded by security guards as he attempted to move toward the red carpet area after his historic wins, and that their actions led to both public humiliation and physical harm.

Breaking: Rapper Killer Mike has been taken away in handcuffs in https://t.co/aF2yiyTHol arena after winning 3 #Grammys during telecast (Best Rap Song and Best Rap Performance for “Scientists & Engineers,” Best Rap Album for Michael) “Free Mike” someone shouts as he walks past. pic.twitter.com/4epfmzqMt8

— Chris Gardner (@chrissgardner) February 5, 2024

The lawsuit, filed in Los Angeles County Superior Court, describes an incident where a female security guard allegedly used unnecessary force, grabbing Render’s arm to stop him from leaving. Render claims he was then confined by multiple security personnel, who refused to listen as he attempted to explain that he had just won three Grammy Awards and was authorized to be in the secured area.

“Defendants used their position of authority to degrade, embarrass, and physically hurt [Killer Mike] in public view, subjecting him to emotional distress and public humiliation,” the lawsuit states. The rapper contends that his detainment not only caused physical harm but also robbed him of a once-in-a-lifetime moment — celebrating his career-defining wins on one of music’s biggest nights, in front of an international television audience.

S&S Labor Force, which operates as JRM Security, has denied involvement in the incident, issuing a statement in response to the lawsuit. “We unequivocally state that we had zero involvement in the incident described,” the company said in a statement to TMZ, asserting that while they provided security for the Grammys, their personnel were not responsible for Render’s detainment. “S&S Labor Force Inc takes pride in our commitment to ethical practices and the safety of our employees, clients, and guests. We have thorough protocols in place to ensure all actions taken by our security personnel adhere to the law and our company standards. The claim in question appears to be based on misinformation and lacks credible evidence.” The company stated they are investigating the claims outlined in the lawsuit.

The arrest, which was widely publicized in real-time as videos circulated on social media showing Render being led away in handcuffs, sparked outrage among fans and the hip-hop community. Several hours later, the rapper was released without charges. In July, the Los Angeles City Attorney’s Office formally declined to pursue charges, citing a lack of evidence. That same month, Render addressed the incident through music, releasing the song "Humble Me," which included the lyrics: "I was sitting there in a room full of cops, like Daniel was sitting with the lions / I had to quiet my mind, I prayed and I prayed and I prayed / The liars were lying their lies, I kept on just keeping my faith." The song was included on his album "Michael & the Mighty Midnight Revival: Songs for Sinners and Saints."

Render, a longtime activist and advocate for social justice, has been vocal about issues of racial profiling and the treatment of Black men by law enforcement and security forces. He has spoken at length about criminal justice reform and economic empowerment within Black communities, and his lawsuit underscores what he sees as a pattern of mistreatment and excessive force used against Black men in public spaces, even in moments of triumph. His legal filing seeks unspecified damages for what he describes as a wrongful arrest that caused serious emotional and reputational harm.

Irv Gotti, Ja Rule and Ashanti’s Producer and Murder Inc. Founder, Dies at 54

Photo Credit: Aaron J. Thornton/Getty Images for BET

Irv Gotti, the influential music producer and record executive who built Murder Inc. Records into one of hip-hop’s most dominant labels, has died at 54.

The Hollywood Reporter first confirmed his passing Wednesday, though the cause of death has not been officially disclosed. Sources close to the situation told Variety that Gotti, born Irving Domingo Lorenzo Jr., had suffered a series of strokes in recent months, linked to his long battle with diabetes.

A key architect of early 2000s hip-hop and R&B, Gotti was the mastermind behind Ja Rule’s meteoric rise, Ashanti’s chart-topping success, and some of the most memorable rap and R&B collaborations of the era. 

As the co-founder of Murder Inc., he produced and oversaw a string of crossover hits, including "Always on Time," "What’s Luv?" and "I’m Real (Murder Remix)," which dominated radio and defined the sound of mainstream hip-hop at the turn of the millennium.

Born and raised in Queens, New York, Gotti started as a DJ and aspiring producer, earning early credits on Jay-Z’s "Can I Get A…", Foxy Brown’s "Hot Spot," and DMX’s landmark debut, "It’s Dark and Hell Is Hot" (1998). His talent for blending hard-edged rap with melodic hooks caught the attention of Def Jam executive Lyor Cohen, who gave him his own label under the Def Jam umbrella in 1998. That same year, Gotti co-founded Murder Inc. with his brother Chris Gotti, and their first major project, Ja Rule’s debut album "Venni Vetti Vecci" (1999), set the stage for the label’s ascension.

By the early 2000s, Ja Rule had evolved from a gritty rapper into a mainstream superstar, thanks in large part to Gotti’s vision. His knack for mixing rap with R&B hooks, a formula perfected in collaborations with Ashanti, Jennifer Lopez, and Fat Joe, led to back-to-back No. 1 albums and platinum-selling singles. 

In 2002, Ashanti’s self-titled debut album, produced and executive-produced by Gotti, sold over 500,000 copies in its first week and won a Grammy for Best Contemporary R&B Album. For a time, Murder Inc. rivaled Bad Boy Records and Roc-A-Fella, churning out hit after hit, with Gotti positioned as one of the most powerful executives in music.

That dominance began to unravel in 2003, when the federal government raided Murder Inc.’s offices, investigating the label for alleged money laundering and ties to drug kingpin Kenneth “Supreme” McGriff. Though Gotti and his brother were acquitted in 2005, the scandal damaged Murder Inc.’s reputation beyond repair. Around the same time, Ja Rule’s high-profile feud with 50 Cent further eroded the label’s standing in hip-hop, shifting the genre’s momentum toward a more street-oriented sound that left Murder Inc.’s brand of melodic rap-R&B hybrids struggling to maintain relevance.

Gotti rebranded the label as The Inc. in 2006, moving it under Universal Motown, but the momentum was gone. With Ashanti as the label’s only remaining major artist, The Inc. struggled, and Gotti eventually pivoted away from music, focusing on television projects, including the BET series "Tales." In 2013, he rebranded the label again as Visionary, before reviving Murder Inc. in 2017 through a partnership with 300 Entertainment. In 2022, he made headlines for selling a 50 percent stake in his Murder Inc. masters for $300 million in a deal with Iconoclast, ensuring financial control over his legacy despite the label’s decline.

In his later years, Gotti openly battled diabetes, a condition he discussed candidly in interviews. In 2023, he revealed on "Drink Champs" that the disease was taking a toll on his body, admitting that it was “not under control” despite taking insulin. "It starts deteriorating your body," he said. "And anything that tastes good is horrible for you." By August 2024, reports surfaced that Gotti had suffered another stroke, requiring the use of a cane. In a statement to The Shade Room, he addressed his health, saying, "I’m getting older, but the only thing worse than getting old is not getting old."

Even as his business ventures shifted, Gotti remained a larger-than-life personality, often making headlines for his outspoken opinions and lingering rivalries. His feud with 50 Cent, one of the most infamous in hip-hop history, resurfaced once again just hours before Gotti’s death, when 50 mocked reports that the Murder Inc. founder had suffered a stroke. Posting on Instagram, 50 wrote, "Damn, I wanted him to see my new shows, yo!"—a callous jab at his longtime adversary.

That rivalry dated back two decades, as 50 Cent’s rise coincided with Murder Inc.’s decline, leading to a years-long war of words that played out in interviews, diss tracks, and even courtrooms. In recent years, Gotti downplayed the feud’s significance, but 50’s persistent taunts kept their animosity in the public eye.

Though Murder Inc. never regained its early 2000s dominance, Gotti left an undeniable mark on hip-hop history. His production and executive credits shaped an entire era, with classics like:

• DMX’s "It’s Dark and Hell Is Hot" (1998)
• Ja Rule’s "Between Me and You" (2000)
• Ashanti’s "Foolish" (2002)
• Fat Joe’s "What’s Luv?" (2002)
• Jennifer Lopez’s "I’m Real (Murder Remix)" (2001)

Gotti’s legacy is complicated, but his impact on hip-hop and R&B is undeniable. At his peak, he was a visionary who redefined the intersection of rap and mainstream music, helping craft some of the most enduring records of the early 2000s. His ability to blend street narratives with radio-friendly melodies influenced a generation of artists, and his business acumen paved the way for future moguls navigating the industry.

He is survived by his children, siblings, and extended family.