50 Cent Takes His Feud Global With Netflix Doc 'Sean Combs: The Reckoning'

Promotional poster for Netflix’s “Sean Combs: The Reckoning,” a four-part documentary series executive-produced by Curtis “50 Cent” Jackson. The series, directed by Alex Stapleton, explores decades of sexual-assault and trafficking allegations against Sean “Diddy” Combs and premieres December 2, 2025. (Photo courtesy of Netflix)

When 50 Cent trolls, it’s entertainment. When he warns, it’s prophecy. And this time, Curtis Jackson wasn’t joking.

The Queens mogul’s long war of words with Sean “Diddy” Combs has exploded into something bigger — a global event. Netflix just dropped the trailer for “Sean Combs: The Reckoning,” the four-part documentary executive-produced by 50 Cent and directed by Emmy nominee Alex Stapleton, set to premiere December 2, 2025. It’s the project nobody in hip-hop wanted to touch — until now.

“They said I was capping 🤷 What happened?” 50 wrote on Instagram after posting the teaser. The clip opens with a voice, low and final: “You can’t continue to keep hurting people, and nothing ever happens.” Then the screen cuts to black, stamped with 50’s calling card — “GLG 🚦 GreenLightGang 🎥 G-Unit Film & TV.”

The message landed like a gavel. For years, 50 and Diddy have traded public jabs — one man the corporate kingpin of the “All About the Benjamins” era, the other a bulletproof hustler who built an empire off instincts and smoke. But what started as an ego clash has now turned into one of hip-hop’s most consequential reckonings.

The series pulls back decades of headlines, lawsuits, and whispers around Diddy’s rise — from “No Way Out” and Bad Boy’s platinum run to Cîroc, Revolt TV, and the empire that once made him untouchable. Netflix’s synopsis calls it a “complex human story spanning decades,” but the timing says more than the tagline ever could. The streaming giant announced “The Reckoning” just a week after Combs’ 2024 arrest on federal charges of racketeering, sex trafficking, and transporting individuals for prostitution.

50 Cent had been teasing this moment since December 2023, when he first revealed plans to produce a documentary on the mounting allegations, pledging to donate proceeds to sexual-assault victims. At the time, many thought it was just another viral 50 stunt. By the fall of 2024 — after raids, indictments, and settlements — nobody was laughing.

In a joint statement, 50 and Stapleton said their mission was to “give a voice to the voiceless and present authentic and nuanced perspectives,” while reminding viewers that Combs’ story “is not the full story of hip-hop and its culture.” It’s a take that shows how carefully this project is walking the line — a film that both calls out individual power and protects the broader culture it came from.

The rivalry itself is pure hip-hop mythology — born in the early 2000s, when 50 accused Diddy of exploiting artists and disrespecting the streets that made him. For years, their feud simmered through cryptic interviews and social media. When the lawsuits hit, 50 shifted from jokes to journalism, posting court filings and clips like he was running his own newsroom. His followers called it obsession; now it looks like documentation.

Alex Stapleton’s direction adds weight to the production. Known for “Reggie” and “Black Hollywood: They’ve Gotta Have Us,” she approaches the story like an autopsy of fame and silence — combining survivor testimonies with archival footage and insider accounts from inside Diddy’s once-impenetrable circle. Netflix insiders describe “The Reckoning” as “methodical, not messy” — a rare attempt to dissect power without glorifying it.

When the trailer hit social media, hip-hop stopped scrolling. Within hours, 50’s post hit six figures in likes. Comments split between applause and disbelief — some called it overdue justice, others called it opportunism. But either way, the same name dominated the feed: Diddy.

Fifty Cent’s greatest gift has always been timing — and this time, his timing might have changed the course of hip-hop’s accountability era. The streets remember the shine, the suits, the whispers, and the silence. Now, with “The Reckoning” set to stream worldwide, it’s all coming back under lights no bottle service can dim.

Watch the full teaser below:

Travis Scott’s ‘Circus Maximus’ Becomes the Highest-Grossing Solo Rap Tour Ever

Travis Scott performs onstage during his “Circus Maximus” World Tour. The record-breaking global trek grossed more than $265 million across six continents, making it the highest-grossing solo rap tour in history, according to Live Nation. (Photo courtesy of Travis Scott / Cactus Jack)

Travis Scott has closed the loop on a story few artists could survive.

The Houston rapper ended his globe-spanning “Circus Maximus” World Tour on Nov. 19 with a stadium blowout in Mumbai, India before more than 40,000 fans — the finale to a two-year run that’s now the highest-grossing solo rap tour in history, according to Live Nation and Billboard Boxscore.

By the numbers, the achievement is staggering: more than 2.2 million tickets sold, $265 million grossed, and stops on six continents from South Africa to Seoul. But behind the victory lap lies a harder question — what does triumph look like for an artist whose brand was once synonymous with chaos?

Scott’s partnership with Live Nation, the same promoter behind the 2021 “Astroworld Festival” that ended in tragedy, has quietly become one of the most scrutinized second acts in music history. After years of investigations, lawsuits, and public backlash, both sides were under pressure to prove that the artist and the infrastructure could coexist safely again. So far, they have. Eighty shows, no major incidents — and a narrative that’s shifted from controversy to control.

Still, Scott’s tour wasn’t without unease. The scale itself — a rotating stage, fire bursts, 475 performances of “FE!N,” and crowds topping 100,000 across India — rekindled memories of the dangerous synergy between fandom and frenzy that once defined his shows. The difference this time was choreography, not chaos. Stadiums were carefully engineered, capacity managed, and cameras tracked nearly every surge.

Fueled by his 2023 album “Utopia,” the production played like a global reboot of Scott’s mythology: part redemption arc, part empire expansion. The trek began in North America before spilling into Europe, Asia, Latin America, and the Middle East — bringing the rage, but also restraint, to audiences that had only watched it unfold online.

There were no public apologies built into this run, no explicit reckonings — just bigger venues, tighter logistics, and a setlist that reminded fans why his stage power was so coveted in the first place. At his best, Scott turned arena rap into cinematic theater. At his worst, he reminded everyone how thin the line between spectacle and catastrophe can be.

In Mumbai, as fireworks closed out the final show, Scott stood as both symbol and survivor — a Houston artist who turned a near career-ending disaster into an unprecedented global haul. Whether “Circus Maximus” represents redemption or simply reinvention depends on who’s watching.

Jimmy Cliff, the Voice Who Carried Jamaica to the World, Dies at 81

Jimmy Cliff performs at the 2012 Raggamuffin Music Festival in New Zealand. (Photo by Eva Rinaldi / Wikimedia Commons / CC BY-SA 2.0.)

Before Bob Marley — before global playlists turned “One Love” into a slogan — there was Jimmy Cliff, the voice that made the world stop and listen to Jamaica. He carried Kingston’s hunger, rhythm and pride onto movie screens and record players everywhere with “The Harder They Come,” the 1972 cult classic that didn’t just soundtrack a movement, it invented one. Cliff died Monday at 81 from a seizure followed by pneumonia, his family confirmed.

“To all his fans around the world, please know that your support was his strength throughout his whole career,” his wife, Latifa Cliff, wrote on his official page, thanking friends, artists and the doctors who cared for him. “Jimmy, my darling, may you rest in peace.”

Cliff was the sound of rebellion turned spiritual. Born James Chambers in rural St. James Parish, he came up through Kingston’s rough, brilliant scene in the early ’60s, recording ska sides before reggae even had a name. By the time he crossed the Atlantic to the U.K., his writing — “Many Rivers to Cross,” “You Can Get It If You Really Want,” “Vietnam” — was already global protest music: hopeful, unbowed and honest about pain.

Then came “The Harder They Come.”

In Perry Henzell’s film, Cliff played Ivan Martin, the poor dreamer who cuts a record, gets cheated and turns outlaw when the system boxes him in. The movie’s grit, humor and tragic swagger mirrored Jamaica’s post-independence struggle and pushed reggae from local rhythm to international statement. Every artist who’s ever rapped, sung or filmed about hustle and betrayal owes something to it.

The film’s story — ambition, betrayal and survival against a rigged system — would later echo through hip-hop, the kind of hustler narrative artists from Jay-Z to Nas would identify with. Its soundtrack remains a cornerstone of global Black storytelling: defiant, spiritual, cinematic.

I don’t know if it’s possible for someone to be more alive than Jimmy Cliff is in this clip from The Harder They Come. I don’t think I can put into words what this whole record means to me. It’s overwhelming in so many ways, his positivity in the face of sadness… his incredible… pic.twitter.com/oHDG7Bb4bn

— Benny safdie (@benny_safdie) November 24, 2025

Film director Benny Safdie captured that energy perfectly in a post Monday: “I don’t know if it’s possible for someone to be more alive than Jimmy Cliff is in this clip from ‘The Harder They Come,’” he wrote. “His positivity in the face of sadness… his incredible performance here. He’s still here! JIMMY CLIFF.”

Cliff never chased Marley’s saintly myth; he stayed the restless craftsman. His 2012 album “Rebirth” — which earned him a Grammy and a Rock & Roll Hall of Fame induction — sounded like a man circling back to first principles. “One has to go back to point zero to move forward again,” he told NPR that year, recording with the same live-band energy that birthed reggae itself.

Tributes poured in across the music world. Trojan Records called him “a true pioneer whose songs and spirit helped carry reggae across the world.” UB40 said he’d “finally crossed over the last river.” On social media, messages from African and Caribbean artists hailed him as a revolutionary who used melody as protest and rhythm as hope.

From Kingston’s studios to Burkina Faso’s revolutionary stages, where he once performed at the invitation of Thomas Sankara, Cliff’s voice became a vessel for resistance, unity and joy. Few artists balanced defiance and grace so completely.

Jimmy Cliff is survived by his wife, Latifa, and their children, Lilty and Aken. Further memorial details are expected.