Showing posts with label news. Show all posts
Showing posts with label news. Show all posts

Tuesday, November 10, 2026

Producers Sue Ye, Ty Dolla $ign Over Alleged Unlicensed ‘Vultures’ Recording

Composite of separate photographs of Ye and Ty Dolla Sign
Ye, left, and Ty Dolla $ign are shown in a composite of separate archival photographs. The rappers face a federal copyright lawsuit alleging unauthorized use of a recording on their song "Vultures." (Composite by Célestin Denis via Wikimedia Commons, CC BY-SA 4.0)
A music file sent to Ty Dolla $ign by text message is now at the center of a federal copyright lawsuit accusing him and Ye of using another pair of producers' work without permission on their hit "Vultures."


Producers Jaraed "Jae Deal" Deal and Marlon "Marlonwiththeglasses" Barrow filed the complaint Friday in Los Angeles, alleging the rappers incorporated a recording the producers created in 2018 into multiple versions of "Vultures" without securing a license or properly compensating them.

The lawsuit names Ye, formerly known as Kanye West; Ty Dolla $ign, whose legal name is Tyrone Griffin Jr.; Yeezy Record Label LLC; Yeezy LLC; and distributor Create Music Group.

According to the 24-page filing, Deal and Barrow jointly created a track called "Joint 2," including separate instrumental recordings featuring piano, brass, strings, flutes and Rhodes keyboard.

Barrow had known Ty Dolla $ign for years, the lawsuit says.
During a telephone conversation, Ty allegedly heard the recording playing in the background and expressed interest in using it. He later visited Barrow's studio and requested a copy.

Barrow sent him an MP3 by text message, the producers say, with the understanding that higher-quality audio files and individual instrumental tracks would be delivered only after a written agreement was negotiated.

That agreement never materialized.

The producers allege that Ty Dolla $ign subsequently shared the MP3 with Ye and that portions of the recording appeared in multiple commercially released versions of "Vultures" beginning in November 2023.

Barrow received a production credit but no compensation, according to the lawsuit. Deal alleges he received neither credit nor payment.

The producers say they objected shortly after learning the song had been released and sought to have it removed from streaming platforms.

They also describe a January 2024 discussion with producer 88-Keys, identified in the complaint as Yeezy's head of music, during which they asserted their ownership of the underlying recording.

Nevertheless, the disputed material allegedly continued appearing in subsequent versions of "Vultures," including releases connected to the duo's chart-topping "Vultures 1" album.

The filing also describes an October 2024 attempt to resolve the dispute.

According to the producers, a Yeezy attorney offered to buy out their rights. Deal rejected the proposal, arguing that it failed to reflect the music's value or address the disputed credits.

The complaint does not reveal the amount offered.

The plaintiffs are pursuing copyright infringement, vicarious infringement and contributory infringement claims. They seek monetary damages, legal costs and an injunction that could restrict further distribution of recordings containing their work.

They also want a share of profits they argue are connected to the allegedly unauthorized use.

In an unusually expansive argument, the complaint attempts to connect the recording to revenues from "Vultures"-branded merchandise and ticketed listening events.

It alleges that merchandise sales exceeded $100 million, although that figure has not been independently substantiated, and the lawsuit has not established how much of any such revenue would be attributable to the disputed recording.

The producers are seeking actual damages and related profits, or alternatively statutory damages under copyright law. No damages have been awarded.

The case adds to the legal disputes surrounding music on Ye and Ty Dolla $ign's "Vultures" projects, which have previously drawn complaints from other artists and rights holders over allegedly unauthorized samples.

The allegations in the new lawsuit have not been proven. No response from the defendants to this specific complaint was established at publication.

Rochelle Fleming, First Choice Singer Whose Voice Helped Shape House Music, Dies at 72

 

Rochelle Fleming, founding member and lead singer of First Choice, helped shape disco and house music with recordings including “Doctor Love,” “Love Thang” and “Let No Man Put Asunder.” Fleming died Nov. 5 in Philadelphia at age 72. (Photo courtesy of BMG)
Rochelle Fleming's voice helped define disco in the 1970s. It was still filling dance floors decades later.

The lead singer and founding member of Philadelphia R&B group First Choice, whose recordings became essential building blocks of house music and influenced generations of artists, died Nov. 5 in Philadelphia. She was 72.

Her longtime manager, George Iz Correia, announced her death on behalf of the Fleming-Finney family. No cause was disclosed, and arrangements for a celebration of her life have not been announced.

Fleming rose to fame with First Choice, the vocal group behind "Armed and Extremely Dangerous," "Smarty Pants," "The Player," "Doctor Love" and "Let No Man Put Asunder."
LISTEN: First Choice's "Let No Man Put Asunder," featuring Rochelle Fleming's lead vocals, became a touchstone of house music. Listen on YouTube. Audio provided through BMG Rights Management.
But the full measure of her influence extends well beyond the group's original run.

"Let No Man Put Asunder," recorded for First Choice's 1977 album "Delusions," became a defining record in house music as DJs and producers introduced it to new audiences through remixes, sampling and reinterpretation.

Mary J. Blige later recorded her own version for her 1999 album "Mary."

And First Choice's influence extended into another generation of hip-hop and electronic music. J. Cole sampled "Wake Up to Me" on his 2019 hit "Middle Child," while Kaytranada drew from "Love Thang" for "10%," his collaboration with Kali Uchis that won a Grammy for best dance recording.

For listeners who knew those later records but not the original group, Fleming's voice had been part of the soundtrack all along.

Born in Philadelphia in 1954, Fleming began singing with schoolmates Annette Guest and Wardell Piper. The group, initially known as the Debonettes, eventually became First Choice.

Their breakthrough came with 1973's "Armed and Extremely Dangerous," which reached No. 11 on Billboard's R&B chart and crossed over to the pop market.

Working with Philadelphia producer Norman Harris, the group helped bridge the soulful harmonies of the early 1970s and the rhythm-driven disco sound that followed.

Fleming's commanding vocals remained central to that identity as First Choice recorded for labels including Philly Groove and Gold Mind, the latter associated with Salsoul Records.

The group disbanded in 1980, but its music continued to circulate through dance clubs, remixes and subsequent recordings.

Fleming pursued a solo career, recording songs including "Love Itch" and "Danger!" She also continued performing, preserving the musical legacy of First Choice while finding audiences who had discovered the group long after its initial success.

BMG, which represents part of the group's catalog through Salsoul, paid tribute Monday, describing Fleming as an artist whose recordings helped shape Philadelphia soul, disco and dance music.
Dan Baxter, the company's senior vice president of global catalog recordings, said the songs continued reaching new listeners through remixes and samples.

"Her voice and the joy it brought to so many will not be forgotten," Baxter said.

Fellow Philadelphia group Sister Sledge also mourned Fleming, praising her soulful voice and the music she left behind.

Her manager remembered someone who preferred to call her supporters "sweeties" rather than fans.

Some knew Fleming from First Choice's original hits. Others discovered her decades later through house music, remixes and hip-hop samples.

Nearly half a century after "Let No Man Put Asunder" was recorded, her voice was still filling dance floors.

Jordan Fisher To Lead ‘Purple Rain’ Musical Featuring More Than 20 Prince Songs

Jordan Fisher will play The Kid, the role originated by Prince in the 1984 film "Purple Rain," when the stage adaptation opens on Broadway in 2027. Previews begin March 12 at New York's Majestic Theatre. (Mark Seliger/Courtesy of "Purple Rain")
Jordan Fisher is about to step into Prince's purple spotlight.

The singer and Broadway star will play The Kid in the stage adaptation of "Purple Rain," taking on the role Prince made famous in his 1984 film and the music that helped turn him into a superstar.

Producer Orin Wolf announced the casting Tuesday, confirming that the musical will begin previews March 12, 2027, at Broadway's Majestic Theatre. Opening night is scheduled for April 12.

The show features more than 20 Prince songs, including "When Doves Cry," "I Would Die 4 U," "Take Me With U" and "The Beautiful Ones."

For Fisher, whose stage credits include "Hamilton," "Dear Evan Hansen," "Sweeney Todd" and "Moulin Rouge!," the production represents his first opportunity to originate a role in a new Broadway musical.

It also puts him in the difficult position of following one of popular music's most recognizable performers in a role closely associated with his life and career.

Director Saheem Ali said Fisher brings both the musical ability and emotional range needed to portray The Kid, praising what he called "the swagger, vulnerability and restless creative spirit we recognize in Prince."

The story follows a young Minneapolis musician struggling with family turmoil, professional rivalries and a complicated romance while trying to establish himself as a performer.

Prince played The Kid opposite Apollonia Kotero in the original film, which also featured Morris Day and The Time.

Released in July 1984, "Purple Rain" became a cultural phenomenon. The film won an Academy Award for its music, while the soundtrack spent 24 weeks at No. 1 on the Billboard 200 and produced some of Prince's defining hits.

The stage adaptation had its world premiere in Minneapolis in 2025, but the Broadway version arrives with significant changes behind the scenes.

Ali will direct from a book by Peter Duchan, with music supervision, arrangements and orchestrations by Jason Michael Webb and choreography by Ebony Williams, whose credits include work with Beyoncé.

Two musicians who knew Prince's music firsthand are also involved.

Bobby Z, drummer for The Revolution, and Morris Hayes, a longtime member of Prince's New Power Generation, are serving as music advisers.

Their involvement gives the production direct connections to both the "Purple Rain" era and Prince's later touring and recording career.

Fisher won't perform every show. Producers said an alternate will play The Kid on Tuesday evenings and Wednesday matinees. Additional casting has not been announced.

Prince died April 21, 2016, at age 57.

Four decades after "Purple Rain" helped establish him as a global superstar, Broadway is preparing to introduce The Kid to another generation — this time with Fisher at the microphone.

Monday, November 9, 2026

After Nipsey Hussle’s Death, Jay-Z Helped His Family Overcome a Business Crisis

During an appearance on the "One54 Africa" podcast, Nipsey Hussle's brother, Samiel "Blacc Sam" Asghedom (right), discusses how Jay-Z and Roc Nation helped The Marathon Clothing secure a partnership with Live Nation after the rapper's death in 2019. (Screenshot/One54 Africa)
Jay-Z's support for Nipsey Hussle didn't end when the rapper was killed in 2019. According to Hussle's older brother, it helped keep the clothing business they built together from being overwhelmed by orders in the aftermath of his death.

Samiel "Blacc Sam" Asghedom revealed how Jay-Z and Roc Nation helped connect The Marathon Clothing with concert giant Live Nation during a recent appearance on the "One54 Africa" podcast.

The family was facing a flood of orders it lacked the resources to produce or ship, Sam said.

"We had so many orders that we didn't even have a way to ship out or produce," he recalled.

Live Nation initially offered to help clear the backlog and keep the website operating, even if the companies never reached a formal business agreement.

That offer, Sam said, came through the involvement of Jay-Z and Roc Nation.

WATCH: Blacc Sam explains how Jay-Z, Roc Nation and Live Nation helped The Marathon Clothing respond to overwhelming orders after Nipsey Hussle's death. Watch on YouTube. Video: One54 Africa.

A partnership followed, with Live Nation providing a substantial advance and taking over merchandise operations. The arrangement gave the family access to the company's production and fulfillment network at a time when demand for Nipsey-related products had surged.

It also provided something Sam hadn't fully anticipated: legal muscle.

Live Nation's attorneys pursued counterfeit merchandise, unauthorized websites and other potential infringements involving Nipsey's intellectual property and the Marathon brand, he said.

Those weren't the only threats the family faced.

Sam described a separate effort by people attempting to claim rights associated with the Marathon name. He said attorneys who had previously assisted his brother helped challenge the claim, which was eventually abandoned.

He did not identify those involved.

With Live Nation's resources, Sam said, the clothing business was able to expand, recoup the advance and eventually move back toward operating on its own. He did not disclose the financial terms of the partnership.

Jay-Z's involvement continued a relationship that had drawn attention years before Nipsey's death.

In 2013, when Nipsey challenged conventional music sales by offering his "Crenshaw" mixtape for $100, Jay-Z bought 100 copies — a $10,000 show of support for the independent rapper's business strategy.

That connection has remained visible.

The Marathon Clothing collaborated with Jay-Z on merchandise celebrating his 30-year recording career, including items tied to his October performances at SoFi Stadium in Inglewood, California.

Sam said Jay-Z also surprised the family by appearing onstage wearing an official All Money In chain, paying tribute to Nipsey and the independent label he founded.

The gesture meant something to Sam, who said Jay-Z's longtime associate Emory Jones helped maintain the relationship between the artists and their businesses.

Nipsey was fatally shot March 31, 2019, outside his Marathon Clothing store in South Los Angeles. He was 33.

His brother has since overseen the expansion of the family's ventures, including Marathon Burger, which recently opened a location at Los Angeles International Airport.

But Sam's account also reveals how vulnerable the business was in the early days after Nipsey's death, when the family was simultaneously protecting his legacy and managing demand on a scale it hadn't been prepared to handle.

The assistance, he said, reflected the relationships Nipsey had built while he was alive.

"We had a lot of help," Sam said, crediting those relationships and the support his brother continued to inspire.

Tuesday, November 3, 2026

Timbaland Accuses Former Managers of Taking Millions in Unauthorized Payments

Timbaland speaking at the Collision conference in 2019
Music producer Timbaland appears at the Collision technology conference in Toronto on May 21, 2019. The Grammy winner has filed a lawsuit seeking more than $15 million from two former managers, alleging financial misconduct and mismanagement. (Photo: Stephen McCarthy/Collision via Sportsfile, CC BY 2.0)

Grammy-winning producer Timbaland has filed a lawsuit seeking more than $15 million from his former manager and business manager, accusing them of taking unauthorized commissions, concealing financial transactions and mishandling his fortune.

One of the defendants says the producer has nobody to blame but himself.

The lawsuit, filed Oct. 30 in Los Angeles County Superior Court, names former manager Gary Marella and business manager Bruce Seckendorf, along with associated businesses.

Timbaland, whose legal name is Timothy Mosley, alleges that the executives exploited their control over his financial affairs, taking millions in payments and commissions while failing to protect the wealth he accumulated during his decades-long career.

The complaint accuses Marella of collecting at least $2.5 million in excessive or unauthorized commissions and using Timbaland's money for personal expenses.

It also alleges irregularities involving payments from Verzuz, the music-battle platform Timbaland created with Swizz Beatz, and the sale of his music catalog.

According to the filing, Timbaland received two $5 million payments from Verzuz in 2021. He contends Marella was entitled to $1 million in commissions but instead collected $1.5 million.

The lawsuit further alleges that Marella and his company collected $775,000 more than their authorized 10% commission from Timbaland's 2019 catalog deal with Hipgnosis.

Timbaland also accuses Seckendorf and his firm of failing to make mortgage and federal tax payments while continuing to distribute substantial sums to managers and other professionals.

The producer says he discovered serious financial problems in March 2025, when a foreclosure notice arrived at his home.

An independent review subsequently uncovered questionable payments, undisclosed credit-card arrangements and transactions he says he never approved, according to the complaint.

Marella disputes the accusations.

In a statement to The Hollywood Reporter, he said Timbaland was already experiencing financial difficulties when they began working together in 2017.

Marella maintained that his management team generated approximately $75 million in business over nine years but that the producer continued spending beyond his means.

He also rejected the suggestion that he secretly paid himself, arguing that Seckendorf, rather than Marella, handled the producer's finances and management commissions.

Timbaland's attorney, Tynia Coats, challenged that explanation in statements provided Monday to Rolling Stone.

Coats disputed Marella's characterization of the producer's spending and alleged that financial records had been altered to conceal discrepancies.

She cited a consultant payment allegedly recorded as $16,000 despite an actual payment of $165,000. Timbaland and his attorney also alleged that an email was altered to make it appear he had authorized a $250,000 payment to an attorney rather than $100,000.

Those allegations have not been established in court.

The lawsuit also accuses Marella of mismanaging Beatclub, a music marketplace the two developed together. Marella has disputed those allegations, attributing the venture's financial difficulties to problems developing its technology.

The dispute involves business arrangements behind one of hip-hop and R&B's most influential production careers. Timbaland's work with Aaliyah, Missy Elliott, Justin Timberlake and other artists helped shape the sound of popular music in the late 1990s and 2000s.

The lawsuit seeks damages, an accounting of disputed transactions and a jury trial. It includes claims of fraudulent concealment, breach of fiduciary duty, breach of contract and civil theft.

Yella Beezy Murder Trial Turns to Phone Evidence After Witness Recants

Yella Beezy during a 2025 Boss Talk 101 interview
Rapper Yella Beezy appears in a 2025 interview with BOSS TALK 101. The Dallas rapper, whose legal name is Markies Conway, is standing trial on a capital murder charge in connection with the 2020 killing of fellow rapper MO3. (Photo: BOSS TALK 101/Wikimedia Commons, CC BY 3.0)

The prosecution's case against Yella Beezy has moved from a witness who says he lied to cellphone records that may be just as important for what they don't show.

An FBI agent testified Tuesday that phones linked to several people implicated in the 2020 killing of Dallas rapper MO3 traveled through overlapping areas and showed significant communication around the time of the shooting.

But the same records revealed no direct cellphone contact between Yella Beezy and two other defendants in the case.

Yella Beezy, whose legal name is Markies Conway, has pleaded not guilty to capital murder. Prosecutors accuse him of arranging the killing of MO3, born Melvin Noble, who was chased down and fatally shot on Interstate 35 in Dallas on Nov. 11, 2020.

FBI Special Agent Taylor Page spent much of Tuesday walking jurors through historical cellphone records involving Conway, convicted gunman Kewon White and other people connected to the investigation.

Page testified that phones associated with Conway and White traveled through the same general areas during a trip to Houston over Halloween weekend in 2020, less than two weeks before MO3 was killed.

He acknowledged, however, that cellphone-tower information cannot prove who was carrying a particular phone or whether two devices were inside the same vehicle.

The agent also described a surge in communications between White and another defendant, Devin Brown, around the time of the killing.

According to Page's analysis, White's phone connected to towers serving the area of the shooting before the device moved away. Communications between White and Brown increased sharply around the attack.

Prosecutors also presented evidence concerning Conway's movements after the killing.

Page testified that Conway returned to Dallas from Los Angeles on Nov. 20 and withdrew $40,000 from a Chase Bank branch in Frisco. Phone records placed another man connected to the case, Jerry Johnson, in the Frisco area shortly afterward.

Prosecutors have alleged that money was paid to arrange MO3's murder, but the withdrawal alone does not establish that the cash reached White or was connected to the shooting.

Under cross-examination, defense attorney Toby Shook challenged the accuracy and completeness of the cellphone analysis.

Page acknowledged that the records did not show direct communications between Conway and either White or Brown. He also agreed that cell-tower information identifies general coverage areas rather than a person's exact location.

The defense pointed to gaps in the timeline, including an unanalyzed three-hour period on the afternoon of the killing.

The testimony followed another significant development Monday, when Conway's longtime friend Theodore Thomas, a rapper known as Jose Bodega, disavowed allegations he previously made to a grand jury.

Thomas said he invented statements about a feud involving Conway and MO3 and an alleged conversation about paying for the killing.

He testified that pressure from federal authorities facing him with serious criminal charges led him to provide false information.

Prosecutors challenged that explanation, suggesting that Thomas changed his account because of his longstanding loyalty to Conway.

Judge Chika Anyiam instructed jurors that Thomas' earlier statements could be considered when evaluating his credibility, but not as evidence that the allegations were true or that Conway was guilty.

White was convicted of capital murder in September and sentenced to life in prison. Conway is being tried separately.

Jurors were dismissed early Tuesday to allow them to vote in the election.

The trial is continuing, with prosecutors attempting to establish how the alleged killing was arranged and the defense challenging whether the evidence connects Conway to that arrangement.

Paris Jackson Challenges Estate Over $600 Million as Inheritance Battle Deepens

Paris Jackson performing onstage in Paris in 2022
Paris Jackson performs at La Maroquinerie in Paris on March 5, 2022. Jackson is asking a Los Angeles judge to order $600 million transferred from her late father's estate to a family trust established for his children. (Photo: Eb59/Wikimedia Commons, CC BY-SA 4.0)

Michael Jackson left behind a fortune and a trust intended to provide for his children. Seventeen years after his death, his daughter says the trust still hasn't received the money it was supposed to hold.

Paris Jackson is asking a Los Angeles judge to order the transfer of $600 million from her father's estate into the Michael Jackson Family Trust, escalating a dispute over how the late superstar's wealth is being managed.

In a petition filed Oct. 29, Jackson argues that the estate has accumulated enough money from music deals, property sales and other transactions to begin funding the trust while preserving sufficient assets to meet its remaining obligations.

The filing points to an estate accounting showing approximately $850 million in cash and cash equivalents at the end of 2024. Her attorneys estimate that roughly $600 million could be transferred after accounting for potential liabilities.

The request is not for an immediate $600 million payment to Paris personally. She wants the money placed in the trust established for her and her brothers, Prince and Bigi.

Under the trust arrangements described in the petition, the siblings were intended to begin receiving income from their respective shares at age 21, followed by portions of the principal at ages 30, 35 and 40.

All three have passed their 21st birthdays, and Prince turns 30 next February.

The estate disputes the suggestion that the children have been deprived of financial support.

In a statement to People, the estate said more than $200 million has already been distributed for the beneficiaries' benefit. It also denied allegations that payments to the siblings were withheld or reduced after Paris began questioning the estate's management.

The executors contend that unresolved legal and financial obligations, including a continuing tax dispute with the Internal Revenue Service, prevent the trusts from being fully funded.

The IRS originally sought approximately $700 million in taxes and penalties, according to the estate. Although that amount was substantially reduced through litigation, the estate maintains that the matter remains unresolved.

Paris' attorneys argue that those uncertainties do not justify delaying a partial transfer.

Her filing cites proceeds from major transactions involving EMI Music Publishing, Neverland Ranch and a deal with Sony involving Jackson's music and intellectual property. Together, the transactions generated more than $1 billion in cash before taxes and expenses, the petition contends.

The dispute is part of a broader fight over the administration of an estate that was deeply in debt when Jackson died in 2009 but subsequently became one of the music industry's most valuable collections of assets.

Earlier this year, a judge ordered $625,000 in bonus payments made to outside law firms returned to the estate after sustaining an objection by Paris. The estate disagreed with that decision and emphasized that the payments had not gone to its executors.

John Branca is now the estate's remaining executor following the death of longtime co-executor John McClain in May.

A hearing on Paris Jackson's request is scheduled for Dec. 4.

Monday, November 2, 2026

Eminem Taps Wu-Tang Clan for Lions’ Thanksgiving Halftime Performance

Wu-Tang Clan performing at Accor Arena in Paris in March 2026.
Wu-Tang Clan performs at Accor Arena in Paris on March 11, 2026. The group will headline the Detroit Lions' Thanksgiving halftime show Nov. 26, with Eminem and Paul Rosenberg serving as executive producers. (Photo by ManoSolo13241324 via Wikimedia Commons, CC0)
Wu-Tang Clan is bringing Shaolin to Detroit for Thanksgiving, with Eminem and his longtime manager, Paul Rosenberg, arranging a national television appearance for the legendary hip-hop collective.

The Detroit Lions announced Sunday that Wu-Tang will headline halftime of the team's Nov. 26 game against the Chicago Bears at Ford Field.

The performance will air nationally on CBS during the Lions' 87th annual Thanksgiving Day Classic, which kicks off at 1 p.m. Eastern.

Eminem and Rosenberg, the president of Shady Records, selected the group as part of their multiyear agreement to oversee the team's Thanksgiving halftime entertainment.

The pairing brings together two defining forces of 1990s hip-hop: the Staten Island collective whose raw production and nine-member lineup helped reshape East Coast rap, and the Detroit superstar who followed that decade's underground rap traditions to worldwide fame.

It also comes at a major moment in Wu-Tang's history.

The group is winding down its “Wu-Tang Forever: The Final Chamber” farewell tour and is scheduled to be inducted into the Rock & Roll Hall of Fame on Nov. 14, less than two weeks before the football game.

The Hall of Fame announced Wu-Tang's selection in April, recognizing the collective's innovative recording style, extensive solo catalog and influence on hip-hop culture.

Rosenberg said the Thanksgiving booking reflects a shared admiration dating to the group's earliest recordings.

“Both Eminem and myself have been Wu fans since the early 90's,” he said in the Lions' announcement.

Rosenberg described a Wu-Tang performance in Detroit as both unexpected and fitting for the holiday tradition.

The Lions' partnership with Eminem and Rosenberg began in 2025. That year's halftime show featured Detroit rocker Jack White, with a surprise appearance by Eminem.

Whether the rapper will also perform with Wu-Tang this year remains unknown. The team has not announced any special guests, a set list or a performance by Eminem himself.

For Wu-Tang, the nationally televised appearance will introduce the group's sprawling catalog to an audience extending well beyond hip-hop's traditional fans.

Formed on Staten Island in the early 1990s, the collective broke through with its 1993 debut, “Enter the Wu-Tang (36 Chambers),” a landmark release built around RZA's spare, sample-heavy production and the contrasting styles of its MCs.

Songs including “Protect Ya Neck” and “C.R.E.A.M.” helped establish the group's reputation, while members went on to individual careers that produced such influential albums as Method Man's “Tical,” Raekwon's “Only Built 4 Cuban Linx...” and GZA's “Liquid Swords.”

The group also challenged the music industry's traditional business model by allowing members to pursue separate recording contracts while maintaining the collective's identity.

The Rock Hall's 2026 class includes all 10 recognized Wu-Tang members, including the late Ol' Dirty Bastard, who died in 2004.

Its upcoming induction will put the group alongside fellow honorees including Sade, Luther Vandross, Queen Latifah and MC Lyte, although the latter two are being recognized in the Early Influence category.

Wu-Tang's Thanksgiving appearance is another milestone in a career that has already taken the group from underground New York clubs to arenas around the world.

Detroit Lions President and CEO Rich Haddad welcomed the booking, describing the group's participation as an addition to one of the NFL's longest-running holiday traditions.

Michigan native Antonio Cipriano, an actor and singer with Broadway credits, will perform the national anthem.

The Lions have not announced the length of Wu-Tang's halftime set or which members will take the field.

For now, the confirmed lineup promises a rare collision of Detroit football tradition and Staten Island hip-hop history, with Eminem helping make the connection from behind the scenes.

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