Jay-Z and the Roots Will Share the Stage for the First Time in a Decade

Jay-Z and The Roots will headline the 2026 Roots Picnic in Philadelphia at the Belmont Plateau on May 30. The performance, confirmed Tuesday, marks the first time the Roc Nation founder and the legendary live band will share a stage in over a decade. The unique "JAŸ-Z" styling on the poster has sparked widespread speculation among fans regarding a potential dedicated 30th-anniversary celebration of his 1996 debut album, "Reasonable Doubt." (Photo/Courtesy of Live Nation Urban)

A bucket-list moment for hip-hop purists is officially happening this spring. On Tuesday, Live Nation Urban announced that Jay-Z will headline the 2026 Roots Picnic, sharing the stage with The Roots for the first time in over a decade.

The massive homecoming event will take place on May 30 at Philadelphia's Belmont Plateau in Fairmount Park. The performance holds heavy historical significance, as it aligns with the upcoming 30th anniversary of Jay-Z’s universally acclaimed 1996 debut album, "Reasonable Doubt."

​Backed by the legendary live instrumentation of The Roots — who are moving the festival to the Belmont Plateau after years at the Mann Music Center — the Roc Nation founder is expected to deliver a career-spanning set.

​"Moving the Roots Picnic to Belmont Plateau and bringing Jay-Z and The Roots together to perform are both bucket-list moments for us," Shawn Gee, president of Live Nation Urban and manager for The Roots, stated. General admission tickets officially went on sale Wednesday morning.

Legendary Producers Jimmy Jam and Terry Lewis Announce ‘Nothing but Hits’ Las Vegas Run

Legendary producers Jimmy Jam, left, and Terry Lewis are shown in a promotional image for their upcoming Las Vegas residency. The duo's "Nothing But Hits" shows will debut at Voltaire at The Venetian Resort this spring, featuring special guest appearances by vocalists Ruben Studdard and Shanice Wilson to perform their massive catalog of R&B classics.

The architects behind the Minneapolis Sound are officially taking their legendary, multi-decade catalog to the Strip.

Rock & Roll Hall of Fame production duo Jimmy Jam and Terry Lewis have announced a limited-run Las Vegas residency titled "Nothing But Hits," set to debut this spring at Voltaire at The Venetian Resort. The immersive live experience will mark the first time the iconic songwriting and production team will take the stage to perform and share the stories behind their staggering catalog.

The residency is currently scheduled for six performances on April 17–18, 22, and 24–26.

"We've been fortunate to do so many incredible things in our careers," Jimmy Jam said in a statement regarding the announcement. "But we've never had the chance to perform our catalog live. Being able to share these songs — and the stories behind them — is going to be special".

With a record-breaking 42 Billboard No. 1 hits and over 100 gold, platinum, and diamond albums to their credit, Jam & Lewis aim to deliver upwards of 40 hits per night. To handle the massive vocal requirements of their discography, the duo will be backed by a live band and a rotating cast of special guest vocalists, with "American Idol" winner Ruben Studdard and "Star Search" legend Shanice already confirmed to appear.

The Las Vegas run coincides with the 40th anniversary of Janet Jackson's landmark 1986 album, "Control," a project that fundamentally shifted the landscape of R&B and pop and cemented the duo's status as super-producers. Fans can expect a heavy emphasis on their defining work with Jackson, alongside anthems they crafted for Michael Jackson, Prince, Usher, Mary J. Blige and Boyz II Men.

"The show will feel like traveling through the soundtrack of your life," Terry Lewis added. "It's not just the music — it's the memories and moments connected to it."

B2K and Bow Wow Celebrate 25 Years With New Albums and a Joint 2026 Tour

R&B quartet B2K and rapper Bow Wow co-headline the 2026 Boys 4 Life reunion tour, marking their 25th anniversaries in the music industry. The arena trek features a stacked supporting roster of 2000s hitmakers including Jeremih, Waka Flocka Flame, Amerie, and special guests Pretty Ricky. (Photo: Black Promoters Collective/313 Presents)

Some of the defining voices of early 2000s R&B and hip-hop are officially hitting the road again. Celebrating their respective 25th anniversaries, B2K and Bow Wow have announced a 28-city reunion trek dubbed the "Boys 4 Life" tour.

Produced by the Black Promoters Collective, the tour marks a full-circle milestone, arriving more than two decades after the acts first shared a national arena stage during the 2002 "Scream Tour II." The run kicks off Feb. 12 at the Colonial Life Arena in Columbia, South Carolina, and will hit major markets across the country before wrapping up April 19 in Hampton, Virginia.

For fans, the announcement solidifies the highly anticipated reconciliation of all four original B2K members: Omarion, Raz-B, J-Boog, and Lil Fizz. The group formally ignited comeback rumors earlier this year with a surprise, viral reunion performance at the 2025 BET Awards.

"There was a certain level of authenticity that we all had," Omarion stated regarding the reunion. "So in a way, we're completing it."

To coincide with the tour, both B2K and Bow Wow are slated to release new albums this February via BPC Music Group, marking their official return to recording at full scale. For B2K, the project will serve as their first joint ablum release since their multi-platinum 2002 effort, "Pandemonium!"

Bow Wow, whose acting credits include the 2002 "movie" "Like Mike" and the 2010 "movie" "Lottery Ticket," is also celebrating a quarter-century in the industry. The 38-year-old rapper recently received a major nod at the Breezy Bowl, where Chris Brown brought him onstage and credited him with starting the modern era of popular music.

"With my 25-year anniversary in the music industry, I'm excited to finally bring this tour to life and give the fans what they've been waiting for," Bow Wow shared.

The "Boys 4 Life" tour essentially operates as a traveling turn-of-the-millennium festival. The stacked supporting lineup features a heavy roster of 2000s hitmakers, including Jeremih, Waka Flocka Flame, Amerie, Yung Joc, Crime Mob, Dem Franchize Boyz, and special guests Pretty Ricky, who are concurrently celebrating their own 20-year anniversary.

"Boys 4 Life Tour" 2026 Dates

February

• Feb. 12 | Columbia, SC | Colonial Life Arena
• Feb. 13 | Atlanta, GA | State Farm Arena
• Feb. 14 | Birmingham, AL | Legacy Arena at BJCC
• Feb. 20 | Cincinnati, OH | Heritage Bank Center
• Feb. 21 | Memphis, TN | FedExForum
• Feb. 22 | St. Louis, MO | Chaifetz Arena

March

• March 5 | Chicago, IL | United Center
• March 6 | Louisville, KY | KFC Yum! Center
• March 7 | Charlotte, NC | Spectrum Center
• March 8 | Washington, D.C. | Capital One Arena
• March 12 | Houston, TX | Toyota Center
• March 13 | New Orleans, LA | Smoothie King Center
• March 14 | Fort Worth, TX | Dickies Arena
• March 20 | Oakland, CA | Oakland Arena
• March 21 | Las Vegas, NV | Michelob ULTRA Arena
• March 22 | Los Angeles, CA | Kia Forum
• March 27 | Philadelphia, PA | Liacouras Center
• March 28 | Brooklyn, NY | Barclays Center
• March 29 | Baltimore, MD | CFG Bank Arena

April

• April 2 | Milwaukee, WI | Fiserv Forum
• April 3 | Detroit, MI | Little Caesars Arena
• April 4 | Pittsburgh, PA | Petersen Events Center
• April 5 | Newark, NJ | Prudential Center
• April 11 | Sunrise, FL | Amerant Bank Arena
• April 12 | Tampa, FL | Benchmark International Arena
• April 17 | Cleveland, OH | Wolstein Center
• April 18 | Greensboro, NC | First Horizon Coliseum
• April 19 | Hampton, VA | Hampton Coliseum

A$AP Rocky Takes 'Don’t Be Dumb' on the Road With First Major Tour in Years

A$AP Rocky performs during a live concert appearance in support of his new album, “Don’t Be Dumb.” The rapper announced a 42-date world tour for 2026, marking his first major headlining run in several years.

A$AP Rocky is taking his new album on the road.

The Harlem rapper announced the “Don’t Be Dumb World Tour” today, confirming a 42-date run across North America, Europe and the U.K. that will mark his first major headlining tour in years. The tour formally launches the live phase of “Don’t Be Dumb,” Rocky’s first full-length album in nearly eight years, and places the project squarely in front of audiences rather than allowing it to live solely online.

Promoted by Live Nation, the tour opens May 27 at the United Center in Chicago and moves through major North American arenas, including Los Angeles’ Kia Forum, Toronto’s Scotiabank Arena and Houston’s Toyota Center, before wrapping its U.S. leg July 11 at the Prudential Center in Newark, New Jersey. The European and U.K. run begins Aug. 25 in Brussels and continues through cities including London, Milan, Stockholm and Berlin, closing Sept. 30 at Accor Arena in Paris.

The global on-sale begins Jan. 27 at 9 a.m. local time via asaprocky.com, with multiple presale windows preceding it. North American artist presales begin Jan. 23, while EU and U.K. artist presales open Jan. 21. A Cash App Visa Card presale will offer early access to U.S. dates, along with limited merchandise and vinyl incentives tied to the tour.

 

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The announcement arrives just days after the release of “Don’t Be Dumb,” which landed last Friday following one of the longest gaps between studio albums in Rocky’s career. Billboard, reviewing the project, wrote that the album “not only rewards patience but adds new wrinkles to the rapper’s approach — an evolved relationship with melody and a wiser lyrical slant,” framing it as a work shaped by time rather than trend-chasing.

That patience had already translated into measurable anticipation. Ahead of release, “Don’t Be Dumb” surpassed 1 million pre-saves on Spotify, a figure widely cited by the platform and Rocky’s camp as unprecedented for a hip-hop album. The buildup was fueled by a year in which Rocky remained highly visible outside of music, starring in two A24-produced films, co-chairing the 2025 Met Gala and taking on creative leadership roles with Ray-Ban and Chanel.

What distinguishes this moment, however, is the speed with which Rocky has moved from release to performance. Rather than spacing out appearances or limiting the album to festival slots, the tour positions “Don’t Be Dumb” within a traditional album cycle — one centered on rooms, crowds and repetition.

Rocky’s last studio album, “Testing,” arrived in 2018 and was followed by sporadic performances rather than a sustained tour. In the years since, his public profile has expanded well beyond music. This run places the emphasis back on the work itself, asking how the new material holds up night after night.

For an artist whose early reputation was forged as much onstage as on record, the tour represents more than a victory lap. It is the clearest signal yet that “Don’t Be Dumb” is not a standalone event, but the opening chapter of an album era designed to be lived — and judged — in real time.

Bruno Mars Signals Next Chapter With New Album and 2026 Stadium Tour

Bruno Mars is pictured in promotional artwork for “The Romantic Tour,” which coincides with the completion of his first solo album since 2016’s “24K Magic.” The tour marks a major return to stadium stages for the Grammy-winning artist.

Bruno Mars has never been prolific by modern standards, but his absences have often mattered as much as his releases. That pattern continued this week when Mars confirmed that his long-awaited fourth solo album, “The Romantic,” is complete and that a large-scale stadium tour is planned for 2026 — his first full album-and-tour cycle since “24K Magic” reshaped pop, R&B and live performance nearly a decade ago.

The announcement arrives after years in which Mars remained visible but deliberately peripheral to the solo-album churn that now defines mainstream pop. Since “24K Magic” produced era-defining singles such as “24K Magic,” “That’s What I Like” and “Versace on the Floor,” Mars has resisted traditional follow-ups, opting instead for tightly controlled collaborations, residencies and selective appearances that preserved his profile without exhausting it.

That strategy reached its peak with Silk Sonic, his collaborative project with Anderson .Paak. Songs like “Leave the Door Open” and “Smokin Out the Window” leaned heavily into classic soul and funk aesthetics, drawing from a lineage that predates streaming metrics and algorithmic trends. The project earned critical acclaim and multiple Grammy Awards, but it also functioned as a detour — a side chapter rather than a replacement for a Bruno Mars solo statement.

“The Romantic” is positioned as that statement.

Mars first hinted at the album’s completion with a brief social media post confirming it was finished, offering no additional context. In an era dominated by extended rollouts and constant content, Mars’ approach suggested confidence in the music’s ability to speak without prolonged preamble.

The accompanying “Romantic Tour” places him back in stadiums across North America, Europe and the United Kingdom, environments that have historically separated hitmakers from true performers. Mars’ reputation was built not only on chart success but on command of the stage — live bands, disciplined choreography and an understanding of Black American performance traditions that stretch from funk and soul revues to early-2000s R&B tour culture.

Tour dates for Bruno Mars’ upcoming “The Romantic Tour,” his first full global stadium run in nearly a decade, which will take the singer across North America, Europe and the United Kingdom in 2026.

Anderson .Paak’s presence on all dates, performing as DJ Pee .Wee, reinforces that grounding. Their creative relationship has been defined less by novelty than by shared musical fluency, rooted in rhythm, musicianship and showmanship. Select dates will also feature Victoria Monét, RAYE and Leon Thomas, artists whose work emphasizes craft and vocal presence over spectacle alone.

What remains unresolved is how “The Romantic” will position Mars within a pop landscape that has shifted dramatically since his last solo release. In his absence, the center of the charts has moved younger, faster and more fragmented. The question is not whether Mars can still produce hits, but whether he intends to engage the current moment directly or continue operating just outside it, as he has in recent years.

That tension gives the announcement weight. Mars has rarely chased relevance, but he has consistently understood timing. His most durable work has arrived when the culture was receptive, not when demand was loudest.

For more information on the tour, or to purchase tickets click here.

Chance the Rapper, 50 Cent and Mariah Carey Lead Culture-Shifting 'Rockin’ Eve'

Chance the Rapper, co-host of “Dick Clark’s New Year’s Rockin’ Eve 2026,” will lead the show’s first-ever live Central Time Zone countdown from his hometown of Chicago, joining 50 Cent, Mariah Carey and Coco Jones in a lineup that blends hip-hop, R&B and pop across four time zones. (Courtesy ABC / Dick Clark Productions)

The clock still drops in Times Square, but this year the sound belongs to us. For the first time in its half-century run, Dick Clark’s New Year’s Rockin’ Eve feels less like a network broadcast and more like a playlist — one where hip-hop, R&B and pop collide in real time instead of being boxed off by genre.

The 2026 lineup is its most ambitious yet: 50 Cent, Chance the Rapper, Ciara, Coco Jones, Busta Rhymes, Wyclef Jean and T.I. share space with Mariah Carey, Charlie Puth, Post Malone, and country star Maren Morris, while newcomers like Chappell Roan, LE SSERAFIM, and BigXthaPlug stretch the sound across generations and continents. Over 80 performances will air across four time zones and eight hours of live television — the show’s longest broadcast in its history.

Chance the Rapper hosting the first-ever Central Time countdown from Chicago hits different. For a city that’s given the world everyone from Common and Kanye to Chief Keef and Noname, seeing Chance lead a national celebration from home feels like a long time coming. Out east, 50 Cent returns as New York royalty — not the provocateur he once was, but a fixture of the same culture that built Times Square’s pulse.

And in a moment that says everything about R&B’s quiet resurgence, Coco Jones takes center stage with the same voice that made “ICU” one of the genre’s defining songs of the decade. Then there’s Mariah Carey — timeless, theatrical and inevitable — the connective tissue between every generation the show’s ever tried to serve.

But the real cultural moment comes when DJ Cassidy’s “Pass the Mic Live!” unites Busta Rhymes, Wyclef Jean, and T.I. for a run that’s part cipher, part celebration — the kind of thing that never used to make it to network TV. For a show built on pop polish, this year’s lineup finally looks like the culture it’s been chasing for decades: messy, electric, and unapologetically Black at its core.

Sure, pop and rock names like Goo Goo Dolls, OneRepublic, and New Kids on the Block will keep the nostalgia crowd covered. But what gives Rockin’ Eve 2026 its spark is the mix — a reflection of how people really listen now: crossfade to crossfade, mood to mood, vibe to vibe.

It’s not that the show suddenly belongs to hip-hop or R&B. It’s that television finally understands it can’t ring in a new year without them. Because when midnight hits, it won’t be the confetti that gets remembered — it’ll be the bassline that carried us into the next one.

For more information on the show and to view the full lineup click here.

B2K to Reunite After Two Decades for National Tour With Bow Wow

Official poster for the “Boys 4 Life” Tour, the 28-city 2026 run produced by the Black Promoters Collective and headlined by B2K and Bow Wow. The tour begins Feb. 12, 2026, and features Amerie, Jeremih, Waka Flocka Flame, Yung Joc, Crime Mob, Dem Franchize Boyz and Pretty Ricky. (Image courtesy of Black Promoters Collective)

B2K will reunite for its first nationwide tour in more than two decades, a return that brings the group behind “Bump, Bump, Bump” — one of early-2000s R&B’s definitive hits — back into the spotlight after years marked by commercial triumph, internal conflict and public distance. The announcement arrives as part of the upcoming “Boys 4 Life” Tour with Bow Wow, reconnecting two acts whose ascents helped shape a formative chapter in millennial pop culture.

For fans who remember the group debuting with two albums in the same year, topping the Billboard 200 in early 2003 and igniting the hysteria of the Scream Tour era, the news reads not just as a reunion but as a re-entry into unfinished history. B2K’s run was brief — a two-year burst from 2002 to 2004 — but its impact reverberated far beyond its lifespan. Their polished harmonies, precision choreography and youth-centered R&B helped define the sonic and visual identity of the period. Their leading roles in “You Got Served” brought that blueprint to a wider audience, cementing the group as both chart staples and cultural touchstones.

The group’s dissolution was as public as its rise. In January 2004, their label, T.U.G. Entertainment, announced that Omarion would continue as a solo artist while B2K disbanded — a decision later complicated by disputes over management, finances and personal fallouts among members. Over the years, the fractured dynamics played out in interviews, social media exchanges and reality television, reinforcing the perception that a full reunion was unlikely.

That perception shifted in June 2025, when Omarion, J-Boog, Lil Fizz and Raz-B made an unexpected joint appearance at the BET Awards. Though the moment lasted only seconds, it was the first time all four had stood together publicly in years, immediately triggering speculation about whether their long-running divisions had finally begun to ease. The brief reunion circulated widely and reopened conversations about their legacy. Omarion later referenced the chemistry the group once had in a short Instagram clip, saying, “There was a certain level of authenticity that we all had. So in a way, we’re completing it.”

Bow Wow’s participation connects the tour to another central figure of the same era. Signed by Snoop Dogg as a child and mentored by Jermaine Dupri, Bow Wow’s debut album Beware of Dog went platinum before he reached high school. Over the next decade, he delivered seven No. 1 singles, sold more than 10 million albums and built a parallel acting career that included “Like Mike” (2002), “Roll Bounce” (2005) and “The Fast and the Furious: Tokyo Drift” (2006). His tenure as host of BET’s 106 & Park solidified his role within youth-driven hip-hop culture.

The tour will open Feb. 12, 2026, in Columbia, S.C., with stops in Atlanta, Chicago, Los Angeles, Houston, Philadelphia, Brooklyn and Washington, D.C., before closing April 19 in Hampton, Va. The lineup features Amerie, Jeremih, Waka Flocka Flame, Yung Joc, Crime Mob, Dem Franchize Boyz and special guests Pretty Ricky.

Both B2K and Bow Wow are expected to release new albums in February through BPC Music Group. The releases coincide with the tour calendar and mark a formal return to recording for both acts.

Brandy Cites Dehydration After Abruptly Ending Chicago Concert With Monica

The reunion Windy City fans had waited decades for took an unexpected turn Saturday night when Brandy Norwood abruptly left the stage during “The Boy Is Mine Tour” stop with Monica at Chicago’s United Center — and never returned.

Midway through her set, Brandy paused and told the crowd, “Give me one second, y’all, I gotta get my—,” before walking backstage. She never came back, leaving Monica to finish the concert solo. Their 1998 hit “The Boy Is Mine,” the duet that defined late ’90s R&B and inspired the tour’s name, went unperformed.

pic.twitter.com/sWWB9YeWz7

— b r a n d y (@4everBrandy) October 19, 2025

By Sunday morning, Brandy broke her silence. “After weeks of nonstop rehearsals, last night I experienced dehydration and feelings of wanting to faint,” the Grammy winner wrote in a verified Instagram post. “Everyone involved agreed that prioritizing my well-being was of the utmost importance.”

She continued, “I attempted to return to the stage but found it impossible to fully connect sonically with the production. I want to thank my fans for your overwhelming love, support, and—most importantly—your prayers. I also want to thank Monica for stepping up with such grace and professionalism.”

@newzonetv Prayers up for @brandy she left the stage abruptly and @MONICA🤎 speaks to the crowd and gives Brandy her flowers! Two Queens wishing them the best on the rest of the tour! #theboyismine #brandy #monica #chicago ♬ original sound - Jaz

Brandy confirmed she received medical attention immediately after leaving the venue and was advised to rest before continuing the tour. “I’m okay now,” she said, adding that she plans to rejoin the tour this week.

The Chicago stop was the third show on Brandy and Monica’s co-headlining tour — their first in more than 25 years. The tour opened Oct. 16 in Cincinnati and continues through mid-November with stops in Atlanta, Houston and Los Angeles.

Cash Money and No Limit To Face off in Verzuz’s Comeback at Complexcon Las Vegas

Swizz Beatz and Timbaland’s Verzuz series will return Oct. 25 at ComplexCon Las Vegas with “Cash Money VERZUZ No Limit,” reuniting two of New Orleans’ most influential rap labels for a new chapter in hip-hop’s Southern story. (Photo: VERZUZ TV via Instagram)

When two of New Orleans’ most powerful rap dynasties meet on one stage, it’s not just a reunion — it’s a reckoning.

Verzuz, the online battle series created by Swizz Beatz and Timbaland during the pandemic, is set to return Oct. 25 at ComplexCon Las Vegas with “Cash Money VERZUZ No Limit.” The event promises a collision of legacies that once defined Southern hip-hop’s rise from regional pride to global dominance.

Verzuz itself has traveled a long road to this moment. What began in 2020 as a live-streamed experiment between friends turned into a communal ritual at the height of lockdown, when millions of viewers tuned in to watch artists face off hit for hit. By 2021, the brand had been acquired by Triller in a deal meant to expand its reach and grant equity to participating performers.

Within a year, Swizz Beatz and Timbaland accused the company of failing to deliver on its commitments, filing a $28 million lawsuit before eventually reaching a settlement. In 2024, they regained control of the platform and struck a new distribution partnership with X, formerly Twitter. “VERZUZ is still 100 percent Black-owned,” Swizz said after reclaiming ownership — a statement that reasserted the show’s purpose as both cultural archive and act of independence.

🚨 IT’S OFFICIAL 🚨
Verzuz is BACK — live at #ComplexCon Las Vegas.
Cash Money #VERZUZ No Limit Celebration 🙌🏽
One stage. Two legendary iconic Labels . History is about to be made !!
October 25.
Live Streaming details coming soon !!!!!!
Stay tuned for more info ….. pic.twitter.com/tM4TZibBuN

— VERZUZ TV (@verzuzonline) October 7, 2025

That context makes the upcoming battle feel less like a nostalgia trip and more like a symbolic passing of eras. Cash Money Records, founded in 1991 by Bryan “Birdman” Williams and Ronald “Slim” Williams, shaped the glossy, radio-ready sound that turned bounce into mainstream pop currency. From Juvenile’s “400 Degreez” and Big Tymers’ “Still Fly” to Lil Wayne’s “Tha Carter” series and Drake’s global dominance, its artists redefined what success from the South could look like.

No Limit Records, founded a year earlier by Master P, built a different kind of empire — gritty, self-reliant, and defiantly prolific. The label’s rapid-fire releases and signature Pen & Pixel album art made its soldiers — Silkk the Shocker, Mystikal, C-Murder, Mia X and Fiend — household names. Master P’s philosophy of ownership and community uplift would go on to influence an entire generation of independent entrepreneurs.

Their rivalry fueled one of the most important shifts in rap history. Long before Atlanta became the genre’s capital, New Orleans created the model — ambition on one side, autonomy on the other. Cash Money and No Limit didn’t just compete for charts; they competed for narrative, for the right to define what Southern success sounded like.

Little Miss Drama Tour Marks Cardi B’s First Tour in Six Years

Photo Credit: Warner Music

Cardi B is trading headlines for turnstiles. After a summer that put her on the stand by day and back in rehearsal by night, the Grammy winner is taking “Am I the Drama?” to arenas with the "Little Miss Drama Tour" — her first headlining arena run, and her first tour in six years.

The trek launches Feb. 11, 2026, at Acrisure Arena in Palm Desert, Calif., and spans more than 30 North American dates, including Los Angeles, Vancouver, Chicago, New York, Austin and Washington, D.C. (Capital One Arena on April 8).

“HELLO!! … We putting the kids to bed early because the Little Miss Drama Tour is coming to a city near you! Sign up now thru this Sunday, September 21 at 10 p.m. PST for artist presale,” she posted on Instagram, pointing fans to the link in her bio and Stories.

Presales begin Tuesday, Sept. 23, at 10 a.m. local; artist presale registration closes Sunday, Sept. 21, at 10 p.m. PT. General on-sale opens Thursday, Sept. 25, at 10 a.m. local. Venue and ticketing pages are carrying market-by-market details. For more information click here.

The tour lands the same week as her long-awaited second album, “Am I the Drama?,” due Friday, Sept. 19, following 2018’s “Invasion of Privacy.” Announced guests include Janet Jackson, Megan Thee Stallion, Lizzo, Tyla, Kehlani and Summer Walker.

Cardi telegraphed the move days earlier on daytime TV. “I actually have an announcement coming soon… I’m already preparing for it. I’m at the gym, and I’m taking dance classes already,” she told “The Jennifer Hudson Show.”

It caps a stretch of high-visibility moments — a televised courtroom appearance that ended in her favor, a viral clip where she admitted she briefly nodded off in court, and an album rollout built for spectacle — now crystallizing into a straightforward ask: show up IRL. 

'Hearts Sold Separately' Goes Global as Mariah the Scientist Announces 36 Dates From Paris to Atlanta

The singer has announced a 36-date “Hearts Sold Separately” world tour, opening Jan. 12 in Paris and closing April 10 in Atlanta. 

Mariah the Scientist is taking “Hearts Sold Separately” around the world. The Atlanta singer announced a 36-date tour that opens Jan. 12 in Paris and wraps April 10 with a hometown show at the Coca-Cola Roxy, with marquee stops including Radio City Music Hall on Feb. 27 and the Hollywood Palladium on March 28. Presales begin Sept. 17 (market-specific times); general on-sale is Sept. 19.

The run follows the strongest chart debut of her career. “Hearts Sold Separately” bowed at No. 1 on Billboard’s Top R&B Albums and No. 11 on the Billboard 200 — new personal bests that extend the momentum of “Burning Blue” and her Kali Uchis duet “Is It a Crime.”

Mariah has framed the project as a statement about love in a cynical moment. “The climate of the world made me want to make a whole project about love,” she said in an interview, a theme that threads through the album’s sleek, 80s-tinted R&B.

The tour also arrives amid renewed attention on her partner, Young Thug. After leaked jail calls circulated online, he released a seven-minute track, “Man I Miss My Dogs,” apologizing to Mariah by name and addressing rifts with peers. The headlines haven’t slowed her rollout: the itinerary spans Europe, Canada and a full North American sweep before the Atlanta finale.

Tickets are listed via Live Nation, Ticketmaster and venue sites; Radio City’s page shows on-sale at 10 a.m. ET on Sept. 19, with presales beginning Sept. 17. Check local listings for times.

Clipse Joins ‘Grace for the World’ Concert in St. Peter’s Square

St. Peter’s Square in Vatican City, where “Grace for the World” will feature Clipse, Pharrell Williams with the Voices of Fire Gospel Choir and other artists. The concert streams globally Sept. 13.

After reuniting for “Let God Sort ’Em Out,” their first album in 16 years produced by longtime collaborator Pharrell Williams, Clipse may be finally giving one of the world's most popular deities the chance.

On Saturday, Sept. 13 the duo will take the stage in Vatican City for “Grace for the World,” a live concert set in St. Peter’s Square.

For fans with the means to join the locals, attendance is free, but those without — whom Malice often strikes at with his verbal venom, no worries. It will also be streamed globally on Disney+, Hulu and ABC News Live starting 3 p.m. ET / noon PT (with a replay on Disney+).

The placement fits the arc of the year. Pusha T and Malice spent 2025 rebuilding the Clipse voice — reflective, surgical, grown — while Pharrell kept his hands on the wheel, shaping the new set with the same instincts that defined their 2000s run. Tracks like “Ace Trumpets,” “So Be It” and “The Birds Don’t Sing” reintroduced the duo’s contrast: Malice’s spiritual gravity in counterpoint to Pusha’s cold precision. Vatican City extends that tension in the most unexpected of venues.

The lineup underscores the scale. Organizers list Williams with the Voices of Fire Gospel Choir, Maestro Andrea Bocelli, John Legend, Karol G, Clipse, Teddy Swims, Jelly Roll, Angélique Kidjo, and the Choir of the Diocese of Rome led by Maestro Marco Frisina, joined by an international choir under the musical direction of Adam Blackstone. Newly added performers include Jennifer Hudson and BamBam. Aerial drone and light work by Nova Sky Stories — with imagery inspired by the Sistine Chapel — is set to sweep the square overhead.

For a duo that once made stark minimalism feel like gospel, performing beside actual choirs is more than a stunt — it’s a clean through line. The same partnership that forged “Grindin’ ” matured into a record about memory, loss and resolve, and now it’s headed to a stage where the setting amplifies the message.

Beyoncé Closes Record-Breaking ‘Cowboy Carter Tour’ With Destiny’s Child Reunion

Michelle Williams, Beyoncé and Kelly Rowland reunite as Destiny’s Child during the final stop of the "Cowboy Carter Tour" in Las Vegas, Saturday, July 26, 2025. (Photo via Beyoncé/Instagram)

It wasn’t just a tour — it was a statement.

Beyoncé’s "Cowboy Carter Tour" wrapped Saturday night in Las Vegas, bringing 32 stadium shows to a triumphant close. The tour grossed $407.6 million and sold 1.6 million tickets, according to Billboard Boxscore — officially making it the highest-grossing country music tour of all time.

Cowboy Carter Tour: By the Numbers

• Total Gross: $407.6 million
• Total Tickets Sold: 1.6 million
• Average Gross Per Show: $12.7 million
• Average Attendance Per Show: 49,900
• Average Ticket Price: $255.36
• Highest-Grossing City: New York City — $70.3M (5 shows)
• Most Shows in One City: London — 6 nights at Tottenham Hotspur Stadium
• Boxscore Records Broken: 40+
• Tour Cities: 9 (New York, L.A., Houston, Atlanta, Chicago, D.C., Paris, London, Las Vegas)

That record builds on her 2023 "Renaissance World Tour," which grossed $579.8 million, setting the bar for R&B tours. With both tours surpassing $400 million, Beyoncé is now the first woman and first American artist to achieve that twice — a distinction shared only with Coldplay, Ed Sheeran, and the Rolling Stones.

Instead of touring dozens of cities, Beyoncé centered the "Cowboy Carter Tour" on nine stadium markets: New York, Los Angeles, Houston, Atlanta, Chicago, Washington, D.C., Paris, London and Las Vegas. Each stop featured multi-night residencies. Her five shows at MetLife Stadium in New York sold 250,000 tickets and grossed $70.3 million, making it reportedly the highest-grossing single-venue run ever reported by Boxscore. In London, six nights at Tottenham Hotspur Stadium generated $61.4 million from 275,000 fans.

In her hometown of Houston, Beyoncé played two shows at NRG Stadium. In L.A., five at SoFi Stadium. In Atlanta, four nights at Mercedes-Benz Stadium. On average, the tour pulled in $12.7 million per night, drew about 49,900 fans per show, and commanded an average ticket price of $255.36. She reportedly broke more than 40 individual Boxscore records during the run.

DESTINY'S CHILD ENDING THE COWBOY CARTER TOUR WITH A BANG !!!!!!!!!#CowboyCarterTour #Beyonce pic.twitter.com/pRR15ZXyYq

— KaMorian (Sparkling Alien 💫) (@ka_morian0121) July 27, 2025

The finale in Las Vegas delivered the tour’s most unforgettable moment: Destiny’s Child reunited onstage for the first time since Coachella 2018. Kelly Rowland and Michelle Williams joined Beyoncé for a high-energy medley that included “Lose My Breath,” “Bootylicious,” and “Energy,” complete with the crowd-favorite “mute challenge.” Jay-Z made a surprise appearance for “Crazy in Love” and “N——s in Paris,” while Shaboozey joined her for their country collaboration “Sweet Honey Buckin’.” Blue Ivy also appeared, drawing loud cheers as she performed choreography from “Déjà Vu” — one last nod to family and legacy before the curtain fell.

 Top-Grossing Country Tours of All Time

1. Beyoncé — "Cowboy Carter Tour" (2024): $407.6 million
2. George Strait — "Cowboy Rides Away Tour" (2014): $100+ million
3. Shania Twain — "Come On Over Tour" (1998–99): $95+ million
4. Garth Brooks — "World Tour" (1996–98): $93+ million
5. Kenny Chesney — "Trip Around the Sun Tour" (2018): $87 million

Source: Billboard Boxscore, confirmed July 22, 2025

The "Cowboy Carter Tour" was more than a financial juggernaut — it was a reinvention. With live instrumentation, southern visual motifs, and an unapologetically Black Southern narrative, Beyoncé reshaped what a modern country concert experience could be.

Critics heralded the tour’s ambition and storytelling. Rolling Stone deemed it “a masterclass in genre liberation”; Variety called it “a transformational moment in country” — not just because of the blockbuster numbers, but because of what it stood for.

Before Beyoncé, the highest-grossing country tour belonged to George Strait’s "Cowboy Rides Away Tour" from 2014, which grossed just over $100 million. Beyoncé’s total completely redefined that standard.

With "Cowboy Carter," Beyoncé didn’t just break records. She reimagined them.

Grammy-Nominated Givēon Sets Fall Tour in Support of Top‑10 album 'Beloved'

Givēon, pictured ahead of his “Dear Beloved” tour, returns to the spotlight with a cinematic new album and his signature baritone, marking a powerful comeback after three years away from the stage.

It’s been too long — and Givēon knows it.

After three years away from the stage, the Grammy-nominated baritone behind “Heartbreak Anniversary” has officially announced “Dear Beloved, The Tour,” his third headlining run and the long-awaited live counterpart to his sophomore album “Beloved,” released July 11.

The project debuted at No. 8 on the Billboard 200 and currently sits at No. 1 on Apple Music’s R&B chart and No. 3 overall. It marks his first solo album to debut in the Top 10 — a rare feat for a featureless R&B project in today’s streaming-heavy landscape.

Givēon's return to touring follows his 2022 “Give or Take Tour” and 2021’s “Timeless Tour.” Created through live jam sessions with longtime collaborators Sevn Thomas, Peter Lee Johnson, and Matthew Burnett, “Beloved” trades digital slickness for analog depth. Givēon helped write every track, leaning into his signature baritone and live instrumentation to craft an album that feels cinematic and lived-in.

 

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“How this album is going to translate to the live show — I think it’s going to be magical because the album was made live, so it’s made to be performed live,” he told Rolling Stone earlier this month. He added that he plans to bring strings, horns, background vocals, and an eight-to-ten-piece band depending on venue size. “The album is really a movie,” he said. “I want the night to feel like that.”

Tickets to the tour, produced by Live Nation, go on sale to the public Friday, July 25 at 10 a.m. local time at 313Presents.com, LiveNation.com, giveonofficial.com and Ticketmaster.com. Artist presales began earlier today. PT. VIP packages — including early entry, exclusive merch, and premium ticketing options — are available at VIPNation.com.

Givēon previewed his return to the stage during a surprise appearance with Drake at the Wireless Festival in London, a nod to their 2021 collaboration “Chicago Freestyle.” But “Dear Beloved” marks his full solo return.

On Instagram, Givēon told fans: “Dear Beloved, The Tour…. It’s finally time to take this show on the road. It’s been too long… ‘Beloved’ was made to be experienced live.. I cannot wait to see you all.”

His comeback has been met with acclaim — including a four-star Rolling Stone review — and renewed appreciation for an artist who continues to move differently. In an era often dominated by high BPMs and viral hooks, Givēon lingers in stillness. His music doesn’t chase moments. It creates them.

Critics from Variety, Uproxx, Hypebeast and the Associated Press have praised the album’s cohesion and maturity, calling it a standout in a crowded summer slate.

Givēon – Dear Beloved, The Tour (2025)

Select North American dates – full schedule at giveonofficial.com

Oct 1 – Seattle, WA – WAMU Theater

Oct 2 – Vancouver, BC – Doug Mitchell Thunderbird Sports Centre

Oct 4 – San Francisco, CA – Bill Graham Civic Auditorium

Oct 7 – Los Angeles, CA – The Greek Theatre

Oct 10 – Las Vegas, NV – BleauLive Theater at Fontainebleau

Oct 11 – Phoenix, AZ – Arizona Financial Theatre

Oct 14 – Dallas, TX – The Pavilion at Toyota Music Factory

Oct 15 – Houston, TX – Smart Financial Centre at Sugar Land

Oct 18 – Atlanta, GA – Synovus Bank Amphitheater at Chastain Park

Oct 20 – Chicago, IL – Byline Bank Aragon Ballroom

Oct 23 – Detroit, MI – Fox Theatre with Charlotte Day Wilson & Sasha Keable

Oct 25 – Philadelphia, PA – Freedom Mortgage Pavilion

Oct 27 – Toronto, ON – Coca-Cola Coliseum

Oct 30 – Washington, D.C. – The Anthem

Nov 1 – Charlotte, NC – Skyla Credit Union Amphitheatre

Nov 4 – Boston, MA – MGM Music Hall at Fenway

Nov 6 – New York, NY – Madison Square Garden with Charlotte Day Wilson

VIP packages and additional details available at giveonofficial.com and vipnation.com. Tickets on sale Friday, July 25 at 10 a.m. local time.

Unreleased Beyoncé Music Stolen in Atlanta Car Break-In Ahead of Cowboy Carter Tour

Atlanta police issued a warrant for a suspect after unreleased music, set lists, and tour plans were stolen from Beyoncé’s choreographer’s SUV in a break-in days before her “Cowboy Carter” shows in Atlanta.

Just days before Beyoncé was set to light up Mercedes-Benz Stadium for four nights on her “Cowboy Carter” tour, a brazen theft rocked her inner circle — and may have jeopardized unreleased music from one of the most tightly guarded vaults in pop.

According to police and multiple local media reports, thieves broke into a black Jeep Wagoneer at the Krog Street Market parking deck on Tuesday, July 8, stealing multiple suitcases containing hard drives loaded with unreleased, watermarked Beyoncé tracks, footage plans for her shows, and both past and future set lists.

The vehicle belonged to Beyoncé’s longtime choreographer Christopher Grant and dancer Diandre Blue, who told police they had parked for about an hour while dining nearby. When they returned, they discovered the rear window smashed and two suitcases missing.

“The hard drives contained watermarked music, some unreleased music, footage plans for her show, and past and future set list,” an officer wrote in the incident report.

Also stolen were laptops, Tom Ford sunglasses, a book bag, clothing, and a pair of Apple AirPods Max headphones. The report notes that the stolen electronics included trackers, and that police used the Find My app to attempt recovery. Officers traced the headphones to a location where they conducted a suspicious person stop, but no arrests were made at the scene.

Cameras reportedly captured footage of the theft at the parking deck’s entrance, and police were able to recover two light fingerprints. An arrest warrant has since been issued, but Atlanta police have not released the suspect’s identity, and the stolen hard drives and files remain unrecovered.

Beyoncé, who has not commented publicly on the theft, arrived in Atlanta for a four-night run beginning Thursday, July 10. The incident unfolded as thousands of fans were descending on the city, part of the southern leg of her genre-bending “Cowboy Carter” tour — a cultural event that’s not just about music, but about reclaiming Black identity in country and Americana spaces.

Christopher Grant, the choreographer whose materials were stolen, can be heard in a 911 call saying, “They stole my computers and everything... I work with someone of high status. I really need my computer.”

The theft comes during a rare moment of tension surrounding a Beyoncé project — particularly one as daring and thematically resonant as “Cowboy Carter.” Critics and fans alike have praised the album as a boundary-pushing work of reinvention, and its stage show has been cloaked in secrecy.

That secrecy may now be compromised.

While artists at Beyoncé’s level typically store backup copies of creative materials in secure locations, the loss of sensitive files — particularly those containing performance plans and unreleased songs — raises alarm not just for the superstar’s brand, but for the tight-knit team that operates under her famously exacting creative control.

As of press time, there is no official confirmation whether the unreleased tracks have leaked. But the breach is a stark reminder that even in an era of global security and digital encryption, physical lapses can still upend the highest tiers of entertainment.

The case remains under active investigation. Beyoncé’s camp has remained silent.

Watch: Grown Men, Grown Bars: Clipse Returns with Grief, Gospel and God at Tiny Desk

In one of the most potent live moments hip-hop has seen in years, Clipse returned to the stage for their NPR Tiny Desk debut—a stripped-down yet searing performance that doubled as a celebration, a eulogy, and a cultural reckoning. Backed by a hard-hitting band and driven by the same raw precision that made them legendary, Pusha T and Malice brought decades of pain, reflection, and bravado into one of the most unforgettable Tiny Desk sets in recent memory.

It had been 16 years since Clipse last stood as a duo in front of a live audience. Since 2009’s Til the Casket Drops, the brothers—born Terrence and Gene Thornton—had gone their separate ways: Pusha ascended the solo ladder as a top-tier lyricist and G.O.O.D. Music president, while Malice found spiritual clarity and changed his name to No Malice, stepping back from the limelight entirely.

But for this moment—on a modest stage that’s become a proving ground for real artists—they stood shoulder to shoulder once again. The performance opened with an audible gasp from the crowd as the eerie first notes of “Virginia” set the tone. “I’m from Virginia, where ain't [expletive] to do but cook,” Pusha rapped, his cadence as cold as ever, while Malice stood stoic, surveying the room like a preacher searching for truth.

There was no band full of jazzy reinterpretations here, as NPR’s Bobby Carter revealed. The group insisted on keeping their sound uncut, unfiltered—heavy drums, haunting synths, no smoothing out the edges. Daru Jones, a hybrid drummer known for blending acoustic and electronic elements, was brought in to match their aesthetic. It worked. So did the chemistry.

The duo slid into “Keys Open Doors” and “Momma I’m So Sorry” with surgical timing, revisiting tracks from their 2006 masterwork Hell Hath No Fury. Then came “Chains and Whips,” a fierce new track from their 2025 album Let God Sort Them Out—their first full-length together in over a decade.

But the most human moment came with “Birds Don’t Sing,” a tear-stained tribute to their late parents, who died just four months apart. Malice described it as a “documented conversation”—their final words with their mother and father woven into the verses. It was less a performance than a confessional, with the band pulling back to let every syllable breathe. Pusha’s voice cracked; Malice stared straight ahead, as if speaking to ghosts.

Then came the gut punch. The unmistakable Neptunes beat for “Grindin’”—their breakout 2002 anthem—sent the room into controlled chaos. Fans shouted every bar. And for a moment, it felt like time folded in on itself: the Coke rap kings of the Clipse era reborn in front of NPR bookshelves.

The performance wasn’t just nostalgia—it was statement. Clipse didn’t just return to the stage; they reclaimed a place in hip-hop's living history. “Let God Sort Them Out,” released earlier this summer, dives deeper into mortality, legacy, and survival than anything they’ve recorded before. And the Tiny Desk concert made it clear—they’re not here to fade into the culture’s rearview.

They’re here to burn it into your memory, again.


Watch the entire performance below.

R&B Royalty Reunite: Brandy and Monica Launch Arena Tour This Fall

Promotional artwork for “The Boy Is Mine Tour” showcases Brandy and Monica’s first-ever co-headlining arena run, which kicks off Oct. 16, 2025, in Cincinnati and wraps Dec. 7 in Houston. The 24-city tour also features Kelly Rowland, Muni Long, and American Idol winner Jamal Roberts. (Courtesy Black Promoters Collective)

More than 25 years after their chart-dominating duet "The Boy Is Mine" redefined R&B for a generation, Brandy and Monica are officially hitting the road together. The Grammy Award-winning vocal powerhouses announced their highly anticipated joint tour today on CBS Mornings, igniting fan excitement from coast to coast.

Produced by the Black Promoters Collective, The Boy Is Mine Tour launches October 16 in Cincinnati, Ohio, and will hit 24 cities before wrapping up December 7 in Houston, Texas. The tour marks the duo’s first-ever co-headlining trek and celebrates one of the most iconic collaborations in Black music history.

Originally released in 1998, "The Boy Is Mine" spent a staggering 13 weeks at No. 1 on the Billboard Hot 100 — a feat that placed the pair in elite company with Whitney Houston ("I Will Always Love You," 14 weeks) and Mariah Carey ("One Sweet Day," 16 weeks). The track earned them the 1999 Grammy Award for Best R&B Performance by a Duo or Group with Vocals and has remained a cultural touchstone ever since.

Joining Brandy and Monica on the tour are Grammy-winning superstar Kelly Rowland, chart-topping songwriter Muni Long, and American Idol Season 23 winner Jamal Roberts — a multigenerational lineup that ensures each night will be steeped in both nostalgia and new energy.

The reunion comes on the heels of a surprise appearance in Ariana Grande’s "The Boy is Mine" music video in 2024, which sparked renewed excitement for the R&B legends. They later contributed vocals to Grande’s official remix of the track, earning another Grammy nomination and bringing their chemistry to a new generation of fans.

"This really is a full-circle moment," Brandy said. "Monica and I coming together again isn’t just about the music — it’s about honoring where we came from and how far we’ve both come."

Monica echoed the sentiment, calling the tour a tribute to their individual growth and lasting connection: "Brandy and I have been on our own unique journeys. Coming back together is a reminder of the power of respect, strength, and real music."

Shelby Joyner, president of the Black Promoters Collective, called the pairing "a cultural homecoming," saying: "Their impact on R&B is immeasurable, and 'The Boy Is Mine' continues to be one of the most iconic collaborations of all time."

Tickets go on sale Friday, June 27, at 10:00 a.m. local time via Ticketmaster, with presales beginning Thursday, June 26, using the code BPC.

A cinematic tour trailer directed by Ethan Tobman — known for work with Beyoncé and Taylor Swift — has already begun generating buzz, setting the tone for a production that promises style, soul, and sisterhood.

The Boy Is Mine Tour — Dates and Cities:
10/16 – Cincinnati, OH – Heritage Bank Center
10/17 – Milwaukee, WI – Fiserv Forum
10/18 – Chicago, IL – United Center
10/19 – Indianapolis, IN – Gainbridge Fieldhouse
10/30 – Memphis, TN – FedExForum
10/31 – Atlanta, GA – State Farm Arena
11/01 – Greensboro, NC – First Horizon Coliseum
11/02 – Baltimore, MD – CFG Bank Arena
11/07 – Las Vegas, NV – T-Mobile Arena
11/08 – Oakland, CA – Oakland Arena
11/09 – Los Angeles, CA – Kia Forum
11/13 – Charlotte, NC – Spectrum Center
11/14 – Columbia, SC – Colonial Life Arena
11/15 – Birmingham, AL – Legacy Arena at BJCC
11/20 – Brooklyn, NY – Barclays Center
11/21 – Newark, NJ – Prudential Center
11/22 – Atlantic City, NJ – Jim Whelan Boardwalk Hall
11/23 – Hampton, VA – Hampton Coliseum
11/28 – St. Louis, MO – Enterprise Center
11/29 – Detroit, MI – Little Caesars Arena
11/30 – Washington, DC – Capital One Arena
12/05 – New Orleans, LA – Smoothie King Center
12/06 – Fort Worth, TX – Dickies Arena
12/07 – Houston, TX – Toyota Center

Lil Wayne Returns With New Album, Major Tour Across U.S. and Canada

Lil Wayne appears in promotional artwork for his 2025 “Tha Carter VI” North American tour, which kicks off June 6 with a show at Madison Square Garden in New York. The 34-date trek supports the rapper’s forthcoming album “Tha Carter VI.” (Live Nation)

Lil Wayne is bringing his Carter legacy to center stage. The hip-hop icon announced today he’s hitting the road for a sprawling North American tour in support of his long-awaited album "Tha Carter VI," which drops Friday.

The tour launches the same night with a milestone moment: Wayne’s first solo headlining performance at New York City’s Madison Square Garden. From there, the 34-city trek resumes June 30 in Virginia Beach
and stretches across major markets, including Los Angeles, Toronto, Houston, Dallas, Atlanta and Phoenix, before closing in West Palm Beach, Florida, on Oct. 2.

Presented by Live Nation, the "Tha Carter VI Tour" is stacked with talent. Longtime Young Money collaborator Tyga joins the lineup as a special guest, alongside Atlanta’s Belly Gang Kushington. NoCap is also set to appear at select shows, adding even more firepower to the lineup.

Presale tickets open to fans Wednesday, June 4, with general ticket sales launching Friday at 10 a.m. local time. VIP packages will include premium seats, limited edition merchandise, early venue entry, and exclusive tour posters, according to Live Nation.

"Tha Carter VI" marks Lil Wayne’s first solo studio album since 2020’s "Funeral," which debuted at No. 1 on the Billboard 200. The previous three chapters in the "Carter" series — "Tha Carter III," "IV," and "V" — each reached the top of the chart, solidifying the saga as one of hip-hop’s most revered discographies.

Wayne first teased the new album in a surprise Super Bowl commercial for skincare brand Cetaphil, then confirmed the June 6 release date earlier this spring. While a full tracklist has yet to be revealed, the album is expected to blend the wordplay, flow, and stylistic innovation that made the New Orleans rapper a generational voice.

Few artists have shaped hip-hop like Lil Wayne. With over two decades of bars, mixtapes, and Billboard dominance, his return to the national stage is more than a tour — it’s a victory lap. For a generation raised on "Lollipop," "A Milli," and the early Carter installments, the summer of 2025 promises a live celebration of a rap titan’s past, present and future.

For dates and ticket info, visit livenation.com.

Watch: E-40’s Tiny Desk Debut Is a Celebration of Bay Pride and Legacy

 

Bay Area rap icon E-40 brought Vallejo flavor and hyphy energy to NPR’s Tiny Desk Concerts on Monday, kicking off Black Music Month with a spirited, career-spanning set that celebrated his legacy in hip-hop and his hometown roots.

Backed by a live band and in front of an intimate audience, the veteran MC born Earl Stevens ran through a medley of his biggest hits, including "Tell Me When to Go," "Choices (Yup)" and "U and Dat." Throughout the set, he showcased not only his signature slang and unmistakable delivery but also the cultural pride and storytelling that have made him a cornerstone of West Coast rap for over three decades.

“Tell the people that Water is back!” he declared midway through the performance, nodding to both his longtime nickname and his return to the spotlight.

The set marked E-40’s first appearance on the popular YouTube concert series, which has become a landmark platform for both emerging and legendary artists. Known for revealing raw talent in stripped-down formats, Tiny Desk has previously featured performances from artists like T-Pain, Too Short, Kehlani and LaRussell.

The band elevated the energy of each track. On "Choices (Yup)," musicians leaned into the mic to echo the iconic “yup” and “nope” ad libs, creating an organic, in-the-room feel. During "U and Dat," background vocalist and music director Bosko Kante filled in seamlessly for T-Pain’s auto-tuned hook.

E-40 also used the platform to promote his entrepreneurial ventures, sipping from a glass of his Earl Stevens Mangoscato and reminding viewers it’s available at Costco and Total Wine.

Between verses, he shouted out his longtime friends and collaborators, including a heartfelt tribute to the late Stomp Down. The performance was not only a musical celebration but a nod to the community that built him.

Despite a career that spans generations, E-40 remains culturally relevant. His music still blares from Bay Area car stereos and his impact extends beyond music, with a road named after him in Vallejo and surprise political appearances — including a surreal cameo at a Joe Biden rally.

With Monday’s set, E-40 joins a growing list of Bay Area legends who’ve brought their game to the Tiny Desk stage. The show continues to affirm the cultural weight of the Bay, one classic track at a time.

Snoop Dogg Teams with KIDZ BOP Tour and ‘PAW Patrol: The Dino Movie’

Snoop Dogg, center, appears with characters from his preschool series “Doggyland,” whose live show will open for the KIDZ BOP Live Certified BOP Tour this summer, as the rapper also lends his voice to the upcoming feature “PAW Patrol: The Dino Movie.” (Graphic courtesy of Doggyland/YouTube)

Snoop Dogg is trading G‑funk for giggles this summer, joining forces with the KIDZ BOP Live Certified BOP Tour and lending his voice to Spin Master’s upcoming feature “PAW Patrol: The Dino Movie.”

Beginning June 14 in Stamford, Connecticut, and running through Sept. 7 in Houston, Texas, the 28‑city KIDZ BOP tour will now kick off each night with a live performance of “Doggyland,” Dogg’s animated YouTube series for preschoolers. Created in 2022, “Doggyland” follows Bow Wizzle and a colorful cast of puppies who rap and sing about letters, numbers, colors and social‑emotional skills.

“‘Doggyland’ and KIDZ BOP are teamin’ up for a special tour like no other,” Snoop Dogg said in a release touting the collaboration. “We’re takin’ our animated world and bringing it to life, ya dig? We invite little kids, big kids, mamas, daddies, uncles, aunties — to join us for life lessons and some family fun. When ‘Doggyland’ links with KIDZ BOP, it’s a musical journey you will never forget.”

KIDZ BOP, which claims to be the No. 1 music brand for kids since 2001, will feature its young stars — Aleah, Cliff, Matty and Shila — performing kid‑friendly versions of today’s hits like “Espresso” and “Hot to Go!” on a stage complete with interactive elements and the return of the Daddy Dance Off.

“We’re excited to have ‘Doggyland’ join the KIDZ BOP Live Certified BOP Tour this summer as our special show opener,” added Sasha Junk, president of KIDZ BOP. “Their hip‑hop spin on classic kids’ songs — especially the viral ‘Affirmations Song' — will add fresh energy to our live events.”

Meanwhile, Dogg is also expanding his family‑friendly portfolio on the big screen. He joins a star‑studded ensemble — Jameela Jamil, Terry Crews, Paris Hilton, Bill Nye, Meredith MacNeill and Ron Pardo — in “PAW Patrol: The Dino Movie." The third theatrical installment of the animated franchise follows the rescue pups on a prehistoric adventure and is set to drop July 31, 2026.

KIDZ BOP LIVE TOUR DATES

Date	City	Venue
Saturday, June 14, 2025	Stamford, Conn.*	The Palace
Thursday, June 19, 2025	Hershey, Pa.*	Giant Center
Friday, June 20, 2025	Raleigh, N.C.*	Coastal Credit Union
Saturday, June 21, 2025	Charlotte, N.C.*	PNC Music Pavilion
Sunday, June 22, 2025	Greensboro, N.C.*	White Oak Amphitheater
Thursday, June 26, 2025	West Palm Beach, Fla.*	iTHINK Financial Amphitheatre
Friday, June 27, 2025	Jacksonville, Fla.*	Daily’s Place
Saturday, June 28, 2025	Alpharetta, Ga.*	Ameris Bank Amphitheatre
Sunday, June 29, 2025	Franklin, Tenn.*	FirstBank Amphitheater
Thursday, July 3, 2025	Gilford, N.H.*	Bank of NH Pavilion
Saturday, July 5, 2025	Bangor, Maine*	Maine Savings Bank
Sunday, July 6, 2025	Bethel, N.Y.*	Bethel Woods
Thursday, July 10, 2025	Richmond, Va.*	Allianz Amphitheater
Friday, July 11, 2025	Wantagh, N.Y.*	Northwell Health at Jones Beach
Saturday, July 12, 2025	Holmdel, N.J.*	PNC Bank Arts Center
Thursday, July 17, 2025	Wilmington, N.C.*	Live Oak Bank Pavilion
Friday, July 18, 2025	Baltimore, Md.*	Pier Six Pavilion
Saturday, July 19, 2025	Boston, Mass.* (2 shows)	Leader Bank Pavilion
Sunday, July 20, 2025	Wallingford, Conn.*	Toyota Oakdale Theater
Wednesday, July 23, 2025	Columbus, Ohio*	Ohio State Fair
Thursday, July 24, 2025	Clarkston, Mich.*	Pine Knob Music Center
Friday, July 25, 2025	Noblesville, Ind.*	Ruoff Music Center
Sunday, July 27, 2025	Cincinnati, Ohio*	PNC Pavilion at Riverbend
Friday, August 1, 2025	Saratoga Springs, N.Y.*	Broadview Stage at SPAC
Saturday, August 2, 2025	Camden, N.J.*	Freedom Mortgage Pavilion
Tuesday, August 5, 2025	West Allis, Wis.*	Wisconsin State Fair
Friday, August 8, 2025	Macon, Ga.*	Macon Amphitheater
Saturday, August 9, 2025	Tampa, Fla.*	MidFlorida Credit Union Amphitheatre
Friday, August 15, 2025	Tinley Park, Ill.	Credit Union 1 Amphitheater
Saturday, August 16, 2025	Kansas City, Mo.	Starlight Theatre
Sunday, August 17, 2025	Des Moines, Iowa	Iowa State Fair
Wednesday, August 20, 2025	Grand Rapids, Mich.	DeVos Hall
Thursday, August 21, 2025	Toronto, Ont.	Budweiser Stage
Friday, August 22, 2025	Toledo, Ohio	Toledo Zoo Amphitheater
Saturday, August 23, 2025	Syracuse, N.Y.	New York State Fair
Thursday, August 28, 2025	San Diego, Calif.	Cal Coast Credit Union Amphitheatre
Friday, August 29, 2025	Phoenix, Ariz.	Arizona Financial Theatre
Saturday, August 30, 2025	Anaheim, Calif.	Honda Center
Sunday, August 31, 2025	Mountain View, Calif.	Shoreline Amphitheater
Friday, September 5, 2025	Irving, Texas	Toyota Music Factory
Sunday, September 7, 2025	Houston, Texas	Cynthia Woods Mitchell Pavilion
Wednesday, September 10, 2025	Puyallup, Wash.	Washington State Fair

*Doggyland opening act dates