Cash Money and No Limit To Face off in Verzuz’s Comeback at Complexcon Las Vegas

Swizz Beatz and Timbaland’s Verzuz series will return Oct. 25 at ComplexCon Las Vegas with “Cash Money VERZUZ No Limit,” reuniting two of New Orleans’ most influential rap labels for a new chapter in hip-hop’s Southern story. (Photo: VERZUZ TV via Instagram)

When two of New Orleans’ most powerful rap dynasties meet on one stage, it’s not just a reunion — it’s a reckoning.

Verzuz, the online battle series created by Swizz Beatz and Timbaland during the pandemic, is set to return Oct. 25 at ComplexCon Las Vegas with “Cash Money VERZUZ No Limit.” The event promises a collision of legacies that once defined Southern hip-hop’s rise from regional pride to global dominance.

Verzuz itself has traveled a long road to this moment. What began in 2020 as a live-streamed experiment between friends turned into a communal ritual at the height of lockdown, when millions of viewers tuned in to watch artists face off hit for hit. By 2021, the brand had been acquired by Triller in a deal meant to expand its reach and grant equity to participating performers.

Within a year, Swizz Beatz and Timbaland accused the company of failing to deliver on its commitments, filing a $28 million lawsuit before eventually reaching a settlement. In 2024, they regained control of the platform and struck a new distribution partnership with X, formerly Twitter. “VERZUZ is still 100 percent Black-owned,” Swizz said after reclaiming ownership — a statement that reasserted the show’s purpose as both cultural archive and act of independence.

🚨 IT’S OFFICIAL 🚨
Verzuz is BACK — live at #ComplexCon Las Vegas.
Cash Money #VERZUZ No Limit Celebration 🙌🏽
One stage. Two legendary iconic Labels . History is about to be made !!
October 25.
Live Streaming details coming soon !!!!!!
Stay tuned for more info ….. pic.twitter.com/tM4TZibBuN

— VERZUZ TV (@verzuzonline) October 7, 2025

That context makes the upcoming battle feel less like a nostalgia trip and more like a symbolic passing of eras. Cash Money Records, founded in 1991 by Bryan “Birdman” Williams and Ronald “Slim” Williams, shaped the glossy, radio-ready sound that turned bounce into mainstream pop currency. From Juvenile’s “400 Degreez” and Big Tymers’ “Still Fly” to Lil Wayne’s “Tha Carter” series and Drake’s global dominance, its artists redefined what success from the South could look like.

No Limit Records, founded a year earlier by Master P, built a different kind of empire — gritty, self-reliant, and defiantly prolific. The label’s rapid-fire releases and signature Pen & Pixel album art made its soldiers — Silkk the Shocker, Mystikal, C-Murder, Mia X and Fiend — household names. Master P’s philosophy of ownership and community uplift would go on to influence an entire generation of independent entrepreneurs.

Their rivalry fueled one of the most important shifts in rap history. Long before Atlanta became the genre’s capital, New Orleans created the model — ambition on one side, autonomy on the other. Cash Money and No Limit didn’t just compete for charts; they competed for narrative, for the right to define what Southern success sounded like.

Little Miss Drama Tour Marks Cardi B’s First Tour in Six Years

Photo Credit: Warner Music

Cardi B is trading headlines for turnstiles. After a summer that put her on the stand by day and back in rehearsal by night, the Grammy winner is taking “Am I the Drama?” to arenas with the "Little Miss Drama Tour" — her first headlining arena run, and her first tour in six years.

The trek launches Feb. 11, 2026, at Acrisure Arena in Palm Desert, Calif., and spans more than 30 North American dates, including Los Angeles, Vancouver, Chicago, New York, Austin and Washington, D.C. (Capital One Arena on April 8).

“HELLO!! … We putting the kids to bed early because the Little Miss Drama Tour is coming to a city near you! Sign up now thru this Sunday, September 21 at 10 p.m. PST for artist presale,” she posted on Instagram, pointing fans to the link in her bio and Stories.

Presales begin Tuesday, Sept. 23, at 10 a.m. local; artist presale registration closes Sunday, Sept. 21, at 10 p.m. PT. General on-sale opens Thursday, Sept. 25, at 10 a.m. local. Venue and ticketing pages are carrying market-by-market details. For more information click here.

The tour lands the same week as her long-awaited second album, “Am I the Drama?,” due Friday, Sept. 19, following 2018’s “Invasion of Privacy.” Announced guests include Janet Jackson, Megan Thee Stallion, Lizzo, Tyla, Kehlani and Summer Walker.

Cardi telegraphed the move days earlier on daytime TV. “I actually have an announcement coming soon… I’m already preparing for it. I’m at the gym, and I’m taking dance classes already,” she told “The Jennifer Hudson Show.”

It caps a stretch of high-visibility moments — a televised courtroom appearance that ended in her favor, a viral clip where she admitted she briefly nodded off in court, and an album rollout built for spectacle — now crystallizing into a straightforward ask: show up IRL. 

'Hearts Sold Separately' Goes Global as Mariah the Scientist Announces 36 Dates From Paris to Atlanta

The singer has announced a 36-date “Hearts Sold Separately” world tour, opening Jan. 12 in Paris and closing April 10 in Atlanta. 

Mariah the Scientist is taking “Hearts Sold Separately” around the world. The Atlanta singer announced a 36-date tour that opens Jan. 12 in Paris and wraps April 10 with a hometown show at the Coca-Cola Roxy, with marquee stops including Radio City Music Hall on Feb. 27 and the Hollywood Palladium on March 28. Presales begin Sept. 17 (market-specific times); general on-sale is Sept. 19.

The run follows the strongest chart debut of her career. “Hearts Sold Separately” bowed at No. 1 on Billboard’s Top R&B Albums and No. 11 on the Billboard 200 — new personal bests that extend the momentum of “Burning Blue” and her Kali Uchis duet “Is It a Crime.”

Mariah has framed the project as a statement about love in a cynical moment. “The climate of the world made me want to make a whole project about love,” she said in an interview, a theme that threads through the album’s sleek, 80s-tinted R&B.

The tour also arrives amid renewed attention on her partner, Young Thug. After leaked jail calls circulated online, he released a seven-minute track, “Man I Miss My Dogs,” apologizing to Mariah by name and addressing rifts with peers. The headlines haven’t slowed her rollout: the itinerary spans Europe, Canada and a full North American sweep before the Atlanta finale.

Tickets are listed via Live Nation, Ticketmaster and venue sites; Radio City’s page shows on-sale at 10 a.m. ET on Sept. 19, with presales beginning Sept. 17. Check local listings for times.

Clipse Joins ‘Grace for the World’ Concert in St. Peter’s Square

St. Peter’s Square in Vatican City, where “Grace for the World” will feature Clipse, Pharrell Williams with the Voices of Fire Gospel Choir and other artists. The concert streams globally Sept. 13.

After reuniting for “Let God Sort ’Em Out,” their first album in 16 years produced by longtime collaborator Pharrell Williams, Clipse may be finally giving one of the world's most popular deities the chance.

On Saturday, Sept. 13 the duo will take the stage in Vatican City for “Grace for the World,” a live concert set in St. Peter’s Square.

For fans with the means to join the locals, attendance is free, but those without — whom Malice often strikes at with his verbal venom, no worries. It will also be streamed globally on Disney+, Hulu and ABC News Live starting 3 p.m. ET / noon PT (with a replay on Disney+).

The placement fits the arc of the year. Pusha T and Malice spent 2025 rebuilding the Clipse voice — reflective, surgical, grown — while Pharrell kept his hands on the wheel, shaping the new set with the same instincts that defined their 2000s run. Tracks like “Ace Trumpets,” “So Be It” and “The Birds Don’t Sing” reintroduced the duo’s contrast: Malice’s spiritual gravity in counterpoint to Pusha’s cold precision. Vatican City extends that tension in the most unexpected of venues.

The lineup underscores the scale. Organizers list Williams with the Voices of Fire Gospel Choir, Maestro Andrea Bocelli, John Legend, Karol G, Clipse, Teddy Swims, Jelly Roll, Angélique Kidjo, and the Choir of the Diocese of Rome led by Maestro Marco Frisina, joined by an international choir under the musical direction of Adam Blackstone. Newly added performers include Jennifer Hudson and BamBam. Aerial drone and light work by Nova Sky Stories — with imagery inspired by the Sistine Chapel — is set to sweep the square overhead.

For a duo that once made stark minimalism feel like gospel, performing beside actual choirs is more than a stunt — it’s a clean through line. The same partnership that forged “Grindin’ ” matured into a record about memory, loss and resolve, and now it’s headed to a stage where the setting amplifies the message.

Beyoncé Closes Record-Breaking ‘Cowboy Carter Tour’ With Destiny’s Child Reunion

Michelle Williams, Beyoncé and Kelly Rowland reunite as Destiny’s Child during the final stop of the "Cowboy Carter Tour" in Las Vegas, Saturday, July 26, 2025. (Photo via Beyoncé/Instagram)

It wasn’t just a tour — it was a statement.

Beyoncé’s "Cowboy Carter Tour" wrapped Saturday night in Las Vegas, bringing 32 stadium shows to a triumphant close. The tour grossed $407.6 million and sold 1.6 million tickets, according to Billboard Boxscore — officially making it the highest-grossing country music tour of all time.

Cowboy Carter Tour: By the Numbers

• Total Gross: $407.6 million
• Total Tickets Sold: 1.6 million
• Average Gross Per Show: $12.7 million
• Average Attendance Per Show: 49,900
• Average Ticket Price: $255.36
• Highest-Grossing City: New York City — $70.3M (5 shows)
• Most Shows in One City: London — 6 nights at Tottenham Hotspur Stadium
• Boxscore Records Broken: 40+
• Tour Cities: 9 (New York, L.A., Houston, Atlanta, Chicago, D.C., Paris, London, Las Vegas)

That record builds on her 2023 "Renaissance World Tour," which grossed $579.8 million, setting the bar for R&B tours. With both tours surpassing $400 million, Beyoncé is now the first woman and first American artist to achieve that twice — a distinction shared only with Coldplay, Ed Sheeran, and the Rolling Stones.

Instead of touring dozens of cities, Beyoncé centered the "Cowboy Carter Tour" on nine stadium markets: New York, Los Angeles, Houston, Atlanta, Chicago, Washington, D.C., Paris, London and Las Vegas. Each stop featured multi-night residencies. Her five shows at MetLife Stadium in New York sold 250,000 tickets and grossed $70.3 million, making it reportedly the highest-grossing single-venue run ever reported by Boxscore. In London, six nights at Tottenham Hotspur Stadium generated $61.4 million from 275,000 fans.

In her hometown of Houston, Beyoncé played two shows at NRG Stadium. In L.A., five at SoFi Stadium. In Atlanta, four nights at Mercedes-Benz Stadium. On average, the tour pulled in $12.7 million per night, drew about 49,900 fans per show, and commanded an average ticket price of $255.36. She reportedly broke more than 40 individual Boxscore records during the run.

DESTINY'S CHILD ENDING THE COWBOY CARTER TOUR WITH A BANG !!!!!!!!!#CowboyCarterTour #Beyonce pic.twitter.com/pRR15ZXyYq

— KaMorian (Sparkling Alien 💫) (@ka_morian0121) July 27, 2025

The finale in Las Vegas delivered the tour’s most unforgettable moment: Destiny’s Child reunited onstage for the first time since Coachella 2018. Kelly Rowland and Michelle Williams joined Beyoncé for a high-energy medley that included “Lose My Breath,” “Bootylicious,” and “Energy,” complete with the crowd-favorite “mute challenge.” Jay-Z made a surprise appearance for “Crazy in Love” and “N——s in Paris,” while Shaboozey joined her for their country collaboration “Sweet Honey Buckin’.” Blue Ivy also appeared, drawing loud cheers as she performed choreography from “Déjà Vu” — one last nod to family and legacy before the curtain fell.

 Top-Grossing Country Tours of All Time

1. Beyoncé — "Cowboy Carter Tour" (2024): $407.6 million
2. George Strait — "Cowboy Rides Away Tour" (2014): $100+ million
3. Shania Twain — "Come On Over Tour" (1998–99): $95+ million
4. Garth Brooks — "World Tour" (1996–98): $93+ million
5. Kenny Chesney — "Trip Around the Sun Tour" (2018): $87 million

Source: Billboard Boxscore, confirmed July 22, 2025

The "Cowboy Carter Tour" was more than a financial juggernaut — it was a reinvention. With live instrumentation, southern visual motifs, and an unapologetically Black Southern narrative, Beyoncé reshaped what a modern country concert experience could be.

Critics heralded the tour’s ambition and storytelling. Rolling Stone deemed it “a masterclass in genre liberation”; Variety called it “a transformational moment in country” — not just because of the blockbuster numbers, but because of what it stood for.

Before Beyoncé, the highest-grossing country tour belonged to George Strait’s "Cowboy Rides Away Tour" from 2014, which grossed just over $100 million. Beyoncé’s total completely redefined that standard.

With "Cowboy Carter," Beyoncé didn’t just break records. She reimagined them.

Grammy-Nominated Givēon Sets Fall Tour in Support of Top‑10 album 'Beloved'

Givēon, pictured ahead of his “Dear Beloved” tour, returns to the spotlight with a cinematic new album and his signature baritone, marking a powerful comeback after three years away from the stage.

It’s been too long — and Givēon knows it.

After three years away from the stage, the Grammy-nominated baritone behind “Heartbreak Anniversary” has officially announced “Dear Beloved, The Tour,” his third headlining run and the long-awaited live counterpart to his sophomore album “Beloved,” released July 11.

The project debuted at No. 8 on the Billboard 200 and currently sits at No. 1 on Apple Music’s R&B chart and No. 3 overall. It marks his first solo album to debut in the Top 10 — a rare feat for a featureless R&B project in today’s streaming-heavy landscape.

Givēon's return to touring follows his 2022 “Give or Take Tour” and 2021’s “Timeless Tour.” Created through live jam sessions with longtime collaborators Sevn Thomas, Peter Lee Johnson, and Matthew Burnett, “Beloved” trades digital slickness for analog depth. Givēon helped write every track, leaning into his signature baritone and live instrumentation to craft an album that feels cinematic and lived-in.

 

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“How this album is going to translate to the live show — I think it’s going to be magical because the album was made live, so it’s made to be performed live,” he told Rolling Stone earlier this month. He added that he plans to bring strings, horns, background vocals, and an eight-to-ten-piece band depending on venue size. “The album is really a movie,” he said. “I want the night to feel like that.”

Tickets to the tour, produced by Live Nation, go on sale to the public Friday, July 25 at 10 a.m. local time at 313Presents.com, LiveNation.com, giveonofficial.com and Ticketmaster.com. Artist presales began earlier today. PT. VIP packages — including early entry, exclusive merch, and premium ticketing options — are available at VIPNation.com.

Givēon previewed his return to the stage during a surprise appearance with Drake at the Wireless Festival in London, a nod to their 2021 collaboration “Chicago Freestyle.” But “Dear Beloved” marks his full solo return.

On Instagram, Givēon told fans: “Dear Beloved, The Tour…. It’s finally time to take this show on the road. It’s been too long… ‘Beloved’ was made to be experienced live.. I cannot wait to see you all.”

His comeback has been met with acclaim — including a four-star Rolling Stone review — and renewed appreciation for an artist who continues to move differently. In an era often dominated by high BPMs and viral hooks, Givēon lingers in stillness. His music doesn’t chase moments. It creates them.

Critics from Variety, Uproxx, Hypebeast and the Associated Press have praised the album’s cohesion and maturity, calling it a standout in a crowded summer slate.

Givēon – Dear Beloved, The Tour (2025)

Select North American dates – full schedule at giveonofficial.com

Oct 1 – Seattle, WA – WAMU Theater

Oct 2 – Vancouver, BC – Doug Mitchell Thunderbird Sports Centre

Oct 4 – San Francisco, CA – Bill Graham Civic Auditorium

Oct 7 – Los Angeles, CA – The Greek Theatre

Oct 10 – Las Vegas, NV – BleauLive Theater at Fontainebleau

Oct 11 – Phoenix, AZ – Arizona Financial Theatre

Oct 14 – Dallas, TX – The Pavilion at Toyota Music Factory

Oct 15 – Houston, TX – Smart Financial Centre at Sugar Land

Oct 18 – Atlanta, GA – Synovus Bank Amphitheater at Chastain Park

Oct 20 – Chicago, IL – Byline Bank Aragon Ballroom

Oct 23 – Detroit, MI – Fox Theatre with Charlotte Day Wilson & Sasha Keable

Oct 25 – Philadelphia, PA – Freedom Mortgage Pavilion

Oct 27 – Toronto, ON – Coca-Cola Coliseum

Oct 30 – Washington, D.C. – The Anthem

Nov 1 – Charlotte, NC – Skyla Credit Union Amphitheatre

Nov 4 – Boston, MA – MGM Music Hall at Fenway

Nov 6 – New York, NY – Madison Square Garden with Charlotte Day Wilson

VIP packages and additional details available at giveonofficial.com and vipnation.com. Tickets on sale Friday, July 25 at 10 a.m. local time.

Unreleased Beyoncé Music Stolen in Atlanta Car Break-In Ahead of Cowboy Carter Tour

Atlanta police issued a warrant for a suspect after unreleased music, set lists, and tour plans were stolen from Beyoncé’s choreographer’s SUV in a break-in days before her “Cowboy Carter” shows in Atlanta.

Just days before Beyoncé was set to light up Mercedes-Benz Stadium for four nights on her “Cowboy Carter” tour, a brazen theft rocked her inner circle — and may have jeopardized unreleased music from one of the most tightly guarded vaults in pop.

According to police and multiple local media reports, thieves broke into a black Jeep Wagoneer at the Krog Street Market parking deck on Tuesday, July 8, stealing multiple suitcases containing hard drives loaded with unreleased, watermarked Beyoncé tracks, footage plans for her shows, and both past and future set lists.

The vehicle belonged to Beyoncé’s longtime choreographer Christopher Grant and dancer Diandre Blue, who told police they had parked for about an hour while dining nearby. When they returned, they discovered the rear window smashed and two suitcases missing.

“The hard drives contained watermarked music, some unreleased music, footage plans for her show, and past and future set list,” an officer wrote in the incident report.

Also stolen were laptops, Tom Ford sunglasses, a book bag, clothing, and a pair of Apple AirPods Max headphones. The report notes that the stolen electronics included trackers, and that police used the Find My app to attempt recovery. Officers traced the headphones to a location where they conducted a suspicious person stop, but no arrests were made at the scene.

Cameras reportedly captured footage of the theft at the parking deck’s entrance, and police were able to recover two light fingerprints. An arrest warrant has since been issued, but Atlanta police have not released the suspect’s identity, and the stolen hard drives and files remain unrecovered.

Beyoncé, who has not commented publicly on the theft, arrived in Atlanta for a four-night run beginning Thursday, July 10. The incident unfolded as thousands of fans were descending on the city, part of the southern leg of her genre-bending “Cowboy Carter” tour — a cultural event that’s not just about music, but about reclaiming Black identity in country and Americana spaces.

Christopher Grant, the choreographer whose materials were stolen, can be heard in a 911 call saying, “They stole my computers and everything... I work with someone of high status. I really need my computer.”

The theft comes during a rare moment of tension surrounding a Beyoncé project — particularly one as daring and thematically resonant as “Cowboy Carter.” Critics and fans alike have praised the album as a boundary-pushing work of reinvention, and its stage show has been cloaked in secrecy.

That secrecy may now be compromised.

While artists at Beyoncé’s level typically store backup copies of creative materials in secure locations, the loss of sensitive files — particularly those containing performance plans and unreleased songs — raises alarm not just for the superstar’s brand, but for the tight-knit team that operates under her famously exacting creative control.

As of press time, there is no official confirmation whether the unreleased tracks have leaked. But the breach is a stark reminder that even in an era of global security and digital encryption, physical lapses can still upend the highest tiers of entertainment.

The case remains under active investigation. Beyoncé’s camp has remained silent.

Watch: Grown Men, Grown Bars: Clipse Returns with Grief, Gospel and God at Tiny Desk

In one of the most potent live moments hip-hop has seen in years, Clipse returned to the stage for their NPR Tiny Desk debut—a stripped-down yet searing performance that doubled as a celebration, a eulogy, and a cultural reckoning. Backed by a hard-hitting band and driven by the same raw precision that made them legendary, Pusha T and Malice brought decades of pain, reflection, and bravado into one of the most unforgettable Tiny Desk sets in recent memory.

It had been 16 years since Clipse last stood as a duo in front of a live audience. Since 2009’s Til the Casket Drops, the brothers—born Terrence and Gene Thornton—had gone their separate ways: Pusha ascended the solo ladder as a top-tier lyricist and G.O.O.D. Music president, while Malice found spiritual clarity and changed his name to No Malice, stepping back from the limelight entirely.

But for this moment—on a modest stage that’s become a proving ground for real artists—they stood shoulder to shoulder once again. The performance opened with an audible gasp from the crowd as the eerie first notes of “Virginia” set the tone. “I’m from Virginia, where ain't [expletive] to do but cook,” Pusha rapped, his cadence as cold as ever, while Malice stood stoic, surveying the room like a preacher searching for truth.

There was no band full of jazzy reinterpretations here, as NPR’s Bobby Carter revealed. The group insisted on keeping their sound uncut, unfiltered—heavy drums, haunting synths, no smoothing out the edges. Daru Jones, a hybrid drummer known for blending acoustic and electronic elements, was brought in to match their aesthetic. It worked. So did the chemistry.

The duo slid into “Keys Open Doors” and “Momma I’m So Sorry” with surgical timing, revisiting tracks from their 2006 masterwork Hell Hath No Fury. Then came “Chains and Whips,” a fierce new track from their 2025 album Let God Sort Them Out—their first full-length together in over a decade.

But the most human moment came with “Birds Don’t Sing,” a tear-stained tribute to their late parents, who died just four months apart. Malice described it as a “documented conversation”—their final words with their mother and father woven into the verses. It was less a performance than a confessional, with the band pulling back to let every syllable breathe. Pusha’s voice cracked; Malice stared straight ahead, as if speaking to ghosts.

Then came the gut punch. The unmistakable Neptunes beat for “Grindin’”—their breakout 2002 anthem—sent the room into controlled chaos. Fans shouted every bar. And for a moment, it felt like time folded in on itself: the Coke rap kings of the Clipse era reborn in front of NPR bookshelves.

The performance wasn’t just nostalgia—it was statement. Clipse didn’t just return to the stage; they reclaimed a place in hip-hop's living history. “Let God Sort Them Out,” released earlier this summer, dives deeper into mortality, legacy, and survival than anything they’ve recorded before. And the Tiny Desk concert made it clear—they’re not here to fade into the culture’s rearview.

They’re here to burn it into your memory, again.


Watch the entire performance below.

R&B Royalty Reunite: Brandy and Monica Launch Arena Tour This Fall

Promotional artwork for “The Boy Is Mine Tour” showcases Brandy and Monica’s first-ever co-headlining arena run, which kicks off Oct. 16, 2025, in Cincinnati and wraps Dec. 7 in Houston. The 24-city tour also features Kelly Rowland, Muni Long, and American Idol winner Jamal Roberts. (Courtesy Black Promoters Collective)

More than 25 years after their chart-dominating duet "The Boy Is Mine" redefined R&B for a generation, Brandy and Monica are officially hitting the road together. The Grammy Award-winning vocal powerhouses announced their highly anticipated joint tour today on CBS Mornings, igniting fan excitement from coast to coast.

Produced by the Black Promoters Collective, The Boy Is Mine Tour launches October 16 in Cincinnati, Ohio, and will hit 24 cities before wrapping up December 7 in Houston, Texas. The tour marks the duo’s first-ever co-headlining trek and celebrates one of the most iconic collaborations in Black music history.

Originally released in 1998, "The Boy Is Mine" spent a staggering 13 weeks at No. 1 on the Billboard Hot 100 — a feat that placed the pair in elite company with Whitney Houston ("I Will Always Love You," 14 weeks) and Mariah Carey ("One Sweet Day," 16 weeks). The track earned them the 1999 Grammy Award for Best R&B Performance by a Duo or Group with Vocals and has remained a cultural touchstone ever since.

Joining Brandy and Monica on the tour are Grammy-winning superstar Kelly Rowland, chart-topping songwriter Muni Long, and American Idol Season 23 winner Jamal Roberts — a multigenerational lineup that ensures each night will be steeped in both nostalgia and new energy.

The reunion comes on the heels of a surprise appearance in Ariana Grande’s "The Boy is Mine" music video in 2024, which sparked renewed excitement for the R&B legends. They later contributed vocals to Grande’s official remix of the track, earning another Grammy nomination and bringing their chemistry to a new generation of fans.

"This really is a full-circle moment," Brandy said. "Monica and I coming together again isn’t just about the music — it’s about honoring where we came from and how far we’ve both come."

Monica echoed the sentiment, calling the tour a tribute to their individual growth and lasting connection: "Brandy and I have been on our own unique journeys. Coming back together is a reminder of the power of respect, strength, and real music."

Shelby Joyner, president of the Black Promoters Collective, called the pairing "a cultural homecoming," saying: "Their impact on R&B is immeasurable, and 'The Boy Is Mine' continues to be one of the most iconic collaborations of all time."

Tickets go on sale Friday, June 27, at 10:00 a.m. local time via Ticketmaster, with presales beginning Thursday, June 26, using the code BPC.

A cinematic tour trailer directed by Ethan Tobman — known for work with Beyoncé and Taylor Swift — has already begun generating buzz, setting the tone for a production that promises style, soul, and sisterhood.

The Boy Is Mine Tour — Dates and Cities:
10/16 – Cincinnati, OH – Heritage Bank Center
10/17 – Milwaukee, WI – Fiserv Forum
10/18 – Chicago, IL – United Center
10/19 – Indianapolis, IN – Gainbridge Fieldhouse
10/30 – Memphis, TN – FedExForum
10/31 – Atlanta, GA – State Farm Arena
11/01 – Greensboro, NC – First Horizon Coliseum
11/02 – Baltimore, MD – CFG Bank Arena
11/07 – Las Vegas, NV – T-Mobile Arena
11/08 – Oakland, CA – Oakland Arena
11/09 – Los Angeles, CA – Kia Forum
11/13 – Charlotte, NC – Spectrum Center
11/14 – Columbia, SC – Colonial Life Arena
11/15 – Birmingham, AL – Legacy Arena at BJCC
11/20 – Brooklyn, NY – Barclays Center
11/21 – Newark, NJ – Prudential Center
11/22 – Atlantic City, NJ – Jim Whelan Boardwalk Hall
11/23 – Hampton, VA – Hampton Coliseum
11/28 – St. Louis, MO – Enterprise Center
11/29 – Detroit, MI – Little Caesars Arena
11/30 – Washington, DC – Capital One Arena
12/05 – New Orleans, LA – Smoothie King Center
12/06 – Fort Worth, TX – Dickies Arena
12/07 – Houston, TX – Toyota Center

Lil Wayne Returns With New Album, Major Tour Across U.S. and Canada

Lil Wayne appears in promotional artwork for his 2025 “Tha Carter VI” North American tour, which kicks off June 6 with a show at Madison Square Garden in New York. The 34-date trek supports the rapper’s forthcoming album “Tha Carter VI.” (Live Nation)

Lil Wayne is bringing his Carter legacy to center stage. The hip-hop icon announced today he’s hitting the road for a sprawling North American tour in support of his long-awaited album "Tha Carter VI," which drops Friday.

The tour launches the same night with a milestone moment: Wayne’s first solo headlining performance at New York City’s Madison Square Garden. From there, the 34-city trek resumes June 30 in Virginia Beach
and stretches across major markets, including Los Angeles, Toronto, Houston, Dallas, Atlanta and Phoenix, before closing in West Palm Beach, Florida, on Oct. 2.

Presented by Live Nation, the "Tha Carter VI Tour" is stacked with talent. Longtime Young Money collaborator Tyga joins the lineup as a special guest, alongside Atlanta’s Belly Gang Kushington. NoCap is also set to appear at select shows, adding even more firepower to the lineup.

Presale tickets open to fans Wednesday, June 4, with general ticket sales launching Friday at 10 a.m. local time. VIP packages will include premium seats, limited edition merchandise, early venue entry, and exclusive tour posters, according to Live Nation.

"Tha Carter VI" marks Lil Wayne’s first solo studio album since 2020’s "Funeral," which debuted at No. 1 on the Billboard 200. The previous three chapters in the "Carter" series — "Tha Carter III," "IV," and "V" — each reached the top of the chart, solidifying the saga as one of hip-hop’s most revered discographies.

Wayne first teased the new album in a surprise Super Bowl commercial for skincare brand Cetaphil, then confirmed the June 6 release date earlier this spring. While a full tracklist has yet to be revealed, the album is expected to blend the wordplay, flow, and stylistic innovation that made the New Orleans rapper a generational voice.

Few artists have shaped hip-hop like Lil Wayne. With over two decades of bars, mixtapes, and Billboard dominance, his return to the national stage is more than a tour — it’s a victory lap. For a generation raised on "Lollipop," "A Milli," and the early Carter installments, the summer of 2025 promises a live celebration of a rap titan’s past, present and future.

For dates and ticket info, visit livenation.com.

Watch: E-40’s Tiny Desk Debut Is a Celebration of Bay Pride and Legacy

 

Bay Area rap icon E-40 brought Vallejo flavor and hyphy energy to NPR’s Tiny Desk Concerts on Monday, kicking off Black Music Month with a spirited, career-spanning set that celebrated his legacy in hip-hop and his hometown roots.

Backed by a live band and in front of an intimate audience, the veteran MC born Earl Stevens ran through a medley of his biggest hits, including "Tell Me When to Go," "Choices (Yup)" and "U and Dat." Throughout the set, he showcased not only his signature slang and unmistakable delivery but also the cultural pride and storytelling that have made him a cornerstone of West Coast rap for over three decades.

“Tell the people that Water is back!” he declared midway through the performance, nodding to both his longtime nickname and his return to the spotlight.

The set marked E-40’s first appearance on the popular YouTube concert series, which has become a landmark platform for both emerging and legendary artists. Known for revealing raw talent in stripped-down formats, Tiny Desk has previously featured performances from artists like T-Pain, Too Short, Kehlani and LaRussell.

The band elevated the energy of each track. On "Choices (Yup)," musicians leaned into the mic to echo the iconic “yup” and “nope” ad libs, creating an organic, in-the-room feel. During "U and Dat," background vocalist and music director Bosko Kante filled in seamlessly for T-Pain’s auto-tuned hook.

E-40 also used the platform to promote his entrepreneurial ventures, sipping from a glass of his Earl Stevens Mangoscato and reminding viewers it’s available at Costco and Total Wine.

Between verses, he shouted out his longtime friends and collaborators, including a heartfelt tribute to the late Stomp Down. The performance was not only a musical celebration but a nod to the community that built him.

Despite a career that spans generations, E-40 remains culturally relevant. His music still blares from Bay Area car stereos and his impact extends beyond music, with a road named after him in Vallejo and surprise political appearances — including a surreal cameo at a Joe Biden rally.

With Monday’s set, E-40 joins a growing list of Bay Area legends who’ve brought their game to the Tiny Desk stage. The show continues to affirm the cultural weight of the Bay, one classic track at a time.

Snoop Dogg Teams with KIDZ BOP Tour and ‘PAW Patrol: The Dino Movie’

Snoop Dogg, center, appears with characters from his preschool series “Doggyland,” whose live show will open for the KIDZ BOP Live Certified BOP Tour this summer, as the rapper also lends his voice to the upcoming feature “PAW Patrol: The Dino Movie.” (Graphic courtesy of Doggyland/YouTube)

Snoop Dogg is trading G‑funk for giggles this summer, joining forces with the KIDZ BOP Live Certified BOP Tour and lending his voice to Spin Master’s upcoming feature “PAW Patrol: The Dino Movie.”

Beginning June 14 in Stamford, Connecticut, and running through Sept. 7 in Houston, Texas, the 28‑city KIDZ BOP tour will now kick off each night with a live performance of “Doggyland,” Dogg’s animated YouTube series for preschoolers. Created in 2022, “Doggyland” follows Bow Wizzle and a colorful cast of puppies who rap and sing about letters, numbers, colors and social‑emotional skills.

“‘Doggyland’ and KIDZ BOP are teamin’ up for a special tour like no other,” Snoop Dogg said in a release touting the collaboration. “We’re takin’ our animated world and bringing it to life, ya dig? We invite little kids, big kids, mamas, daddies, uncles, aunties — to join us for life lessons and some family fun. When ‘Doggyland’ links with KIDZ BOP, it’s a musical journey you will never forget.”

KIDZ BOP, which claims to be the No. 1 music brand for kids since 2001, will feature its young stars — Aleah, Cliff, Matty and Shila — performing kid‑friendly versions of today’s hits like “Espresso” and “Hot to Go!” on a stage complete with interactive elements and the return of the Daddy Dance Off.

“We’re excited to have ‘Doggyland’ join the KIDZ BOP Live Certified BOP Tour this summer as our special show opener,” added Sasha Junk, president of KIDZ BOP. “Their hip‑hop spin on classic kids’ songs — especially the viral ‘Affirmations Song' — will add fresh energy to our live events.”

Meanwhile, Dogg is also expanding his family‑friendly portfolio on the big screen. He joins a star‑studded ensemble — Jameela Jamil, Terry Crews, Paris Hilton, Bill Nye, Meredith MacNeill and Ron Pardo — in “PAW Patrol: The Dino Movie." The third theatrical installment of the animated franchise follows the rescue pups on a prehistoric adventure and is set to drop July 31, 2026.

KIDZ BOP LIVE TOUR DATES

Date	City	Venue
Saturday, June 14, 2025	Stamford, Conn.*	The Palace
Thursday, June 19, 2025	Hershey, Pa.*	Giant Center
Friday, June 20, 2025	Raleigh, N.C.*	Coastal Credit Union
Saturday, June 21, 2025	Charlotte, N.C.*	PNC Music Pavilion
Sunday, June 22, 2025	Greensboro, N.C.*	White Oak Amphitheater
Thursday, June 26, 2025	West Palm Beach, Fla.*	iTHINK Financial Amphitheatre
Friday, June 27, 2025	Jacksonville, Fla.*	Daily’s Place
Saturday, June 28, 2025	Alpharetta, Ga.*	Ameris Bank Amphitheatre
Sunday, June 29, 2025	Franklin, Tenn.*	FirstBank Amphitheater
Thursday, July 3, 2025	Gilford, N.H.*	Bank of NH Pavilion
Saturday, July 5, 2025	Bangor, Maine*	Maine Savings Bank
Sunday, July 6, 2025	Bethel, N.Y.*	Bethel Woods
Thursday, July 10, 2025	Richmond, Va.*	Allianz Amphitheater
Friday, July 11, 2025	Wantagh, N.Y.*	Northwell Health at Jones Beach
Saturday, July 12, 2025	Holmdel, N.J.*	PNC Bank Arts Center
Thursday, July 17, 2025	Wilmington, N.C.*	Live Oak Bank Pavilion
Friday, July 18, 2025	Baltimore, Md.*	Pier Six Pavilion
Saturday, July 19, 2025	Boston, Mass.* (2 shows)	Leader Bank Pavilion
Sunday, July 20, 2025	Wallingford, Conn.*	Toyota Oakdale Theater
Wednesday, July 23, 2025	Columbus, Ohio*	Ohio State Fair
Thursday, July 24, 2025	Clarkston, Mich.*	Pine Knob Music Center
Friday, July 25, 2025	Noblesville, Ind.*	Ruoff Music Center
Sunday, July 27, 2025	Cincinnati, Ohio*	PNC Pavilion at Riverbend
Friday, August 1, 2025	Saratoga Springs, N.Y.*	Broadview Stage at SPAC
Saturday, August 2, 2025	Camden, N.J.*	Freedom Mortgage Pavilion
Tuesday, August 5, 2025	West Allis, Wis.*	Wisconsin State Fair
Friday, August 8, 2025	Macon, Ga.*	Macon Amphitheater
Saturday, August 9, 2025	Tampa, Fla.*	MidFlorida Credit Union Amphitheatre
Friday, August 15, 2025	Tinley Park, Ill.	Credit Union 1 Amphitheater
Saturday, August 16, 2025	Kansas City, Mo.	Starlight Theatre
Sunday, August 17, 2025	Des Moines, Iowa	Iowa State Fair
Wednesday, August 20, 2025	Grand Rapids, Mich.	DeVos Hall
Thursday, August 21, 2025	Toronto, Ont.	Budweiser Stage
Friday, August 22, 2025	Toledo, Ohio	Toledo Zoo Amphitheater
Saturday, August 23, 2025	Syracuse, N.Y.	New York State Fair
Thursday, August 28, 2025	San Diego, Calif.	Cal Coast Credit Union Amphitheatre
Friday, August 29, 2025	Phoenix, Ariz.	Arizona Financial Theatre
Saturday, August 30, 2025	Anaheim, Calif.	Honda Center
Sunday, August 31, 2025	Mountain View, Calif.	Shoreline Amphitheater
Friday, September 5, 2025	Irving, Texas	Toyota Music Factory
Sunday, September 7, 2025	Houston, Texas	Cynthia Woods Mitchell Pavilion
Wednesday, September 10, 2025	Puyallup, Wash.	Washington State Fair

*Doggyland opening act dates

Grassroots Campaign Aims to Fund Sun Ra Arkestra’s Return to Jazz Pioneer’s Hometown

Sun Ra appears in a 1973 publicity photo for Impulse/ABC Dunhill Records. A grassroots GoFundMe campaign aims to bring the Sun Ra Arkestra to his hometown of Birmingham for a four-day celebration of what would be his 111th birthday.

A grassroots GoFundMe campaign has raised more than $22,000 (as of press time) toward a $31,000 goal to bring the Sun Ra Arkestra to Birmingham for a four-day celebration of the bandleader’s 111th birthday. All proceeds will cover travel, lodging and production costs, with concert ticket revenue supporting local venues and youth jazz programs.

Herman “Sonny” Poole Blount, better known as Sun Ra, was born in Birmingham on May 22, 1914, and died there on May 30, 1993. A pioneering composer, bandleader and Afrofuturist philosopher, he fused big-band swing with synthesizers and cosmic theatrics to forge a sound that inspired generations. Over a 50-year career and nearly 200 albums, he composed more than 1,000 pieces, pioneering free improvisation, modal jazz and early electronic keyboards. His theatrical live shows — complete with elaborate costumes, dancers and spoken-word manifestos — helped lay the foundation for Afrofuturism and influenced artists from Parliament-Funkadelic to Janelle Monáe.

 

Since Ra’s passing, saxophonist Marshall Allen has led the Arkestra, preserving Ra’s “discipline” and expansive vision on stages worldwide. Allen, who turned 100 last year, remains at the helm of a band that has sold out shows from European jazz festivals to Tokyo’s Shinjuku Pit Inn.

The campaign, “Celebrate Sun Ra’s Legacy in Birmingham,” brings together the Alabama Jazz Hall of Fame, Sidewalk Cinema, Saturn Records, Seasick Records, Southern Music Research Center and East Village Arts. Two headline concerts — May 22 at Carver Theatre and May 23 at The Nick — anchor a slate of film screenings, art exhibits, panel discussions and youth workshops. Proceeds from the May 22 concert will benefit the Hall’s Saturday Jazz Greats initiative.

“This is our chance to honor Sun Ra where it all began,” said organizer Lee Shook. “Fans from Chicago to Tokyo to Johannesburg can join us in spirit — and help launch Birmingham’s first official Sun Ra Day.”

Tentative Event schedule (May 21–24)

• May 21: Screening of Space Is the Place at Sidewalk Cinema; House of Found Objects after-party

• May 22 (Sun Ra’s birthday): Seasick Records in-store signing at noon; workshop TBA; Arkestra concert at Carver Theatre; late-night set at Saturn Records

• May 23: “An Evening with the Sun Ra Arkestra” at The Nick, site of their famed 1988 show

• May 24: Craig Legg’s “Ark in Town” exhibit at East Village Arts; Moon Stew potluck and DJ sets by Rahdu, Suaze and The Audiovore

Full schedule and donation info at gofundme.com/f/4sc93-celebrate-sun-ras-legacy-in-birmingham.

John Legend Revisits His Roots with ‘Get Lifted’ Anniversary Tour

Twenty years ago, "Get Lifted" introduced the world to John Legend. Now, he's revisiting the iconic album with a commemorative tour.

The EGOT-winning artist announced today that he will embark on a world tour celebrating the 20th anniversary of "Get Lifted," the 2004 album that launched his career. The tour, which kicks off May 27 in Glasgow, Scotland, will take Legend across Europe before making stops in major U.S. and Canadian cities from August through December.

"I'm so excited to announce that I'm heading back on the road for the Get Lifted 20th Anniversary Tour!" Legend, 46, wrote on Instagram. "Join me and my band for an unforgettable performance of the entire Get Lifted album — the album that introduced me to the world — plus a few favorites from my career that all of you know and love."

Fans can expect a nostalgic journey through some of his biggest hits, including "Ordinary People," "Used to Love U," "Number One," and "So High," all of which helped Get Lifted earn three Grammy Awards in 2006. Originally released on Dec. 28, 2004, the album was executive produced by Kanye West and will.i.am, blending classic soul influences with hip-hop production to create a defining moment in modern R&B.

Legend will first perform across Europe in May and June, stopping in cities such as London, Amsterdam, Paris, and Munich before heading to North America for a series of major dates, including shows at New York’s Barclays Center (Nov. 4), Los Angeles’ Hollywood Bowl (Sept. 28), and Toronto’s Scotiabank Arena (Nov. 13).

To coincide with the tour, Legend is releasing "Get Lifted (20th Anniversary)," a deluxe reissue featuring eight remixes, rare B-sides, and two previously unreleased studio performances from the album's original sessions. Guest artists on the project include Tems, Killer Mike, Lil Wayne, Simi and Black Thought.

"This album changed my life," Legend said in a statement via Sony Music. "I had no idea when I was making Get Lifted that it would introduce me to the world the way it did. To be able to celebrate this anniversary with fans, to revisit the songs, and to give people some unreleased moments from that era is really special to me."

Presale for European dates begins Wednesday, with general sales starting Friday, March 21. The North American presale starts Wednesday, March 26, with general sales opening Friday, March 28, via JohnLegend.com.

Legend, who last toured in 2023, has remained a force in music, television, and philanthropy, serving as a coach on The Voice and advocating for criminal justice reform. His Get Lifted Film Co. has also produced award-winning projects, including "Jingle Jangle" and "Monster."

Wu-Tang Clan Announces ‘Final Chamber’ Tour With Run the Jewels

Photo Credit: Kyle Christy

Wu-Tang Clan is forever — but their days of touring together may finally be coming to a close.

The hip-hop collective has embarked on what they are calling "Wu-Tang Forever: The Final Chamber", a farewell tour that kicks off June 6 in Baltimore and wraps up July 18 at the Wells Fargo Center in Philadelphia. Along the way, the tour will hit major cities across North America, including Los Angeles, Houston, Toronto, and, of course, their hometown of Staten Island before finishing in Newark, New Jersey.

The tour, which will feature Run the Jewels as the opening act, comes as Wu-Tang marks the 30th anniversary of "Enter the Wu-Tang (36 Chambers)," the groundbreaking debut album that redefined hip-hop.

Wu-Tang Clan co-founder RZA shared his excitement for the final tour, reflecting on the group's decades-long legacy and their bond with fans.

“Wu-Tang Clan has shown the world many chambers throughout our career; this tour is called The Final Chamber. This is a special moment for me and all my Wu brothers to run around the globe together one more time and spread the Wu swag, music, and culture,” RZA said.

Promising to deliver a once-in-a-lifetime experience, he added:

"On this tour we’re playing songs we’ve never played before to our audience, and me and our production team have designed a Wu-Tang show unlike anything you’ve ever seen.”

Hip-hop fans and fellow artists have shared their reactions online, with Run the Jewels' Killer Mike offering a personal reflection on Wu-Tang’s impact on his career:

"The GZA took me on tour and gave me Godbody game. The Chef, Ghost, and Cap had my petty ass running errands just to be in their presence. To hit the road with The Wu is a dream come true," he wrote.

Tickets went on sale last Friday, and some dates have already sold out. Fans hoping to witness Wu-Tang’s final run are encouraged to secure tickets before it’s too late.

Full Tour Dates:

• June 6 – Baltimore, MD – CFG Bank Arena
• June 7 – Raleigh, NC – PNC Arena
• June 8 – Tampa, FL – Amalie Arena
• June 9 – Atlanta, GA – State Farm Arena
• June 12 – Fort Worth, TX – Dickies Arena
• June 13 – Houston, TX – Toyota Center
• June 14 – Austin, TX – Moody Center
• June 15 – Tulsa, OK – BOK Center
• June 18 – Phoenix, AZ – Footprint Center
• June 19 – Ontario, CA – Toyota Arena
• June 20 – San Diego, CA – Pechanga Arena
• June 21 – Los Angeles, CA – Kia Forum
• June 23 – San Francisco, CA – Chase Center
• June 25 – Sacramento, CA – Golden 1 Center
• June 26 – Seattle, WA – Climate Pledge Arena
• June 27 – Vancouver, BC – Rogers Arena
• June 28 – Portland, OR – Moda Center
• June 30 – Greenwood Village, CO – Fiddler’s Green Amphitheatre
• July 3 – Chicago, IL – United Center
• July 5 – Detroit, MI – Little Caesars Arena
• July 6 – Columbus, OH – Nationwide Arena
• July 9 – Boston, MA – TD Garden
• July 11 – Laval, QC – Place Bell
• July 12 – Toronto, ON – Scotiabank Arena
• July 14 – New York, NY – Madison Square Garden
• July 18 – Philadelphia, PA – Wells Fargo Center

As the Wu-Tang Clan prepares for one final run, one thing is certain: Wu-Tang is forever, but this tour won’t be.

Tyga Announces 'Red Light Tour' Ahead of 'NSFW' Album Release

Tyga is headlining his first tour in over a decade, in support of his upcoming album "NSFW." The rapper, known for club anthems like "Rack City" and "Taste," took to Instagram on Wednesday to break the news, telling fans:

"For all my day 1s... Red Light Tour 🚨 presale tomorrow. General sale Friday 10 a.m. Tag your city!!! 🔥🔥 See y’all there!"

The 15-date tour, produced in partnership with Rolling Loud and Live Nation, kicks off March 20 in Phoenix and will hit major cities across the U.S., including stops in San Diego, Seattle, Chicago, Atlanta, and New York, before wrapping up May 3 in Hollywood, California.

'NSFW' Set to Drop Feb. 7

The tour announcement comes just days before the release of NSFW, Tyga's first full-length project in six years. The 17-track album features an eclectic mix of collaborations, including appearances from Lil Wayne, Shenseea, Cher, Flo Milli, and Ty Dolla $ign.

With a blend of hip-hop, R&B, and unexpected genre crossovers, NSFW could mark a new chapter for Tyga, who has built a career on crafting viral hits and high-energy anthems.

Tickets and Availability

Presale tickets for the Red Light Tour go live Thursday, followed by a general sale on Friday at 10 a.m. For more details, visit Tyga’s official website.

Super Bowl LIX to Showcase New Orleans Stars Jon Batiste, Trombone Shorty, Ledisi and More

Trombone Shorty performs at a concert in celebration of Juneteenth, Monday, June 10, 2024, on the South Lawn of the White House. (Official White House Photo by Erin Scott)

The NFL has announced an all-star lineup of New Orleans music legends for the Super Bowl LIX pregame show, set for Feb. 9, 2025, at Caesars Superdome. The event will feature performances from Jon Batiste, Trombone Shorty, Lauren Daigle, and Ledisi, all of whom have deep ties to Louisiana and its rich musical culture.

The Super Bowl, which will air live on FOX, aims to celebrate the iconic music scene of New Orleans. “We're honored to work with this year's pregame lineup to celebrate the rich musical legacy of New Orleans and the entire state,” said Seth Dudowsky, head of music at the NFL in a release announcing the lineup. “The Super Bowl is a rare moment to unite fans around the world, and this year's performers will bring the energy, soul, and vibrant sounds of the region to a global stage.”

Five-time Grammy winner and Academy Award-winning artist Jon Batiste will perform the national anthem. A New Orleans native, Batiste is known for his work as a singer, songwriter, and composer, and recently released "Beethoven Blues (Batiste Piano Series, Vol. 1)," which debuted as the No. 1 classical album. He also composed the score for the critically acclaimed film "Saturday Night" by director Jason Reitman.

Trombone Shorty, born Troy Andrews, will join Grammy Award-winning artist Lauren Daigle to perform "America the Beautiful." Trombone Shorty, known for blending funk, soul, R&B, and rock, is a New Orleans legend who began performing at Jazz Fest at age four and has shared stages with acts like the Red Hot Chili Peppers and Foo Fighters. Daigle, a Louisiana native, is celebrated for her powerful vocals and her 2018 album "Look Up Child," which made her the first female artist to reach the Top 10 on both the pop and Christian album charts simultaneously.

Ledisi, another Grammy Award-winning artist from New Orleans, will perform "Lift Every Voice and Sing." Known for her powerful voice and commanding stage presence, Ledisi has earned international acclaim with 15 Grammy nominations and a win for Best Traditional R&B Performance. She has also performed at prestigious venues such as the White House, the Kennedy Center, and Carnegie Hall.

In addition to the musical lineup, the pregame show and the Apple Music Super Bowl Halftime Show will feature American Sign Language (ASL) performances. Stephanie Nogueras will sign the "Star-Spangled Banner" and "America the Beautiful," Otis Jones IV will interpret "Lift Every Voice and Sing," and Matt Maxey will deliver an ASL rendition of the halftime show. The ASL performances will be supported by Alexis Kashar of LOVE SIGN and Howard Rosenblum of Deaf Equality.

The NFL also previously announced that Kendrick Lamar will headline the Apple Music Super Bowl Halftime Show, with DPS, Roc Nation, and Jesse Collins serving as executive producers.

For updates on Super Bowl LIX festivities, fans can visit SuperBowl.com.

Travis Scott Breaks Boundaries: 'Circus Maximus' Becomes Highest-Grossing Solo Rap Tour

Travis Scott's "Circus Maximus" tour has redefined what a solo rap tour can achieve, earning a staggering $209.3 million in revenue and becoming the highest-grossing solo rap tour in history, according to Billboard. Over 1.7 million tickets were sold across 76 dates, solidifying Scott's status as a powerhouse in live music and an artist capable of unprecedented commercial success.

A standout moment of the tour came in Melbourne, where two sold-out shows generated $12.6 million from 115,000 tickets. The tour's momentum only accelerated towards the end, with the final nine shows contributing 24% of the total attendance—an impressive 415,000 tickets sold in just that stretch.

The numbers tell a story of exponential growth for Scott. Compared to his previous "Astroworld: Wish You Were Here" tour, "Circus Maximus" more than tripled the revenue and sold over twice as many tickets. Key drivers of this success included a 65% increase in ticket prices, an expanded schedule featuring over 20 additional shows, and a significant boost in average audience size, with 53% more tickets sold per event.

Scott's achievement places him firmly ahead of other rap giants in solo tour earnings. While JAY-Z and 50 Cent have approached similar milestones, JAY-Z's earnings were bolstered by his co-headlining tour with Beyoncé, and 50 Cent's "The Final Lap" tour crossed the 1-million-ticket mark in 2023. Scott now stands alone as the leading solo rapper in tour history.

The tour's success also coincided with the release of Scott's chart-topping album, "UTOPIA." The "Circus Maximus" tour, spanning four continents and totaling 78 shows, eclipsed Kendrick Lamar's "Big Steppers Tour," which grossed $110 million. Though Scott's revenue still falls short of the $320 million generated by Drake, J. Cole, and 21 Savage on their co-headlining "It's All A Blur" tour, he now holds the crown for solo rap tours.

This accomplishment highlights not only Scott's ability to command massive audiences but also his staying power in the competitive world of live entertainment. Compared to the "Astroworld: Wish You Were Here" tour, which grossed $63 million from 57 shows, "Circus Maximus" managed to triple that figure with just 21 more performances—demonstrating a sharp upward trajectory in Scott's career.

Even after the monumental success of "Circus Maximus," Scott isn't slowing down. He is set to headline and curate next year's Coachella Festival, scheduled for April 11–13 and April 18–20. The event, branded as "Travis Scott Designs The Desert," promises a unique and immersive experience, with the festival's announcement teasing a "Cactus Jack desert takeover" featuring an "immersive and experiential world."

Scott will perform on both Saturdays of the festival, sharing the stage with a diverse lineup including Post Malone, Green Day, and Lady Gaga.

Cabello, GloRilla Join Lil Wayne for College Football Playoff Concert

Courtesy Photo

Lil Wayne is set to headline the AT&T Playoff Playlist Live! concert on Jan. 18, 2025, at State Farm Arena, kicking off a music-filled weekend leading up to the College Football Playoff National Championship, amidst conversations about his controversial Super Bowl halftime show snub.

The New Orleans native, known for chart-topping hits like ‘A Milli’ and ‘Lollipop,’ will take the stage after being controversially excluded from the Super Bowl halftime show in his hometown.

“We are excited to have Lil Wayne headline the AT&T Playoff Playlist Live! concert,” said Bill Hancock, executive director of the College Football Playoff, of the five-time Grammy winner. “He is a talented artist who has had a significant impact on the music industry. We know he will put on a great show for our fans.”

Joining Wayne on Jan. 18 is Grammy-nominated rapper GloRilla, the rising star behind viral hits ‘F.N.F. (Let’s Go)’ and ‘Tomorrow 2.’

The following night, Jan. 19, features a pop-centric lineup headlined by Camila Cabello, known for global hits like ‘Havana’ and ‘Señorita.’ Cabello will be joined by Myles Smith, a British singer-songwriter recognized as Apple Music’s Up Next Artist, and Knox, a Nashville-based singer-songwriter who has gained a strong online following.

The weekend culminates on Jan. 20 with the Allstate Championship Tailgate at Mercedes-Benz Stadium. The event will feature performances by country music star Kane Brown and iHeartCountry’s ‘On the Verge’ artist Ashley Cooke, along with interactive games, sponsor activations, and live ESPN broadcasts.

Tickets for AT&T Playoff Playlist Live! go on sale Monday, Nov. 25, at 10 a.m. ET via CollegeFootballPlayoff.com/ppl. The 2025 College Football Playoff National Championship will kick off at 7:30 p.m. ET on ESPN.

Christmas Day Showdown: Beyoncé to Perform Live During Texans-Ravens Game on Netflix

Get ready, Houston! Beyoncé is coming home for Christmas, and she's bringing her latest hit album, "Cowboy Carter," with her.

The global superstar, who hails from the Lone Star State, will perform during halftime at NRG Stadium on Dec. 25 when the Houston Texans take on the Baltimore Ravens.

The performance will feature the first live rendition of songs from her critically acclaimed album, "Cowboy Carter," a unique fusion of country and hip-hop that has been making waves in the music industry.

The game kicks off at 3:30 p.m. CT and is part of Netflix's inaugural NFL Christmas Gameday doubleheader. This event also marks Netflix's first venture into live NFL broadcasting, making the game and Beyoncé’s performance accessible to its 238 million subscribers worldwide.

Beyoncé's return to the NFL is sure to bring back memories of her iconic Super Bowl XLVII halftime show in 2013, which featured a surprise reunion with Destiny's Child.

That performance captivated over 110 million viewers and became the second most-watched halftime show in history. Now, more than a decade later, Beyoncé is set to make history again.

Released earlier this year, "Cowboy Carter" has already made waves as the year's most Grammy-nominated album by a female artist, garnering 11 nominations.

The album showcases Beyoncé's fearless approach to blending genres, weaving elements of country with hip-hop to create an innovative sound that has captured the attention of both fans and critics.

Critics have called it one of Beyoncé’s boldest and most creative projects yet, cementing her status as a musical visionary.