J. Cole's Music Festival, Dreamville Fest, Sets 2025 as Final Year

J. Cole's Dreamville Fest, the hip-hop festival that transformed a patch of North Carolina into a haven for music and community, is taking its final bow. After four years of electrifying performances and a cultural impact that rippled far beyond the stage.

"April 5 & 6, 2025 will be the Fifth & Final Dreamville Fest 🌻," the festival announced Tuesday on its official Instagram account, adding, "What a ride it’s been… We can’t thank y’all enough for all the memories we’ve shared."

April 5 & 6, 2025 will be the Fifth & Final Dreamville Fest 🌻 What a ride it's been... We can't thank y'all enough for all the memories we've shared. pic.twitter.com/F5iVeb8mIO

— Dreamville Fest (@Dreamvillefest) December 10, 2024

"From the very beginning," the festival organizers added, "the idea behind the fest was creating a place where our fans, the Dreamville community, could spend time together, a place where they could see themselves reflected, a place to share in experiences."

I love yall for real yall don’t know how hard and how much work it takes to bring yall this event but just know yall make it more than worth it every year. I can be here all day if I have to name everyone that works they ass off for this but we gon celebrate this one. Love ❤️

— Ibrahim H. (@KingOfQueenz) December 10, 2024

That sense of shared experience extends to the artists and organizers. J. Cole's manager, Ibrahim Hamad, expressed his gratitude Tuesday on Twitter: "I love y'all for real y'all don’t know how hard and how much work it takes to bring all this event…But just know y'all make it more than worth it every year."

Dreamville Fest has not only enriched the cultural landscape of North Carolina but also injected a significant economic boost into Wake County. In 2023 alone, the festival generated a staggering $145 million, solidifying its position as a major contributor to the state's economy.

Presale tickets go on sale Wednesday at 9 a.m. EST, with fans able to snag early access by texting DREAMVILLE to 68624.

Jane Doe Alleges Jay-Z, Diddy Sexually Assaulted Her After 2000 VMAs

 

Kevin Mazur/Getty Images for Sean Combs

Kanye West, Sean "Diddy" Combs, and Shawn "Jay-Z" Carter attend an event together. Combs and Carter have been named in a civil lawsuit alleging sexual assault in an amended complaint filed in the Southern District of New York.

Hip-hop mogul Shawn "Jay-Z" Carter has been named as a defendant in a civil lawsuit alleging he and Sean "Diddy" Combs sexually assaulted a then-thirteen-year-old girl at an afterparty following the 2000 MTV Video Music Awards. The allegations were added in an amended complaint filed Sunday in the U.S. District Court for the Southern District of New York.

The plaintiff, identified as Jane Doe, initially filed her lawsuit against Combs in October, accusing him of sexual assault, racketeering, and other misconduct. In the updated filing, Doe claims that Carter, along with Combs, assaulted her in a bedroom at a party she attended after consuming a drink that left her feeling disoriented. The lawsuit alleges that a female celebrity witnessed the attack.

According to the amended complaint, Doe alleges she was incapacitated after consuming a drink provided at the party, leaving her vulnerable to assault. She accuses Carter and Combs of exploiting her incapacitated state to carry out the alleged assault. The complaint also claims that Combs’ associates were involved in facilitating the incident by isolating her from others at the event.

The lawsuit alleges that Doe’s attorneys reached out to Carter for mediation before filing the amendment. Carter reportedly responded by calling the mediation request a “blackmail attempt” and criticized Doe’s attorney, Tony Buzbee, for what he described as a pattern of “theatrics.”

“No sir, it had the opposite effect! It made me want to expose you for the fraud you are in a VERY public fashion,” Carter said in a statement released Sunday. “These allegations are so heinous in nature that I implore you to file a criminal complaint, not a civil one. Whomever would commit such a crime against a minor should be locked away, would you not agree?”

Carter also expressed concern for the impact of the allegations on his family. “My wife and I will have to sit our children down, one of whom is at the age where her friends will surely see the press and ask questions about the nature of these claims, and explain the cruelty and greed of people,” Carter said. “I mourn yet another loss of innocence.”

Combs, who has denied all allegations in multiple lawsuits filed against him in recent months, has faced significant scrutiny. His legal team has described the claims as “shameless publicity stunts.” While Doe’s initial lawsuit against Combs included allegations of sexual assault and racketeering, the amended complaint introducing Carter marks the first time another high-profile celebrity has been implicated alongside him.

Doe’s amended lawsuit also accuses Carter of engaging in a campaign of intimidation and harassment to dissuade her from filing the updated complaint. The specifics of this alleged campaign include claims that Carter used intermediaries to pressure her into dropping her case, though these claims have not been independently verified.

Buzbee, who represents the plaintiff, said in a statement Saturday, “The pleading speaks for itself. This is a very serious matter that will be litigated in court.”

Carter’s statement further criticized the lawsuit, emphasizing his willingness to fight the allegations. “These alleged victims would deserve real justice if that were the case,” he said. “But this… is not justice.”

Lizzo Cleared of Multiple Harassment Claims in Stylist's Lawsuit

Lizzo, dressed as "LizzOzempic" for Halloween in a playful nod to a 'South Park' parody. The pop star recently secured a legal victory in a harassment lawsuit. (Photo via Lizzo's official Instagram)

A California judge dismissed several claims in a harassment and discrimination lawsuit against pop star Lizzo by her former stylist, Asha Daniels, in a significant legal victory for the Grammy-winning artist.

Daniels, who worked as a wardrobe assistant on Lizzo's 2023 "Big Grrrl Big Tour," filed the lawsuit in September 2023. She alleged a "sexualized, racially charged, and illegal work environment," accusing her manager, Amanda Nomura, of physical and verbal abuse.

However, Los Angeles Superior Court Judge Fernando L. Aenlle-Rocha ruled on Monday, that many of Daniels' claims fell outside U.S. jurisdiction, as the alleged misconduct primarily took place during the European leg of the tour. "These allegations do not establish plausibly that any portion of plaintiff's claim arose from work performed in the United States or qualifying territories," the judge wrote in his ruling. Additionally, the judge found Daniels lacked sufficient evidence to support her claim for unpaid overtime.

Lizzo's attorney, Doug Weinstein, expressed satisfaction with the ruling, emphasizing Lizzo's determination to fight the accusations. "There's a reason that Lizzo continues to fight long after most public figures would have settled—because these allegations are false and can't be allowed to stand," Weinstein said.

Daniels' lawsuit also described alleged derogatory remarks and wrongful termination for refusing to follow what she called "demeaning" instructions. Specific details of these instructions were not made public. The lawsuit further claimed that members of Lizzo's team made disparaging comments about the singer and other dancers.

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A post shared by Lizzo (@lizzobeeating)

Lizzo, whose real name is Melissa Viviane Jefferson, has consistently denied the allegations. "Usually I choose not to respond to false allegations, but these are as unbelievable as they sound and too outrageous not to address," Lizzo said in a social media post.

The case is separate from another lawsuit filed in August 2023 by three former backup dancers who have accused Lizzo of sexual harassment and creating a hostile work environment. That case remains ongoing.

While Judge Aenlle-Rocha dismissed several claims against Lizzo, her touring company, Big Grrrl Big Touring, Inc., still faces other claims in Daniels' lawsuit. Additional legal proceedings are expected to address these remaining claims, along with the pending lawsuit by the backup dancers.

Beyoncé Tops Billboard’s List of 25 Greatest Pop Stars of the 21st Century

Beyoncé rides into new territory on the cover of her 2024 album "Cowboy Carter," showcasing her evolution as Billboard’s Greatest Pop Star of the 21st Century.

Beyoncé has been named the greatest pop star of the 21st century by Billboard. The music industry giant earned the title for her countless achievements, which include defining moments that have changed the industry, timeless releases, and her remarkable vocal and performance talents.

“Beyoncé tops our staff-chosen editorial list based on her full 25 years of influence, impact, evolution,” wrote Billboard’s Andrew Unterberger, who underscored her ability to deliver more than just music, but moments that resonate throughout pop culture.

Beyoncé, who rose to stardom in the late '90s with Destiny's Child, has forged a monumental solo career with not only chart successes but also influential cultural contributions. Billboard’s editorial staff cited her “ability to create moments” as a key reason for placing her at the top of their list of the "25 Greatest Pop Stars of the 21st Century." In their analysis, the publication emphasized that Beyoncé is “the bar against which all other pop stars this century have long been measured,” crediting her “commitment to innovation, evolution and all-around excellence.”

Beyoncé's legacy is built on her commitment to artistry, exemplified by iconic milestones like her 2013 surprise album drop that revolutionized the music industry and her headlining performance at Coachella in 2018, which became a symbol of Black cultural excellence. Her influence extends far beyond chart hits—she has been instrumental in shaping the future of music, from her role in popularizing the visual album format to her daring, genre-blending music that has sparked meaningful social conversations.

With 32 Grammy Awards, Beyoncé is the most decorated artist in Grammy history, and her influence shows no signs of waning. She received 11 nominations for her 2024 album "Cowboy Carter" and is expected to add more trophies to her collection in January.

The Houston native's presence on Billboard’s charts is equally noteworthy. As a solo artist, she has nine No. 1 singles and 24 top 10 hits on the Billboard Hot 100, while eight of her albums have claimed the No. 1 spot on the Billboard 200 chart. Her journey began with her 2003 debut solo album "Dangerously In Love," which marked the start of a string of successes after already dominating the airwaves as part of Destiny’s Child.

Billboard also compiled a list of the "100 Greatest Moments" of Beyoncé's career, highlighting milestones such as her 2009 performance in the thriller "Obsessed" and her 2016 "Formation" video, which became a cultural statement on racial pride and female empowerment.

Since August, Billboard has ranked the top 25 pop artists of the last 25 years, highlighting those who have most defined pop stardom since the turn of the millennium. Last week, Taylor Swift was announced as the No. 2 pick, followed by Rihanna in the third spot. Adele, Ariana Grande, Justin Bieber, Kanye West, Britney Spears, Lady Gaga, and Drake rounded out the top 10, with Katy Perry closing out the list at No. 25. Other pop artists recognized include Bad Bunny, The Weeknd, One Direction, Miley Cyrus, Eminem, and Usher.

Beyoncé's year has also been marked by her Renaissance World Tour, a showcase of her artistry that featured her daughter, Blue Ivy, joining her on stage—symbolizing a passing of the torch to a new generation.

Fans can read the full list of Billboard's "25 Greatest Pop Stars of the 21st Century" and Beyoncé's top 100 moments on Billboard's website.

Snoop Dogg and Cori Broadus Share Family Secrets on 'Jennifer Hudson Show'

Snoop Dogg and Cori Broadus share laughs on "The Jennifer Hudson Show" as they reveal family secrets.

Snoop Dogg and his daughter Cori Broadus made an appearance on "The Jennifer Hudson Show," sharing funny and heartfelt stories about their father-daughter relationship. The episode, which aired Monday, gave viewers a lighthearted glimpse into their lives, showcasing the iconic rapper's unique parenting style and the bond he shares with his daughter.

During a game segment led by Jennifer Hudson, Cori admitted that the last time she lied to her father was earlier that very day. "He asked me if I was on my way yet, and I told him yes, but I had to do some other things first, so I really wasn't on my way," Cori said, eliciting laughter from the audience and her father.

Snoop Dogg, whose real name is Calvin Broadus, was then asked about a time Cori had been grounded. He recalled a humorous incident involving her car. "I bought her a Jeep Wagon for her 16th birthday, but her mama took it away. All of a sudden, her mama was driving the Jeep Wagon," Snoop said, laughing. Cori nodded and added that her mom would even drive her around in the car meant for her. "She don't play," Cori said, acknowledging her mother's strict but loving parenting.

"The Voice" host also shared the most extravagant gift he had given Cori—a million dollars for her wedding. He noted that the gift remained unopened as Cori's wedding had been delayed due to health issues earlier this year. Cori Broadus and her fiancé Wayne Duece got engaged in November 2022, and the couple has been documenting the ups and downs of planning their wedding for an upcoming E! special titled "Snoop's Fatherhood: Cori and Wayne's Story." Unfortunately, their ceremony was postponed after Cori suffered a stroke at the beginning of the year. Fans can follow their journey when the series airs on Thursday, December 5.

Snoop also talked about his upcoming album 'Missionary' with Dr. Dre, their first collaboration in 30 years. The 15-track album features singles like "Gorgeous" with Jhené Aiko and "Another Part of Me" featuring Sting and Russ. The album, which also includes collaborations with Eminem, 50 Cent, Method Man, Jelly Roll, Tom Petty, and BJ The Chicago Kid, will be released on December 13.

Super Bowl LIX to Showcase New Orleans Stars Jon Batiste, Trombone Shorty, Ledisi and More

Trombone Shorty performs at a concert in celebration of Juneteenth, Monday, June 10, 2024, on the South Lawn of the White House. (Official White House Photo by Erin Scott)

The NFL has announced an all-star lineup of New Orleans music legends for the Super Bowl LIX pregame show, set for Feb. 9, 2025, at Caesars Superdome. The event will feature performances from Jon Batiste, Trombone Shorty, Lauren Daigle, and Ledisi, all of whom have deep ties to Louisiana and its rich musical culture.

The Super Bowl, which will air live on FOX, aims to celebrate the iconic music scene of New Orleans. “We're honored to work with this year's pregame lineup to celebrate the rich musical legacy of New Orleans and the entire state,” said Seth Dudowsky, head of music at the NFL in a release announcing the lineup. “The Super Bowl is a rare moment to unite fans around the world, and this year's performers will bring the energy, soul, and vibrant sounds of the region to a global stage.”

Five-time Grammy winner and Academy Award-winning artist Jon Batiste will perform the national anthem. A New Orleans native, Batiste is known for his work as a singer, songwriter, and composer, and recently released "Beethoven Blues (Batiste Piano Series, Vol. 1)," which debuted as the No. 1 classical album. He also composed the score for the critically acclaimed film "Saturday Night" by director Jason Reitman.

Trombone Shorty, born Troy Andrews, will join Grammy Award-winning artist Lauren Daigle to perform "America the Beautiful." Trombone Shorty, known for blending funk, soul, R&B, and rock, is a New Orleans legend who began performing at Jazz Fest at age four and has shared stages with acts like the Red Hot Chili Peppers and Foo Fighters. Daigle, a Louisiana native, is celebrated for her powerful vocals and her 2018 album "Look Up Child," which made her the first female artist to reach the Top 10 on both the pop and Christian album charts simultaneously.

Ledisi, another Grammy Award-winning artist from New Orleans, will perform "Lift Every Voice and Sing." Known for her powerful voice and commanding stage presence, Ledisi has earned international acclaim with 15 Grammy nominations and a win for Best Traditional R&B Performance. She has also performed at prestigious venues such as the White House, the Kennedy Center, and Carnegie Hall.

In addition to the musical lineup, the pregame show and the Apple Music Super Bowl Halftime Show will feature American Sign Language (ASL) performances. Stephanie Nogueras will sign the "Star-Spangled Banner" and "America the Beautiful," Otis Jones IV will interpret "Lift Every Voice and Sing," and Matt Maxey will deliver an ASL rendition of the halftime show. The ASL performances will be supported by Alexis Kashar of LOVE SIGN and Howard Rosenblum of Deaf Equality.

The NFL also previously announced that Kendrick Lamar will headline the Apple Music Super Bowl Halftime Show, with DPS, Roc Nation, and Jesse Collins serving as executive producers.

For updates on Super Bowl LIX festivities, fans can visit SuperBowl.com.

22 Years Looming: Pras Michél Steps Away from Fugees During Legal Turmoil

Pras Michél

On the eve of Thanksgiving, Pras Michél, a founding member of the iconic hip-hop group the Fugees, announced he is quitting the band amid ongoing legal battles that could lead to a 22-year federal prison sentence.

Michél, 52, revealed his departure from the Fugees in an interview with Variety, stating, "They're going to Europe [to tour]. I can't go, so... It is what it is." As he deals with mounting legal challenges, Michél remains on bail with travel restrictions. Expressing his frustration, he added, "It's better to have a small group of people who believe in you than to have 100 people around you who disappear when things get tough."

The rapper and producer was convicted in April 2023 on ten counts, including campaign finance violations and acting as an unregistered foreign agent. The charges tie him to a broader scandal involving $4.5 billion embezzled from Malaysia's 1MDB fund. Michél, who is seeking a retrial, continues to deny any wrongdoing.

The Fugees, formed in 1990 in South Orange, New Jersey, are considered one of the most influential hip-hop groups of the 1990s. Their groundbreaking sound, blending rap, reggae, and soul, struck a chord with audiences worldwide. The group earned two Grammy Awards, including Best Rap Album for their 1996 hit album The Score, which featured timeless tracks like "Killing Me Softly." Their influence on hip-hop and popular culture has been profound.

Michél's relationship with his former bandmates has been strained in recent years. In October 2024, he filed a lawsuit against Lauryn Hill, accusing her of fraud over the abrupt cancellation of the Fugees' 2023 North American tour. Hill responded to the lawsuit, calling it "baseless" and "full of false claims and unwarranted attacks." The lawsuit also alleges breach of contract, with Michél criticizing Hill for rejecting a $5 million offer for the Fugees to perform at Coachella — allegedly due to No Doubt receiving top billing.

In the Variety interview, Michél denied allegations of being a Chinese spy, despite accusations that he illegally lobbied U.S. politicians on behalf of foreign interests. "I like spy movies, but I never wanted to be a spy," he said. "I don't think that's sexy. But a part of it felt like that." Michél admitted to accepting $20 million from Malaysian financier Jho Low, the alleged mastermind behind the 1MDB scandal, which led to his conviction for illegal lobbying efforts involving the Obama and Trump administrations.

Facing the prospect of 22 years in prison, Michél remains defiant. "I'm going to fight, and I'm going to appeal, but there's a possibility that I'm going in while I'm fighting," he told Variety. "It's just the reality."

Despite his legal troubles, Michél's story may soon make its way to the screen. Director Ben Patterson is reportedly working on a documentary featuring footage filmed by Michél himself, and actor Idris Elba has shown interest in acquiring Michél's life rights for a potential film adaptation, according to Variety.

No Bail for Diddy: Third Attempt Denied, Trial Wait Could Keep Him Behind Bars for Months

A Manhattan federal judge has denied Sean "Diddy" Combs' third attempt at securing bail in his sex trafficking and racketeering case, ensuring the rap mogul remains behind bars as the case moves forward.

The ruling, issued late Wednesday by Judge Arun Subramanian, came down with a single word in capital letters: "DENIED." Combs had hoped to spend Thanksgiving with his family in a three-bedroom Manhattan apartment under 24-hour surveillance, part of a $50 million bail package his lawyers had proposed. Instead, Combs will remain in the Metropolitan Correctional Center.

Judge Subramanian's decision underscored the severity of the charges against Combs. "No condition or combination of conditions will reasonably assure the safety of the community," the judge wrote. The denial highlighted concerns about Combs' potential danger to others if released.

On Friday, Combs' family, including his 17-year-old twin daughters, Jessie and D'Lila, attended a bail hearing. Last year, the twins spent Thanksgiving with their father as he served turkey dinners to the homeless in Miami. That Thanksgiving also marked the day the Adult Survivors Act opened a one-year window for alleged victims of sex crimes to seek civil claims, which has led to several lawsuits against Combs.

In 2023, Casandra "Cassie" Ventura, Combs' former girlfriend, sued him for alleged rape and years of abuse. Combs settled the case a day later, but on Thanksgiving Day, two more women —Joi Dickerson-Neal and Liza Gardner — filed lawsuits alleging he raped them in the early '90s. Dickerson-Neal's suit says she reported the alleged assault to police, but was told she needed corroboration from witnesses, a common roadblock before the #MeToo movement.

Combs has denied all allegations, but his behavior, including alleged drug-fueled "freak-offs," drew federal attention, leading to his September indictment. The charges describe years of abuse, coercion, and control, alleging Combs used his business empire to create a criminal enterprise involving sex trafficking, forced labor, and more.

Combs' lawyers had already tried and failed twice to get him released on bail. Prosecutors argued that a multimillion-dollar bail package would create a "two-tier" justice system favoring the wealthy. They also highlighted Combs' repeated violations of communication rules at the detention center, deeming him too dangerous to release.

Judge Subramanian cited these concerns, referencing seized firearms, including AR-15s with defaced serial numbers, and the indictment's claims of Combs' use of violence to intimidate victims and witnesses. He also quoted a text from Ventura after a 2016 incident in which Combs allegedly assaulted her in a hotel hallway: "I have a black eye and a fat lip. You are sick for thinking it’s OK to do what you’ve done… I still have crazy bruising."

Combs entered the courtroom with a smile for his twin daughters, but the judge's ruling means he will likely stay in custody until his trial. If convicted, the music mogul could face many more Thanksgivings behind bars.

Travis Scott Breaks Boundaries: 'Circus Maximus' Becomes Highest-Grossing Solo Rap Tour

Travis Scott's "Circus Maximus" tour has redefined what a solo rap tour can achieve, earning a staggering $209.3 million in revenue and becoming the highest-grossing solo rap tour in history, according to Billboard. Over 1.7 million tickets were sold across 76 dates, solidifying Scott's status as a powerhouse in live music and an artist capable of unprecedented commercial success.

A standout moment of the tour came in Melbourne, where two sold-out shows generated $12.6 million from 115,000 tickets. The tour's momentum only accelerated towards the end, with the final nine shows contributing 24% of the total attendance—an impressive 415,000 tickets sold in just that stretch.

The numbers tell a story of exponential growth for Scott. Compared to his previous "Astroworld: Wish You Were Here" tour, "Circus Maximus" more than tripled the revenue and sold over twice as many tickets. Key drivers of this success included a 65% increase in ticket prices, an expanded schedule featuring over 20 additional shows, and a significant boost in average audience size, with 53% more tickets sold per event.

Scott's achievement places him firmly ahead of other rap giants in solo tour earnings. While JAY-Z and 50 Cent have approached similar milestones, JAY-Z's earnings were bolstered by his co-headlining tour with Beyoncé, and 50 Cent's "The Final Lap" tour crossed the 1-million-ticket mark in 2023. Scott now stands alone as the leading solo rapper in tour history.

The tour's success also coincided with the release of Scott's chart-topping album, "UTOPIA." The "Circus Maximus" tour, spanning four continents and totaling 78 shows, eclipsed Kendrick Lamar's "Big Steppers Tour," which grossed $110 million. Though Scott's revenue still falls short of the $320 million generated by Drake, J. Cole, and 21 Savage on their co-headlining "It's All A Blur" tour, he now holds the crown for solo rap tours.

This accomplishment highlights not only Scott's ability to command massive audiences but also his staying power in the competitive world of live entertainment. Compared to the "Astroworld: Wish You Were Here" tour, which grossed $63 million from 57 shows, "Circus Maximus" managed to triple that figure with just 21 more performances—demonstrating a sharp upward trajectory in Scott's career.

Even after the monumental success of "Circus Maximus," Scott isn't slowing down. He is set to headline and curate next year's Coachella Festival, scheduled for April 11–13 and April 18–20. The event, branded as "Travis Scott Designs The Desert," promises a unique and immersive experience, with the festival's announcement teasing a "Cactus Jack desert takeover" featuring an "immersive and experiential world."

Scott will perform on both Saturdays of the festival, sharing the stage with a diverse lineup including Post Malone, Green Day, and Lady Gaga.

Music Charts, Media Ethics at Stake in Drake, Williams Lawsuits

Kendrick Lamar's 'GNX' cover art. Released days before Drake's lawsuit against Universal Music Group for allegedly manipulating streaming charts, the album has further fueled the rappers' rivalry.

Drake is pursuing legal action against Universal Music Group and Spotify, accusing them of rigging streaming charts, while Wendy Williams challenges Lifetime over an allegedly exploitative documentary. Here is the latest on these celebrity legal disputes.

On Monday, Drake, through his company Frozen Moments LLC, filed a lawsuit in New York against UMG and Spotify. He alleges that UMG and Spotify manipulated streaming charts to boost Kendrick Lamar's diss track, "Not Like Us," at the expense of his album, "Certified Lover Boy." According to the lawsuit, UMG and Spotify utilized automated bots, payola, and Siri redirection to artificially increase Lamar's streams while undermining Drake's position on the charts.

Specifically, Drake claims that bots were deployed to inflate Lamar's streaming metrics, falsely inflating popularity. He also alleges that UMG engaged in payola — bribing for airplay and favorable streaming placements. Furthermore, Drake asserts that UMG collaborated with Apple to redirect Siri search results for "Certified Lover Boy" to Lamar's track, leading to significant misrepresentation of streaming activity. Entertainment lawyer Peter Paterno told Variety, "This case strikes at the heart of how we measure success... If streaming numbers can be manipulated so easily, it undermines the entire concept of fair competition."

UMG has vehemently denied these accusations. "The suggestion that UMG would do anything to undermine any of its artists is absurd," a UMG spokesperson said. "We believe the courts will dismiss these claims." UMG has insisted that all promotional activities were conducted ethically and legally.

Drake also appeared on Canadian streamer xQc's Kick channel on Monday, where he accused Lamar of spreading "fairytales" through his diss tracks. During the stream, he also criticized Steve Lacy and The Weeknd, which generated considerable social media buzz.

Lamar's surprise album, "GNX," which dropped last week to widespread acclaim, features more not-so-subtle jabs at Drake. Reacting to Drake's recent accusations and online commentary, Lamar himself responded with a succinct "He trippin'?!", in a text exchange with rapper and producer Reli, shared on pgLang's Instagram.

Meanwhile, Wendy Williams is engaged in her own legal battle. On Nov. 12, her guardian, Sabrina Morrissey, filed a lawsuit against Lifetime, A&E Television Networks, EOne Productions, Creature Films, and executive producer Mark Ford, accusing them of exploiting Williams' deteriorating health in the documentary "Where Is Wendy Williams?" According to Morrissey, Williams, now 60, suffers from primary progressive aphasia and frontotemporal dementia, conditions that have left her "cognitively impaired, permanently disabled, and incapacitated." Since May 2022, Williams has been under court-ordered guardianship due to concerns about her well-being.

OH NO 🙏🏽| Wendy Williams’s legal guardian, Sabrina Morrissey, revealed in a recent court filing that the legendary talk show host is now “permanently incapacitated,” from her on-going battle with frontotemporal dementia and primary progressive aphasia. pic.twitter.com/E0BctPPtxK

— KenBarbie™ (@itsKenBarbie) November 26, 2024

The lawsuit contends that the documentary's producers took advantage of Williams' vulnerability when she was "clearly incapable of consenting to be filmed." Morrissey has also requested the court to redact details of Williams' health, familial relationships, and finances from the public record to protect her privacy. The defendants have denied the accusations, asserting that they had obtained Williams' consent prior to her decline in health and before the guardianship was in place. They claim Morrissey is attempting to deflect blame for her own alleged failures in protecting Williams. Both sides have requested a trial, which is expected to last between two to four weeks.

Williams, who hosted "The Wendy Williams Show" from 2008 to 2022, has faced numerous health issues, including Graves' disease, lymphedema, and struggles with substance addiction. The ongoing legal case has ignited debate about the ethics of exploiting vulnerable public figures for entertainment, drawing widespread attention within the industry.

BBMAs: Commercial Success vs. Cultural Impact? Drake, Lamar Highlight the Divide

Drake is poised for a major comeback at the 2024 Billboard Music Awards, announced Monday. After a period of mixed reception to recent projects and personal challenges, the hip-hop titan enters the ceremony tied with Taylor Swift for the most BBMAs in history, each holding 39 wins. The stage is set for a potential record-breaking night.

The awards also highlight a compelling dynamic between Drake and Kendrick Lamar. While Drake seeks commercial dominance with eight nominations, including Top Artist, Lamar has captured cultural momentum with his critically acclaimed album "Mr. Morale & the Big Steppers" and his surprise follow-up project, "GNX." Despite receiving only one nomination for Top Rap Album, Lamar's influence underscores the BBMAs' emphasis on commercial metrics over cultural impact.

This year's BBMAs tell an intriguing story: Can Drake reclaim his spot at the top of the music world? Or will the focus shift to artists like Lamar, who prioritize artistic innovation over chart-topping hits?

Country star Zach Bryan leads all nominees with 21 entries across 18 categories, followed by Swift with 17. The Top Artist category features a diverse group of contenders: Drake, Swift, Bryan, Morgan Wallen, and Sabrina Carpenter. Wallen boasts 15 entries across 13 categories, while Carpenter earned nine nominations, including her first for Top Artist and Top Hot 100 Artist.

Other notable nominees include Beyoncé for Top R&B Artist and Top R&B Album, and SZA, whose album "SOS" dominated the charts this year, making her a strong contender in several R&B categories.

The 2024 BBMAs introduce three new categories: Top Hard Rock Artist, Top Hard Rock Album, and Top Hard Rock Song. HARDY leads these categories, with Linkin Park and Falling in Reverse also receiving recognition.

The awards ceremony will air Thursday, Dec. 12, on Fox, Paramount+, and Amazon Fire TV Channels, marking its return to Fox for the first time since 2006. Actress and comedian Michelle Buteau will host the event.

Key Hip-Hop & R&B Nominees

Drake:

Top Artist

Top Male Artist

Top Billboard 200 Artist

Top Rap Artist

Top Rap Male Artist

Top Billboard 200 Album ("For All the Dogs")

Top Rap Album ("For All the Dogs")

Top R&B Song ("Search & Rescue")

Kendrick Lamar:

Top Rap Album ("Mr. Morale & the Big Steppers")

Beyoncé:

Top R&B Artist

Top R&B Album ("Renaissance")

SZA:

Top R&B Female Artist

Top R&B Album ("SOS")

Top Billboard 200 Album ("SOS")

Top R&B Song ("Kill Bill")

Lizzo:

Top Female Artist

Top Streaming Songs Artist

Doja Cat:

Top Female Artist

Top Hot 100 Artist

Top Streaming Songs Artist

Top Radio Songs Artist

See the complete list of nominees here.

Cabello, GloRilla Join Lil Wayne for College Football Playoff Concert

Courtesy Photo

Lil Wayne is set to headline the AT&T Playoff Playlist Live! concert on Jan. 18, 2025, at State Farm Arena, kicking off a music-filled weekend leading up to the College Football Playoff National Championship, amidst conversations about his controversial Super Bowl halftime show snub.

The New Orleans native, known for chart-topping hits like ‘A Milli’ and ‘Lollipop,’ will take the stage after being controversially excluded from the Super Bowl halftime show in his hometown.

“We are excited to have Lil Wayne headline the AT&T Playoff Playlist Live! concert,” said Bill Hancock, executive director of the College Football Playoff, of the five-time Grammy winner. “He is a talented artist who has had a significant impact on the music industry. We know he will put on a great show for our fans.”

Joining Wayne on Jan. 18 is Grammy-nominated rapper GloRilla, the rising star behind viral hits ‘F.N.F. (Let’s Go)’ and ‘Tomorrow 2.’

The following night, Jan. 19, features a pop-centric lineup headlined by Camila Cabello, known for global hits like ‘Havana’ and ‘Señorita.’ Cabello will be joined by Myles Smith, a British singer-songwriter recognized as Apple Music’s Up Next Artist, and Knox, a Nashville-based singer-songwriter who has gained a strong online following.

The weekend culminates on Jan. 20 with the Allstate Championship Tailgate at Mercedes-Benz Stadium. The event will feature performances by country music star Kane Brown and iHeartCountry’s ‘On the Verge’ artist Ashley Cooke, along with interactive games, sponsor activations, and live ESPN broadcasts.

Tickets for AT&T Playoff Playlist Live! go on sale Monday, Nov. 25, at 10 a.m. ET via CollegeFootballPlayoff.com/ppl. The 2025 College Football Playoff National Championship will kick off at 7:30 p.m. ET on ESPN.

From King of Rock to King of Wine: DMC's Latest Chapter

Photo Courtesy Old York Cellars

The King of Rock is now making his mark as the King of the Vine.

Darryl 'DMC' McDaniels, the legendary co-founder of Run-DMC, has always been a pioneer. Whether he was rocking stages in the 1980s or kicking down barriers for hip-hop to cross into mainstream culture, he was never content to stay in one lane. Now, the hip-hop icon is making waves in a different space: the wine industry. Since 2020, McDaniels has been crafting his own path in winemaking, staying true to what he’s always done — connecting people, creating culture, and making an impact.

For some, McDaniels' journey into wine might seem like a departure from his roots, but it’s really an evolution.

Run-DMC changed hip-hop forever. They were the first hip-hop group to go platinum, the first on MTV, and the first to bring the raw, street energy of hip-hop to mainstream America with tracks like “Walk This Way,” “It’s Tricky” and “King of Rock.” They were the bridge between genres, collaborating with Aerosmith and redefining what hip-hop could be. That same boundary-pushing spirit led McDaniels to venture into winemaking.

The 2022 King DMC Reserve Wine Collection, which will officially launch at Old York Cellars in Ringoes, N.J., on Nov. 30, is McDaniels’ latest chapter in this journey. The collection features two wines: a Reserve Red — a blend of Merlot, Cabernet Sauvignon, Cabernet Franc, and Syrah — and a Reserve White, made from Chardonnay, Pinot Gris and Vidal Blanc.

This marks the third vintage under the Darryl Mack Cellars label, a collaboration that began as a creative experiment but has since grown into a respected brand that reflects McDaniels’ signature style —authentic, impactful and made for everyone.

“Darryl views wine and food as part of his bigger vision of bringing people together,” David Wolin, owner of Old York Cellars, said in a release announcing the new vintages. That sentiment echoes what McDaniels has always been about — breaking down barriers, uniting people, and celebrating culture.

A portion of sales from the King DMC Reserve Collection benefits the Felix Organization, a non-profit that McDaniels co-founded in 2006 alongside Emmy-winning casting director Sheila Jaffe. The Felix Organization provides enriching opportunities for children in foster care—a cause close to McDaniels’ heart, as he himself was adopted. “The heart of this collection came from Darryl's passion for philanthropy,” Wolin said, implying that this venture isn’t just about bottles on a shelf; it’s about creating a legacy and giving back.

McDaniels has never been one to shy away from using his platform for more than entertainment. He’s been vocal about mental health, sharing his own struggles in his memoir and speaking publicly to encourage others to seek help. He’s also been an advocate for adoption, using his voice to support children in foster care and to raise awareness about the importance of family and community. His work with Old York Cellars is a continuation of that commitment—a blending of creativity, passion, and social impact.

For more information about Darryl Mack Cellars and the upcoming event, visit oldyorkcellars.com.

Rapper and Actor Saafir Dead at 54

Photo Credit: Instagram/xzibit

The hip-hop community is mourning the loss of Reggie "Saafir" Gibson, a pioneering West Coast rapper and actor, who died Tuesday morning at the age of 54. His death was confirmed by close friend and longtime collaborator, Xzibit, who shared the news via an emotional Instagram post.

"Approximately at 8:45 am this morning, my brother Reggie known to the world as Saafir passed away," Xzibit wrote. "We have so much history I can't even explain what I'm feeling right now. We surrounded him and let him know how much we loved him. He can rest now."

Rest in Peace Saafir 🕊️ pic.twitter.com/lGtXmKVE5R

— Tommy Boy Records (@TommyBoyRecords) November 20, 2024

Emerging in the early 1990s, he gained recognition for his intricate wordplay, complex rhyme schemes and socially aware lyrics. His debut album, "Boxcar Sessions," released in 1994, remains a landmark in West Coast underground hip-hop. He solidified his position in the genre with notable works like "The Hit List" and "Trigonometry."

In addition to his solo success, Saafir was a member of Digital Underground, the groundbreaking collective that famously featured Tupac Shakur and the late Shock G. He also collaborated with Xzibit and Ras Kass to form the Golden State Project, initially called the Golden State Warriors, until legal challenges from the NBA prompted a name change.

Saafir's talent extended beyond music. He appeared in the 1993 film "Menace II Society," directed by the Hughes brothers, portraying Harold Lawson. The movie, noted for its gritty depiction of life in South Central Los Angeles, became a pivotal work in urban cinema.

One of my favorite rap songs EVER

Ahmad, Ras Kass and Saafir - Come Widdit (1994)

All three went ballistic.

RIP Saafir pic.twitter.com/OvOtZV7iVc

— Andreas Hale (@AndreasHale) November 19, 2024

In recent years, Saafir faced a series of health challenges, including the removal of a cancerous tumor from his spine, which left him using a wheelchair. Despite these setbacks, his spirit and impact on the music industry remained strong and inspiring.

Xzibit called on the hip-hop community to support Saafir’s family during this challenging time. "Friends, Family, everyone that rocked with us from the Hip Hop community, if you could be so solid and reach out for @chopblack his younger brother, and @lilsaafir his son, the family really needs to be supported during this time," he said.

Christmas Day Showdown: Beyoncé to Perform Live During Texans-Ravens Game on Netflix

Get ready, Houston! Beyoncé is coming home for Christmas, and she's bringing her latest hit album, "Cowboy Carter," with her.

The global superstar, who hails from the Lone Star State, will perform during halftime at NRG Stadium on Dec. 25 when the Houston Texans take on the Baltimore Ravens.

The performance will feature the first live rendition of songs from her critically acclaimed album, "Cowboy Carter," a unique fusion of country and hip-hop that has been making waves in the music industry.

The game kicks off at 3:30 p.m. CT and is part of Netflix's inaugural NFL Christmas Gameday doubleheader. This event also marks Netflix's first venture into live NFL broadcasting, making the game and Beyoncé’s performance accessible to its 238 million subscribers worldwide.

Beyoncé's return to the NFL is sure to bring back memories of her iconic Super Bowl XLVII halftime show in 2013, which featured a surprise reunion with Destiny's Child.

That performance captivated over 110 million viewers and became the second most-watched halftime show in history. Now, more than a decade later, Beyoncé is set to make history again.

Released earlier this year, "Cowboy Carter" has already made waves as the year's most Grammy-nominated album by a female artist, garnering 11 nominations.

The album showcases Beyoncé's fearless approach to blending genres, weaving elements of country with hip-hop to create an innovative sound that has captured the attention of both fans and critics.

Critics have called it one of Beyoncé’s boldest and most creative projects yet, cementing her status as a musical visionary.

Mother-Son Duo Jay-Z and Dr. Gloria Carter Lead Financial Literacy Push for HBCUs

Photo Courtesy Shawn Carter Foundation

Jay-Z and his mother, Dr. Gloria Carter, co-founders of the Shawn Carter Foundation, pictured together at a past event, continue their commitment to uplifting underserved communities through initiatives like the newly launched Champions for Financial Legacy program, aimed at financial education for HBCU students.

The Shawn Carter Foundation, founded by entrepreneur and rapper Shawn "Jay-Z" Carter and his mother, Dr. Gloria Carter, has announced a new initiative aimed at empowering students at Historically Black Colleges and Universities through financial literacy. With support from Toyota Motor North America, the Champions for Financial Legacy program seeks to reduce the wealth gap and build long-term economic success for participants.

Developed in collaboration with The Coalition for Equity and Opportunity at the Wharton School of the University of Pennsylvania, CFFL is based on a financial education curriculum created by Wharton Professor Keith Weigelt. The program, previously known as Bridges to Wealth, has provided financial education to Shawn Carter Foundation scholars and their families since 2017.

Toyota, a consistent supporter of the foundation’s annual HBCU Bus Tour, played a pivotal role in expanding CFFL’s reach. The tour has introduced high school and college students to HBCUs and provided access to college preparatory resources, continuing the foundation’s mission of educational access and equity. Monica Womack, Toyota’s general manager for diversity, inclusion, and community engagement, praised the evolution of the partnership.

“We are excited to see our partnership with the Shawn Carter Foundation evolve to include this innovative initiative,” Womack said. “One that not only provides resources to HBCU students but also reaches the heart of the community, through advocacy for financial literacy.”

Since its founding in 2003, the Shawn Carter Foundation has focused on removing socioeconomic barriers to higher education and career development for underserved youth. Its initiatives have included college scholarships, study abroad opportunities, and career exposure programs. More than $20 million has been invested in initiatives that have benefited thousands of students and families across the United States.

CFFL aims to continue this legacy by equipping students with critical financial skills, such as budgeting, understanding credit scores, navigating market risks, and investing in stocks and mutual funds. By fostering financial literacy, the program hopes to promote economic mobility and transform intergenerational wealth trajectories.

"Every day at the Shawn Carter Foundation, we dedicate ourselves to uplifting students and communities that are underserved," said Dr. Gloria Carter, CEO and co-founder of the foundation. "To launch a financial education program that will reach more students and communities, along with dedicated partners like Toyota and the Wharton School of Business, is a vision we are finally seeing come to fruition. We are so excited to see the incredible impact of CFFL unfold and look forward to its growth."

Jay-Z’s philanthropic involvement extends beyond the Shawn Carter Foundation. Through his work with REFORM Alliance, he has advocated for criminal justice reform and the rights of incarcerated individuals. In partnership with high-profile figures such as Meek Mill, Jay-Z helped raise awareness and funding to transform probation and parole laws across multiple states. His work has included assisting in providing legal aid and pushing for policy changes, which have directly impacted the lives of many disadvantaged communities.

In addition to advocacy and educational initiatives, the Shawn Carter Foundation’s work has had tangible results in expanding educational opportunities. Its scholarship fund supports promising students facing financial hardships, while other programs, like the "College Prep and Exposure" initiative, have provided guidance, mentoring, and college readiness resources for high schoolers aspiring to higher education.

"One way to strengthen the resiliency of middle-class households is to increase their ability to generate wealth," said Dr. Keith Weigelt, founder of Bridges to Wealth and Marks-Darivoff Family Professor of Strategy at Wharton. "I thank both the Shawn Carter Foundation and Toyota for their foresight in addressing a long-neglected social disparity."

The inaugural CFFL program will launch in Spring 2025 at Lincoln University, Norfolk State University, and Virginia State University, with plans to expand to additional HBCUs. University-appointed faculty will receive professional development training, and trained student ambassadors will promote CFFL courses on their respective campuses.

Beyoncé's Legacy Takes Center Stage in New Yale Course on Black Radical Tradition and Politics

Beyoncé’s influence reaches far beyond sold-out stadiums and Grammy stages. It is now entering Ivy League classrooms. This spring, Yale University will offer a course titled "Beyoncé Makes History: Black Radical Tradition History, Culture, Theory & Politics through Music," focusing on the star’s seismic impact on music, culture, and Black feminism.

Led by Professor Daphne Brooks, an expert in African American Studies and music, the course will use Beyoncé’s art as a lens to explore Black history, intellectual thought, and political resistance. Starting with her groundbreaking 2013 self-titled album and moving through to her latest work, "Cowboy Carter," the course aims to dissect the cultural forces that have made Beyoncé a symbol of empowerment and artistic innovation.

Yale University to offer new course on Beyoncé’s cultural impact in spring 2025!

“Next semester, Daphne Brooks, professor of African American Studies and music, will teach a new class titled “Beyoncé Makes History: Black Radical Tradition History, Culture, Theory & Politics… pic.twitter.com/9Nq4fFkUC0

— Beyoncé Press. (@beyoncepress) November 8, 2024

The syllabus includes the study of Beyoncé’s visual albums, screenings of her concert films, and a deep dive into the literary and intellectual influences behind her music. Students will read works by Black scholars like Hortense Spillers and the Combahee River Collective, drawing connections between Beyoncé’s sonic storytelling and Black feminist thought.

Brooks previously taught a similar class at Princeton University, titled "Black Women in Popular Music Culture," which also covered Beyoncé. “Those classes were always overenrolled,” Brooks said, noting the energy around the focus on Beyoncé, even as the course spanned music from the late 19th century through the present.

“[This class] seemed good to teach because [Beyoncé] is just so ripe for teaching at this moment in time,” Brooks said in an interview with the Yale Daily News. “The number of breakthroughs and innovations she’s executed, and the way she’s interwoven history and politics into her art—there’s just no one like her.”

Brooks explained why the class will focus specifically on Beyoncé’s work from 2013 onward, citing her 2013 self-titled album as a pivotal moment in popular music history. “2013 was really such a watershed moment in which she articulated her beliefs in Black feminism,” Brooks said, pointing to "Flawless" as an example of a pop artist using sound bites from a Black feminist, Chimamanda Ngozi Adichie, to make a broader cultural statement.

Students will also participate in projects connecting Beyoncé’s music to broader Black cultural traditions, including archival research and public humanities projects to explore her impact on the community. The course is cross-listed between several departments, including African American Studies, Women’s, Gender and Sexuality Studies, and American Studies, highlighting its interdisciplinary approach to examining cultural phenomena.

Brooks hopes that students, regardless of their academic discipline, will find the course transformative. “By looking at culture through Beyoncé, we can think about how art articulates the world we live in and helps nourish our spirits, giving us the space to imagine better worlds and the ethics of freedom,” Brooks said.

As Beyoncé continues to redefine artistic boundaries, it seems fitting that the academic world is following suit. This spring, students at Yale will not just study history—they will study it through the lens of an artist who, in real time, is making it.

Beyoncé Breaks Grammy Record With 99 Nominations, Leads 2025 Race

dumbonyc, CC BY-SA 2.0, via Wikimedia Commons

Beyoncé leads the nominees for the 67th Annual Grammy Awards with 11 nominations, the Recording Academy announced Friday. Her acclaimed album "Cowboy Carter" has received widespread praise, helping her make history as the artist with the most Grammy nominations in history, with 99 career nods. This achievement breaks her previous record of 88 nominations, which she shared with her husband, Jay-Z.

This year has been exceptional for the Houston-bred diva. Her "Cowboy Carter" tour achieved great success, earning praise for its sold-out arenas and dynamic performances. With her latest Grammy nominations, Beyoncé continues to establish herself as one of the medium's timeless icons.

Black artists are well represented across numerous genres. Kendrick Lamar earned seven nominations, including one for his thought-provoking single "Count Me Out." Rising stars Doechii and GloRilla also garnered recognition. Doechii received nods for best new artist and best rap album for "she / her / black bitch." GloRilla earned two nominations, including best rap performance for "F.N.F. (Let's Go)."

The competition for album of the year is fierce. Beyoncé's "Cowboy Carter" is up against "New Blue Sun" by André 3000, "Short n' Sweet" by Sabrina Carpenter, "BRAT" by Charli XCX, "Djesse Vol. 4" by Jacob Collier, "Hit Me Hard and Soft" by Billie Eilish, "The Rise and Fall of a Midwest Princess" by Chappell Roan and "The Tortured Poets Department" by Taylor Swift.

For record of the year, Beyoncé's track "Texas Hold 'Em" is among the notable contenders, facing competition from "Now And Then" by The Beatles, "Espresso" by Sabrina Carpenter, "360" by Charli XCX, "Birds of a Feather" by Billie Eilish, "Not Like Us" by Kendrick Lamar, "Good Luck, Babe!" by Chappell Roan and "Fortnight" by Taylor Swift featuring Post Malone.

Several newcomers have also made their mark this year. Sabrina Carpenter earned her first six Grammy nominations, including one for best pop vocal album for "Emails I Can't Send." Chappell Roan also received six nominations for her debut album, "The Rise and Fall of a Midwest Princess."

For song of the year, notable nominees include:

• "A Bar Song (Tipsy)," by Shaboozey (Sean Cook, Jerrel Jones, Joe Kent, Chibueze Collins Obinna, Nevin Sastry and Mark Williams, songwriters)
• "Birds of a Feather," by Billie Eilish (Billie Eilish O'Connell and Finneas O'Connell, songwriters)
• "Die With a Smile," by Lady Gaga and Bruno Mars (Dernst "D'Mile" Emile II, James Fauntleroy, Lady Gaga, Bruno Mars and Andrew Watt, songwriters)
• "Fortnight," by Taylor Swift featuring Post Malone (Jack Antonoff, Austin Post and Taylor Swift, songwriters)
• "Good Luck, Babe!," by Chappell Roan (Kayleigh Rose Amstutz, Daniel Nigro and Justin Tranter, songwriters)
• "Not Like Us," by Kendrick Lamar (Kendrick Lamar, songwriter)
• "Please Please Please," by Sabrina Carpenter (Amy Allen, Jack Antonoff and Sabrina Carpenter, songwriters)
• "Texas Hold 'Em," by Beyoncé (Brian Bates, Beyoncé, Elizabeth Lowell Boland, Megan Bülow, Nate Ferraro and Raphael Saadiq, songwriters)

In the best new artist category, the nominees are Benson Boone, Sabrina Carpenter, Doechii, Khruangbin, RAYE, Chappell Roan, Shaboozey and Teddy Swims.The 2025 Grammy Awards will take place on Sunday, Feb. 2, at Crypto.com Arena in Los Angeles. The ceremony will be broadcast live on CBS and Paramount+. 

View all the nominees here. 

Rico Wade's Legacy Immortalized: Monument Unveiled Near Atlanta

Photo Credit: Instagram/ricowadedf

A permanent monument commemorating the legacy of hip-hop producer Rico Wade will rise at the intersection of Delowe and Headland in East Point, Georgia. The tribute site, slated for completion in February 2025, will stand near the location where Wade embarked on his musical journey.

Was running a little behind but made it over to Headland & Delowe to see the Rico Wade monument unveiling. pic.twitter.com/a2v16DXP3f

— NICK LOVE (@NickLoveATL) November 7, 2024

Wade, a founding member of Organized Noize and the Dungeon Family, passed away in August at the age of 52 due to heart failure. He is recognized as a pioneering figure in Southern hip-hop, shaping the "Dirty South" sound and producing for iconic groups like TLC, Outkast, and Goodie Mob. His songwriting credits include TLC's chart-topping hit "Waterfalls." Wade also played a crucial role in launching the careers of artists like CeeLo Green and Future.

thank you to the City of East Point for partnering with us to honor a man that is such a cornerstone of music’s history. ONP appreciates the love.
the legacy continues ✨
RIP Rico Wade 🤍

— HERSKI. ❄️ (@1Laquilla) November 8, 2024

A rendering of the monument was unveiled Thursday evening at a gathering of community leaders, artists, and loved ones celebrating Wade's life and achievements. "Where we are is where they were, in the basement, birthing music that inspired the world," said East Point Mayor Deana Holiday Ingraham, referencing Wade's early days in the East Point neighborhood.

Atlanta Mayor Andre Dickens acknowledged Wade's profound impact on Atlanta's cultural identity. "Rico Wade left an indelible mark on music and culture," Dickens stated. "Without Rico, we may have never experienced the incredible legacy of the Dungeon Family, Outkast, and Goodie Mob."

CeeLo Green, whose career was nurtured by Wade, reflected on the significance of the monument. "He's here to be immortalized, in memory and in monument. It means everything to me," Green shared.

Wade's sons, Rico Wade II and Ryder Wade, were present at the event, sharing personal memories of their father. "He was definitely there for me in every way," Rico Wade II remarked. "As much as he was the idol that he is, he was always there for me."

The tribute underscored Wade's enduring influence on Atlanta's music scene and his impact that extended far beyond. "Headland and Delowe is very significant," said Dee Dee Murray, Organized Noize's first manager. "This is our home. This is East Point."

Quincy Jones, Maestro Who Shaped American Music, Dies at 91

Kingkongphoto & www.celebrity-photos.com, CC BY-SA 2.0, via Wikimedia Commons

Quincy Jones, the legendary music producer whose work spanned across genres and generations, from producing Michael Jackson’s historic “Thriller” album, the best-selling album of all time, to writing award-winning film scores, died on Sunday at the age of 91.Jones’ publicist, Arnold Robinson, said the music titan died at his home in the Bel Air section of Los Angeles, surrounded by family.

“Tonight, with full but broken hearts, we must share the news of our father and brother Quincy Jones’ passing,” Jones’ family said in a statement. “And although this is an incredible loss for our family, we celebrate the great life that he lived and know there will never be another like him.”

Jones' career rose from humble beginnings, running with gangs on the South Side of Chicago, to reaching the heights of the music and entertainment industry.

He was among the first Black executives to break through in Hollywood and became a prolific producer, arranger, and composer, responsible for some of the most memorable moments in American music.

Jones worked with an extraordinary roster of talent over the decades, collaborating with stars such as Frank Sinatra, Ray Charles, Ella Fitzgerald and Michael Jackson. His contributions to music included jazz, pop, and soul, as well as landmark film scores. He was instrumental in producing Jackson's “Thriller,” which went on to become the best-selling album of all time, and he also co-produced “We Are the World,” the 1985 charity anthem for famine relief in Africa.

Jones’ influence went beyond music. He worked on television and film projects, including composing scores for “Roots” and “In the Heat of the Night.” He also organized President Bill Clinton’s first inaugural celebration, underscoring his role as a cultural figure who bridged music and public life.