Cam’ron Claims Jay-Z Fired Subliminal Shots at Him on 2011 Track ‘Otis'

Cam'ron, right, and co-host Sen City discuss classic hip-hop beefs on the set of their new series, "Talk With Flee," broadcast on Revolt. During the episode, the Harlem rapper officially confirmed and decoded a subliminal triple-entendre diss aimed at him by Jay-Z on the 2011 track "Otis." (Screengrab/Revolt)

It was a massive week for Roc-A-Fella era fans, as two separate but overlapping news drops reignited a 15-year-old lyrical cold war.
First, Cam'ron took to his new Revolt series, "Talk With Flee," to finally decode one of the slickest subliminal disses in hip-hop history. On Wednesday’s episode, the Dipset leader revealed that Jay-Z took direct shots at him on the 2011 Watch the Throne classic "Otis" — and broke down exactly how it went over everyone's heads.

According to Cam'ron, the diss was retaliation for a 2010 freestyle where he and Jim Jones threw lyrical jabs at Kanye West. "We had said some slick sh*t about Kanye one time," Cam'ron recalled. Months later, "Otis" dropped, featuring Jay-Z rapping: "Live from the Mercer / Run up on Yeezy the wrong way, I might murk ya / Flee in the G450, I might surface / Political refugee, asylum can be purchased."

Cam pointed out the undeniable triple-entendre: "Flee" is his well-known nickname, he had a distribution deal with Asylum Records at the time, and the "political refugee" line serves as a nod to the Diplomats' highly publicized departure from Roc-A-Fella Records.

"He's slick. You just never know," Cam'ron's co-host Sen City laughed during the breakdown.

The revelation arrived within hours of Jay-Z stepping back into the spotlight himself for a rare, expansive interview with GQ. While the Roc Nation mogul didn't address the "Otis" breakdown, he used the massive platform to weigh in on the current landscape of the culture.

Jay-Z discussed the recent Kendrick Lamar and Drake battle, the backlash surrounding Lamar's Super Bowl halftime show, and his ongoing relationship with J. Cole. For fans holding out hope for a musical return, Hov admitted he has a lot of "scratch ideas" but is taking his time.

"I just got to make something timeless that I really love and that's really honest and true to who I am," Jay-Z told GQ, while also confirming he came incredibly close to featuring on Clipse's recent Grammy-nominated album, Let God Sort Em Out.

Between Cam'ron dissecting triple-entendres and Jay-Z dropping rare industry gems, the spirit of the 2000s New York mixtape era remains alive and well.

Watch: R&B Icon Brandy Honored With Star on the Hollywood Walk of Fame on Official ‘Brandy Day'

"The Vocal Bible" has officially cemented her legacy in stone. 

On Monday morning, R&B icon Brandy Norwood was honored with the 2,839th star on the Hollywood Walk of Fame in the Recording category, a milestone so significant that city officials officially declared it "Brandy Day" in Los Angeles.

The ceremony served as a massive celebration of 1990s and 2000s Black pop culture. Brandy was joined by her parents and her daughter, Sy'rai, alongside a star-studded crowd of peers and collaborators that included Monica, Babyface, Kehlani, Jenifer Lewis and Tisha Campbell.

Issa Rae and Babyface served as the afternoon's guest speakers, delivering powerful tributes to Brandy's massive influence across music and television.

"The most inspirational part of her career is just how she had no lanes. As her career progressed, so did her ambitions," Rae told the crowd. "To me, Brandy was and is the blueprint. Without Brandy as Moesha, there's no The Parkers, no Girlfriends, no Insecure... Thank you for showing a little girl from L.A. that her story was worth telling."

Babyface, who famously tapped Brandy for the "Waiting to Exhale" soundtrack in 1995, praised her unmatched vocal agility. "You're like an athlete. No one can do it the way you do it," he said. "With everything that you sing, you put your whole heart into it. That's what I appreciate about you most."

When Brandy took the podium, the Grammy-winning artist delivered an emotional, deeply personal speech reflecting on her journey from McComb, Mississippi, to global superstardom.

"I was just a little girl with a big dream," she recalled of her early days attending junior high in Los Angeles. "But growing up in Hollywood made those dreams feel close enough to touch. Seeing the stars on the Walk of Fame lit something in me. It made me believe. It made me affirm over my own life, 'I'm going to sing my way onto one of these stars.' And I did."

Reflecting on a career that includes 40 million records sold worldwide, genre-defining albums like "Never Say Never," and a historic cultural milestone as the first Black Cinderella in a television adaptation, Brandy emphasized the permanence of the honor.

"A star on the Walk of Fame is a definition of legacy. It doesn't just celebrate your success, it cements your story," she told the cheering crowd. "It doesn't just honor your work, it immortalizes your light. It is a symbol that says you didn't just arrive, you endured. You didn't just dream, you became."

Closing out the ceremony, Brandy left the audience with a powerful reminder of her enduring impact: "Dreams don't have an expiration date. Faith can carry you where fear said you never go. And when your purpose is real, your light will make room for itself."

Watch: De la Soul’s Triumphant, Bittersweet Tiny Desk Concert Tribute to Trugoy the Dove

Kelvin "Posdnuos" Mercer, center left, and Vincent "Maseo" Mason, center right, of the pioneering hip-hop group De La Soul perform during their NPR Tiny Desk Concert in Washington on Tuesday, March 3. Backed by a nine-piece live band featuring drummer Daru Jones, back left, the duo celebrated their newly independent catalog and paid tribute to late co-founder David "Trugoy the Dove" Jolicoeur. Jolicoeur's memory was honored throughout the set, including a "Dave" nameplate resting on the desk. (Screensgrab via NPR Music)

"Ladies and gentlemen, we're a new group called De La Soul."

When DJ Maseo delivered that deadpan introduction to the crowd gathered at the NPR offices on Tuesday it drew a laugh. Humor has always been the foundational glue of the legendary Long Island trio. But behind the turntable, the joke carried a heavy, undeniable truth: the duties have been reassessed, the focus has shifted, and the architects of the D.A.I.S.Y. Age are navigating a new reality.

The highly anticipated NPR Tiny Desk concert premiered on what fans officially recognize as De La Soul Day. It was billed as a celebration of milestones, primarily marking year three of the group's classic catalog finally returning to their control and hitting streaming services after a decades-long legal battle. It also served as a showcase for their 2025 music album, "Cabin in the Sky."

But hovering above the soaring live instrumentation was the profound absence of David Jolicoeur  —known to the culture as Trugoy the Dove, or Plug Two — who passed away in February 2023 just weeks before the group's masters were finally liberated.

According to NPR's Bobby Carter, surviving members Kelvin "Posdnuos" Mercer and Vincent "Maseo" Mason were highly intentional during the planning process, openly discussing what their late brother would and would not approve of creatively. The result was a setlist that masterfully balanced raucous joy with open grief.

"Cindy said if y'all stop, then Dave stopped, and that wouldn't be the show," Posdnuos rapped early in the set, making it clear that their continued forward motion is the ultimate tribute to Jolicoeur's legacy. Throughout the room, the mantra was simple and repeated: "Dave always."

Backed by a sprawling, nine-piece live band directed by powerhouse drummer Daru Jones, the newly minted duo completely reimagined their sample-heavy catalog. With the addition of a horn section, a viola, and phenomenal background vocalists Yummy Bingham and Gina Loring, the group breathed expansive new life into 90s foundational texts.

The crowd was fully engaged during a towering rendition of "Stakes Is High," with Posdnuos leading the room in a call-and-response, urging the audience to shout "vibration" against the track's iconic, thumping beat. Later, Loring took center stage for a transcendent vocal performance on "Different World," cementing the live band's incredible chemistry.

Yet, amid the massive musical arrangements, the group still found time for the intimate, off-the-cuff humor that made them famous. Before launching into a heartfelt new track titled "A Quick 16 for Mama," Maseo and Pos joked about their current side hustles, with Maseo claiming he was driving Uber XL and Pos quipping that he was doing DoorDash. "Got to get it how you live," Pos laughed, before the band settled into a smooth, nostalgic groove that Maseo noted reminded him of the beats his mother used to play.

The emotional climax of the set arrived during the closing performance of their 1989 breakout hit, "Me Myself and I." As the familiar, infectious bassline rolled through the NPR offices, the lyrics took on a poignant new weight. The group demanded the audience sing along, eventually stripping the beat away to let the room chant the chorus a cappella.

Before the final notes rang out, Maseo took to the microphone to issue one last, simple instruction to the room: "Let me hear you say thank you, Dave."

Watch the full De La Soul Tiny Desk performance below.  

Watch: 50 Cent Turns Doordash Super Bowl Ad Into Savage Takedown of Rival Diddy

If pettiness was a currency, Curtis Jackson would be the Federal Reserve.

While most brands are spending $8 million for 30 seconds of airtime to make you cry about Clydesdales or nostalgic car rides, DoorDash just let 50 Cent do what he does best: monetize his enemies. In a new campaign released Thursday ahead of Super Bowl LX, the rapper-turned-mogul officially graduated from "Internet Troll" to "Corporate Troll," and the result is a masterclass in disrespect.

The spot, titled "The Big Beef," is technically about getting food delivered. But let's be real — this is a diss track with a corporate budget. And yes, he absolutely went there with the prison sentence.

The Art of the "Big Beef"

The commercial opens with 50 Cent sitting on a leather couch—bottle of his own Branson Cognac visibly placed on the table, because of course it is—addressing the elephant in the room with the smirk of a man who knows he’s untouchable.

"It's come to my attention that everyone's calling me a troll," he says. "Some have said even the 'King of Trolls.' First of all, I'm flattered. But I'm done with all that."

He then claims he would never "literally deliver beef when millions of people are watching," before the screen cuts to a title card that simply reads: "50 Cent Would."

From there, it’s open season. As he unpacks a DoorDash bag, he offers a tutorial on how to handle "beef," noting that it is "more of an art than science." And this is where the references start flying over the heads of casual viewers and landing directly on the chin of Sean "Diddy" Combs.

The Breakdown: How 50 Cent Dissected Diddy

If you blinked, you missed the daggers. Here is how 50 Cent turned a grocery run into a breakdown of his rival:

• The "Puffs" Gag: While explaining that "you don't want to be too obvious," 50 pulls out a bag of Cheese Puffs. He holds them up just long enough for the "Puff" reference to register, stares at the camera, and deadpans the line about subtlety.

• The "Combs" Disrespect: The most blatant moment comes when he reaches back into the bag and pulls out a multipack of hair combs. "Oh, they sell combs," he says, examining the package with mock surprise. "What a coincidence." He then tosses them over his shoulder like trash.

• The "Branson/50 Months" Synergy: This is the killshot. 50 pulls out a bottle of his own Branson Cognac, noting that it pairs perfectly with beef. He then delivers the line that made the timeline freeze: "Aged 4 years... or 50 months, who's counting?"

The Context (For Those Who Missed It)

This is a triple-layered joke. First, he's plugging his liquor (Branson VSOP is aged 4 years). Second, he's referencing the passage of time.

Third, and most ruthlessly, he is mocking Diddy’s specific prison sentence. For those who haven't checked the Bureau of Prisons roster, Diddy was sentenced to exactly 50 months in prison last October. 50 Cent isn't just throwing out a random number; he is using his own product's specs to mock his rival's incarceration.

Why It Works

In an era where Super Bowl commercials try too hard to be "viral," this one succeeds because it feels authentic to who 50 Cent is. He isn't acting; he's just being the same guy who executive produced Sean Combs: The Reckoning.

Most importantly, he’s multitasking. In 40 seconds, he sold you a DoorDash discount, promoted his own cognac, and danced on his enemy's legal grave.

Authentic is one word for it. Ruthless is another. Either way, 50 Cent just proved that while other rappers release diss tracks, he releases business ventures.

Watch: New ‘Michael’ Footage Dives Deep Into the Making of the King of Pop

The uncanny valley may have officially been conquered.

On Monday, Lionsgate released the extended trailer for Antoine Fuqua’s long-awaited biopic “Michael,” and if the footage is to be believed, Jaafar Jackson isn’t just playing his uncle — he is channeling him from the molecular level up.

Set for a global theatrical release on April 24, “Michael” promises to be the definitive cinematic account of the King of Pop. But as the new preview reveals, this isn’t just a “greatest hits” reel. It is a deep dive into the friction that forged the diamond.

For the uninitiated, casting a family member can often feel like a gimmick. But Jaafar Jackson — the son of Jermaine — silences that skepticism in seconds. The new footage, which expands significantly on last year’s teaser, showcases the 29-year-old inhabiting Michael’s physicality with terrifying precision. From the feather-light spoken voice to the explosive kinetics of the “Bad” era, the resemblance is less “acting” and more “resurrection.”

The trailer gives us our first real look at the film's central conflict, specifically the dynamic between Michael and the patriarch, Joe Jackson. In a chilling sequence, Colman Domingo (playing Joe) delivers a line that sets the temperature for the entire film. When a young adult Michael asserts that he needs “time to think” about his career direction, Joe’s retort is ice cold: “I told you what to think.” It’s a moment that suggests Fuqua isn’t shying away from the heavy toll of the Jackson family dynasty.

Fuqua has assembled a talented cast. Beyond Jaafar and Domingo, the film features Nia Long as the steadfast Katherine Jackson and Miles Teller as attorney John Branca. But the real casting coup might be Larenz Tate. The actor portrays Motown founder Berry Gordy, a role that requires a specific kind of gravitas that Tate has commanded since the 90s. We also get glimpses of Kat Graham as Diana Ross and Laura Harrier stepping into the role of Suzanne de Passe.

The synopsis promises a journey “beyond the music,” tracking Michael from the Gary, Indiana, grind to the global stratosphere. The trailer teases the creation of “Don't Stop 'Til You Get Enough” and the groundbreaking visuals of “Thriller,” offering a “fly on the wall” perspective of the studio sessions that changed pop history.

While the film appears to focus heavily on the ascent and the peak of his powers, it remains to be seen how deeply it will wade into the turbulent waters of his later years. However, with the Estate involved, the focus is clearly on the artistry and the human cost of becoming the most famous person on Earth.

Come April 24, the world will see if the movie can hold the weight of the legacy. But based on this three-minute preview, one thing is certain: The spirit of Michael Jackson is back in the building.

Watch: ‘Michael’ Trailer Revisits Thriller-Era Magic With Jaafar Jackson

The teaser poster for “Michael” features depictions of Michael Jackson across different stages of his career for the upcoming Antoine Fuqua-directed biopic. (Courtesy Lionsgate)

Lionsgate released the first trailer for “Michael,” Antoine Fuqua’s upcoming biopic about the King of Pop, offering the closest look yet at how one of music’s most iconic stories will be retold for a new generation. The teaser will play in theaters ahead of “Now You See Me: Now You Don’t” and the film is scheduled to hit theaters April 24, 2026.

Jackson is portrayed by his nephew Jaafar Jackson, whose resemblance has drawn attention since production began. The trailer opens in a recording studio with Quincy Jones — played by Kendrick Sampson — telling Jackson the tracks are ready before the film flashes through childhood moments, breakthrough performances and unmistakable visuals from “Thriller,” set to the pulse of “Wanna Be Startin’ Somethin’.”

The cast features a wide lineup of heavy hitters: Colman Domingo as Joe Jackson, Nia Long as Katherine Jackson, Miles Teller as attorney John Branca, Jessica Sula as LaToya Jackson, Larenz Tate as Berry Gordy, Laura Harrier as Suzanne de Passe and Kat Graham as Diana Ross. Additional roles include Liv Symone as Gladys Knight, Kevin Shinick as Dick Clark and KeiLyn Durrel Jones as longtime security chief Bill Bray.

The project — written by John Logan and produced by Graham King alongside estate co-executors John Branca and John McClain — wrapped principal photography in 2024 before undergoing additional shooting. Early rumors suggested the story might be split into two films, but the current marketing push frames a single, full narrative.

The teaser closes on an intimate detail: Jackson asking, “Q, can you lower the lights for me, please?” as the studio dims and his silhouette comes into focus — an image signaling that Fuqua’s film aims to revisit not just the legend, but the artist behind it.

Watch the full trailer below.

Watch: Busta Rhymes Honored With Walk of Fame Star

The gravel-throated flow. The animated delivery. The unmatched visuals. After more than three decades of shaping the sound, look, and intensity of hip-hop, Busta Rhymes has earned his place on the Hollywood Walk of Fame.

The Brooklyn-raised legend was officially honored with the 2,818th star on the iconic boulevard today — a long-overdue recognition for an artist who, as LL Cool J put it during the ceremony, has remained “a disruptor” since his very first bars.

“I’m grateful for the blessing that has been bestowed upon me,” Rhymes said, visibly emotional as he reflected on his journey. “I’ve been through so many things in life, and I’ve never stopped.”

Flanked by Chuck D, Big Boy, LL Cool J and his children, Rhymes used the moment to reflect not just on his accolades — platinum plaques, Guinness records, Grammy nominations — but on the culture that birthed him and the legacy he’s still building. “This isn’t the destination,” he said. “This is fuel to keep going.”

Born Trevor Smith Jr., Busta’s career began in the late 1980s with Leaders of the New School, but his rise was meteoric after a legendary guest verse on A Tribe Called Quest’s “Scenario.” By the mid-’90s, he was headlining with solo classics like “Woo Hah!! Got You All in Check,” “Put Your Hands Where My Eyes Could See” and “Dangerous,” blending high-concept visuals with apocalyptic energy and breathless lyricism.

“He was the original visualizer,” Chuck D said. “Before music videos became billion-dollar business, Busta made every frame matter.”

Known for his versatility, Rhymes has collaborated across genres with artists like Janet Jackson, Mariah Carey, Eminem, Missy Elliott and Kendrick Lamar. His videos — often directed by the likes of Hype Williams — weren’t just cinematic. They were cultural events.

But behind the spectacle was substance. Busta was a fierce defender of hip-hop as an art form. He famously squared off in rhyme with Jay-Z, Nas and others, but always brought the energy back to unity and celebration.

“He’s the guy who could bring KRS-One and Diddy into the same room,” Big Boy joked. “And still make it feel like a cookout.”

Even with nine solo albums, 12 Grammy nominations and a Guinness World Record for most syllables rapped in a single hit, Busta’s not slowing down. He teased his upcoming album, “Vengeance,” during the ceremony — and he appears in Paramount’s recently released “The Naked Gun” reboot, joining a cast led by Liam Neeson, Pamela Anderson, Cody Rhodes and CCH Pounder. It marks his first feature film performance in nearly a decade.

Watch: Living Colour Electrifies for Tiny Desk’s Black Music Month Tribute

Living Colour performs at NPR’s Tiny Desk in Washington, D.C., in a June 2025 concert celebrating the 35th anniversary of their landmark album Time’s Up. From left: Vernon Reid, Will Calhoun, Corey Glover and Doug Wimbish. (Screengrab via YouTube)

Living Colour didn’t just play behind NPR’s Tiny Desk. They detonated it.

The pioneering Black rock band delivered a searing, soul-baring performance that honored the 35th anniversary of their landmark album "Time’s Up," shook the walls of NPR’s headquarters, and reminded the world that rock, rage, and revolution still live in Black music.

Opening with their 1988 breakout “Cult of Personality” — the Grammy-winning anthem that made political theory scream — Living Colour set the tone with Corey Glover’s full-throttle vocals, Vernon Reid’s sonic sleight of hand on guitar, and a rhythm section powered by Doug Wimbish and Will Calhoun that hit like a fist through drywall.

But this wasn’t just nostalgia. It was history, fury, and deep musicianship in tight quarters.

With every song, Living Colour layered commentary on race, identity, media, and systemic distortion. “Pride” challenged American hypocrisy, “Love Rears Its Ugly Head” dissected relationship chaos and self-destruction, and “Solace of You” offered a melodic sanctuary in a world that often seeks to erase Black voice and story. Reid shouted out D.C. legends Bad Brains before launching into a blistering “Time’s Up,” turning NPR’s quiet corner into a temple of electric urgency.

“History’s a lie that they teach you in school,” Glover sang in “Pride,” over Calhoun’s tight beat. “A peaceful land that was born and civilized was robbed of its history, freedom, and pride.” It hit like gospel wrapped in punk.

The band used every inch of the stripped-down space to deliver something bigger than volume: meaning. Even with amps turned down and stage lights off, Living Colour glowed — a reminder that Tiny Desk’s size doesn’t limit the size of its message.

During their set, Glover took a moment to reflect on Black Music Month and the losses the culture has endured. “We lost Roberta Flack, we lost so many,” he said. “This song really speaks to that.”

By the end of “Solace of You,” the room didn’t just cheer — it exhaled. For Black rock fans, it was church. For everyone else, it was a lesson in what the genre has always owed to Black artists.

Watch the entire performance below.

Watch: E-40’s Tiny Desk Debut Is a Celebration of Bay Pride and Legacy

 

Bay Area rap icon E-40 brought Vallejo flavor and hyphy energy to NPR’s Tiny Desk Concerts on Monday, kicking off Black Music Month with a spirited, career-spanning set that celebrated his legacy in hip-hop and his hometown roots.

Backed by a live band and in front of an intimate audience, the veteran MC born Earl Stevens ran through a medley of his biggest hits, including "Tell Me When to Go," "Choices (Yup)" and "U and Dat." Throughout the set, he showcased not only his signature slang and unmistakable delivery but also the cultural pride and storytelling that have made him a cornerstone of West Coast rap for over three decades.

“Tell the people that Water is back!” he declared midway through the performance, nodding to both his longtime nickname and his return to the spotlight.

The set marked E-40’s first appearance on the popular YouTube concert series, which has become a landmark platform for both emerging and legendary artists. Known for revealing raw talent in stripped-down formats, Tiny Desk has previously featured performances from artists like T-Pain, Too Short, Kehlani and LaRussell.

The band elevated the energy of each track. On "Choices (Yup)," musicians leaned into the mic to echo the iconic “yup” and “nope” ad libs, creating an organic, in-the-room feel. During "U and Dat," background vocalist and music director Bosko Kante filled in seamlessly for T-Pain’s auto-tuned hook.

E-40 also used the platform to promote his entrepreneurial ventures, sipping from a glass of his Earl Stevens Mangoscato and reminding viewers it’s available at Costco and Total Wine.

Between verses, he shouted out his longtime friends and collaborators, including a heartfelt tribute to the late Stomp Down. The performance was not only a musical celebration but a nod to the community that built him.

Despite a career that spans generations, E-40 remains culturally relevant. His music still blares from Bay Area car stereos and his impact extends beyond music, with a road named after him in Vallejo and surprise political appearances — including a surreal cameo at a Joe Biden rally.

With Monday’s set, E-40 joins a growing list of Bay Area legends who’ve brought their game to the Tiny Desk stage. The show continues to affirm the cultural weight of the Bay, one classic track at a time.

Watch: New Beyoncé Levi’s Ad Pays Homage to ’80s Iconic Denim Spot

Beyoncé is once again rewriting the rules of style and sound — this time through a denim-clad remix of a Levi’s classic.

The global icon headlines a new commercial for the brand’s “Levii’s” campaign, a sleek, Americana infused homage to her country crossover era, “Cowboy Carter.” Directed by longtime collaborator Melina Matsoukas (“Queen & Slim”), the latest spot reimagines Levi’s iconic 1988 “Refrigerator” ad — but this time, Beyoncé is the center of gravity.

Clad in her custom “Levii’s” jean shorts, the superstar retrieves a denim shirt from the fridge while country artist Willie Jones — who also appears on “Cowboy Carter” — looks on. The spot’s soundtrack features her song “Levii’s Jeans,” a collaboration with Post Malone, weaving the campaign directly into the sound and style of Act II of her anticipated musical trilogy, which began with 2022’s “Renaissance.”

Filmed in late July at the chrome-plated Bendix Diner in Hasbrouck Heights, New Jersey, the commercial marks Chapter 3 of Levi’s larger “Reiimagine” series. The spot is one of several Beyoncé-led reinterpretations of the brand’s most iconic ’80s and ’90s ads. Chapter 1, titled “Launderette,” was shot at a laundromat in Nutley, New Jersey, and flips the 1985 Nick Kamen Levi’s ad. Chapter 2, “Pool Hall,” features actor Timothy Olyphant and riffs on a 1991 favorite.

While Jersey locals might recognize the Bendix from its cameos in “The Many Saints of Newark” and other productions, the impact of Beyoncé’s “Levii’s” campaign is unmistakably global — rooted in legacy denim but refreshed with a distinctly Southern Black flair.

The campaign is one of several strategic moves tied to the launch of her “Cowboy Carter” era, which continues April 28 when her Rodeo Chitlin’ Circuit Tour kicks off with five dates in Los Angeles. Beyoncé will then bring the tour to MetLife Stadium in East Rutherford, New Jersey, for five more shows later in May.

It’s the latest example of Beyoncé’s precision-crafted evolution — merging pop stardom, fashion innovation, and cultural storytelling in one sleek package.

The full “Reiimagine” campaign, including the new “Refrigerator” ad, is now streaming on Levi’s official channels.

Watch: Flo Milli Debuts New 'Never Lose Me' Verse in Soulful Tiny Desk Set

Screengrab: YouTube

Known for her sharp lyrics and distinctive style, rapper Flo Milli took her talents to NPR's Tiny Desk concert series recently, marking her first performance with a full band. The set, released earlier today, is part of NPR's Black Music Month celebration showcasing the talent and diversity of Black women in music.

The rising star from Mobile, Alabama, opened with an energetic medley of "Conceited" and "Bed Time," setting the stage for an engaging performance. Backed by Atlanta's Band of Brothers and her backing vocalists, the Floettes, Milli showcased her versatility, transitioning smoothly into a soulful rendition of her breakout hit "Beef FloMix." The song, a fan favorite from her 2020 debut mixtape "Ho, Why Is You Here?", proved its enduring appeal in this new arrangement.

The highlight of the set came at the end, when Milli and her band switched to acoustic instruments for a stripped-down version of her single "Never Lose Me." In a special treat for the audience, she debuted a brand new verse exclusive to the Tiny Desk performance.

Milli's Tiny Desk appearance is a significant milestone in her career, which has been on a steady rise since the release of "Ho, Why Is You Here?" She followed up her debut with "You Still Here, Ho?" in 2022 and "Fine Ho, Stay" in 2023, earning a spot on the Billboard Hot 100 and critical acclaim, including recognition from Rolling Stone as "one of the most fun rappers alive."

This Tiny Desk concert, a celebrated platform for showcasing musical talent, underscores Flo Milli's growing influence in the music industry.

Watch the full performance below.

Watch: 'Lion King' Prequel Gets Trailer; Beyoncé's Daughter Blue Ivy Carter Cast

Photo Credit: Beyonce.com

The excitement surrounding the upcoming "Mufasa: The LionKing" prequel roared even louder with the release of its teaser trailer on Monday. The trailer itself fueled anticipation, but it was the star-studded cast that truly captivated audiences.

Directed by Barry Jenkins, the photorealistic-animated prequel features a returning cast of beloved characters. John Kani reprises his role as the wise Rafiki, while Seth Rogen and Billy Eichner return as the hilarious duo Pumbaa and Timon, respectively. Donald Glover steps back into the role of Simba, and Beyoncé Knowles-Carter rejoins the cast as Nala.

However, it was the addition of another member of the Carter family that stole the show – Blue Ivy Carter, Beyoncé's 12-year-old daughter, makes her film debut by voicing Kiara, Simba and Nala's daughter.

Blue Ivy Carter: A Timeline

• **Jan. 7, 2012:** Blue Ivy Carter is born to Beyoncé and Jay-Z at Lenox Hill Hospital in New York City.
• **Jan. 8, 2012:** Beyoncé and Jay-Z release a statement and photo welcoming Blue Ivy to the world.
• **Feb. 1, 2012:** Blue Ivy becomes the youngest person to chart on the Billboard Hot 100, thanks to a feature credit on her father's song "Glory."
• **2015:** Blue Ivy is credited as part of the choir on Coldplay's song "Up & Up."
• **2018:** Blue Ivy begins attending West Hollywood's The Center for Early Education.
• **2020:** Blue Ivy features on her mother's track "Brown Skin Girl," winning a Grammy Award as the youngest winner in a non-competitive category.
• **Nov. 2020:** Blue Ivy narrates Matthew A. Cherry's book "Hair Love," sparking speculation about future voice acting endeavors.
• **Jan. 21, 2023:** Blue Ivy joins her mother onstage for the first time, singing "Brown Skin Girl" at a private show in Dubai.
• **May 26, 2023 (present):** Blue Ivy joins her mother on the Renaissance World Tour as a dancer for "My Power" and "Black Parade."

The teaser offers a captivating glimpse into the film's narrative. Rafiki narrates the legendary tale of Mufasa to a young Kiara, voiced by Blue Ivy Carter. Flashbacks then reveal the origin story of Mufasa, portrayed as an orphaned cub who embarks on an extraordinary journey after encountering Taka (voiced by Kelvin Harrison Jr.), a sympathetic lion. Thandiwe Newton, Anika Noni Rose, and Keith David round out the cast, bringing life to key characters in Mufasa's life.

Blue Ivy's involvement in the film marks a significant milestone in her burgeoning career. Born into music royalty, she has already made waves in the industry, credited as a featured artist on her mother's hit song "Brown Skin Girl," which earned her accolades as the youngest winner of both a BET Award and an MTV Video Music Award.

Watch the trailer below.

Watch: Ne-Yo Brings Hits and New Song 'Two Million Secrets' to NPR's Tiny Desk Concert

R&B singer Ne-Yo brought his smooth vocals and songwriting talents to NPR's Tiny Desk concert series on Friday.

Ne-Yo launched into a four-song medley of his hits, including "Because of You," "So Sick," and "Sexy Love," before surprising fans with a new song, "Two Million Secrets." Ne-Yo described the new track as a "personal reflection" on growth and redemption.

He further showcased his songwriting prowess with covers of songs he wrote for Rihanna ("Take a Bow"), Beyoncé ("Irreplaceable"), and Mario ("Let Me Love You").

The intimate concert concluded with Ne-Yo's signature anthem "Miss Independent."

Born Shaffer Chimere Smith, Ne-Yo is a Grammy Award-winning singer-songwriter with multiple platinum-selling albums. He remains a force in R&B, both with his own music and as a sought-after songwriter.

Watch the entire performance below.

'Lamest S*** I Ever Did': J. Cole Regrets Kendrick Diss

In a surprising turn of events, J. Cole expressed regret over his recent diss track aimed at Kendrick Lamar during his performance at the Dreamville Festival in North Carolina.

During his set on Sunday, Cole reflected on his latest project, "Might Delete Later," and openly admitted to feeling remorse regarding his diss towards Kendrick Lamar.

Acknowledging his own misstep, Cole described it as "the most regrettable, misguided s—t," expressing a desire for reconciliation. This revelation follows a recent feud ignited by songs on both Lamar's and Cole's latest projects.

This is my 9/11
pic.twitter.com/zjLF0XN7Rn

— Cole World (@JColeVillle) April 8, 2024

Cole placed the song last on his surprise new project "Might Delete Later," which dropped on April 5. On the track, he responded to Lamar's verse on Future and Metro Boomin's "Like That," where Lamar took shots at Drake and J. Cole for categorizing him as part of "the big three."

"I'm so proud of ['Might Delete Later'], except for one part," said Cole. "It's one part of that sh—t that makes me feel like, man, that's the lamest sh—t I did in my life, right? And I know this is not what a lot of people want to hear."

Continuing his reflection, Cole expressed feeling conflicted about publicly responding to Lamar's diss and the pressure to engage in the discourse it sparked. He admitted that releasing the diss track "spiritually felt bad" and disrupted his peace.

In a plea for forgiveness and reconciliation, Cole publicly addressed Lamar, acknowledging his greatness and expressing regret for his actions. He concluded by hoping to return to his true path and acknowledging the discomfort he felt over the past two days as a result of the feud.

Additionally, Cole announced his decision to remove "7 Minute Drill" from streaming services as a gesture of remorse for its content.

Watch: Big Sean Brings Hits, Heart to Tiny Desk Performance

Detroit rapper Big Sean took the virtual stage for his debut performance at NPR's Tiny Desk concert series. In a 26-minute set uploaded to NPR Music's YouTube channel on Wednesday, he captivated viewers with a 14-song performance accompanied by a small string quartet.

Sporting a Beastie Boys shirt and a Detroit Tigers cap in tribute to the late J Dilla, Big Sean's Tiny Desk debut held special meaning. He left his cap on the set as a keepsake, a tradition among Tiny Desk performers. "This is something my kids can look back on, something my family can look back on to see where I was at in my career," he shared.

The rapper kicked off with "Memories," the opening track from his sophomore album "Hall of Fame." He then showcased hits like "One Man Can Change the World," his Grammy-winning collaboration with Kanye West and John Legend. Pausing between tracks, Big Sean acknowledged fellow Detroiters in the audience and even debuted a new song dedicated to his partner, Jhené Aiko, and their son Noah.

Reflecting on his rise to success, Big Sean expressed gratitude for his fans, highlighting his journey as a "blog-era mixtape rapper" who built a fanbase organically. "To make it out of there, it wasn't easy... It really made me who I am," he remarked, highlighting the resilience and determination that propelled his career.

SET LIST
"Memories"
"Nothing Is Stopping You"
"Blessings"
"Play No Games"
"Light"
"My Last"
"Marvin & Chardonnay"
"All Me"
"Beware"
"I Know"
"Bounce Back"
"One Man Can Change the World"
"On Up" (unreleased?)
"I Don't F*** With You"

Watch: Hip-Hop Legend Dr. Dre Immortalized on Hollywood Walk of Fame

Courtesy Photo

Dr. Dre, the iconic rapper, producer, and entrepreneur, was awarded the 2,775th star on the Hollywood Walk of Fame today. The ceremony took place in front of the Jimmy Kimmel Studios on Hollywood Boulevard.

Hosted by radio personality Big Boy, the event included speeches from fellow artists Eminem, Xzibit, 50 Cent, Snoop Dogg and music mogul Jimmy Iovine.

"I’d like to thank the Hollywood Chamber of Commerce for finally deciding I deserve to be in the company of Ice Cube, Snoop Dogg, and 50 Cent. Who all got stars before me for some f—ing reason," remarked Dr. Dre, born Andre Romelle Young, to the crowd. "It’s all good, I’m finally here!"

Reflecting on his journey from Compton, Dr. Dre shared, "I never imagined a kid from Compton would stand here among my idols."

As a nine-time Grammy winner, co-founder of Death Row Records, and the visionary behind Aftermath Entertainment and Beats Electronics, Dr. Dre solidified his place in hip-hop history. His iconic 1992 solo album "The Chronic" achieved triple-platinum status.

"I want to thank all my fans for supporting me from day one. We've grown up together, and at 60, I appreciate you still rocking with me," Dr. Dre said. "And trust me, I'm far from done. There's much more to come."

Longtime collaborator Snoop Dogg praised Dr. Dre's influence: "There would be no Snoop without Dre. Together, we revolutionized the game, and our music has left an indelible mark on the world."

Dr. Dre's star is located on 6840 Hollywood Boulevard, adjacent to the star of his close friend, Snoop Dogg.

.

Watch: Super Bowl Trailer Has Ludacris, Lil Jon Hunting for Usher in Vegas

Usher has dropped a star-studded new trailer for his Apple Music Super Bowl LVIII Halftime Show, igniting intrigue with a playful "Where's Usher?" theme. The seven-minute film, reminiscent of "The Hangover," follows a comedic quest through Las Vegas, led by Ludacris, Lil Jon and Taraji P. Henson as they search for the missing R&B icon.

Their journey takes them past iconic landmarks like Caesars Palace, where they encounter celebrities including Anderson .Paak, J Balvin, Wesley Snipes and the Blue Man Group. A surprise appearance by Andre 3000 as "Zoltar 3000" fuels speculation about potential collaborations during the live performance.

The trailer concludes with Usher performing for a bridal party at the Caesars Palace Fountain, showcasing his signature moves and hits like "Climax," "Nice & Slow" and "Bad Girl." The clip ends with Snipes comedically channeling Omarion's iconic dance moves to "Standing Next to You."

Usher's halftime show promises to be a monumental celebration of his 30-year career. With over 80 million records sold and hits like "8701" and "Confessions," his impact on the music industry is significant.

Anticipation is further heightened by the release of his ninth studio album, "Coming Home," two days before the Super Bowl. Presented by Apple Music as part of a multi-year partnership with the NFL and Roc Nation, the halftime show is expected to be a major draw for music fans worldwide. Super Bowl LVIII airs live on CBS February 11th.

Watch the trailer below.

Watch: Cardi B Previews NYX Super Bowl Ad in New Teaser

Courtesy Photo

Cardi B will star in NYX Professional Makeup's upcoming Super Bowl commercial, airing during the second half of the February 12th game. The 30-second spot will feature Cardi B alongside other women, showcasing NYX's popular Duck Plump High Pigment Plumping Lip Gloss in a humorous and lighthearted manner.

A 15-second teaser released Thursday offers a glimpse of the commercial, featuring the rapper examining a tube of NYX gloss before applying it and uttering her signature phrase.

In conjunction with the ad, NYX is launching an exclusive "Cherry Spice" shade of the lip gloss, worn by Cardi B in the commercial. Priced at $13, the shade is available only on the cosmetics company's website.

This marks Cardi B's first-ever beauty partnership. The collaboration extends beyond the Super Bowl, with NYX launching the exclusive lip gloss shade and creating interactive social media experiences throughout the campaign.

Watch the teaser below.

Watch: Morgan Freeman Narrates 'The Dreamer' Trailer – Dave Chappelle's Netflix Special, Dec. 31

Dave Chappelle has enlisted the legendary Morgan Freeman to narrate the trailer for his upcoming Netflix special, "The Dreamer," scheduled to premiere globally on New Year's Eve.

The Oscar winner sets the stage in the teaser, posing a compelling question to the audience: "What do you dream about? Not the dreams you have in your sleep: the ones you hold in your heart." Freeman's iconic voice invites viewers to peek into the essence of Chappelle's latest creation, encouraging them not to be intimidated by the audacity of their dreams but to find inspiration in them. He playfully notes, "What happens to a dream deferred? Lucky for Dave, he doesn't know."

Filmed at the historic Lincoln Theatre in Chappelle's hometown of Washington, D.C., "The Dreamer" follows the success of 2021's "The Closer" and marks Chappelle's seventh collaboration with Netflix. The teaser offers a tantalizing glimpse into the narrative style and comedic exploration that fans can expect from Chappelle's latest venture.

Emmy Award-winning director Stan Lathan, a longtime collaborator with Chappelle, returns to direct "The Dreamer," ensuring a seamless continuation of their creative partnership.

Chappelle's previous Netflix special, "The Closer," sparked controversy with its candid discussions on transgender issues, leading to a walkout by some Netflix staff members. Despite the uproar, Netflix stood by the Emmy-winning comic, and "The Dreamer" is poised to make its mark on the streaming service.

The Lincoln Theatre in Washington, D.C., serves as the picturesque backdrop for "The Dreamer," where Chappelle's comedic prowess takes center stage. Known for his Emmy-winning Netflix specials like "Sticks & Stones" and "Equanimity & The Bird Revelation," Chappelle has garnered five Emmy Awards and four Grammy Awards for his outstanding contributions to comedy.

Receiving the Pollstar Award for Comedy Tour of the Year in 2023, 2018, and 2014, Chappelle's influence in the entertainment industry is undeniable. In 2019, he received the prestigious Mark Twain Prize for American Humor, further solidifying his status as a comedic icon.

To catch a sneak peek of what's in store, watch the teaser below:

Watch: From Geto Boys to Grandmaster, Scarface Reigns in Soulful Tiny Desk Concert

In the realm of hip-hop, Scarface, also known as Facemob and Brad Jordan, has etched his legacy as one of the genre's most influential storytellers. Monday on NPR's Tiny Desk Concert, the legendary emcee and producer delivered a 30-minute set that stands as a testament to a rap career spanning decades, defined from his time as a seminal member of Houston's Geto Boys to his stellar solo journey.

Anticipation for Scarface's Tiny Desk appearance crackled after DJ Cuzzin B, the series' producer, declared on X (formerly Twitter) last week, "Just watched an edit of Scarface's Tiny Desk. Yeah.... it's the best hip-hop Tiny Desk we've ever put out. A new crown holder.... Monday." The hype proved prescient.

I just watched an edit of Scarface's Tiny Desk. Yeah.... it's the best hip-hop tiny desk we've ever put out. A new crown holder.... Monday.

— DJ Cuzzin B (@DJCuzzinB) December 13, 2023

From introducing his backup band to the final song, Scarface took the audience on an intimate lyrical and musical journey, raw and unflinchingly honest yet undeniably entertaining.

"I don't know if you want to call me the DJ or the conductor of the railroad but my name is Facemob. We came here to jam for y'all tonight, this morning, whenever the f—k it is," Scarface shares, setting the tone for an intimate and powerful performance.

Mike Dean, grabbing the mic, interjects with humor, questioning, “You were high?” Scarface responds affirmatively, "That's going to be the basis of all our f—ing songs, man. I swear," before launching into the rap star's signature tune, "On My Block." The performance is gritty, soulful, and captures the essence of what has made Scarface's hip-hop career special.

The Tiny Desk concert offered a rare glimpse of Scarface not just as a seasoned emcee but as a conductor, navigating through multiple eras of his extensive catalog. Classics like "Mary Jane," "Smile," "Fk Faces," and the bone-chilling "I Seen a Man Die" all made the setlist.

Days before the show, Scarface added a surprise element by bringing in Dean, elevating the performance with unmatched authenticity and shared stories. This dynamic collaboration underscored the profound impact Dean's production has had on Scarface's classics and Rap-A-Lot records.

Scarface's influence extends beyond the stage, as evidenced by his recent recognition alongside Rakim with the inaugural Hip-Hop Grandmaster Award from the Paid in Full Foundation. This accolade, coupled with substantial financial and healthcare support, reaffirms Scarface's place as a pivotal figure in hip-hop history.
Watch the entire performance in the video below.

Set List:
"On My Block"
"Mary Jane"
"Smile"
"I Seen a Man Die"
"F**k Faces"
"Mind Playing Tricks on Me"

Musicians:
Scarface: Lead vocals, guitar
Mike Dean: Keys
Steven "Spud" Howard: Vocals
Takai "Cookie" Hicks: Vocals
Peigh Jones: Vocals, guitar
Corey "FunkaFingers" Stoot: Guitar
Josh Henderson: Keys
Jason "The Bishop" Allen: Keys
Savar Martin: Drums
Anthony "Antboogie" Nicholson: Bass, musical direction