Rapper Yung Joc Mourns Loss of Relatives in Deadly Atlanta Apartment Fire

A GoFundMe campaign has been launched to support the family of 9-month-old Xhalia White, 1-year-old Xyla White, and 4-year-old Jhacari White, who died after an apartment fire in Atlanta on Feb. 19. Rapper Yung Joc, who confirmed the children were his relatives, spoke emotionally about the tragedy on his radio show. (Photo via GoFundMe)

Atlanta rapper and radio host Yung Joc is mourning the loss of three young relatives who died after a fire swept through an apartment in southwest Atlanta earlier this week. The musician, born Jasiel Amon Robinson, confirmed during his Streetz 94.5 morning radio show that the victims — 4-year-old Jhacari White, 1-year-old Xyla White, and 9-month-old Xhalia White — were his nieces and nephew.

The fire broke out Tuesday afternoon at the Country Oaks Apartments on Fairburn Road. Firefighters arrived to find flames and smoke coming from a second-floor unit, but by the time the fire was extinguished, the children had already been rescued. They were rushed to Grady Memorial Hospital for treatment, but tragically succumbed to smoke inhalation, according to Atlanta Fire Rescue. Authorities are investigating the cause, though early reports suggest it may have been electrical.

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Joc, who attended a candlelight vigil outside the charred apartment on Wednesday night, revealed on-air that the gathering was particularly emotional because February 20 would have been Xyla’s second birthday.

“I’m hurting. My family’s hurting. My brother’s hurting. His girlfriend’s hurting,” he said during "Yung Joc and The Streetz Morning Takeover." “I don’t think it’s really hit just yet. I think they’re still in shock a little.”

Fighting back tears, the "It's Goin’ Down" rapper played an audio clip of his niece speaking at the vigil, where she paid tribute to her late sister.

“I don’t know if people understand the level of trauma this brings to our community and the family that this affects directly or indirectly,” he continued. “I’m sad, I’m hurt, I’m human—and I’m trying to be professional.”

Since the tragedy, an online GoFundMe campaign has been launched to support the children’s mother, Jahda White. The fundraiser has raised over $32,000, helping to cover funeral expenses and assist the grieving family.

For many, Yung Joc is best known for his 2006 breakout hit, "It's Goin’ Down," which peaked at No. 3 on the Billboard Hot 100 and earned a Grammy nomination. His platinum-selling album "New Joc City" made him one of the most recognizable names in mid-2000s hip-hop, and he later expanded into reality television on VH1’s "Love & Hip Hop: Atlanta." In recent years, he has become a fixture in Atlanta radio, hosting one of the city’s most popular morning shows on Streetz 94.5, where he regularly discusses both music and social issues.

Voletta Wallace, Guardian of Biggie Smalls’ Legacy, Dies at 78

Photo Courtesy Christopher Wallace Memorial Foundation

Voletta Wallace, the mother of rap icon The Notorious B.I.G. and a tireless advocate for her son’s legacy, has died at 78.

The Monroe County Coroner's Office confirmed her death in a press release Friday, stating that Wallace died of natural causes while in hospice care at her home in Stroudsburg, Pennsylvania.

Born in Jamaica, Wallace was a preschool teacher who raised her only child, Christopher Wallace — later known as Biggie Smalls or The Notorious B.I.G. — in Brooklyn, New York. After her son was murdered in a 1997 drive-by shooting at age 24, she dedicated her life to keeping his memory alive, launching the Christopher Wallace Memorial Foundation to promote community empowerment through arts and education.

Despite decades of speculation, the shooting deaths of Biggie Smalls and his former rap rival, Tupac Shakur — who was killed in 1996 — remain unsolved. In the years following her son’s death, Wallace was vocal about seeking justice, at times openly criticizing the investigation into his killing.

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Her strength and grace were on full display at the 1999 MTV Video Music Awards when she publicly embraced Afeni Shakur, Tupac’s mother, in a moment of unity that transcended the bitter East Coast–West Coast rap rivalry that defined much of the 1990s. The two mothers, introduced on stage by actor and rapper Will Smith, stood together in a powerful image of healing and solidarity.

Wallace remained active in her son’s legacy, working as a producer on "Notorious," the 2009 biopic about Biggie’s life, where she was portrayed by Oscar-nominated actress Angela Bassett. The film was executive-produced by Sean “Diddy” Combs, Biggie’s longtime collaborator and the founder of Bad Boy Records, the label that launched his career.

In recent years, Wallace made headlines when she spoke out against Combs, particularly after video footage surfaced in 2024 showing him assaulting his former girlfriend, singer Cassie Ventura, in a Los Angeles hotel. In an interview with Rolling Stone, Wallace condemned Combs, saying she wanted to “slap the daylights” out of him for his actions.

Beyond her public persona, Wallace was a self-described “avid gardener,” frequently sharing photos of her flowers on Instagram. In 2020, following Biggie’s posthumous induction into the Rock & Roll Hall of Fame, she reflected on his enduring influence.

"Today, I'm feeling great," she told Billboard at the time. "As a mother, I'm extremely proud of his accomplishments. You know, I still see such a young man at a young age, and sadly, he's not here to witness all this. But it's an astute honor, and as a mother, I'm just elated for that."

"Many of [Biggie's songs] speak truth," she continued. "It might be gritty, and maybe the language is so out there, but he was honest. There was nothing fake about what he was doing. I think for such a young man to resonate such honesty in his lyrics is awesome."

Jerry Butler, Soul Legend Behind ‘For Your Precious Love,’ Dies in Chicago

Courtesy Photo: Stax Records

Jerry Butler, the smooth-voiced baritone whose blend of gospel roots, Chicago rhythms, and heartfelt soul earned him the nickname "Iceman," died Thursday night at his home in Chicago. He was 84.

His assistant, Marty, whom Butler called his “niece at heart,” confirmed his passing to TMZ, citing natural causes. Butler had been battling Parkinson’s disease.

Born in Sunflower, Mississippi, in 1939, Butler moved with his family to Chicago’s Cabrini-Green housing complex at the age of three. Raised in a deeply religious household, he was discouraged from listening to blues, but his love for music flourished through church choirs and television’s "Hit Parade." He learned to write songs by studying sheet music from Hit Parade magazine, setting the foundation for a career that would shape soul music.

Butler’s life changed in 1953 when he joined the Northern Jubilee Singers, a gospel group led by Rev. Annabelle Mayfield. There, he met her grandson, a young man with a soaring tenor voice named Curtis Mayfield. The two went on to form The Impressions, whose music would later become the soundtrack of the civil rights movement.

As the group’s lead singer, Butler helped propel their first hit, For Your Precious Love, in 1958. Rolling Stone ranked the song No. 335 on its "500 Greatest Songs of All Time" list, and it remains a cornerstone of doo-wop and early soul. The Impressions' music traversed changing times and social movements, earning them a spot in the Rock & Roll Hall of Fame in 1991.

Shortly after the release of For Your Precious Love, Butler embarked on a solo career, but early success eluded him. That changed when he reunited with Mayfield to craft "He Will Break Your Heart," a 1960 hit that re-established Butler as a formidable solo artist. He continued to record throughout the 1960s, eventually teaming up with songwriter-producers Kenny Gamble and Leon Huff, who pioneered the "Philly sound." Together, they produced classics such as "Never Gonna Give You Up," "Hey Western Union Man," and "Only the Strong Survive." The latter, a testament to resilience, was inspired by advice Butler's mother gave him after a teenage heartbreak.

His influence extended beyond his own recordings. "I’ve Been Loving You Too Long," a song he co-wrote with Otis Redding, became a standard covered by Aretha Franklin, the Rolling Stones, Tina Turner, and others. Method Man, Missy Elliott, The Game, and Snoop Dogg later sampled Butler’s music, ensuring his legacy endured across generations.

Though music was his first calling, Butler pivoted to public service in the 1980s. With support from Chicago Mayor Harold Washington, he was elected to the Cook County Board of Commissioners in 1985. During his 32-year tenure, he chaired the Health and Hospitals Committee and served as vice chair of the Construction Committee. He also advocated for artists’ rights, working to secure royalties and benefits for musicians.

Outside of politics, Butler remained an enduring presence in entertainment. He hosted PBS specials on doo-wop and R&B history, appeared in the 1972 film "The Thing with Two Heads," and even starred in a 1980s McDonald’s commercial for the McD.L.T., crooning about “cool” lettuce and tomato opposite Aretha Franklin.

Butler’s wife, Annette, whom he married in 1959, died in 2019. He is survived by their sons, Anthony and Randy, four grandchildren, and a great-grandchild.

Beyoncé Expands Cécred to Ulta Beauty in Record-Breaking Retail Move

Courtesy Photo: Cécred

Beyoncé is making power moves once again — this time in the beauty industry. Her hair care brand, Cécred, is set to launch in over 1,400 Ulta Beauty stores nationwide and online starting April 6, marking the largest exclusive hair care rollout in the retailer’s history.

The partnership between Cécred and Ulta Beauty expands access to the Grammy-winning artist’s "science-backed and ritual-inspired" hair care products, which debuted just a year ago. Until now, Cécred has been available only through its direct-to-consumer website.

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Beyoncé took to Instagram on Wednesday to share the news with her 312 million followers, posting a video where she delivers her iconic “World stop... carry on” line from Nicki Minaj’s 2014 hit “Feeling Myself.” Dressed in a sleek, thigh-slit white gown, she teased the expansion while sitting in front of a mirror as her hair blew in the wind.

Since its February 2024 launch, Cécred has gained a dedicated following. The collection includes the bestselling Hydrating Shampoo and Conditioner, the Fermented Rice & Rose Protein Ritual, and the Restoring Hair & Edge Drops — products the brand position as designed to strengthen and nourish all hair types.

“Cécred is rooted in the deep connection we share with hair across generations,” the brand states on its website. “Blending patent-pending technology with ancient wisdom, our formulas are designed to promote healthier, stronger, and more resilient hair.”

Ulta Beauty’s nationwide footprint and full-service in-store salons make it a strategic partner for Cécred, allowing customers to not only shop the brand’s full range but also experience it through exclusive salon services. The rollout will include prominent in-store branding, interactive displays featuring Cécred’s sleek, patent-pending bottles, and a first-of-its-kind salon integration.

The move signals a major moment for Cécred, solidifying its place in the competitive hair care industry while reinforcing Beyoncé’s influence beyond music. With its expansion into Ulta Beauty, the brand is now more accessible than ever — offering fans and beauty lovers alike the opportunity to bring a touch of Queen Bey’s hair care routine into their own homes.

Rihanna Supports A$AP Rocky as Jury Returns Not Guilty Verdict

Rihanna and A$AP Rocky, seen in a Fenty Skin campaign. Rocky was found not guilty today of two felony assault charges stemming from a 2021 shooting incident in Los Angeles. 

A Los Angeles jury has acquitted rapper A$AP Rocky of two felony assault charges related to a 2021 shooting incident involving his former friend, Terell Ephron, known as A$AP Relli. The jury deliberated for approximately three hours before delivering the not-guilty verdict.

Following the verdict, A$AP Rocky, whose legal name is Rakim Mayers, expressed his gratitude, stating, "Thank y'all for saving my life."

He then embraced his partner, Rihanna, who had been present throughout the trial, along with their two young sons.

Asap rocky jumps and hugs Rihanna after being found not guilty pic.twitter.com/Cg1SpkvsDx

— f⌖ (@ohfold) February 19, 2025

The charges stemmed from a November 6, 2021, altercation in Hollywood, where Ephron alleged that Mayers pointed a semi-automatic firearm at him and fired, resulting in minor injuries. The defense contended that the weapon was a prop gun from a music video shoot, firing only blanks, and argued that Ephron was the aggressor in the incident.

During the trial, fellow A$AP Mob member A$AP Twelvyy testified, supporting the defense's claim that the gun was a prop and that Ephron had instigated the confrontation. The prosecution, however, maintained that Mayers had deliberately fired at Ephron.

Los Angeles County District Attorney Nathan J. Hochman acknowledged the jury's decision, stating, "While this was not the result we sought, we respect the jury’s decision and the integrity of our justice system."

With this acquittal, Mayers avoids a potential sentence of up to 24 years in prison. Ephron has also filed a civil lawsuit against Mayers, which remains pending.

This verdict concludes the criminal proceedings related to the 2021 incident, allowing Mayers to continue his personal and professional life without the looming threat of incarceration.

Judge Dismisses Jay-Z Sexual Assault Case ‘With Prejudice,’ Ending Legal Battle

Jay-Z has been officially cleared of sexual assault allegations after a Jane Doe accuser voluntarily dismissed her lawsuit with prejudice, preventing it from being refiled. The lawsuit, which initially named Sean "Diddy" Combs and later identified Jay-Z as "Celebrity A," alleged an attack took place in 2000 at one of Combs' parties following the MTV Video Music Awards. The abrupt dismissal marks the end of a case that had drawn significant media attention and public scrutiny.

In a statement issued Friday, Jay-Z, whose real name is Shawn Carter, denounced the lawsuit as "frivolous, fictitious, and appalling." “This civil suit was without merit and never going anywhere,” he said. “The fictional tale they created was laughable, if not for the seriousness of the claims. I would not wish this experience on anyone. The trauma that my wife, my children, loved ones, and I have endured can never be dismissed.”

The lawsuit, filed in December, accused Jay-Z of sexual assault and described him as an accomplice to an alleged crime committed at Combs' party. The plaintiff, who remained anonymous under the pseudonym Jane Doe, claimed she had been drugged and raped. However, inconsistencies in her allegations, including statements she made during a mid-December NBC interview in which she admitted to “mistakes,” weakened the case.

Jay-Z’s legal team, led by high-profile attorney Alex Spiro, aggressively pushed back against the allegations. Spiro dismissed the claims as “heinous and false,” highlighting discrepancies in Doe’s account and challenging the credibility of her accusations. Spiro also attempted, unsuccessfully, to have the plaintiff's real name disclosed and sought legal consequences for what he described as a “lack of diligence” in pursuing the case.

Legal maneuvers escalated when Jay-Z filed a separate lawsuit against Doe's attorney, Tony Buzbee, accusing him of extortion. The high-profile Texas lawyer, known for taking on powerful defendants, had previously represented multiple women in sexual misconduct cases against Combs. However, the credibility of the allegations against Jay-Z remained in question, leading to a swift dismissal.

Following the voluntary withdrawal of the lawsuit, Spiro emphasized his client’s complete exoneration. “The false case against Jay-Z, that never should have been brought, has been dismissed with prejudice,” Spiro said. “By standing up in the face of heinous and false allegations, Jay has done what few can — he pushed back, he never settled, he never paid one red penny, he triumphed and cleared his name.”

Legal experts note that a dismissal with prejudice ensures the case cannot be refiled in its current form, providing a definitive conclusion to the lawsuit.

Meanwhile, Combs, who remains entangled in multiple legal battles, has yet to issue a statement regarding the latest development. The dismissal comes at a time when the hip-hop mogul faces mounting scrutiny over separate allegations. Despite being removed as a defendant in this particular case, his legal troubles are far from over.

For Jay-Z, the ruling represents both a personal and professional victory. The Roc Nation founder and billionaire entrepreneur has built an empire spanning music, business, and philanthropy. Throughout the ordeal, he maintained his innocence, refusing to engage in settlements or negotiations that would suggest otherwise. The legal victory underscores his commitment to fighting allegations he deemed baseless.

While the case has been closed in court, the public discourse surrounding high-profile accusations and legal battles in the entertainment industry is far from over. The impact of such claims, even when dismissed, lingers in the court of public opinion, leaving lasting effects on reputations and careers. For now, however, Jay-Z walks away from the legal battle unscathed, his name cleared in a lawsuit that will not see another day in court.

From Houston to High Fashion: Paul Wall and Paul Masson Celebrate ‘ICE’ with Exclusive Jewelry Drop

Paul Wall showcases the custom Paul Masson ICE chain and brandy, part of a giveaway tied to his upcoming birthday bash. The Houston rapper and jeweler Johnny Dang are offering one fan the chance to win the $15,000 pendant as the city prepares to celebrate Wall’s legacy.

Paul Wall, the Houston rapper known as "The Iceman," is giving one lucky fan the chance to experience his signature lifestyle, complete with a $15,000 custom chain designed by his longtime jeweler Johnny Dang and a VIP trip to his birthday concert in Dallas. The contest, backed by Paul Masson Brandy, promises the winner an exclusive backstage party where Wall will personally present the jewelry while bottles of Paul Masson ICE, the liquor brand’s latest flavored brandy, are poured.

At first glance, the collaboration seems like a natural fit. Wall, who helped make diamond-studded grillz a hip-hop staple, has built his image around jewelry, luxury, and Houston’s underground rap scene. His partnership with Dang is legendary, their influence cemented in hip-hop history. Owning a custom Johnny Dang chain isn’t just about flash — it’s a status symbol, making this contest feel like more than just a promotional stunt. But behind the glitz and exclusivity, there’s a familiar tension between hip-hop culture and corporate branding, raising the question of whether this is an authentic moment or just another attempt to sell more liquor.

The intersection of hip-hop and alcohol marketing is nothing new. Liquor brands have spent decades embedding themselves into rap culture, from the days when Cognac companies latched onto their unprompted shoutouts in lyrics, to modern deals where rappers become the face of a brand, collecting checks while pushing bottles.

The custom Paul Masson ICE chain, designed by famed jeweler Johnny Dang, features VS and VVS diamonds set in a frosty light blue medallion, mirroring the brand’s signature colors and cooling effect.

 Paul Masson has followed that formula, leveraging hip-hop’s love of luxury while maintaining a mass-market appeal. Its new Paul Masson ICE brandy was even designed with a gimmick tailored to Wall’s persona — the bottle’s thermochromic label shifts color when chilled, mimicking the way diamonds catch the light. Even its 59-proof alcohol content is a nod to Wall’s Houston roots, referencing the 5900 block of Southlea Street where he lived when he dropped "The People's Champ," his Billboard No. 1 album that turns 20 this year.

Wall’s influence, however, extends beyond marketing deals and jewelry. He has remained deeply connected to Houston’s rap scene and his community, organizing school supply drives, helping with Hurricane Harvey relief efforts, and maintaining his independence in an industry that often exploits artists. He built his brand from the ground up, and his partnership with Dang revolutionized custom jewelry in hip-hop. That legacy is part of what makes this contest appealing — this isn’t just a chain; it’s a symbol of the culture Wall helped shape.

But that authenticity is also what makes the campaign feel like a double-edged sword. For one lucky winner, it’s a chance to step into Wall’s world, draped in a Johnny Dang original while rubbing elbows backstage at a hip-hop event. For everyone else, it’s a well-executed advertisement disguised as a cultural moment. The contest runs through Feb. 28, with details available at PaulMassonIce.com, but as hip-hop continues to be one of the most powerful marketing tools in the world, the bigger conversation about how brands capitalize on the culture is far from over.

Ye and the Art of the Swastika Grift: Kanye Drops Super Bowl Ad for Nazi Merch, Then Disappears

A screengrab fromYe's Super Bowl commercial.

After a weekend of hateful posts on X — where he declared himself a Nazi, praised Adolf Hitler, and made a series of misogynistic and conspiracy-laden remarks — Ye’s account suddenly disappeared Sunday night. The move came hours after he aired a bizarre self-shot Super Bowl commercial, directing viewers to his website, yeezy.com, where the only item for sale was a $20 white T-shirt emblazoned with a black swastika.

The page featured no explanation, only the text "HH-01," a term widely interpreted as shorthand for “Heil Hitler.” The Anti-Defamation League quickly condemned the shirt, calling it “further proof of Ye’s dangerous, escalating antisemitism.” The organization, which combats anti-Jewish discrimination, pointed out that the swastika “continues to threaten and instill fear in those targeted by white supremacy.”

The Super Bowl ad, which aired in select markets including Los Angeles, showed Ye reclining in a dentist’s chair, telling viewers, “I spent all the money for the commercial on these new teeth. So once again, I had to shoot it on the iPhone. Um, um, um, go to yeezy.com.” There was no mention of the swastika shirts, but by Monday morning, they were the only item available for purchase.

In an ironic twist, Ye had explicitly stated days earlier that he would never sell such a shirt, posting: “I would never sell a swastika tee because people could be physically harmed wearing it … I love my fans and supporters.” His rapid reversal fueled speculation that his latest spiral is not just another episode of erratic behavior but a calculated attempt to provoke outrage and capitalize on controversy.

Before his abrupt departure from X, Ye expressed gratitude to Elon Musk for keeping his platform open to him. “I appreciate Elon for allowing me to vent,” he wrote. “It has been very cathartic to use the world as a sounding board.”

Musk, for his part, publicly distanced himself from Ye's content but allowed him to continue posting well beyond the point where most accounts would have been banned. He acknowledged that Ye had posted explicit content, replying to one X user, “Given what he has posted, his account is now classified as NSFW. You should not be seeing that anymore.”

Ye’s latest outburst also included a bizarre defense of jailed music mogul Sean “Diddy” Combs, whom he called his “idol” while criticizing celebrities for not speaking out on Combs’ behalf. He then claimed “dominion” over his wife, Bianca Censori, who has drawn attention in recent weeks for appearing nearly nude in public alongside Ye.

His antisemitic rhetoric is nothing new. In 2022, he infamously tweeted that he was going “death con 3 on Jewish people,” which led to his suspension from Twitter and Instagram, the loss of multi-billion-dollar deals with Adidas and other companies, and widespread condemnation. He later apologized in 2023, claiming he was committed to “learning from the experience.” But as his latest meltdown demonstrates, any notion of repentance was short-lived.

Now, Ye’s X account is gone, his swastika-laden shirts are the only remnant of his latest self destruction, and his Super Bowl stunt has left the world wondering: Will he finally face real consequences, or is this just another cycle in his endless spiral of controversy?

Gary Grier, Veteran Member of The Contours, Dies at 72

Gary Grier, bottom left, with The Contours in 2017. Grier, a longtime member of the Motown vocal group, died in February, the band announced.

Gary Grier, a veteran performer and staple of Motown’s legendary vocal group The Contours, has died at 72. The group announced his passing on Facebook.

"Today, we lost one of our own," the statement read. "We are profoundly saddened by the sudden death of Gary Grier. He was an integral part of our group, and he will be sorely missed. Our thoughts and prayers go out to all of Gary’s family and friends."

Grier, who joined The Contours in 1993, spent more than three decades helping preserve and extend the legacy of one of Motown’s most beloved groups. Although he was not part of the original lineup, his voice and stage presence became a defining part of the band’s continued success. He took over after the departure of Darell Nunlee, joining a roster that had already been evolving since the group's early years.

The Contours first rose to fame in the early 1960s as one of Motown’s premier vocal acts. Their signature hit, “Do You Love Me,” written by Berry Gordy, was a massive success in 1962, topping the R&B charts and reaching No. 3 on the Billboard Hot 100. The track, known for its raw, high-energy vocals, became one of the defining sounds of early Motown and sold more than a million copies.

The song experienced a second wave of success in 1988, when it was prominently featured in the box-office smash Dirty Dancing. The exposure propelled it back onto the Billboard Top 40 charts for another eight weeks, introducing a new generation to the group’s infectious sound.

Beyond “Do You Love Me,” The Contours recorded several other charting singles, including “Can You Do It,” “Shake Sherry,” “First I Look at the Purse” and “Just a Little Misunderstanding.” Though they never reached the same heights as their debut smash, The Contours’ impact on rhythm and blues — and their reputation as one of the most dynamic acts in early Motown history — remained intact.

Grier played a key role in keeping the group’s legacy alive, performing well into the 2000s alongside longtime members Joe Billingslea and Al Chisholm. SoulTracks.com described him as “a seasoned performer with a commanding stage presence”, a reputation he upheld in performances across the country.

The Contours remained active in the decades following Motown’s golden era, adapting to lineup changes while continuing to tour and perform for loyal fans. In 2015, they were inducted into the R&B Hall of Fame, followed by their 2016 induction into the Michigan Rock and Roll Legends Hall of Fame.

Master P, Louis Armstrong, Lil Wayne Among Inductees on New Orleans Walk of Fame

Master P

New Orleans’ rich cultural legacy is now set in stone — literally.

On Thursday, hip-hop mogul and city ambassador Percy "Master P" Miller officially unveiled the New Orleans Walk of Fame in downtown New Orleans, honoring 50 influential figures who have shaped the city’s music, sports, business, and activism.

The inductees — ranging from jazz greats and hip-hop pioneers to civil rights leaders, actors, and entrepreneurs — were honored with custom-designed Fleur-de-lis plaques embedded along Canal Street.

"This Walk of Fame is a curriculum," Master P said. "We want kids to be able to know who these people are and who these people were. So, from Louis Armstrong to Tom Benson to Archie Manning, we want people to be able to celebrate the greats that come from here."

The inaugural class includes music legends such as Armstrong, Fats Domino, Allen Toussaint, and Lil Wayne, alongside actors like Wendell Pierce and Carl Weathers and sports icons Peyton, Eli and Archie Manning. The honorees also include trailblazers in politics, education, and activism, such as civil rights attorney A.P. Tureaud, restaurateur Leah Chase and educator Norman Francis.

New Orleans Mayor LaToya Cantrell, the city’s first Black woman mayor, was among the inductees and played a key role in bringing the Walk of Fame to life. The city has granted 4.5 miles for expansion, and plans are already in motion to establish a museum highlighting the contributions of each honoree.

The Fleur-de-lis plaques, created by local artist Brandon "BMike" Odums, reflect a symbol that has been woven into New Orleans’ history since its founding in 1718 and remains synonymous with the city’s identity.

Master P and Joseph "Mongo" Mongeluzzi, global vice president of nightlife and entertainment for Hard Rock International and Seminole Gaming, stand Friday with memorabilia from the No Limit Reunion Tour donated to Hard Rock Cafe New Orleans.

Following the Walk of Fame unveiling, Master P continued the celebration Friday by donating a piece of hip-hop history to the Hard Rock Café New Orleans on Bourbon Street. The rap icon handed over the camouflage outfit he wore on the No Limit Reunion Tour in 2020 during performances of his anthems "Make 'Em Say Uhh!" and "I Got the Hook-Up!"

“We’re thrilled to welcome this new piece of memorabilia to our extensive collection of items from music history,” said Giovanni Taliaferro, vice president of memorabilia and design at Hard Rock International. “Master P’s influence on Southern hip-hop is undeniable, and we are proud to showcase this outfit in New Orleans, where locals and fans alike can celebrate his legacy for years to come.”

The donation ceremony was attended by family, friends, and fans, adding to the excitement of a day that celebrated New Orleans’ rich artistic and cultural heritage. With the Walk of Fame set to expand and a museum in the works, Master P and city officials hope the project will serve as an educational and inspirational landmark for generations to come.

For visitors, Super Bowl LIX attendees, and lifelong residents alike, the Walk of Fame now stands as a permanent tribute to the figures who made New Orleans the cultural powerhouse it is today.

Ye's Latest Rant: Praise for Hitler, Support for Diddy, and More

Kanye West, reignited controversy with an explosive spree of antisemitic posts on X, echoing the rhetoric that cost him billion-dollar fashion deals and mainstream credibility two years ago.

In dozens of posts early Friday morning, he praised Hitler, called himself a Nazi, and dismissed antisemitism as “just some bulls–t Jewish people made up to protect their bulls–t.” Making it clear that his statements were intentional and not influenced by substances, he wrote, “AMY JEWISH PERSON THAT DOES BUSINESS WITH ME NEEDS TO KNOW I DONT LIKE OR TRUST ANY JEWISH PERSON AND THIS IS COMPLETELY SOBER WITH NO HENNESY.” He doubled down moments later, adding, “IM NEVER APOLOGIZING FOR MY JEWISH COMMENTS.”

Ye on X

The outburst was a near-carbon copy of his 2022 antisemitic tirades, which included incendiary remarks on social media, a string of unhinged interviews, and an infamous dinner with Donald Trump and white nationalist Nick Fuentes at Mar-a-Lago. The fallout was swift, as Adidas, Balenciaga, and GAP all severed ties, stripping him of lucrative partnerships. He was banned from multiple platforms and lost an estimated $1.5 billion in brand value in just a matter of weeks. Despite eventually being reinstated on X, his latest comments have once again raised the question of whether there will be lasting repercussions this time around.

In the midst of the antisemitic rant, Ye abruptly pivoted to advocating for the release of Sean "Diddy" Combs, who remains jailed on federal charges. “FREE PUFF,” he posted to his 32 million followers, calling Combs his “idol” and “hero.” Hours later, he stunned fans by announcing a Yeezy x Sean John collaboration, claiming it was something they had discussed before Combs’ arrest. “I’M SELLING THE SEAN JOHN COLLABORATION THAT ME AND MY BROTHER SPOKE ABOUT BEFORE THEY LOCKED HIM UP WE SPLITTING THE PROFITS 50/50.” He went further, alleging that Combs is prohibited from earning money while behind bars, saying, “I JUST FOUND OUT THAT PUFF IS NOT ALLOWED TO MAKE OR COLLECT MONEY WHILE HE'S LOCKED UP SO I'MA SEND HIS HALF OF THE MONEY TO JUSTIN.”

The move was unexpected given Ye’s history with Combs. In 2022, Combs publicly condemned Ye for his "White Lives Matter" stunt and attempted to intervene during his antisemitic meltdown. Ye responded by mocking him, calling him a pawn of Jewish executives. Now, despite their past tension, Combs acknowledged Ye’s support from jail, writing on Instagram, “Thank you to my brother @Ye YEEZY.COM.” His son, Christian Combs, echoed the message in a repost.

Ye didn’t stop with Combs. In his flurry of posts, he also attacked other celebrities for not speaking out, calling them “pssies” and “btches,” and praised Chris Brown, despite Brown facing past allegations of violence against women. He hurled homophobic slurs, made crude remarks about former Vice President Kamala Harris, and made a series of bizarre declarations, including claiming that he is a billionaire again, announcing that he is a racist, and stating that he no longer listens to rap music.

While the backlash to Ye’s comments has been swift, his X account remains active, a stark contrast to 2022 when his antisemitic remarks led to outright bans from Twitter and Instagram. His willingness to embrace public self-destruction—burning bridges, alienating allies, and reveling in controversy—seems to know no bounds. The only question now is whether he will once again face real consequences or if the cycle of outrage and acceptance will repeat itself yet again.

Long Live Dilla: Detroit Honors Hip-Hop Visionary With Street Renaming and ‘J Dilla Day’

The newly unveiled J Dilla Street sign stands at the intersection of Nevada and Charest in Detroit today, a day before what is now officially recognized as "J Dilla Day." 

Detroit has immortalized J Dilla, the visionary producer and hip-hop artist, with a street named in his honor and an official day of recognition in his hometown.

On Thursday city officials, fans, and Dilla’s family gathered for the unveiling of J Dilla Street, marking the corner of Nevada and Charest on the east side of Detroit — just steps from where he grew up. The ceremony took place on the eve of what is now officially "J Dilla Day," set to be observed annually on February 7, following a unanimous vote by the Detroit City Council earlier this week.

J Dilla Street has been unveiled in Detroit just in time for Dilla’s birthday (Feb. 7th)

The sign stands on the corner of Nevada & St. Charles

(via @EvezzyE)pic.twitter.com/Kgkt5Kmx8C

— Andrew Barber (@fakeshoredrive) February 6, 2025

Dilla’s daughters, Ja'Mya Yancey and Ty'Monae Whitlow, were in attendance to witness the momentous occasion.

"Words cannot describe how grateful we are for this declaration," Ja’Mya said. "For years, he has been celebrated all over the world, and this is such a monumental step to help us continue the work he left behind."

J Dilla, born James Dewitt Yancey, rose to prominence in the mid-1990s as a member of the influential rap group Slum Village before solidifying his place as one of the most revered producers in hip-hop. His distinct, jazz-infused, off-kilter drum patterns and soulful sampling techniques redefined production, influencing artists such as The Roots, Common, Busta Rhymes, D'Angelo and Kanye West.

His solo catalog includes the critically acclaimed albums "Donuts" and "Welcome 2 Detroit," as well as production credits on classic records for A Tribe Called Quest, Erykah Badu, and Madlib, among many others.

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Dilla died on February 10, 2006, at age 32 after battling thrombotic thrombocytopenic purpura (TTP), a rare blood disorder, and lupus. Despite his passing, his influence has only grown, with his beats, legacy, and signature sound continuing to inspire new generations of musicians.

A J Dilla street sign is going up on Nevada and Charest Thursday. Joylette Hunter, a spokesperson for the James Dewitt Yancey Estate, came to Detroit city council today with J Dilla’s daughters, Ja’Mya Yancey and Ty-Monae Whitlow. pic.twitter.com/6zEVeaii7I

— Sam Robinson (@samueljrob) February 4, 2025

The inaugural J Dilla Day in Detroit coincides with the upcoming Dilla Day L.A. concert on Saturday, hosted by Maureen "Ma Dukes" Yancey and the James Dewitt Yancey Estate. The event will feature performances by Slum Village, Guilty Simpson, and others, with proceeds benefiting victims of the Eaton wildfires.

Dilla’s daughters, now in their early twenties, say their mission is to preserve his legacy and ensure his genius is never forgotten.

"He put his stamp on the map," Ty’Monae Whitlow said. "Now it’s official. It’s on the street, and the world knows what we’ve known all along."

Killer Mike Sues Security Firm After Grammys Arrest, Claims Assault and Negligence

Photo Credit: Alberto E. Rodriguez/Getty Images for The Recording Academy

Killer Mike, the Grammy-winning rapper and activist, has filed a lawsuit against private security company S&S Labor Force, alleging false imprisonment, assault, and emotional distress over his arrest at the 2024 Grammy Awards.

The rapper, whose legal name is Michael Render, was detained on Feb. 4, 2024, at Los Angeles’ Crypto.com Arena, just moments after winning three Grammy Awards, including Best Rap Album for "Michael."

The lawsuit contends that security personnel wrongfully restrained and detained him, despite multiple attempts to clarify his identity and purpose for being backstage. Render alleges he was physically grabbed and surrounded by security guards as he attempted to move toward the red carpet area after his historic wins, and that their actions led to both public humiliation and physical harm.

Breaking: Rapper Killer Mike has been taken away in handcuffs in https://t.co/aF2yiyTHol arena after winning 3 #Grammys during telecast (Best Rap Song and Best Rap Performance for “Scientists & Engineers,” Best Rap Album for Michael) “Free Mike” someone shouts as he walks past. pic.twitter.com/4epfmzqMt8

— Chris Gardner (@chrissgardner) February 5, 2024

The lawsuit, filed in Los Angeles County Superior Court, describes an incident where a female security guard allegedly used unnecessary force, grabbing Render’s arm to stop him from leaving. Render claims he was then confined by multiple security personnel, who refused to listen as he attempted to explain that he had just won three Grammy Awards and was authorized to be in the secured area.

“Defendants used their position of authority to degrade, embarrass, and physically hurt [Killer Mike] in public view, subjecting him to emotional distress and public humiliation,” the lawsuit states. The rapper contends that his detainment not only caused physical harm but also robbed him of a once-in-a-lifetime moment — celebrating his career-defining wins on one of music’s biggest nights, in front of an international television audience.

S&S Labor Force, which operates as JRM Security, has denied involvement in the incident, issuing a statement in response to the lawsuit. “We unequivocally state that we had zero involvement in the incident described,” the company said in a statement to TMZ, asserting that while they provided security for the Grammys, their personnel were not responsible for Render’s detainment. “S&S Labor Force Inc takes pride in our commitment to ethical practices and the safety of our employees, clients, and guests. We have thorough protocols in place to ensure all actions taken by our security personnel adhere to the law and our company standards. The claim in question appears to be based on misinformation and lacks credible evidence.” The company stated they are investigating the claims outlined in the lawsuit.

The arrest, which was widely publicized in real-time as videos circulated on social media showing Render being led away in handcuffs, sparked outrage among fans and the hip-hop community. Several hours later, the rapper was released without charges. In July, the Los Angeles City Attorney’s Office formally declined to pursue charges, citing a lack of evidence. That same month, Render addressed the incident through music, releasing the song "Humble Me," which included the lyrics: "I was sitting there in a room full of cops, like Daniel was sitting with the lions / I had to quiet my mind, I prayed and I prayed and I prayed / The liars were lying their lies, I kept on just keeping my faith." The song was included on his album "Michael & the Mighty Midnight Revival: Songs for Sinners and Saints."

Render, a longtime activist and advocate for social justice, has been vocal about issues of racial profiling and the treatment of Black men by law enforcement and security forces. He has spoken at length about criminal justice reform and economic empowerment within Black communities, and his lawsuit underscores what he sees as a pattern of mistreatment and excessive force used against Black men in public spaces, even in moments of triumph. His legal filing seeks unspecified damages for what he describes as a wrongful arrest that caused serious emotional and reputational harm.

Irv Gotti, Ja Rule and Ashanti’s Producer and Murder Inc. Founder, Dies at 54

Photo Credit: Aaron J. Thornton/Getty Images for BET

Irv Gotti, the influential music producer and record executive who built Murder Inc. Records into one of hip-hop’s most dominant labels, has died at 54.

The Hollywood Reporter first confirmed his passing Wednesday, though the cause of death has not been officially disclosed. Sources close to the situation told Variety that Gotti, born Irving Domingo Lorenzo Jr., had suffered a series of strokes in recent months, linked to his long battle with diabetes.

A key architect of early 2000s hip-hop and R&B, Gotti was the mastermind behind Ja Rule’s meteoric rise, Ashanti’s chart-topping success, and some of the most memorable rap and R&B collaborations of the era. 

As the co-founder of Murder Inc., he produced and oversaw a string of crossover hits, including "Always on Time," "What’s Luv?" and "I’m Real (Murder Remix)," which dominated radio and defined the sound of mainstream hip-hop at the turn of the millennium.

Born and raised in Queens, New York, Gotti started as a DJ and aspiring producer, earning early credits on Jay-Z’s "Can I Get A…", Foxy Brown’s "Hot Spot," and DMX’s landmark debut, "It’s Dark and Hell Is Hot" (1998). His talent for blending hard-edged rap with melodic hooks caught the attention of Def Jam executive Lyor Cohen, who gave him his own label under the Def Jam umbrella in 1998. That same year, Gotti co-founded Murder Inc. with his brother Chris Gotti, and their first major project, Ja Rule’s debut album "Venni Vetti Vecci" (1999), set the stage for the label’s ascension.

By the early 2000s, Ja Rule had evolved from a gritty rapper into a mainstream superstar, thanks in large part to Gotti’s vision. His knack for mixing rap with R&B hooks, a formula perfected in collaborations with Ashanti, Jennifer Lopez, and Fat Joe, led to back-to-back No. 1 albums and platinum-selling singles. 

In 2002, Ashanti’s self-titled debut album, produced and executive-produced by Gotti, sold over 500,000 copies in its first week and won a Grammy for Best Contemporary R&B Album. For a time, Murder Inc. rivaled Bad Boy Records and Roc-A-Fella, churning out hit after hit, with Gotti positioned as one of the most powerful executives in music.

That dominance began to unravel in 2003, when the federal government raided Murder Inc.’s offices, investigating the label for alleged money laundering and ties to drug kingpin Kenneth “Supreme” McGriff. Though Gotti and his brother were acquitted in 2005, the scandal damaged Murder Inc.’s reputation beyond repair. Around the same time, Ja Rule’s high-profile feud with 50 Cent further eroded the label’s standing in hip-hop, shifting the genre’s momentum toward a more street-oriented sound that left Murder Inc.’s brand of melodic rap-R&B hybrids struggling to maintain relevance.

Gotti rebranded the label as The Inc. in 2006, moving it under Universal Motown, but the momentum was gone. With Ashanti as the label’s only remaining major artist, The Inc. struggled, and Gotti eventually pivoted away from music, focusing on television projects, including the BET series "Tales." In 2013, he rebranded the label again as Visionary, before reviving Murder Inc. in 2017 through a partnership with 300 Entertainment. In 2022, he made headlines for selling a 50 percent stake in his Murder Inc. masters for $300 million in a deal with Iconoclast, ensuring financial control over his legacy despite the label’s decline.

In his later years, Gotti openly battled diabetes, a condition he discussed candidly in interviews. In 2023, he revealed on "Drink Champs" that the disease was taking a toll on his body, admitting that it was “not under control” despite taking insulin. "It starts deteriorating your body," he said. "And anything that tastes good is horrible for you." By August 2024, reports surfaced that Gotti had suffered another stroke, requiring the use of a cane. In a statement to The Shade Room, he addressed his health, saying, "I’m getting older, but the only thing worse than getting old is not getting old."

Even as his business ventures shifted, Gotti remained a larger-than-life personality, often making headlines for his outspoken opinions and lingering rivalries. His feud with 50 Cent, one of the most infamous in hip-hop history, resurfaced once again just hours before Gotti’s death, when 50 mocked reports that the Murder Inc. founder had suffered a stroke. Posting on Instagram, 50 wrote, "Damn, I wanted him to see my new shows, yo!"—a callous jab at his longtime adversary.

That rivalry dated back two decades, as 50 Cent’s rise coincided with Murder Inc.’s decline, leading to a years-long war of words that played out in interviews, diss tracks, and even courtrooms. In recent years, Gotti downplayed the feud’s significance, but 50’s persistent taunts kept their animosity in the public eye.

Though Murder Inc. never regained its early 2000s dominance, Gotti left an undeniable mark on hip-hop history. His production and executive credits shaped an entire era, with classics like:

• DMX’s "It’s Dark and Hell Is Hot" (1998)
• Ja Rule’s "Between Me and You" (2000)
• Ashanti’s "Foolish" (2002)
• Fat Joe’s "What’s Luv?" (2002)
• Jennifer Lopez’s "I’m Real (Murder Remix)" (2001)

Gotti’s legacy is complicated, but his impact on hip-hop and R&B is undeniable. At his peak, he was a visionary who redefined the intersection of rap and mainstream music, helping craft some of the most enduring records of the early 2000s. His ability to blend street narratives with radio-friendly melodies influenced a generation of artists, and his business acumen paved the way for future moguls navigating the industry.

He is survived by his children, siblings, and extended family.