Tupac, Lenny Kravitz and A$AP Rocky Shine in Harper’s Hottest Men of All Time List

Tupac Shakur was ranked No. 2 on Harper’s Bazaar’s list of the “50 Hottest Men of All Time,” noted for his mix of poetic brilliance, political fire, and undeniable presence.

In a list stacked with silver screen legends, red carpet royalty, and pop culture crushes from every decade, it was a poet from the streets of Baltimore who stood out loudest. Harper’s Bazaar dropped its “50 Hottest Men of All Time” feature this week, and there — sandwiched between Hollywood heartthrobs and blockbuster superheroes — sat Tupac Shakur, shirtless and defiant.

Placed second only to James Dean, Tupac’s inclusion wasn’t just a nod to aesthetics. It was a reminder: style can’t be separated from substance. The magazine praised his duality, noting his ability to quote Baldwin one moment and deliver a blistering diss track the next. It was more than thirstbait — it was rare recognition from a mainstream outlet that Tupac’s magnetism wasn’t manufactured. It was revolutionary.

 

His “peak hot” moment, according to the write-up, came in the “Hit ’Em Up” video. That pick said everything. Not a red carpet photo or sanitized press image, but raw fury on tape — Tupac in full attack mode, shirt off, energy high, making sure nobody mistook him for anything less than a threat.

That kind of placement carries weight. Harper’s list reached from the golden era of Brando and Paul Newman to TikTok-era poster boys like Jacob Elordi and Charles Melton. A few names earned their spots with high cheekbones and prestige scripts. Others, like Lenny Kravitz, Bad Bunny, and Dev Patel, brought a mix of edge and cultural resonance. But for fans of true legacy, the list had some glaring omissions and unexpected wins.

There was no Biggie. No Snoop. No Rakim. No Nas. No Prince, even — an icon whose look and aura redefined masculinity in the ’80s. But Denzel made it in, honored for the abs he flexed in "The Hurricane." Michael B. Jordan got his nod for "Creed." Idris Elba and Mahershala Ali were rightfully present. Tyson Beckford — one of the original Black male supermodels — showed up near the end, low ranking considering his impact.

The biggest eyebrow-raiser? The lack of deeper hip-hop representation. If Tupac was worthy of slot No. 2, what did it say about the culture that helped shape him? If Bad Bunny’s Calvin Klein campaign made him a contender, what about LL Cool J’s shirtless “Mama Said Knock You Out” era? If Elvis could make the cut for shaking his hips in “Jailhouse Rock,” where was Bobby Brown?

Seeing Tupac listed alongside James Dean and Paul Newman signaled that hip-hop’s style icons can’t be boxed out of “sex symbol” conversations anymore. But the gaps — the glaring absence of other pioneers who made millions scream with a single look — were impossible to ignore.

Still, Tupac at No. 2 means something. It means the culture cracked through again. With the Rock & Roll Hall of Fame already behind him, holograms on festival stages, and lectures at Harvard dissecting his lyrics, this latest nod was less about heat and more about presence. Tupac stays on the list because Tupac never left.

Harper’s Bazaar: 50 Hottest Men of All Time

1. James Dean
2. Tupac Shakur
3. Charles Melton
4. Lenny Kravitz
5. Paul Mescal
6. Pedro Pascal
7. Hayden Christensen
8. Marlon Brando
9. Bad Bunny
10. Aaron Taylor-Johnson
11. Dev Patel
12. Harrison Ford
13. Jason Momoa
14. Robert Pattinson
15. Paul Newman
16. Jacob Elordi
17. Elvis Presley
18. Damson Idris
19. Keanu Reeves
20. Robert Redford
21. Jesse Williams
22. Bill Skarsgård
23. Rick Yune
24. Matthew McConaughey
25. Theo James
26. Denzel Washington
27. Heath Ledger
28. Jake Gyllenhaal
29. Henry Golding
30. George Clooney
31. Shemar Moore
32. Brad Pitt
33. Leonardo DiCaprio
34. Rami Malek
35. Clint Eastwood
36. Oscar Isaac
37. Chris Evans
38. Idris Elba
39. Ryan Gosling
40. Tyson Beckford
41. Channing Tatum
42. Michael B. Jordan
43. David Beckham
44. Mahershala Ali
45. Maluma
46. Henry Cavill
47. Zayn Malik
48. Gong Yoo
49. Chris Hemsworth
50. A$AP Rocky

Diddy’s Twin Daughters Step Into Fashion Spotlight With '12TWINTY1'

D’Lila and Jessie Combs announced their debut fashion line, “12TWINTY1,” just days after their father Sean “Diddy” Combs was denied bail on federal charges.

D’Lila and Jessie Combs have officially stepped out of their father’s shadow — and into the spotlight as fashion entrepreneurs.

The 18-year-old twin daughters of Sean “Diddy” Combs and the late Kim Porter announced this week they’re launching their first clothing brand, “12TWINTY1,” a project they say has been in the works their entire lives.

“We are launching our very own clothing line,” the twins said in a recently posted TikTok video. “This isn’t just a brand. It’s our story. Our bond. Our roots.”

Named after their shared birthday — December 21 — the brand blends numerology with personal identity. “One is bold, fearless, and marks the beginning of something powerful,” they said in the caption. “Two speaks to love, connection, and harmony — the essence of our twinhood.”

Their official Instagram account echoed the message: “12TWINTY1 was created with purpose, built from who we are, not just what we wear.”

While no pieces from the line have been revealed yet, the twins emphasized that the project is about more than aesthetics. “This brand is for everyone,” D’Lila said in another clip. “It’s comfort, confidence, and meaning.”

Jessie added, “People always ask if we think alike — and the answer is definitely. That connection is the heart of our brand.”

Their announcement comes at a complicated time for the Combs family. Just days earlier, their father, Sean “Diddy” Combs, was denied bail after a federal jury acquitted him of several top charges — including racketeering conspiracy and sex trafficking — but found him guilty on two counts of transporting women across state lines for the purpose of prostitution. He now awaits sentencing on October 3, with federal prosecutors recommending a prison term of up to 63 months.

Throughout the trial, D’Lila and Jessie were seen supporting their father in court, sometimes exiting the room during emotionally charged testimony. They also recently celebrated their high school graduation — a personal milestone largely overshadowed by their father’s legal saga and the surrounding media scrutiny.

Now, with “12TWINTY1,” they appear to be carving out their own narrative — one rooted in legacy, but reaching for something all their own.

From Compton to the Classroom: Temple Adds Kendrick Lamar to Curriculum

Kendrick Lamar's life and lyrics will be the subject of a new fall semester course at Temple University, taught by Professor Timothy Welbeck. 

Kendrick Lamar’s legacy is already cemented in music history. Now, it's making its way into the college classroom.

Starting this fall, Temple University will offer a course titled "Kendrick Lamar and the Morale of M.A.A.D City," an Afrocentric deep dive into the Pulitzer Prize-winning rapper’s life, lyrics and cultural weight. Designed and taught by professor Timothy Welbeck, a respected scholar in Africology and African American Studies, the course aims to unpack the socioeconomic, political and personal factors that have shaped Lamar — and the world that shaped him.

“This isn’t just about rap lyrics,” Welbeck told NBC10 in a recent interview. “Kendrick Lamar is one of the defining voices of his generation. His art and life reflect the Black experience in deeply telling ways.”

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Welbeck, who also serves as director of Temple’s Center for Anti-Racism and is a hip-hop artist himself, has previously taught courses on Tupac, Jay-Z and the evolution of Black culture through music. With this new offering, he hopes to explore Lamar’s full trajectory — from his Compton roots to the Grammy stage and global influence — through an Africological lens that centers Black expression and self-actualization.

The course arrives at a critical cultural moment. Lamar’s recent lyrical feud with Drake reignited debates over authenticity in hip-hop, while his explosive anthem "Not Like Us" — a searing takedown of celebrity ego and false alliances — has become a cultural flashpoint, sparking industry lawsuits and think pieces alike. At the same time, his co-headlining Grand National Tour with SZA was one of the year’s highest-grossing, cementing his status as both icon and provocateur.

Students in Welbeck’s class will study that tension head-on. From Lamar’s major-label debut "good kid, m.A.A.d city" to the densely layered "To Pimp a Butterfly" and his latest effort "GNX," the course promises a sharp examination of hip-hop as not just music, but social commentary — shaped by public policy, systemic inequality and Black resilience.

Beyond lectures, the course will include guest speakers from the music industry who have worked with Lamar, offering students rare insight into both his creative process and the business machinery behind the music.