That made Sunday’s news hit hard.
Bryson, 75, the two-time Grammy-winning singer known for “Beauty and the Beast,” “A Whole New World (Aladdin’s Theme)” and decades of romantic R&B ballads, has suffered a stroke and is under medical care, according to a statement from his representative.
No additional details about Bryson’s condition have been publicly released. His family asked for privacy as he receives treatment. The statement said the ‘thoughts, prayers and love’ of friends and fans are welcomed.
The support began moving through R&B circles quickly. Stephanie Mills, one of Bryson’s contemporaries and a defining voice of her own generation, posted a message of support for him on social media.
“Right now for my friend @peabobryson2,” Mills wrote. “I truly love you. I am here for your family while you recover. ABUNDANT #POWER AND #STRENGTH.”
For casual listeners, Bryson may be most widely known as one of the voices behind two of the most recognizable movie duets of the early 1990s. He won Grammys for “Beauty and the Beast,” performed with Celine Dion, and “A Whole New World (Aladdin’s Theme),” performed with Regina Belle. Both songs won best pop performance by a duo or group with vocal.
Those records made him part of childhood for millions. But R&B audiences knew Bryson long before animated films carried his voice into the pop mainstream.
Born Robert L. Bryson in Greenville, South Carolina, he came through the Southern music circuit before becoming one of contemporary R&B’s premier male vocalists. His catalog includes “Feel the Fire,” “I’m So Into You,” “If Ever You’re in My Arms Again,” “Can You Stop the Rain” and “Tonight, I Celebrate My Love,” his duet with Roberta Flack.
Those records belonged to a tradition that treated romantic ballads as serious craft. Bryson’s best work had polish, but the polish never flattened the feeling. He could make longing sound composed without making it cold, and tenderness sound powerful without turning it theatrical.
That restraint became part of his signature. It let him move from soul radio to adult contemporary and into Disney’s early 1990s run without sounding like a visitor in any room. He brought the grammar of R&B with him — the patience, the breath, the glide, the quiet command.

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