Clarence Carter, Southern Soul Pioneer Who Sang ‘Strokin’,’ Dies at 90

Southern soul legend Clarence Carter performs on stage in Baltimore in 1995. Carter, the blind singer and guitarist known for 1960s R&B hits and the enduring party anthem "Strokin'," died Wednesday, May 13, 2026, near Atlanta at the age of 90. (Photo by John Mathew Smith & www.celebrity-photos.com)

Clarence Carter, the blind Southern soul pioneer who scored deep-feeling R&B hits in the 1960s before securing a permanent, multi-generational legacy with the bawdy cookout anthem "Strokin'," has died. He was 90.

Carter died Wednesday. Bill Carpenter, a spokesman for his former wife and fellow soul singer Candi Staton, confirmed the passing on Thursday. According to reports, Carter had recently been diagnosed with stage four prostate cancer and died from complications including sepsis and pneumonia. Rodney Hall, president of FAME Studios in Muscle Shoals, Alabama, where Carter recorded many of his biggest hits, also confirmed the news to Rolling Stone.

Born in Montgomery, Alabama, Carter lost his sight to glaucoma as an infant. He attended the Alabama School for the Blind and later earned a music degree from Alabama State College, using his formal education to develop a signature, blues-soaked baritone and a hard-driving rhythm guitar style.

Signing with FAME Records, Carter became a formidable force on the R&B charts in the late 1960s and early 1970s. He delivered a string of emotionally complex, brass-heavy hits, most notably the 1968 cheating ballad "Slip Away" and the 1970 Grammy-nominated tearjerker "Patches," a spoken-word hybrid about rural poverty that crossed over to the top of the pop charts.

But for the hip-hop and 90s/00s throwback generation, Carter’s cultural footprint extends far beyond traditional soul radio.

His raw, unfiltered 1968 holiday track "Back Door Santa" famously provided the foundational, blaring horn sample for Run-D.M.C.’s 1987 classic "Christmas in Hollis".

More prominently, Carter achieved a rare feat of cultural permanence in 1986 with the release of "Strokin'." Driven by a relentless synthesizer and Carter's unapologetic, spoken-word sexual humor, the track was deemed too explicit for mainstream radio play. Instead, it bypassed the industry entirely, thriving in nightclub jukeboxes and on mixtape cassettes to become an undisputed standard at cookouts, family reunions, and block parties for the next four decades.

Carter's ability to seamlessly pivot from heart-wrenching soul to working-class, juke-joint humor allowed him to survive changing musical eras that left many of his peers behind. He continued to tour and release music deep into his later years, keeping the Southern soul circuit alive while leaning heavily into his status as a cult-classic icon.

Kodak Black Held Without Bond in Orange County Following Mdma Trafficking Arrest

Rapper Kodak Black (legal name Bill Kapri) is facing a felony MDMA trafficking charge. (Photo: Orange County Corrections Department)

Florida rapper Kodak Black has found himself back in police custody after being arrested in central Florida on a felony drug trafficking charge.

The 28-year-old artist, whose legal name is Bill Kapri, was booked into the Orange County Corrections Department late Wednesday night. According to official jail records, Kapri is facing a charge of trafficking in MDMA and is currently being held without bond.

The arrest reportedly stems from a November 2025 investigation. According to details shared by his legal representation, the incident began when police officers approached two parked vehicles that smelled of marijuana. While Kapri was in the vicinity, his lawyer states he was not inside either vehicle at the time of the search.

During the search, officers discovered a bag next to a passenger in one of the cars. The bag contained Kapri's identification card and a bottle of prescription cough syrup. Authorities allege that fingerprints found on the bottle matched the rapper.

Official Arrest Record

Subject: Bill Kapri (Kodak Black)
Agency: Orange County Sheriff's Office
Booking Number: 26016178
Charge: Trafficking MDMA, Statute: 893.135(1)(K)

View Official Booking Report (PDF) 

Bradford Cohen, the attorney representing Kapri, has publicly criticized the arrest, arguing that the trafficking charge has a "weak legal basis." Cohen contends that while possessing the prescription bottle without authorization is illegal, merely touching it is not, especially given that his client was not inside the vehicle when it was discovered.

"We look forward to yet another fruitful resolution to another case that should have never been filed," Cohen told media outlets Thursday morning.

The rapper, known for his breakout 2018 album "Dying to Live" and hits like "Super Gremlin," has a lengthy history of legal troubles, including previous arrests for drug and weapons possession. In 2021, his federal prison sentence for a firearms charge was famously commuted by then-President Donald Trump.

Kapri's legal team has indicated they plan to aggressively fight the new trafficking charge and are working to secure a bond hearing before the weekend.

Cardi B Demands Immediate Action After Tasha K Discusses Offset Gambling, Stefon Diggs

Rapper Cardi B is seeking further financial sanctions in federal bankruptcy court against blogger Tasha K, alleging repeated violations of a non-disparagement agreement. (Photo by Anthony Kane, CC BY-SA 3.0, via Wikimedia Commons)

The multi-million dollar legal feud between Cardi B and blogger Tasha K has escalated dramatically this week, with the Grammy-winning rapper demanding heavy financial penalties over a deliberate game of "cat and mouse" — and accusing the blogger's legal team of citing fake, AI-generated court cases.

According to official motions filed in the U.S. Bankruptcy Court for the Southern District of Florida, Cardi B (legal name Belcalis Almánzar) is seeking immediate sanctions against YouTube personality Latasha Transrina Kebe, known online as Tasha K. The rapper's legal team alleges Kebe is engaging in an "unabated pattern of deliberate, calculated, and contumacious violations" of a court-mandated non-disparagement agreement.

The court documents, which began hitting the docket in April and were updated this Monday, detail at least 25 specific violations. Cardi B's legal team, led by attorney Lisa Moore, alleges Kebe uses "thinly coded" language designed for her audience of over 1 million followers. Among the infractions, the filings point out that Kebe repeatedly refers to Cardi B as "#11," a reference to a recent Billboard chart ranking.

Official Court Record

Document: Motion to Enforce Settlement Agreement and for Sanctions
Court: U.S. Bankruptcy Court for the Southern District of Florida
Case Name: In re: Latasha Transrina Kebe
Case Number: 1:23-bk-14304-EPK
Creditor: Belcalis Almanzar (Cardi B)

View the Court Docket

The filings also highlight a GoFundMe account Kebe launched in March to help pay down her debts. Cardi B's legal team argues the campaign was specifically meant to frame Almánzar as a "financial antagonist" and incite public sympathy against her.

The dispute boiled over again this week following Kebe's recent comments regarding Offset and NFL star Stefon Diggs. In a filing submitted on Monday, May 4, Cardi's attorneys pointed out that Kebe recently discussed the former Migos rapper's alleged gambling habits, reportedly stating he "would probably still be in a certain relationship if he wasn't gambling away all that money."

In a formal response filed last Friday, Kebe's legal representation argued against the sanctions. Her attorneys claimed the non-disparagement clause prohibits defamatory statements about Almánzar and her family, but "does not grant her a veto over all public commentary regarding independent third parties" involved in newsworthy events.

Cardi B's legal team fired back on Monday, calling Tasha K's arguments excuses from someone with a "delusional belief that the law does not apply to her" who is trying to weaponize the settlement as a "revenue-generating business model."

In a surprising twist, Cardi's lawyers also accused Kebe's team of submitting a legal defense that included a citation to a completely fabricated court case.

"Using fake and hallucinated cases casts a shadow of invalidity on the judicial process," attorney Lisa Moore wrote. "Ms. Almánzar does not presume to know whether this citation was generated through AI assistance [or] some other mechanism. What she does know [is that it] does not exist."

The ongoing bankruptcy stipulations stem from Cardi B’s massive 2022 defamation victory, in which a federal jury found Kebe liable for slander, libel, and invasion of privacy, ultimately awarding the rapper roughly $4 million. Cardi B is now asking the federal judge for an immediate order to halt all disparagement and force Kebe to cover the attorneys' fees.

"Without concrete sanctions that make violations economically painful," Cardi B's legal team states, "there is every incentive to continue."

M.I.A. Removed From Kid Cudi Tour After Claiming To Be a ‘Canceled Republican Voter'

Rapper Kid Cudi announces the immediate removal of British artist M.I.A. from his "Rebel Ragers Tour" in a statement posted to his Instagram Story on Monday. The dismissal comes after Cudi's fanbase expressed heavy disappointment regarding a politically charged, controversial rant M.I.A. delivered during a weekend tour stop in Dallas. (Kid Cudi via Instagram)

The nostalgia-heavy "Rebel Ragers Tour" has officially lost one of its biggest opening acts following a weekend of onstage controversy and heavy crowd backlash.

On Monday, alternative hip-hop pioneer Kid Cudi announced that he has officially removed British artist M.I.A. from his ongoing summer tour. The swift dismissal comes just two days after the "Paper Planes" singer delivered a politically charged, highly controversial rant during her opening set at the Dos Equis Pavilion in Dallas, Texas.

According to fan-shot footage and widespread social media reports from the May 2 concert, M.I.A. addressed the crowd between songs, stating, "I've been canceled for many reasons. I never thought I would be canceled for being a brown Republican voter."

The situation escalated when she referenced her 2010 track "Illygirl" (often stylized as "Illygal"). The singer reportedly told the crowd, "We can't perform 'Illegal,' though some of you could be in the audience."

The Dallas crowd responded with overwhelming boos. M.I.A. attempted to clarify her statement on stage, adding, "All right, I'm illegal. Half of my team are not here because they didn't get the visa, OK? I want you to know that."

By Monday afternoon, Kid Cudi took to his Instagram Story to confirm that her run on the tour was immediately terminated.

"TOUR UPDATE: M.I.A is no longer on this tour," Cudi wrote in his statement. "I told my management to send a notice to her team before we started tour that I didn't want anything offensive at my shows, cuz I already knew what time it was, and I was assured things were understood. After the last couple shows, I've been flooded with messages from fans that were upset by her rants."

I WROTE ILLYGAL ON THE MAYA LP A SONG FROM 2010.
I STARTED THIS INTRO TO THE SONG WITH THE STATEMENT SAYING I'M ILLYGAL, AND I SAID MY TEAM HASN'T GOTTEN VISAS YET. THEN PLAYED A SONG THAT HAD LYRICS SAYING "FU&% THE LAW", WHICH I STILL BELIEVE, IF THE LAW IS UNJUST F@%& IT.

DO… https://t.co/3xZk2OTBMb

— M.I.A. ⊕ II II II (@MIAuniverse) May 4, 2026

Cudi concluded, "This, to me, is very disappointing and I wont have someone on my tour making offensive remarks that upsets my fanbase. Thank you for understanding. Rager."

M.I.A., who is a British and Sri Lankan citizen and therefore ineligible to vote in United States elections, responded defensively on social media Monday. In a lengthy, all-caps post, the singer accused critics of gaslighting her words, reiterating that her onstage comments were an introduction to her 2010 song.

"I wrote Borders and Illygal and Paper Planes before you thought immigrant rights were cool," M.I.A. wrote. "I don't need this virtue signal era to all of a sudden erase an entire life I've led."

In a follow-up post addressing her political affiliations, she added, "Don't be an agent of division, I can't vote in the US, and 48% of Latin community voted trump. So are you going to hate them all?"

M.I.A.'s dismissal marks the latest chapter in her increasingly erratic public persona. In recent years, the former critical darling has drawn intense backlash for embracing right-wing conspiracy theories, including anti-vaccine rhetoric and launching a clothing line on Alex Jones' Infowars platform that claims to block 5G and 10G cellular signals.

Kid Cudi's "Rebel Ragers Tour," which also features legendary Outkast member Big Boi, is scheduled to continue without M.I.A. on Tuesday in Birmingham, Alabama.

Parliament-Funkadelic Founder George Clinton Praises Kendrick Lamar in New Interview

FILE — In this undated promotional photo, Parliament-Funkadelic architect George Clinton poses in his signature eccentric eyewear and a rhinestone-draped fur hat. The 84-year-old funk legend recently made headlines after publicly praising modern hip-hop icon Kendrick Lamar, comparing the rapper's cultural permanence to Motown and The Beatles. (Courtesy Photo)

The godfather of funk is giving his ultimate co-sign to the current king of the West Coast.

In a newly published tribute for The New York Times Magazine's "30 Greatest Living American Songwriters" list, Parliament-Funkadelic architect George Clinton offered profound praise for Kendrick Lamar, placing the Compton lyricist in the same historical echelon as The Beatles and Motown.

Clinton, whose 1970s funk catalog was heavily sampled to create the foundational 1990s G-Funk sound championed by Dr. Dre and Snoop Dogg, did not mince words regarding Lamar's cultural permanence.

"I'll put it like this: He, along with Motown, Sly Stone, the Beatles — that kind of institution is going to last," Clinton told the publication. "There are a lot of slick writers out here nowadays with lyrics and things, but he writes with soul."

The 84-year-old icon, who directly collaborated with Lamar on the opening track of the rapper's 2015 studio album, "To Pimp a Butterfly," went on to compare that specific project to one of the most important soul albums ever recorded.

"It was like Marvin Gaye's 'What's Going On,'" Clinton noted. "And he's starting all over each time he puts an album out — he's like a brand-new kid."

For fans of '90s hip-hop, Clinton’s words carry the ultimate historical weight. Without Clinton's "Atomic Dog" or "Flash Light," the 1990s West Coast dominance would simply not exist. To hear him validate a modern artist with such reverence highlights Lamar's unique ability to bridge generational divides.

"He's a young kid, but when I met him, he sounded my age," Clinton explained. "He's like a psychiatrist on record — he talks about [expletive] that most people are afraid to talk about. He's at that point where he can move the conversation. Nobody will talk about these topics, and he talks about them so matter-of-factly that you don't even think, 'You can't say that.'"

Lamar, who recently set a new Grammy record by becoming the most-awarded rapper in history with 27 wins — surpassing Jay-Z's 25 — has managed to do what very few artists can: maintain a vice grip on both the older hip-hop heads and the new generation.

"Kids today, they want their new artist; they don't want their older brother or sister's artist or their mother and father's," Clinton concluded. "Kids don't like you after a few years. When you can go past that and have the next generation after that still talking about you, you're doing something."

Rock & Roll Hall of Famer Nedra Talley-Ross Dead at 80, Marking the End of the Ronettes

In this 1966 promotional photo, members of the pioneering R&B and pop trio The Ronettes, from left, Estelle Bennett, Veronica "Ronnie" Spector, and Nedra Talley, pose for a portrait. Talley-Ross, the group's last surviving original member, died Sunday, April 26, at the age of 80.

The final voice of one of the most influential girl groups in music history has been silenced.

Nedra Talley-Ross, a founding member of the legendary 1960s R&B and pop trio The Ronettes, died on Sunday, April 26. She was 80.

The news was confirmed via social media by her daughter, Nedra K. Ross, who stated that her mother passed away peacefully on Sunday morning.

"At approximately 8:30 this morning our mother Nedra Talley Ross went home to be with the Lord," her daughter wrote in a Facebook statement. "She was safe in her own bed at home with her family close, knowing she was loved. Thank you Lord."

Formed in the early 1960s by Talley-Ross alongside her cousins Veronica "Ronnie" Spector and Estelle Bennett, The Ronettes became the defining face of the famous "Wall of Sound" production style. With their towering beehive hairstyles, heavy eyeliner, and striking vocal harmonies, the trio shattered the mold for female artists. They released a string of timeless classics, including "Be My Baby," "Baby, I Love You," and "(The Best Part of) Breakin' Up," laying the direct groundwork for the explosion of female-led R&B groups in the '90s and '00s.

While the music world is still processing the fresh news of her passing. the group's towering legacy has long been championed by their most legendary contemporaries.

During The Ronettes' 2007 induction into the Rock & Roll Hall of Fame, Keith Richards of The Rolling Stones recalled watching the trio rehearse during a 1964 tour where the Stones served as their opening act.

"I realized that despite Jack Nitzsche's beautiful arrangements, they could sing all the way right through a Wall of Sound," Richards said during his induction speech. "They didn't need anything. They touched my heart right there and then, and they touch it still."

Similarly, Beach Boys architect Brian Wilson has famously cited their signature hit "Be My Baby" as his "all-time favorite song," heavily crediting the trio's vocal arrangements with shaping his own pop masterpieces.

Following the group's dissolution in the late 1960s, Talley-Ross famously stepped away from secular music, embracing her Christian faith and successfully transitioning into contemporary Christian music alongside her husband, the late Christian broadcaster Scott Ross, who died in 2023. Talley-Ross occasionally returned to the public eye to celebrate the group's legacy, notably performing alongside Ronnie Spector at their 2007 Rock Hall induction.

Her passing marks the definitive end of an era for the foundational group. Estelle Bennett passed away in 2009 at age 67, and Ronnie Spector died in 2022 at age 78.

‘Drink Champs’ Host Reveals Diddy’s Behind-The-Scenes Involvement in Viral 2022 Kanye West Episode

Host Jason Lee, left, speaks with rapper and "Drink Champs" host N.O.R.E. during an episode of "The Jason Lee Show" in Los Angeles. During the interview, released April 15, N.O.R.E. revealed that Sean "Diddy" Combs personally reviewed Kanye West's controversial 2022 podcast appearance before it was published. (Screengrab: BET Networks)

As Sean "Diddy" Combs continues to fight his federal conviction, new details are emerging about the disgraced mogul's behind-the-scenes influence over one of hip-hop media's most controversial moments.

During a recent interview with Jason Lee, "Drink Champs" host N.O.R.E. revealed that Combs — who was the head of the Revolt network at the time — personally reviewed Kanye West's viral and highly inflammatory 2022 interview before it ever hit the internet.

According to the Queens rapper, Combs called him while the episode was still in the editing bay to share his thoughts on the cut. The revelation adds a heavy layer of context to the broadcast, which ultimately led to West being dropped by Adidas, Balenciaga, and CAA after he made several antisemitic remarks and inflammatory statements regarding the death of George Floyd.

Looking back at the fallout, N.O.R.E. expressed deep regret over how the final edit was handled.

"I feel like I should've took out a lot more with the Ye interview," N.O.R.E. explained. "Because Ye — at the end of the day, I felt like me and Ye was friends... I just wish I was in on the conversation a little more."

The disclosure arrives during a turbulent legal week for Combs. The Bad Boy Records founder’s legal team is currently back in court appealing his 50-month prison sentence. Combs, who was convicted last fall on prostitution-related charges, was recently transferred to FCI Fort Dix in New Jersey. According to his attorneys, the facility was specifically requested because it offers a residential drug treatment program to address the mogul's ongoing substance abuse issues.

While Combs' expected release date is currently set for April 2028, the ongoing appeals and the constant unearthing of his past industry dealings ensure his name remains at the center of the daily news cycle.

Hip-Hop Trailblazer Gwendolyn ‘Blondy’ Chisolm Passes Away in Atlanta at Age 66

FILE - In this 1980 promotional photo, members of the pioneering hip-hop group The Sequence pose for a portrait. Pictured from left to right are Cheryl "The Pearl" Cook, Gwendolyn "Blondy" Chisolm, and Angela "Angie B." Brown, later known as Angie Stone. Chisolm, who co-founded the group and helped lay the foundation for women in rap, died April 6, 2026, at age 66. (Photo: Sugar Hill Records)

Gwendolyn "Blondy" Chisolm, a pioneering force who co-founded hip-hop's first all-female rap group, The Sequence, passed away in Atlanta on April 6. She was 66.

According to her family, Chisolm died peacefully following a brief illness on Easter Sunday that led to septic shock. For readers who revere the explosive female rap dominance of the '90s and '00s, the DNA of Chisolm's work is inescapable. Long before the industry recognized the commercial viability of women on the mic, Chisolm laid the blueprint. She teamed up with her C.A. Johnson High School cheerleading friends — Cheryl "The Pearl" Cook and Angela Brown, who would later achieve massive solo fame as neo-soul powerhouse Angie Stone — to form The Sequence.

Their entry into the industry is the stuff of rap lore. After finessing their way backstage in Columbia, South Carolina, the trio delivered an impromptu, a cappella audition for label executive Sylvia Robinson. They were signed to Sugar Hill Records on the spot. Weeks later, they released "Funk You Up." The gold-certified record became the first rap hit performed by women and the first hip-hop vinyl released by an all-female act. The track became a foundational text, heavily sampled and interpolated throughout the '90s and '00s by artists ranging from Dr. Dre and Trina to Erykah Badu and En Vogue.

RIP Gwendolyn 'Blondy' Chisolm, Hip Hop Musician
The Sequence
Sugarhill presents The Sequence: "Funk You Up"
Sampled by Dr. Dre, En Vogue, Mark Ronson and Bruno Mars#InMemoriam #RIP pic.twitter.com/Wp2XA0rYaO

— LegacyTributes (@InMemoriamX) April 9, 2026

"My sister gave a lot of herself to the music industry," Chisolm's sister, Monica Scott, noted in a statement following her passing. "Everyone knows her famous lyrics and melodies, which continue to bring joy to millions of people. She was a creative force who touched countless hearts."

Beyond her early triumphs, Chisolm remained a vibrant creative presence. At the time of her death, she was finalizing edits on her upcoming memoir, "The First Blonde in the Hip Hop Game," promising an unfiltered look at navigating the rugged early days of the industry. Artist Raymond R. Burton, a close collaborator, mourned the unfinished project online, sharing, "We just talked and discussed doing artwork for your book and we both were so excited to reconnect and bring your story to the world."

The loss of Chisolm compounds a heavy period of mourning for fans of the pioneering trio. Her passing comes just over a year after the tragic death of Angie Stone, who was killed in a sprinter van crash near Montgomery, Alabama, in March 2025. With Chisolm's passing, Cheryl Cook now stands as the lone surviving member of the group that built the framework for women in the culture.

Before her passing, Chisolm was actively collaborating with the National Museum of African American Music in Nashville for an upcoming exhibit honoring The Sequence. While she will not be there to see it open, her indelible impact ensures her voice will never be erased from the history she helped write.

Police: Cyco Black of Crime Mob Attempted To Export Stolen Tech Overseas

Alphonce Smith, who performs under the moniker Cyco Black as a founding member of the mid-2000s rap group Crime Mob, is shown in an undated photograph. Atlanta police accuse Smith of orchestrating a major electronics theft ring out of his Metro Mart business, alleging he and accomplices attempted to ship more than $100,000 in stolen iPads and laptops overseas. (Alphonce Smith via Facebook)

The man who helped define the mid-2000s Atlanta crunk era with "Knuck If You Buck" is now facing severe criminal allegations.

Alphonce Smith, who performs under the moniker Cyco Black as a founding member of the platinum selling rap group Crime Mob, has been accused by Atlanta police of orchestrating a major electronics theft ring across the metro area.

According to an exclusive afternoon report from WSB-TV, investigators allege Smith and several accomplices are responsible for stealing hundreds of thousands of dollars' worth of tech devices. The investigation reportedly began last year at the Metro Mart, a local business hub, after multiple victims successfully tracked their stolen iPads and laptop computers to a specific business owned and operated by Smith.

Alphonce Smith, who performs under the moniker Cyco Black as a founding member of the mid-2000s rap group Crime Mob, is shown in a police booking photo. Atlanta police accuse Smith of orchestrating a major electronics theft ring out of his Metro Mart business, alleging he and accomplices attempted to ship more than $100,000 in stolen iPads and laptops overseas. (Atlanta Police Department via WSB-TV)

Instead of quickly fencing the items locally, police stated the ring was attempting to score a massive payday by compiling the stolen technology and shipping the electronics overseas. Authorities intervened before the cargo could be exported, successfully recovering more than $100,000 in stolen merchandise so far.

Because the story is still rapidly developing, it remains unclear if federal authorities will step in, given the allegations of attempting to export stolen goods internationally.

Crime Mob dominated Southern hip-hop in the mid-2000s with their self-titled debut album and its highly influential follow-up, "Hated on Mostly." Representatives for Smith have not yet released a public statement regarding the charges, and it is unknown when he will make his first court appearance.

Usher and Chris Brown Announce Joint Stadium Tour for Late 2026

R&B superstars Chris Brown (left) and Usher (right) look at each other inside an elevator in this screengrab from the official trailer announcing their 2026 "The R&B Tour: Raymond & Brown." The surprise joint stadium run, touted as a historic event by fans, signifies a definitive public reconciliation following widespread reports of a violent physical altercation between the two artists in Las Vegas in May 2023.

Three years after a heavily publicized physical altercation in Las Vegas threatened to permanently fracture their relationship, R&B icons Usher and Chris Brown are joining forces for a massive co-headlining stadium run.



The two superstars officially announced "The R&B Tour: Raymond & Brown" over the weekend, dropping a synchronized cinematic trailer across their social media platforms. The high-production teaser features the two artists riding motorcycles through city streets before entering an elevator together. As they prepare to walk out to a roaring crowd, the artists exchange the only official words spoken about the collaboration so far: Usher turns and declares, "It's time," to which Brown responds, "Hell yeah."

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A post shared by BROWN (@chrisbrownofficial)

For millions of fans spanning two decades of contemporary rhythm and blues, the announcement is the ultimate realization of a long-requested collaboration — a stadium-sized alternative to the Verzuz battles that have historically dominated R&B debates.

However, the pairing is equally notable for the turbulent history it seemingly leaves behind.

In May 2023, the relationship between the two foundational artists appeared severely strained following an incident at Skate Rock City in Las Vegas. During Brown’s 34th birthday party, held the night before Usher’s Lovers & Friends festival, Brown reportedly became irate over the presence of singer Teyana Taylor. When Usher, who was hosting the event, attempted to intervene and de-escalate the situation, the confrontation spilled into the venue's parking lot. Multiple witnesses at the time alleged Brown and his security team jumped the "Confessions" singer, reportedly leaving him with a bloodied nose.

Neither artist pressed charges, and both ultimately performed at the festival the following day without publicly addressing the physical confrontation.

Now, any lingering animosity appears fully resolved as they prepare to share the stage for what industry analysts predict will be a historic box-office run.

Both artists enter the joint venture with massive commercial momentum. According to Billboard, Brown’s 2025 "Breezy Bowl XX" stadium tour raked in a staggering $295.5 million, making it the highest-grossing tour ever by a Black American male solo artist. Usher, meanwhile, continues to ride the wave of his widely celebrated Super Bowl LVIII Halftime Show and a multi-year Las Vegas residency that reportedly grossed over $100 million.

While official dates, specific cities, and venues for "The R&B Tour: Raymond & Brown" have not yet been released, the trek is expected to kick off in late 2026. The announcement coincides perfectly with Brown’s current promotional run; his highly anticipated new album is scheduled for release on May 8.

Representatives for the tour have not yet announced when official dates will drop or when tickets will go on sale.

Rep: Offset Is Receiving Medical Care, Expected to Recover After South Florida Shooting

Atlanta rapper Offset, pictured in 2025, is receiving medical care after being shot at a South Florida casino on Monday, April 6. A representative confirmed the former Migos member is "fine," while Seminole County Police detained two individuals at the scene. (Photo/Mia Gonzales)

Former Migos rapper Offset was hospitalized Monday evening following a shooting outside a South Florida casino, though representatives have confirmed the Atlanta native is expected to recover.

According to initial reports broken by TMZ and confirmed by Men's Journal, the shooting occurred Monday near the Seminole Hard Rock Hotel & Casino in Hollywood, Florida.

While details surrounding the exact nature of the altercation remain sparse, Offset's team quickly moved to reassure the public. A representative for the rapper issued a brief statement confirming his condition, simply stating that he is "fine" and receiving medical care.

According to a statement provided to TMZ, Seminole County Police confirmed that the shooting occurred at the casino's valet area shortly after 7 p.m. Law enforcement noted that the situation was "contained quickly," confirming that two individuals were detained by police and that "the site is secure and there is no threat to the public. Operations continue as normal."

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A post shared by DJ Akademiks (@akademiks)

However, a massive secondary narrative is currently dominating social media. Almost immediately following the shooting, intense rumors began circulating across Reddit and Instagram claiming that Bronx rapper Lil Tjay — Offset's rival in a highly publicized feud over an alleged casino gambling debt — was also shot or involved in the crossfire.

The speculation was heavily amplified by media personality DJ Akademiks, who reported to his followers that Lil Tjay was "apparently shot as well."

As of press time, the claims regarding Lil Tjay's involvement remain strictly social media rumors. Law enforcement and official representatives have not confirmed a second victim or any connection between the shooting and the ongoing gambling dispute.

The hip-hop community remains on edge awaiting official police clarification, particularly given the tragic 2022 shooting death of Offset's cousin and Migos groupmate, Takeoff, in Houston.

Legendary Session Drummer James Gadson, the Quiet Architect of Hip-Hop’s Foundational Breakbeats, Dies at 86

Drummer James Gadson, 86, whose work with Charles Wright, Bill Withers, and Marvin Gaye created the foundational grooves and breakbeats that anchored decades of R&B hits and neo-soul masterpieces, including N.W.A.'s 'Express Yourself' and D'Angelo's 'Voodoo,' plays at his kit. Gadson, an in-demand session musician for over 50 years and a direct link between classic soul and modern hip-hop culture, died April 2, 2026.

The heartbeat of modern Black music has gone quiet.

James Gadson, the legendary session drummer whose precision grooves anchored decades of R&B hits and provided the literal building blocks for 1990s hip-hop, died on Thursday, April 2. He was 86.

While his passing was confirmed by family over the weekend, his legacy has been echoing through the culture for half a century. Often referred to as the "16th-note king," the Kansas City-born drummer established himself in the late 1960s as a member of Charles Wright's Watts 103rd Street Rhythm Band.

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A post shared by Questlove (@questlove)

It was during this era that Gadson laid down the funk groove for "Express Yourself" — a rhythm so undeniable that it was famously sampled by N.W.A. to create their own iconic 1988 hip-hop anthem of the same name.

His ability to stay perfectly in the pocket made him one of the most recorded R&B drummers in history. Gadson was the backbone of Bill Withers' early classics, including the syncopated masterpiece "Use Me" and "Lean on Me." He navigated the disco and soul eras flawlessly, anchoring Marvin Gaye's "I Want You," Diana Ross' "Love Hangover" and Gloria Gaynor's "I Will Survive."

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As hip-hop producers in the 1990s began crate-digging for the perfect breakbeats, they continually found themselves sampling Gadson's right hand. Recognizing his unparalleled feel for the groove, D'Angelo famously brought Gadson into the studio to play on his 2000 neo-soul magnum opus, "Voodoo," bridging the gap between the classic soul era and the modern culture.

The music world immediately recognized the magnitude of the loss. Questlove of The Roots — one of hip-hop's foremost historians and a legendary drummer in his own right — penned a definitive tribute to Gadson's specific cultural impact on social media.

"Some drummers are soulful. Some drummers are funky. Some drummer are a rockin. Some drummers are swinging," Questlove wrote. "But NO drummer, has impacted the art of breakbeat drummer (danceable drums) like James Gadson."

Ray Parker Jr., who played alongside Gadson for decades, echoed the sentiment, writing, "RIP James Gadson. We played together over 50 years. He changed the world."

Cam’ron Claims Jay-Z Fired Subliminal Shots at Him on 2011 Track ‘Otis'

Cam'ron, right, and co-host Sen City discuss classic hip-hop beefs on the set of their new series, "Talk With Flee," broadcast on Revolt. During the episode, the Harlem rapper officially confirmed and decoded a subliminal triple-entendre diss aimed at him by Jay-Z on the 2011 track "Otis." (Screengrab/Revolt)

It was a massive week for Roc-A-Fella era fans, as two separate but overlapping news drops reignited a 15-year-old lyrical cold war.
First, Cam'ron took to his new Revolt series, "Talk With Flee," to finally decode one of the slickest subliminal disses in hip-hop history. On Wednesday’s episode, the Dipset leader revealed that Jay-Z took direct shots at him on the 2011 Watch the Throne classic "Otis" — and broke down exactly how it went over everyone's heads.

According to Cam'ron, the diss was retaliation for a 2010 freestyle where he and Jim Jones threw lyrical jabs at Kanye West. "We had said some slick sh*t about Kanye one time," Cam'ron recalled. Months later, "Otis" dropped, featuring Jay-Z rapping: "Live from the Mercer / Run up on Yeezy the wrong way, I might murk ya / Flee in the G450, I might surface / Political refugee, asylum can be purchased."

Cam pointed out the undeniable triple-entendre: "Flee" is his well-known nickname, he had a distribution deal with Asylum Records at the time, and the "political refugee" line serves as a nod to the Diplomats' highly publicized departure from Roc-A-Fella Records.

"He's slick. You just never know," Cam'ron's co-host Sen City laughed during the breakdown.

The revelation arrived within hours of Jay-Z stepping back into the spotlight himself for a rare, expansive interview with GQ. While the Roc Nation mogul didn't address the "Otis" breakdown, he used the massive platform to weigh in on the current landscape of the culture.

Jay-Z discussed the recent Kendrick Lamar and Drake battle, the backlash surrounding Lamar's Super Bowl halftime show, and his ongoing relationship with J. Cole. For fans holding out hope for a musical return, Hov admitted he has a lot of "scratch ideas" but is taking his time.

"I just got to make something timeless that I really love and that's really honest and true to who I am," Jay-Z told GQ, while also confirming he came incredibly close to featuring on Clipse's recent Grammy-nominated album, Let God Sort Em Out.

Between Cam'ron dissecting triple-entendres and Jay-Z dropping rare industry gems, the spirit of the 2000s New York mixtape era remains alive and well.

Watch: R&B Icon Brandy Honored With Star on the Hollywood Walk of Fame on Official ‘Brandy Day'

"The Vocal Bible" has officially cemented her legacy in stone. 

On Monday morning, R&B icon Brandy Norwood was honored with the 2,839th star on the Hollywood Walk of Fame in the Recording category, a milestone so significant that city officials officially declared it "Brandy Day" in Los Angeles.

The ceremony served as a massive celebration of 1990s and 2000s Black pop culture. Brandy was joined by her parents and her daughter, Sy'rai, alongside a star-studded crowd of peers and collaborators that included Monica, Babyface, Kehlani, Jenifer Lewis and Tisha Campbell.

Issa Rae and Babyface served as the afternoon's guest speakers, delivering powerful tributes to Brandy's massive influence across music and television.

"The most inspirational part of her career is just how she had no lanes. As her career progressed, so did her ambitions," Rae told the crowd. "To me, Brandy was and is the blueprint. Without Brandy as Moesha, there's no The Parkers, no Girlfriends, no Insecure... Thank you for showing a little girl from L.A. that her story was worth telling."

Babyface, who famously tapped Brandy for the "Waiting to Exhale" soundtrack in 1995, praised her unmatched vocal agility. "You're like an athlete. No one can do it the way you do it," he said. "With everything that you sing, you put your whole heart into it. That's what I appreciate about you most."

When Brandy took the podium, the Grammy-winning artist delivered an emotional, deeply personal speech reflecting on her journey from McComb, Mississippi, to global superstardom.

"I was just a little girl with a big dream," she recalled of her early days attending junior high in Los Angeles. "But growing up in Hollywood made those dreams feel close enough to touch. Seeing the stars on the Walk of Fame lit something in me. It made me believe. It made me affirm over my own life, 'I'm going to sing my way onto one of these stars.' And I did."

Reflecting on a career that includes 40 million records sold worldwide, genre-defining albums like "Never Say Never," and a historic cultural milestone as the first Black Cinderella in a television adaptation, Brandy emphasized the permanence of the honor.

"A star on the Walk of Fame is a definition of legacy. It doesn't just celebrate your success, it cements your story," she told the cheering crowd. "It doesn't just honor your work, it immortalizes your light. It is a symbol that says you didn't just arrive, you endured. You didn't just dream, you became."

Closing out the ceremony, Brandy left the audience with a powerful reminder of her enduring impact: "Dreams don't have an expiration date. Faith can carry you where fear said you never go. And when your purpose is real, your light will make room for itself."

Jay-Z Questions the Future of Rap Battles and Social Media Toxicity in New GQ Interview

THE ELDER STATESMAN: In this screengrab from his recent sit-down interview with GQ, Jay-Z reflects on the current state of hip-hop and the 30th anniversary of his seminal 1996 debut, "Reasonable Doubt." The 56-year-old mogul, who famously penned some of the most lethal diss tracks in rap history, called out the toxicity of modern internet "stan culture," warning that the genre's elite are too busy tearing each other apart to recognize the real political threats aimed at the culture. (Screengrab/GQ)

It is one of the great ironies of hip-hop history: the man who arguably perfected the modern diss track is now questioning whether the culture still needs the bloodsport.

As he prepares to celebrate three decades of his seminal 1996 debut, "Reasonable Doubt," Jay-Z is taking a hard, critical look at the current state of hip-hop warfare. In a sprawling, deeply candid cover story with GQ's Frazier Tharpe published this week, the Roc Nation founder addressed the toxic fallout of modern rap beefs — specifically referencing the historic, scorched-earth clash between Kendrick Lamar and Drake.

While Hov is intimately familiar with monumental hip-hop battles — his 2001 feud with Nas via tracks like "Takeover" and "Supa Ugly" remains the gold standard for lyrical warfare — he expressed deep reservations about how the internet era and rabid fanbases have weaponized the culture.

"We love the excitement, and I love the sparring, but in this day and age, there's so much negative stuff that comes with it that you almost wish it didn't happen," he told the magazine.

The 56-year-old billionaire mogul noted that the modern ecosystem of "stan culture" transforms competitive sparring into permanent character assassination.

"Now, people that like Kendrick hate Drake, no matter what he makes. It's like an attack on his character," he explained. "I don't know if I love that. I don't know if it's helpful to our growth where the fallout lands, especially on social media."

During the height of the Lamar and Drake feud, fans repeatedly attempted to drag Jay-Z into the fray, particularly after Lamar was selected to headline the 2025 Super Bowl Halftime Show — a decision brokered by Roc Nation. Hov found the internet's conspiracy theories absurd.

"What do I care about them two guys battling? What's that got to do with me? Have at it," he said. "They drag everybody in it, like everyone's part of this conspiracy to undermine Drake, I guess. But, it's like, what the f---? I'm f---ing Jay-Z! [Laughs.] All due respect to him. I'm f---ing Hov. Respectfully. It doesn't make any sense."

Beyond the sheer pettiness of social media, Jay-Z warned that the genre's elite are currently distracted by tearing each other apart while a larger, systemic threat looms.

"There is clearly an agenda to silence voices in our community, a heavy rightwing agenda," he stated. "And the culture is happily playing along in the name of this insane thirst of Stan culture to have something on the other side. We are in a strange time."

With his Yankee Stadium 30th-anniversary shows completely sold out for this summer, fans are naturally questioning if he will release a new studio project to accompany the run. While he admitted to having "a lot of scratch ideas," he refuses to drop music just to feed the algorithm or match the current fiery climate.

"I don't know what I need to create currently that's going to fulfill me and make me happy because that's most important. I know I just got to be honest about what I feel and where I am," he told GQ. "Trying to create something that people like is where I think a lot of artists get jammed up. And people can feel that because it's not authentic. I just got to make something timeless that I really love and that's really honest and true to who I am."

Watch Jay-Z reflect on three decades of dominance, the toxicity of modern rap beefs, and the 30th anniversary of "Reasonable Doubt" in the full video below.

Jury Sides With Afroman, Clearing Rapper in Defamation Lawsuit Over ‘Lemon Pound Cake’ Video

The jury has officially spoken, and the lemon pound cake is safe. On Wednesday afternoon, an Adams County, Ohio, jury delivered a monumental free speech victory for rapper Afroman, completely rejecting a multimillion-dollar defamation lawsuit filed by the seven sheriff's deputies who raided his home in 2022.

The sweeping verdict concludes one of the most bizarre, viral and highly entertaining First Amendment trials in recent hip-hop history.

The deputies had sought a staggering $3.9 million in total damages. They claimed the 51-year-old artist — born Joseph Foreman — subjected them to intentional infliction of emotional distress, public ridicule and invasion of privacy after he utilized his home surveillance footage of their botched raid to create a series of mocking music videos, most notably the hit "Lemon Pound Cake."

@wcpo9news Afroman took the stand Tuesday, defending his videos and social media posts about the Adams County sheriff's deputies who accuse him of using their likeness without permission after they executed a search warrant at his home. #afroman #trial #cincinnati ♬ original sound - WCPO9News

After brief deliberations following Wednesday's closing arguments, the eight-person jury sided entirely with the rapper.

"In all circumstances, the jury finds in favor of the defendant. No plaintiff verdict prevailed," the judge stated while reading the decision, officially concluding the matter with defense verdicts across the board.

The trial itself produced a string of viral, internet-breaking moments. Foreman attended the proceedings dressed in a full red, white and blue American flag suit. Conversely, the plaintiffs' testimony routinely devolved into absurdity. On Monday, Deputy Lisa Phillips — who had sought $1.5 million individually — broke down in tears on the witness stand while watching the music video. During cross-examinations, defense attorneys grilled officers on the stand, forcing them to answer questions regarding whether they resembled the Hunchback of Notre Dame and addressing rumors from the rapper's lyrics about infidelity.

Foreman maintained throughout the trial that he only created the videos to recoup the costs of the property damage caused by the raid — which famously turned up zero evidence of criminal activity and resulted in no charges. He also pointed out that the deputies disconnected his security cameras during the search and claimed that roughly $400 in cash was missing when his seized property was returned.

The verdict serves as a massive validation for constitutional watchdogs. Both the ACLU and the Foundation for Individual Rights and Expression (FIRE) publicly supported Foreman, arguing that the deputies' lawsuit was a blatant attempt to stifle the protected free speech of a private citizen criticizing government officials.

Ultimately, the jury agreed: If law enforcement tears through a citizen's home and finds nothing, that citizen has every constitutional right to write a rap song about it.

Mystikal to Be Sentenced in June After Pleading Guilty to Third-Degree Rape

Michael Tyler, also known as the rapper Mystikal, is shown in a booking photo following a previous arrest in Shreveport, La. Tyler pleaded guilty to third-degree rape on Tuesday in Ascension Parish, Louisiana, in connection with a separate 2022 assault. The former No Limit Records star — who is already a registered sex offender — accepted a plea agreement to avoid a potential life sentence and now faces up to 20 years in prison. (Photo/Caddo Parish Sheriff's Office, File)

The turbulent legal saga of a former Southern hip-hop heavyweight has reached a grim conclusion.

On Tuesday, Mystikal — the energetic Louisiana rapper known for a massive run of late-90s and early-2000s anthems under Master P's No Limit Records — officially pleaded guilty to third-degree rape in connection with a violent 2022 assault.

Appearing in an Ascension Parish courtroom, the 51-year-old artist, born Michael Tyler, accepted a plea agreement that reduced his original charge of first-degree rape. That initial charge carried an automatic life sentence in the state of Louisiana. By pleading guilty to the lesser third-degree charge, Tyler's sentence will be capped at 20 years.

Tuesday's conviction adds a sobering and definitive chapter to Tyler's extensive criminal record. He is already a registered sex offender, having previously served six years in state prison after pleading guilty in 2003 to sexual battery and extortion in an unrelated case involving his hairstylist. Years later, in 2017, he was charged with rape and kidnapping in Caddo Parish, Louisiana, spending roughly 18 months behind bars before a grand jury ultimately declined to indict him and the charges were dropped.

Before his career was permanently eclipsed by his repeated arrests and abuse allegations, Mystikal was a foundational voice in millennial hip-hop. Emerging from the New Orleans underground, his rapid-fire, James Brown-esque delivery became the frantic heartbeat of Master P's No Limit Records. His intense, aggressive flow was deeply rooted in personal tragedy, profoundly shaped by the 1994 murder of his sister, Michelle Tyler. Channeling that raw, frantic grief into his music, he eventually secured multiple Grammy Award nominations and found massive mainstream crossover success with undeniable hits like "Danger (Been So Long)" and the Pharrell Williams-assisted "Shake Ya Ass" off his multi-platinum 2000 album, "Let's Get Ready."

His conviction also serves as another dark chapter in the broader legacy of the No Limit empire. The iconic label has seen several of its defining stars completely derailed by the justice system — most notably Master P's own brother, C-Murder (Corey Miller), who is currently serving a life sentence in Louisiana for a 2002 nightclub shooting.

Tyler will remain in custody at the Ascension Parish Jail as he awaits his official sentencing hearing, which the judge has scheduled for June.