Watch: R&B Icon Brandy Honored With Star on the Hollywood Walk of Fame on Official ‘Brandy Day'

"The Vocal Bible" has officially cemented her legacy in stone. 

On Monday morning, R&B icon Brandy Norwood was honored with the 2,839th star on the Hollywood Walk of Fame in the Recording category, a milestone so significant that city officials officially declared it "Brandy Day" in Los Angeles.

The ceremony served as a massive celebration of 1990s and 2000s Black pop culture. Brandy was joined by her parents and her daughter, Sy'rai, alongside a star-studded crowd of peers and collaborators that included Monica, Babyface, Kehlani, Jenifer Lewis and Tisha Campbell.

Issa Rae and Babyface served as the afternoon's guest speakers, delivering powerful tributes to Brandy's massive influence across music and television.

"The most inspirational part of her career is just how she had no lanes. As her career progressed, so did her ambitions," Rae told the crowd. "To me, Brandy was and is the blueprint. Without Brandy as Moesha, there's no The Parkers, no Girlfriends, no Insecure... Thank you for showing a little girl from L.A. that her story was worth telling."

Babyface, who famously tapped Brandy for the "Waiting to Exhale" soundtrack in 1995, praised her unmatched vocal agility. "You're like an athlete. No one can do it the way you do it," he said. "With everything that you sing, you put your whole heart into it. That's what I appreciate about you most."

When Brandy took the podium, the Grammy-winning artist delivered an emotional, deeply personal speech reflecting on her journey from McComb, Mississippi, to global superstardom.

"I was just a little girl with a big dream," she recalled of her early days attending junior high in Los Angeles. "But growing up in Hollywood made those dreams feel close enough to touch. Seeing the stars on the Walk of Fame lit something in me. It made me believe. It made me affirm over my own life, 'I'm going to sing my way onto one of these stars.' And I did."

Reflecting on a career that includes 40 million records sold worldwide, genre-defining albums like "Never Say Never," and a historic cultural milestone as the first Black Cinderella in a television adaptation, Brandy emphasized the permanence of the honor.

"A star on the Walk of Fame is a definition of legacy. It doesn't just celebrate your success, it cements your story," she told the cheering crowd. "It doesn't just honor your work, it immortalizes your light. It is a symbol that says you didn't just arrive, you endured. You didn't just dream, you became."

Closing out the ceremony, Brandy left the audience with a powerful reminder of her enduring impact: "Dreams don't have an expiration date. Faith can carry you where fear said you never go. And when your purpose is real, your light will make room for itself."

Watch: De la Soul’s Triumphant, Bittersweet Tiny Desk Concert Tribute to Trugoy the Dove

Kelvin "Posdnuos" Mercer, center left, and Vincent "Maseo" Mason, center right, of the pioneering hip-hop group De La Soul perform during their NPR Tiny Desk Concert in Washington on Tuesday, March 3. Backed by a nine-piece live band featuring drummer Daru Jones, back left, the duo celebrated their newly independent catalog and paid tribute to late co-founder David "Trugoy the Dove" Jolicoeur. Jolicoeur's memory was honored throughout the set, including a "Dave" nameplate resting on the desk. (Screensgrab via NPR Music)

"Ladies and gentlemen, we're a new group called De La Soul."

When DJ Maseo delivered that deadpan introduction to the crowd gathered at the NPR offices on Tuesday it drew a laugh. Humor has always been the foundational glue of the legendary Long Island trio. But behind the turntable, the joke carried a heavy, undeniable truth: the duties have been reassessed, the focus has shifted, and the architects of the D.A.I.S.Y. Age are navigating a new reality.

The highly anticipated NPR Tiny Desk concert premiered on what fans officially recognize as De La Soul Day. It was billed as a celebration of milestones, primarily marking year three of the group's classic catalog finally returning to their control and hitting streaming services after a decades-long legal battle. It also served as a showcase for their 2025 music album, "Cabin in the Sky."

But hovering above the soaring live instrumentation was the profound absence of David Jolicoeur  —known to the culture as Trugoy the Dove, or Plug Two — who passed away in February 2023 just weeks before the group's masters were finally liberated.

According to NPR's Bobby Carter, surviving members Kelvin "Posdnuos" Mercer and Vincent "Maseo" Mason were highly intentional during the planning process, openly discussing what their late brother would and would not approve of creatively. The result was a setlist that masterfully balanced raucous joy with open grief.

"Cindy said if y'all stop, then Dave stopped, and that wouldn't be the show," Posdnuos rapped early in the set, making it clear that their continued forward motion is the ultimate tribute to Jolicoeur's legacy. Throughout the room, the mantra was simple and repeated: "Dave always."

Backed by a sprawling, nine-piece live band directed by powerhouse drummer Daru Jones, the newly minted duo completely reimagined their sample-heavy catalog. With the addition of a horn section, a viola, and phenomenal background vocalists Yummy Bingham and Gina Loring, the group breathed expansive new life into 90s foundational texts.

The crowd was fully engaged during a towering rendition of "Stakes Is High," with Posdnuos leading the room in a call-and-response, urging the audience to shout "vibration" against the track's iconic, thumping beat. Later, Loring took center stage for a transcendent vocal performance on "Different World," cementing the live band's incredible chemistry.

Yet, amid the massive musical arrangements, the group still found time for the intimate, off-the-cuff humor that made them famous. Before launching into a heartfelt new track titled "A Quick 16 for Mama," Maseo and Pos joked about their current side hustles, with Maseo claiming he was driving Uber XL and Pos quipping that he was doing DoorDash. "Got to get it how you live," Pos laughed, before the band settled into a smooth, nostalgic groove that Maseo noted reminded him of the beats his mother used to play.

The emotional climax of the set arrived during the closing performance of their 1989 breakout hit, "Me Myself and I." As the familiar, infectious bassline rolled through the NPR offices, the lyrics took on a poignant new weight. The group demanded the audience sing along, eventually stripping the beat away to let the room chant the chorus a cappella.

Before the final notes rang out, Maseo took to the microphone to issue one last, simple instruction to the room: "Let me hear you say thank you, Dave."

Watch the full De La Soul Tiny Desk performance below.  

Watch: 50 Cent Turns Doordash Super Bowl Ad Into Savage Takedown of Rival Diddy

If pettiness was a currency, Curtis Jackson would be the Federal Reserve.

While most brands are spending $8 million for 30 seconds of airtime to make you cry about Clydesdales or nostalgic car rides, DoorDash just let 50 Cent do what he does best: monetize his enemies. In a new campaign released Thursday ahead of Super Bowl LX, the rapper-turned-mogul officially graduated from "Internet Troll" to "Corporate Troll," and the result is a masterclass in disrespect.

The spot, titled "The Big Beef," is technically about getting food delivered. But let's be real — this is a diss track with a corporate budget. And yes, he absolutely went there with the prison sentence.

The Art of the "Big Beef"

The commercial opens with 50 Cent sitting on a leather couch—bottle of his own Branson Cognac visibly placed on the table, because of course it is—addressing the elephant in the room with the smirk of a man who knows he’s untouchable.

"It's come to my attention that everyone's calling me a troll," he says. "Some have said even the 'King of Trolls.' First of all, I'm flattered. But I'm done with all that."

He then claims he would never "literally deliver beef when millions of people are watching," before the screen cuts to a title card that simply reads: "50 Cent Would."

From there, it’s open season. As he unpacks a DoorDash bag, he offers a tutorial on how to handle "beef," noting that it is "more of an art than science." And this is where the references start flying over the heads of casual viewers and landing directly on the chin of Sean "Diddy" Combs.

The Breakdown: How 50 Cent Dissected Diddy

If you blinked, you missed the daggers. Here is how 50 Cent turned a grocery run into a breakdown of his rival:

• The "Puffs" Gag: While explaining that "you don't want to be too obvious," 50 pulls out a bag of Cheese Puffs. He holds them up just long enough for the "Puff" reference to register, stares at the camera, and deadpans the line about subtlety.

• The "Combs" Disrespect: The most blatant moment comes when he reaches back into the bag and pulls out a multipack of hair combs. "Oh, they sell combs," he says, examining the package with mock surprise. "What a coincidence." He then tosses them over his shoulder like trash.

• The "Branson/50 Months" Synergy: This is the killshot. 50 pulls out a bottle of his own Branson Cognac, noting that it pairs perfectly with beef. He then delivers the line that made the timeline freeze: "Aged 4 years... or 50 months, who's counting?"

The Context (For Those Who Missed It)

This is a triple-layered joke. First, he's plugging his liquor (Branson VSOP is aged 4 years). Second, he's referencing the passage of time.

Third, and most ruthlessly, he is mocking Diddy’s specific prison sentence. For those who haven't checked the Bureau of Prisons roster, Diddy was sentenced to exactly 50 months in prison last October. 50 Cent isn't just throwing out a random number; he is using his own product's specs to mock his rival's incarceration.

Why It Works

In an era where Super Bowl commercials try too hard to be "viral," this one succeeds because it feels authentic to who 50 Cent is. He isn't acting; he's just being the same guy who executive produced Sean Combs: The Reckoning.

Most importantly, he’s multitasking. In 40 seconds, he sold you a DoorDash discount, promoted his own cognac, and danced on his enemy's legal grave.

Authentic is one word for it. Ruthless is another. Either way, 50 Cent just proved that while other rappers release diss tracks, he releases business ventures.

Brandy Cites Dehydration After Abruptly Ending Chicago Concert With Monica

The reunion Windy City fans had waited decades for took an unexpected turn Saturday night when Brandy Norwood abruptly left the stage during “The Boy Is Mine Tour” stop with Monica at Chicago’s United Center — and never returned.

Midway through her set, Brandy paused and told the crowd, “Give me one second, y’all, I gotta get my—,” before walking backstage. She never came back, leaving Monica to finish the concert solo. Their 1998 hit “The Boy Is Mine,” the duet that defined late ’90s R&B and inspired the tour’s name, went unperformed.

pic.twitter.com/sWWB9YeWz7

— b r a n d y (@4everBrandy) October 19, 2025

By Sunday morning, Brandy broke her silence. “After weeks of nonstop rehearsals, last night I experienced dehydration and feelings of wanting to faint,” the Grammy winner wrote in a verified Instagram post. “Everyone involved agreed that prioritizing my well-being was of the utmost importance.”

She continued, “I attempted to return to the stage but found it impossible to fully connect sonically with the production. I want to thank my fans for your overwhelming love, support, and—most importantly—your prayers. I also want to thank Monica for stepping up with such grace and professionalism.”

@newzonetv Prayers up for @brandy she left the stage abruptly and @MONICA🤎 speaks to the crowd and gives Brandy her flowers! Two Queens wishing them the best on the rest of the tour! #theboyismine #brandy #monica #chicago ♬ original sound - Jaz

Brandy confirmed she received medical attention immediately after leaving the venue and was advised to rest before continuing the tour. “I’m okay now,” she said, adding that she plans to rejoin the tour this week.

The Chicago stop was the third show on Brandy and Monica’s co-headlining tour — their first in more than 25 years. The tour opened Oct. 16 in Cincinnati and continues through mid-November with stops in Atlanta, Houston and Los Angeles.

Watch: 'Hip Hop Was Born Here' Goes Deeper Than Diamonds in LL Cool J’s Soulful New Series

It doesn’t just start in New York — it starts with the truth.

That’s the heartbeat behind “Hip Hop Was Born Here,” a new five-part docuseries hosted, executive produced, and co-created by LL Cool J that debuted Tuesday on Paramount+. More than a nostalgic look back, the project is a cultural reckoning — a reclaiming of hip-hop’s roots, spirit, and legacy.

Produced by MTV Entertainment Studios, Rock The Bells, and Peyton Manning’s Omaha Productions, the series journeys through the boroughs and birthplaces of hip-hop. It puts a spotlight not on flashy headlines or rap beefs but on the origin stories that shaped the genre from block parties to global dominance.

“You really want to understand hip-hop?” LL said in a recent CBS interview about the show. “Then you need to understand the spirit behind it. The dreams of making it out. The messages of empowerment. That’s what this is about.”

Through interviews with legends like Big Daddy Kane, Doug E. Fresh, Method Man, Rev Run, Roxanne Shanté, Salt of Salt-N-Pepa, and more, “Hip Hop Was Born Here” traces how the genre was built — not in boardrooms or algorithms, but on stoops, subways, and street corners.

“It’s not about who’s on the cover of Forbes,” LL says. “It’s about the art, the inspiration, the real message behind the culture.”

He brings that message to life not just as a host, but as a fan. Throughout the series, he joins guests in freestyle sessions, revisits formative neighborhoods, and seamlessly quotes verses mid-conversation. The result is something both journalistic and deeply personal — a tribute told by someone who lived it.

Viewers can expect candid moments, like Rev Run reminiscing about bringing turntables out to the front stoop or Salt talking about what first moved her to rhyme. LL COOL J connects each thread with the respect of a curator and the reverence of a student, learning new things even after decades as one of hip-hop’s most decorated icons.

“This was about going deeper — not just what happened, but why it mattered,” he told CBS. “It’s about artists tapping into who they really are, and where that energy came from.”

“Hip Hop Was Born Here” arrives just weeks after LL’s return to the charts with “The FORCE,” his 2024 Q-Tip–produced album that helped mark the 40th anniversary of Def Jam and made LL the first rapper to chart Billboard entries across five decades. He also remains the driving force behind Rock The Bells, the platform and SiriusXM channel dedicated to preserving hip-hop’s golden era.

But here, LL trades performer for documentarian. He invites audiences to reflect on the question he poses to each guest: What does legacy mean to you?

Maybe the answer lies in one of the show’s opening scenes: LL pointing to the same Bronx street corner where DJ Kool Herc once set up his speakers and changed music forever.

Or maybe it’s in the boom boxes, the basement tapes, the stripped-down hunger of a generation that refused to be silenced.

“Hip Hop Was Born Here” doesn’t just tell you where it all began — it reminds you why it still matters.

All five episodes are now streaming on Paramount+.

Watch: Grown Men, Grown Bars: Clipse Returns with Grief, Gospel and God at Tiny Desk

In one of the most potent live moments hip-hop has seen in years, Clipse returned to the stage for their NPR Tiny Desk debut—a stripped-down yet searing performance that doubled as a celebration, a eulogy, and a cultural reckoning. Backed by a hard-hitting band and driven by the same raw precision that made them legendary, Pusha T and Malice brought decades of pain, reflection, and bravado into one of the most unforgettable Tiny Desk sets in recent memory.

It had been 16 years since Clipse last stood as a duo in front of a live audience. Since 2009’s Til the Casket Drops, the brothers—born Terrence and Gene Thornton—had gone their separate ways: Pusha ascended the solo ladder as a top-tier lyricist and G.O.O.D. Music president, while Malice found spiritual clarity and changed his name to No Malice, stepping back from the limelight entirely.

But for this moment—on a modest stage that’s become a proving ground for real artists—they stood shoulder to shoulder once again. The performance opened with an audible gasp from the crowd as the eerie first notes of “Virginia” set the tone. “I’m from Virginia, where ain't [expletive] to do but cook,” Pusha rapped, his cadence as cold as ever, while Malice stood stoic, surveying the room like a preacher searching for truth.

There was no band full of jazzy reinterpretations here, as NPR’s Bobby Carter revealed. The group insisted on keeping their sound uncut, unfiltered—heavy drums, haunting synths, no smoothing out the edges. Daru Jones, a hybrid drummer known for blending acoustic and electronic elements, was brought in to match their aesthetic. It worked. So did the chemistry.

The duo slid into “Keys Open Doors” and “Momma I’m So Sorry” with surgical timing, revisiting tracks from their 2006 masterwork Hell Hath No Fury. Then came “Chains and Whips,” a fierce new track from their 2025 album Let God Sort Them Out—their first full-length together in over a decade.

But the most human moment came with “Birds Don’t Sing,” a tear-stained tribute to their late parents, who died just four months apart. Malice described it as a “documented conversation”—their final words with their mother and father woven into the verses. It was less a performance than a confessional, with the band pulling back to let every syllable breathe. Pusha’s voice cracked; Malice stared straight ahead, as if speaking to ghosts.

Then came the gut punch. The unmistakable Neptunes beat for “Grindin’”—their breakout 2002 anthem—sent the room into controlled chaos. Fans shouted every bar. And for a moment, it felt like time folded in on itself: the Coke rap kings of the Clipse era reborn in front of NPR bookshelves.

The performance wasn’t just nostalgia—it was statement. Clipse didn’t just return to the stage; they reclaimed a place in hip-hop's living history. “Let God Sort Them Out,” released earlier this summer, dives deeper into mortality, legacy, and survival than anything they’ve recorded before. And the Tiny Desk concert made it clear—they’re not here to fade into the culture’s rearview.

They’re here to burn it into your memory, again.


Watch the entire performance below.

Watch: Living Colour Electrifies for Tiny Desk’s Black Music Month Tribute

Living Colour performs at NPR’s Tiny Desk in Washington, D.C., in a June 2025 concert celebrating the 35th anniversary of their landmark album Time’s Up. From left: Vernon Reid, Will Calhoun, Corey Glover and Doug Wimbish. (Screengrab via YouTube)

Living Colour didn’t just play behind NPR’s Tiny Desk. They detonated it.

The pioneering Black rock band delivered a searing, soul-baring performance that honored the 35th anniversary of their landmark album "Time’s Up," shook the walls of NPR’s headquarters, and reminded the world that rock, rage, and revolution still live in Black music.

Opening with their 1988 breakout “Cult of Personality” — the Grammy-winning anthem that made political theory scream — Living Colour set the tone with Corey Glover’s full-throttle vocals, Vernon Reid’s sonic sleight of hand on guitar, and a rhythm section powered by Doug Wimbish and Will Calhoun that hit like a fist through drywall.

But this wasn’t just nostalgia. It was history, fury, and deep musicianship in tight quarters.

With every song, Living Colour layered commentary on race, identity, media, and systemic distortion. “Pride” challenged American hypocrisy, “Love Rears Its Ugly Head” dissected relationship chaos and self-destruction, and “Solace of You” offered a melodic sanctuary in a world that often seeks to erase Black voice and story. Reid shouted out D.C. legends Bad Brains before launching into a blistering “Time’s Up,” turning NPR’s quiet corner into a temple of electric urgency.

“History’s a lie that they teach you in school,” Glover sang in “Pride,” over Calhoun’s tight beat. “A peaceful land that was born and civilized was robbed of its history, freedom, and pride.” It hit like gospel wrapped in punk.

The band used every inch of the stripped-down space to deliver something bigger than volume: meaning. Even with amps turned down and stage lights off, Living Colour glowed — a reminder that Tiny Desk’s size doesn’t limit the size of its message.

During their set, Glover took a moment to reflect on Black Music Month and the losses the culture has endured. “We lost Roberta Flack, we lost so many,” he said. “This song really speaks to that.”

By the end of “Solace of You,” the room didn’t just cheer — it exhaled. For Black rock fans, it was church. For everyone else, it was a lesson in what the genre has always owed to Black artists.

Watch the entire performance below.

Watch: E-40’s Tiny Desk Debut Is a Celebration of Bay Pride and Legacy

 

Bay Area rap icon E-40 brought Vallejo flavor and hyphy energy to NPR’s Tiny Desk Concerts on Monday, kicking off Black Music Month with a spirited, career-spanning set that celebrated his legacy in hip-hop and his hometown roots.

Backed by a live band and in front of an intimate audience, the veteran MC born Earl Stevens ran through a medley of his biggest hits, including "Tell Me When to Go," "Choices (Yup)" and "U and Dat." Throughout the set, he showcased not only his signature slang and unmistakable delivery but also the cultural pride and storytelling that have made him a cornerstone of West Coast rap for over three decades.

“Tell the people that Water is back!” he declared midway through the performance, nodding to both his longtime nickname and his return to the spotlight.

The set marked E-40’s first appearance on the popular YouTube concert series, which has become a landmark platform for both emerging and legendary artists. Known for revealing raw talent in stripped-down formats, Tiny Desk has previously featured performances from artists like T-Pain, Too Short, Kehlani and LaRussell.

The band elevated the energy of each track. On "Choices (Yup)," musicians leaned into the mic to echo the iconic “yup” and “nope” ad libs, creating an organic, in-the-room feel. During "U and Dat," background vocalist and music director Bosko Kante filled in seamlessly for T-Pain’s auto-tuned hook.

E-40 also used the platform to promote his entrepreneurial ventures, sipping from a glass of his Earl Stevens Mangoscato and reminding viewers it’s available at Costco and Total Wine.

Between verses, he shouted out his longtime friends and collaborators, including a heartfelt tribute to the late Stomp Down. The performance was not only a musical celebration but a nod to the community that built him.

Despite a career that spans generations, E-40 remains culturally relevant. His music still blares from Bay Area car stereos and his impact extends beyond music, with a road named after him in Vallejo and surprise political appearances — including a surreal cameo at a Joe Biden rally.

With Monday’s set, E-40 joins a growing list of Bay Area legends who’ve brought their game to the Tiny Desk stage. The show continues to affirm the cultural weight of the Bay, one classic track at a time.

Watch: New Beyoncé Levi’s Ad Pays Homage to ’80s Iconic Denim Spot

Beyoncé is once again rewriting the rules of style and sound — this time through a denim-clad remix of a Levi’s classic.

The global icon headlines a new commercial for the brand’s “Levii’s” campaign, a sleek, Americana infused homage to her country crossover era, “Cowboy Carter.” Directed by longtime collaborator Melina Matsoukas (“Queen & Slim”), the latest spot reimagines Levi’s iconic 1988 “Refrigerator” ad — but this time, Beyoncé is the center of gravity.

Clad in her custom “Levii’s” jean shorts, the superstar retrieves a denim shirt from the fridge while country artist Willie Jones — who also appears on “Cowboy Carter” — looks on. The spot’s soundtrack features her song “Levii’s Jeans,” a collaboration with Post Malone, weaving the campaign directly into the sound and style of Act II of her anticipated musical trilogy, which began with 2022’s “Renaissance.”

Filmed in late July at the chrome-plated Bendix Diner in Hasbrouck Heights, New Jersey, the commercial marks Chapter 3 of Levi’s larger “Reiimagine” series. The spot is one of several Beyoncé-led reinterpretations of the brand’s most iconic ’80s and ’90s ads. Chapter 1, titled “Launderette,” was shot at a laundromat in Nutley, New Jersey, and flips the 1985 Nick Kamen Levi’s ad. Chapter 2, “Pool Hall,” features actor Timothy Olyphant and riffs on a 1991 favorite.

While Jersey locals might recognize the Bendix from its cameos in “The Many Saints of Newark” and other productions, the impact of Beyoncé’s “Levii’s” campaign is unmistakably global — rooted in legacy denim but refreshed with a distinctly Southern Black flair.

The campaign is one of several strategic moves tied to the launch of her “Cowboy Carter” era, which continues April 28 when her Rodeo Chitlin’ Circuit Tour kicks off with five dates in Los Angeles. Beyoncé will then bring the tour to MetLife Stadium in East Rutherford, New Jersey, for five more shows later in May.

It’s the latest example of Beyoncé’s precision-crafted evolution — merging pop stardom, fashion innovation, and cultural storytelling in one sleek package.

The full “Reiimagine” campaign, including the new “Refrigerator” ad, is now streaming on Levi’s official channels.

Watch: Sisters With Voices Deliver Soul-Stirring Tiny Desk Set

Screengrab: YouTube

In a fitting conclusion to NPR's Black Music Month celebration, the iconic R&B group SWV delivered a captivating Tiny Desk concert. The trio, known for their harmonious vocals and enduring hits, performed at NPR's headquarters, showcasing their timeless appeal and musical prowess.

Formed in New York City, Sisters With Voices (SWV) rose to fame in the 1990s alongside popular girl groups like En Vogue, TLC and Xscape. Their unique blend of R&B, new jack swing, and hip-hop soul earned them multiple platinum records and a dedicated fanbase that remains strong today.

The Tiny Desk setlist was a nostalgic journey through SWV's biggest hits, starting with the crowd-pleasing "I'm So Into You." The audience's enthusiasm was evident, with many singing along even after the song ended. Other fan favorites like "Right Here," "You're the One," and their number-one hit "Weak" further showcased their musical prowess and enduring appeal.

Before performing "You're the One," Lelee Lyons reflected on the group's groundbreaking approach to music in the '90s, noting their willingness to push boundaries. This served as a reminder of SWV's significant impact on the music industry and their continued influence.

SWV is currently co-headlining the Queens of R&B Tour with fellow '90s hitmakers Xscape. The tour, which kicked off with a sold-out show in Concord, California, features a mix of solo and collaborative performances, offering fans a nostalgic and exciting concert experience.

Watch the entire performance below.

SET LIST
"I'm So Into You"
"Right Here (Human Nature Radio Mix)"
"You're the One"
"You're Always on My Mind"
"Rain"
"Weak"
"Anything (Old Skool Radio Version)"

Watch: Flo Milli Debuts New 'Never Lose Me' Verse in Soulful Tiny Desk Set

Screengrab: YouTube

Known for her sharp lyrics and distinctive style, rapper Flo Milli took her talents to NPR's Tiny Desk concert series recently, marking her first performance with a full band. The set, released earlier today, is part of NPR's Black Music Month celebration showcasing the talent and diversity of Black women in music.

The rising star from Mobile, Alabama, opened with an energetic medley of "Conceited" and "Bed Time," setting the stage for an engaging performance. Backed by Atlanta's Band of Brothers and her backing vocalists, the Floettes, Milli showcased her versatility, transitioning smoothly into a soulful rendition of her breakout hit "Beef FloMix." The song, a fan favorite from her 2020 debut mixtape "Ho, Why Is You Here?", proved its enduring appeal in this new arrangement.

The highlight of the set came at the end, when Milli and her band switched to acoustic instruments for a stripped-down version of her single "Never Lose Me." In a special treat for the audience, she debuted a brand new verse exclusive to the Tiny Desk performance.

Milli's Tiny Desk appearance is a significant milestone in her career, which has been on a steady rise since the release of "Ho, Why Is You Here?" She followed up her debut with "You Still Here, Ho?" in 2022 and "Fine Ho, Stay" in 2023, earning a spot on the Billboard Hot 100 and critical acclaim, including recognition from Rolling Stone as "one of the most fun rappers alive."

This Tiny Desk concert, a celebrated platform for showcasing musical talent, underscores Flo Milli's growing influence in the music industry.

Watch the full performance below.

WATCH: Jay-Z's Surprise Performance Steals the Show at Brady's Patriots HOF Ceremony

Tom Brady's New England Patriots Hall of Fame induction ceremony received an unexpected jolt of star power Wednesday night when Jay-Z took the stage for an electrifying performance.

Tom Brady takes a moment and briefly raps along with Jay-Z as he performs "Public Service Announcement" at the Patriots Hall of Fame ceremony. pic.twitter.com/T6X6BhNkT3

— The Art Of Dialogue (@ArtOfDialogue_) June 13, 2024

In front of 60,000 fans at Gillette Stadium, Jay-Z opened the ceremony with "Public Service Announcement (Interlude)," the song synonymous with Brady's entrance onto the field during his Patriots career. The six-time Super Bowl champion quarterback, who played 20 seasons in New England, was visibly moved by the tribute.

I’ve got so many of these on my phone: the Tom Brady signature run onto the field & “LET’S GO” fist pump.

Jay-Z’s “Public Service Announcement” hits and here comes the 🐐.

Privileged to get a front row seat for it. pic.twitter.com/21cKQQ7Fn1

— Nick Coit (@NCoitABC6) February 1, 2023

The crowd, which included former teammates, coaches, and Patriots owner Robert Kraft, roared as Jay-Z raised his hand and declared, "Put one hand in the air for the GOAT, Mr. Tom Brady, tonight!"

Brady, who retired after the 2021 season, expressed his gratitude to the fans, his former teammates, and coaches, and called Jay-Z's performance a "special moment."

High Tension in YSL Trial: Young Thug's Lawyer Held in Contempt

The racketeering trial against rapper Young Thug, whose real name is Jeffery Williams, took a dramatic turn on Monday when his attorney, Brian Steel, was held in contempt of court. This development stemmed from Steel's revelation of a private meeting allegedly held between Judge Ural Glanville, prosecutors, and key witness Kenneth Copeland.

The situation unfolded when Steel informed the court of his knowledge of the unauthorized conversation. Judge Glanville, visibly upset, demanded to know how Steel obtained this information. Refusing to disclose his source, Steel argued that the meeting violated protocol.

BREAKING: Young Thug’s lawyer, Brian Steel, was ordered into custody after he was held in contempt for not disclosing his source.

Steel's arrest followed the lawyer refusing to disclose the source of a private conversation between the judge, the DA, and a star witness.

“You got… pic.twitter.com/BHQuylP2kw

— Kyle Becker (@kylenabecker) June 10, 2024

"You're not supposed to have communication with a sworn witness," Steel declared, referencing the potential ethical concerns surrounding such an ex parte communication.

The tense exchange escalated when Judge Glanville threatened Steel with contempt if he didn't reveal his source. Despite the heated exchange, Steel wasn't immediately removed from the courtroom. However, the judge emphasized his seriousness, giving Steel a deadline to reveal his source or face further consequences. The back-and-forth continued, with Steel maintaining his stance and Judge Glanville demanding answers before the lawyer was removed from the courtroom.

Lead prosecutor Adriane Love requested that Steel be allowed to return for the remainder of the day's proceedings. The judge ultimately relented, allowing Steel back into the courtroom but reiterating that the contempt charge remained.

Atty Steele is back. Judge Glanville says he will not release the transcript to the meeting. Steele says he learned that if Kenneth Copeland testifies he will go home today. Steele is ready to die on this cross. Glanville doesn't care. #YSLTrial #YoungThug #RICOTrial pic.twitter.com/Tx7htP4B2V

— AViewFromTracysPoint (@AVFTP1) June 10, 2024

This incident adds complexity to the already lengthy YSL trial. Jury selection began in January 2023, a process that took ten months. Since opening statements in late November, the trial has faced repeated delays and is expected to continue into next year.

Prosecutors allege Young Thug is the leader of "Young Slime Life," a criminal street gang responsible for violent crimes. The defense maintains YSL is simply a record label.

Rapper Jim Jones Involved in Airport Scuffle, Says He Acted in Self-Defense

Rapper Jim Jones was involved in a physical altercation at the Fort Lauderdale-Hollywood International Airport on Saturday, May 4th. Cellphone footage circulating online shows Jones engaged in a scuffle with two other men on a downward escalator.

According to witness accounts, Jones became involved in an argument with a man, described as older and bald, while descending the escalator. A second individual joined the altercation shortly thereafter. Airport security personnel intervened and separated the parties before any serious injuries were reported.

Meanwhile, Jim Jones is basically giving dudes fisherman suplexes on an escalator at the airport while fighting 2 v 1. Hip hop is on FIRE right now pic.twitter.com/oTZU3cPNQ8

— KFC (@KFCBarstool) May 5, 2024

Jones later addressed the incident on social media, claiming self-defense. "I was minding my business and defending myself," he stated. He added a cryptic remark, saying, "They got what they were looking for."

Police are investigating the cause of the altercation. No charges have been filed at this time.

Watch: 'Lion King' Prequel Gets Trailer; Beyoncé's Daughter Blue Ivy Carter Cast

Photo Credit: Beyonce.com

The excitement surrounding the upcoming "Mufasa: The LionKing" prequel roared even louder with the release of its teaser trailer on Monday. The trailer itself fueled anticipation, but it was the star-studded cast that truly captivated audiences.

Directed by Barry Jenkins, the photorealistic-animated prequel features a returning cast of beloved characters. John Kani reprises his role as the wise Rafiki, while Seth Rogen and Billy Eichner return as the hilarious duo Pumbaa and Timon, respectively. Donald Glover steps back into the role of Simba, and Beyoncé Knowles-Carter rejoins the cast as Nala.

However, it was the addition of another member of the Carter family that stole the show – Blue Ivy Carter, Beyoncé's 12-year-old daughter, makes her film debut by voicing Kiara, Simba and Nala's daughter.

Blue Ivy Carter: A Timeline

• **Jan. 7, 2012:** Blue Ivy Carter is born to Beyoncé and Jay-Z at Lenox Hill Hospital in New York City.
• **Jan. 8, 2012:** Beyoncé and Jay-Z release a statement and photo welcoming Blue Ivy to the world.
• **Feb. 1, 2012:** Blue Ivy becomes the youngest person to chart on the Billboard Hot 100, thanks to a feature credit on her father's song "Glory."
• **2015:** Blue Ivy is credited as part of the choir on Coldplay's song "Up & Up."
• **2018:** Blue Ivy begins attending West Hollywood's The Center for Early Education.
• **2020:** Blue Ivy features on her mother's track "Brown Skin Girl," winning a Grammy Award as the youngest winner in a non-competitive category.
• **Nov. 2020:** Blue Ivy narrates Matthew A. Cherry's book "Hair Love," sparking speculation about future voice acting endeavors.
• **Jan. 21, 2023:** Blue Ivy joins her mother onstage for the first time, singing "Brown Skin Girl" at a private show in Dubai.
• **May 26, 2023 (present):** Blue Ivy joins her mother on the Renaissance World Tour as a dancer for "My Power" and "Black Parade."

The teaser offers a captivating glimpse into the film's narrative. Rafiki narrates the legendary tale of Mufasa to a young Kiara, voiced by Blue Ivy Carter. Flashbacks then reveal the origin story of Mufasa, portrayed as an orphaned cub who embarks on an extraordinary journey after encountering Taka (voiced by Kelvin Harrison Jr.), a sympathetic lion. Thandiwe Newton, Anika Noni Rose, and Keith David round out the cast, bringing life to key characters in Mufasa's life.

Blue Ivy's involvement in the film marks a significant milestone in her burgeoning career. Born into music royalty, she has already made waves in the industry, credited as a featured artist on her mother's hit song "Brown Skin Girl," which earned her accolades as the youngest winner of both a BET Award and an MTV Video Music Award.

Watch the trailer below.

Watch: Ne-Yo Brings Hits and New Song 'Two Million Secrets' to NPR's Tiny Desk Concert

R&B singer Ne-Yo brought his smooth vocals and songwriting talents to NPR's Tiny Desk concert series on Friday.

Ne-Yo launched into a four-song medley of his hits, including "Because of You," "So Sick," and "Sexy Love," before surprising fans with a new song, "Two Million Secrets." Ne-Yo described the new track as a "personal reflection" on growth and redemption.

He further showcased his songwriting prowess with covers of songs he wrote for Rihanna ("Take a Bow"), Beyoncé ("Irreplaceable"), and Mario ("Let Me Love You").

The intimate concert concluded with Ne-Yo's signature anthem "Miss Independent."

Born Shaffer Chimere Smith, Ne-Yo is a Grammy Award-winning singer-songwriter with multiple platinum-selling albums. He remains a force in R&B, both with his own music and as a sought-after songwriter.

Watch the entire performance below.

From Lizard to Legend: 'The Dragon' Sisqo Unmasked on 'Masked Singer'

Photo Credit: Michael Becker/FOX

Fans of “The Masked Singer” who thought the Lizard might prevail in the popular Fox reality singing competition were proved wrong-wrug-wrong-wrong-wrong Wednesday when the show unleashed “The Dragon.” This reveal showed that Grammy-nominated singer Mark Althavan Andrews, better known as Sisqó, was the man behind the Lizard’s mask.

As the Group C final unfolded, Sisqó's Lizard persona bid farewell to the competition after a spirited performance of "Bring Me to Life" by Evanescence. He placed third.

Following his unmasking, Sisqó, 45, spoke with host Nick Cannon about his love for the show. "My family watches religiously, and they always insisted I was on it!" he said. "So when the opportunity came, I jumped at it – it's been a blast."

During the competition's "smackdowns," Sisqó channeled his resilience into the Dragon's performances. A poignant clue package alluded to his past struggles, highlighting how he overcame the temptations of a reckless lifestyle. Visual clues connected to fellow "Masked Singer" participant Busta Rhymes (as the Dragon), a microphone, and a photo of Beyoncé hinted at moments in his career.

Since his iconic 2000 hit "Thong Song," Sisqo's career has experienced highs and lows. Despite early success, he faced record label conflicts and a reputation for being "difficult."

In a 2016 "Where Are They Now?" interview, Sisqó reflected on these industry challenges and his desire for more creative control. He continues to make music and tours with the R&B group Dru Hill.

Watch: Big Sean Brings Hits, Heart to Tiny Desk Performance

Detroit rapper Big Sean took the virtual stage for his debut performance at NPR's Tiny Desk concert series. In a 26-minute set uploaded to NPR Music's YouTube channel on Wednesday, he captivated viewers with a 14-song performance accompanied by a small string quartet.

Sporting a Beastie Boys shirt and a Detroit Tigers cap in tribute to the late J Dilla, Big Sean's Tiny Desk debut held special meaning. He left his cap on the set as a keepsake, a tradition among Tiny Desk performers. "This is something my kids can look back on, something my family can look back on to see where I was at in my career," he shared.

The rapper kicked off with "Memories," the opening track from his sophomore album "Hall of Fame." He then showcased hits like "One Man Can Change the World," his Grammy-winning collaboration with Kanye West and John Legend. Pausing between tracks, Big Sean acknowledged fellow Detroiters in the audience and even debuted a new song dedicated to his partner, Jhené Aiko, and their son Noah.

Reflecting on his rise to success, Big Sean expressed gratitude for his fans, highlighting his journey as a "blog-era mixtape rapper" who built a fanbase organically. "To make it out of there, it wasn't easy... It really made me who I am," he remarked, highlighting the resilience and determination that propelled his career.

SET LIST
"Memories"
"Nothing Is Stopping You"
"Blessings"
"Play No Games"
"Light"
"My Last"
"Marvin & Chardonnay"
"All Me"
"Beware"
"I Know"
"Bounce Back"
"One Man Can Change the World"
"On Up" (unreleased?)
"I Don't F*** With You"

Watch: Hip-Hop Legend Dr. Dre Immortalized on Hollywood Walk of Fame

Courtesy Photo

Dr. Dre, the iconic rapper, producer, and entrepreneur, was awarded the 2,775th star on the Hollywood Walk of Fame today. The ceremony took place in front of the Jimmy Kimmel Studios on Hollywood Boulevard.

Hosted by radio personality Big Boy, the event included speeches from fellow artists Eminem, Xzibit, 50 Cent, Snoop Dogg and music mogul Jimmy Iovine.

"I’d like to thank the Hollywood Chamber of Commerce for finally deciding I deserve to be in the company of Ice Cube, Snoop Dogg, and 50 Cent. Who all got stars before me for some f—ing reason," remarked Dr. Dre, born Andre Romelle Young, to the crowd. "It’s all good, I’m finally here!"

Reflecting on his journey from Compton, Dr. Dre shared, "I never imagined a kid from Compton would stand here among my idols."

As a nine-time Grammy winner, co-founder of Death Row Records, and the visionary behind Aftermath Entertainment and Beats Electronics, Dr. Dre solidified his place in hip-hop history. His iconic 1992 solo album "The Chronic" achieved triple-platinum status.

"I want to thank all my fans for supporting me from day one. We've grown up together, and at 60, I appreciate you still rocking with me," Dr. Dre said. "And trust me, I'm far from done. There's much more to come."

Longtime collaborator Snoop Dogg praised Dr. Dre's influence: "There would be no Snoop without Dre. Together, we revolutionized the game, and our music has left an indelible mark on the world."

Dr. Dre's star is located on 6840 Hollywood Boulevard, adjacent to the star of his close friend, Snoop Dogg.

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Monét Crowned Best New Artist, Killer Mike Makes Grammy History

The 66th Grammy Awards, hosted by Trevor Noah, resonated with the power and innovation of diverse artists across genres. Rising stars like Victoria Monét, crowned Best New Artist, and established icons like Killer Mike, who swept the Rap categories, made history alongside electrifying performances and poignant moments.

Monét's emotional acceptance speech, reflecting on her artistic journey, resonated deeply, embodying the vibrancy of a new generation. Mike's historic Rap sweep, surpassing Lauryn Hill's 1999 record and the first since 2003, cemented his legendary status. Collaboration thrived with J. Cole and Lil Durk's powerful "All My Life" winning Best Rap Collaboration.

Victoria Monét wins the award Best New Artist at the 2024 #Grammys pic.twitter.com/2TNbTnj2iu

— The Hollywood Reporter (@THR) February 5, 2024

Black artists shone across diverse categories, shattering boundaries. Rising star Coco Jones surprised with her Best R&B Performance win for "ICU," while Dave Chappelle triumphed in the Best Spoken Word Album category. History was made with the inaugural Best African Music Performance award presented to South African singer Tyla for her captivating "Water."

I'd love to know why the LAPD thought putting Killer Mike in cuffs at the Grammy's was necessary pic.twitter.com/3W5SJuFXwo

— TizzyEnt (@TizzyEnt) February 5, 2024

In a truly unforgettable moment transcending generations, legendary singer-songwriter Tracy Chapman, rarely seen in public, graced the stage to perform her iconic "Fast Car" alongside country star Luke Combs. This first-time duet resonated deeply, reminding everyone of Chapman's enduring influence and the power of music to bridge divides.

Taylor Swift made Grammy history, clinching Album of the Year for Midnights—her unprecedented fourth win. Swift surprised fans with more than just history on Sunday night. While accepting her first award of the evening for the best pop vocal album, she dropped a bombshell: her 11th studio album, titled The Tortured Poets Department, is set to stream on April 19.

A selection of winners can be seen below, for the full list of winners click here.

Album of the Year

Boygenius - The Record
Janelle Monáe - The Age of Pleasure
Jon Batiste - World Music Radio
Lana Del Rey - Did You Know That There’s a Tunnel Under Ocean Blvd
Miley Cyrus - Endless Summer Vacation
Olivia Rodrigo - Guts
SZA - SOS
WINNER: Taylor Swift - Midnights

Record of the Year

Billie Eilish - What Was I Made For? (From the Motion Picture “Barbie”)
Boygenius - Not Strong Enough
Jon Batiste - Worship
WINNER: Miley Cyrus - Flowers

Olivia Rodrigo - Vampire
SZA - Kill Bill
Taylor Swift - Anti-Hero
Victoria Monét - On My Mama

Best New Artist

Coco Jones
Gracie Abrams
Fred Again..
Ice Spice
Jelly Roll
Noah Kahan
WINNER: Victoria Monét
The War and Treaty

Song of the Year

WINNER: Billie Eilish - What Was I Made For? (From the Motion Picture “Barbie”)
Dua Lipa - Dance the Night (From Barbie the Album)
Jon Batiste - Butterfly
Lana Del Rey - A&W
Miley Cyrus - Flowers
Olivia Rodrigo - Vampire
SZA - Kill Bill
Taylor Swift - Anti-Hero

Best Pop Vocal Album

Ed Sheeran - - (Subtract)
Kelly Clarkson - Chemistry
Miley Cyrus - Endless Summer Vacation
Olivia Rodrigo - Guts
WINNER: Taylor Swift - Midnights

Best R&B 

SongCoco Jones - ICU
Halle - Angel
Robert Glasper Featuring Sir & Alex Isley - Back to Love
WINNER: SZA - Snooze
Victoria Monét - On My Mama

Best Country Album

Brothers Osborne - Brothers Osborne
Kelsea Ballerini - Rolling Up the Welcome Mat
WINNER: Lainey Wilson - Bell Bottom Country
Tyler Childers - Rustin’ in the Rain
Zach Bryan - Zach Bryan
Best Música Urbana AlbumWINNER: Karol G - Mañana Será Bonito
Rauw Alejandro - Saturno
Tainy - Data

Best Pop Solo 

PerformanceBillie Eilish - What Was I Made For? (From the Motion Picture “Barbie”)
Doja Cat - Paint the Town Red
WINNER: Miley Cyrus - Flowers
Olivia Rodrigo - Vampire
Taylor Swift - Anti-Hero

Best Progressive R&B Album

Diddy - The Love Album: Off the Grid
Terrace Martin and James Fauntleroy - Nova
Janelle Monáe - The Age of Pleasure
WINNER: SZA - *