Watch: Ne-Yo Brings Hits and New Song 'Two Million Secrets' to NPR's Tiny Desk Concert

R&B singer Ne-Yo brought his smooth vocals and songwriting talents to NPR's Tiny Desk concert series on Friday.

Ne-Yo launched into a four-song medley of his hits, including "Because of You," "So Sick," and "Sexy Love," before surprising fans with a new song, "Two Million Secrets." Ne-Yo described the new track as a "personal reflection" on growth and redemption.

He further showcased his songwriting prowess with covers of songs he wrote for Rihanna ("Take a Bow"), Beyoncé ("Irreplaceable"), and Mario ("Let Me Love You").

The intimate concert concluded with Ne-Yo's signature anthem "Miss Independent."

Born Shaffer Chimere Smith, Ne-Yo is a Grammy Award-winning singer-songwriter with multiple platinum-selling albums. He remains a force in R&B, both with his own music and as a sought-after songwriter.

Watch the entire performance below.

BIG3 Co-founder Blasts WNBA as 'Male-Dominated System' After Clark's Record Nike Deal

John Mac, via Wikimedia Commons

Fresh off her historic selection as the number one draft pick by the Indiana Fever, 22-year-old Caitlin Clark has solidified her status as a marketing powerhouse.

Clark is poised to ink a record-breaking $28 million endorsement deal with Nike, which includes the development of her own signature shoe line. This development comes on the heels of her decision to turn down a groundbreaking offer from the BIG3 league, sparking discussions about the future of gender equity in professional sports.

The BIG3, a professional 3-on-3 basketball league co-founded by music icon Ice Cube and Jeff Kwatinetz, reportedly presented Clark with a $15 million package. This offer significantly surpasses the standard rookie salary in the WNBA, which stands at $76,535, highlighting the substantial financial gap between the two leagues.

In a guest column for Outkick, Kwatinetz argued that the WNBA "underpays" its stars, attributing this to a "male-dominated system" that controls basketball and limits opportunities for women. He criticized the NBA for exerting influence over the WNBA, alleging that it hinders women from receiving their fair share.

Kwatinetz further claimed in his Outkick column that Clark "found out about the BIG3 offer at the same time as everyone else," insinuating that her agents, with ties to the NBA, may have shielded her from the proposal.

The BIG3 has positioned itself as a proponent of equality, emphasizing its promotion of diversity by featuring female athletes competing at a high level alongside men. They highlight their female coaches and Black commissioner as evidence of their commitment to inclusivity.

While the financial opportunity presented by the BIG3 was undoubtedly tempting, questions linger about whether Clark, renowned for her finesse on the court, would have thrived in the league's physically demanding, defense-oriented environment. Was the offer truly withheld by her agents, or did Clark harbor reservations for other reasons?

This situation has become a focal point for discussions regarding the unequal treatment of women in basketball. Ongoing investigations by the Department of Justice into the NBA's business practices may shed light on the complexities underlying these disparities.

One thing remains certain: Caitlin Clark's journey is just beginning. Her decisions will be closely monitored, with some viewing her as a potential symbol of resistance to change or a catalyst for progress in terms of compensation and treatment of female athletes.

However, Clark's groundbreaking Nike deal offers a ray of hope. This lucrative endorsement signifies her immense marketing potential and could pave the way for a more prosperous financial future for female athletes in the WNBA. The inclusion of a signature shoe line in the deal is particularly noteworthy, elevating Clark to an unprecedented level of visibility within the sport.

This windfall stands in stark contrast to Clark's WNBA contract. The Indiana Fever will pay her a standard rookie salary, totaling $338,056 over four years. This amounts to a yearly salary of $76,535 in her first year, increasing slightly to $97,582 in her fourth year, should the team exercise their option.

The glaring disparity between Clark's Nike deal and her WNBA contract serves as a poignant reminder of the financial challenges faced by women's basketball players. While Clark's marketability transcends the court, questions persist about the equitable compensation of elite female athletes.

Mary J. Blige and A Tribe Called Quest Lead 2024 Rock & Roll Hall of Fame Inductees

Mary J. Blige, the "Queen of Hip-Hop Soul," and the pioneering alternative rap group A Tribe Called
Quest lead a strong contingent of Black artists selected for induction into the Rock & Roll Hall of Fame's 2024 class. The announcement was made during Sunday night's "Rock & Roll Hall of Fame Night" episode on "American Idol."

Mary J. Blige to be inducted into the 'Rock & Roll Hall of Fame’ at this years ceremony.

“The legendary musician has won 9 #GRAMMYs, sold over 60 million albums and 100 million records worldwide becoming one of the best-selling acts of all time”. pic.twitter.com/fmJGUvp0SR

— music data (@music__data) April 22, 2024

Blige, who began her career with Uptown Records in 1989, broke new ground in the hip-hop soul genre with R&B hits like "Real Love" and "You Remind Me." Her collaborations with iconic rap artists set a standard for blending R&B and hip-hop, notably her Grammy-winning duet with Method Man, "I'll Be There for You/You're All I Need to Get By," considered one of rap's greatest love songs.

Can I Kick It? 🌐 one of those classiqs

A Tribe Called Quest on the prod 🤝🏽 pic.twitter.com/Jsf9frNYEM

— THE GODMUTHA ✦ (@THEG0DMUTHA) January 26, 2024

A Tribe Called Quest, formed in Queens, New York, in 1985, quickly rose to prominence with their unique blend of jazz-infused beats and socially conscious lyrics. Their albums "People's Instinctive Travels and the Paths of Rhythm," "The Low End Theory," and "Midnight Marauders" are hailed as classics, influencing generations of artists.

Congratulations to the #RockHall2024 Inductee Class for achieving Music's Highest Honor! 🤘 Learn more about this year's Inductees here: https://t.co/6X9ozk4jQ1 pic.twitter.com/nIEja6t5ZT

— Rock Hall (@rockhall) April 22, 2024

Joining them are legendary singer Dionne Warwick, whose smooth vocals and timeless hits like "Walk on By" and "Do You Know the Way to San Jose?" created a signature blend of pop, gospel, and R&B. Funk legends Kool & the Gang, songwriter Norman Whitfield (mastermind behind Motown hits like "Ain't Too Proud to Beg" and "Just My Imagination"), and blues powerhouse Big Mama Thornton, credited with bridging the gap between blues and rock & roll, round out the class.

These artists, selected from a pool of nominees, helped shape the course of rock & roll with their originality, impact, and influence. The induction ceremony will be held live on Saturday, October 19th, at the Rocket Mortgage Fieldhouse in Cleveland, Ohio. Fans can tune in on Disney+ or catch a special airing on ABC at a later date, with streaming available on Hulu the following day.

Full List of 2024 Rock & Roll Hall of Fame Inductees

Performer Category:

Cher

Dave Matthews Band

Foreigner

Kool & the Gang

Mary J. Blige

Ozzy Osbourne

Peter Frampton

A Tribe Called Quest

Musical Influence Award:

Alexis Korner

John Mayall

Big Mama Thornton

Musical Excellence Award:

Jimmy Buffett

MC5

Dionne Warwick

Norman Whitfield

Ahmet Ertegun Award:

Suzanne de Passe

B.I.G.'s Legacy Lives On: 'Ready to Die' Officially a National Treasure

The Library of Congress has announced the latest additions to the National Recording Registry, with notable selections including ABBA's "Dancing Queen," Blondie's "Parallel Lines" and The Notorious B.I.G.'s "Ready to Die."

Librarian of Congress Carla Hayden unveiled the 25 new titles on Tuesday, citing their cultural, historical, or aesthetic significance in the nation's recorded sound heritage. The registry now boasts 650 titles, representing a diverse array of music genres and eras.

In addition to The Notorious B.I.G.'s "Ready to Die," other inductees include Gene Autry's rendition of "Rudolph, the Red-Nosed Reindeer," Héctor Lavoe's "El Cantante" and Green Day's "Dookie." The selection process involved input from the National Recording Preservation Board, which considered landmark recordings spanning from 1919 to 1998.

Hayden emphasized the importance of preserving America's musical legacy, stating, "The Library of Congress is proud to preserve the sounds of American history and our diverse culture through the National Recording Registry."

“Ready to Die” was both the debut studio album & the only album released by The Notorious B.I.G. before he was murdered in 1997. A landmark of rap & hip-hop, it features B.I.G.'s smooth delivery, vivid storytelling, humor, eroticism & creative sampling skills. #NatRecRegistry pic.twitter.com/wCeWFknv8Q

— Library of Congress (@librarycongress) April 16, 2024

The recognition of "Ready to Die" marks a milestone for hip-hop, as the album, released in 1994, serves as both The Notorious B.I.G.'s debut studio album and his only full-length studio release during his lifetime. B.I.G. was killed in 1997, and his music continues to influence new artists.

Produced by Sean "Puffy" Combs and featuring hit singles like "Juicy" and "Big Poppa," "Ready to Die" is celebrated for its innovative sampling, raw lyricism, and vivid portrayal of street life. The album achieved critical acclaim and commercial success, earning a 6x Platinum certification from the RIAA.

Quotes from music critics reflect the album's enduring impact: "One of the greatest rap albums ever made" (AllMusic), "A near-flawless debut...he effortlessly spins tales both gritty and witty" (Entertainment Weekly), and "It changed the sound of East Coast rap and revitalized the entire New York hip-hop scene" (Source Magazine).

The induction of "Ready to Die" into the National Recording Registry underscores its cultural significance and contribution to the evolution of hip-hop music. As part of the registry, the album will be preserved for future generations to appreciate and study.

Find a complete listing of this year's selections below.

Recordings Selected for the 2024 National Recording Registry

• “Clarinet Marmalade” – Lt. James Reese Europe’s 369th U.S. Infantry Band (1919)
• “Kauhavan Polkka” – Viola Turpeinen and John Rosendahl (1928)
• Wisconsin Folksong Collection (1937-1946)
• “Rose Room” – Benny Goodman Sextet with Charlie Christian (1939)
• “Rudolph, the Red-Nosed Reindeer” – Gene Autry (1949)
• “Tennessee Waltz” – Patti Page (1950)
• “Rocket ‘88’” – Jackie Brenston and His Delta Cats (1951) 
• “Catch a Falling Star” / ”Magic Moments” – Perry Como (1957)
• “Chances Are” – Johnny Mathis (1957) 
• “The Sidewinder” – Lee Morgan (1964)
• “Surrealistic Pillow” – Jefferson Airplane (1967)
• “Ain’t No Sunshine” – Bill Withers (1971)
• “This is a Recording” – Lily Tomlin (1971)
• “J.D. Crowe & the New South” – J.D. Crowe & the New South (1975)
• “Arrival” – ABBA (1976)
• “El Cantante” – Héctor Lavoe (1978)
• “The Cars” – The Cars (1978) 
• “Parallel Lines” – Blondie (1978)
• “La-Di-Da-Di” – Doug E. Fresh and Slick Rick (MC Ricky D) (1985)
• “Don’t Worry, Be Happy” – Bobby McFerrin (1988)
• “Amor Eterno” – Juan Gabriel (1990)
• “Pieces of Africa” – Kronos Quartet (1992)
• “Dookie” – Green Day (1994)
• “Ready to Die” – The Notorious B.I.G. (1994)
• “Wide Open Spaces” – The Chicks (1998)

'Like That' Success Drives Future, Metro Tour Hype

Future and Metro Boomin are hitting the road this summer with their "We Trust You" tour, and the hip-hop world is buzzing.

The tour announcement from Live Nation comes amidst a simmering feud with Drake, raising the temperature for these highly anticipated shows.

The dynamic duo is crushing the charts right now. Their album "We Don't Trust You" shot straight to No. 1 on the Billboard 200, and their Kendrick Lamar-assisted single "Like That" is unstoppable.

The beef rumors exploded when Kendrick dropped a fiery verse on "Like That," with lyrics widely seen as shots fired at Drake. Cryptic social media posts and a leaked Drake track, "Push Ups (Drop and Give Me 50)," only poured gasoline on the fire.

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A post shared by Young Metro 3 Times 💔 (@metroboomin)

The 27-date North American tour kicks off on July 30th in Kansas City, MO, with stops in major cities like Atlanta, Toronto, and Los Angeles before wrapping up in Vancouver, BC on September 9th.

Tickets go on sale to the general public on Friday, April 19th at 10 a.m. local time on the Live Nation website. VIP packages are also available for fans who want the ultimate experience.

Find all of the "We Still Don't Trust You" Tour dates below:

• July 30 – Kansas City, Mo. @ T-Mobile Center
• July 31 – Saint Paul, Minn. @ Xcel Energy Center
• Aug. 2 – Milwaukee, Wis. @ Fiserv Forum
• Aug. 3 – Chicago, Ill. @ Lollapalooza
• Aug. 4 – Detroit, Mich. @ Little Caesars Arena
• Aug. 6 – Nashville, Tenn. @ Bridgestone Arena
• Aug. 8 – Atlanta, Ga. @ State Farm Arena
• Aug. 10 – Columbus, Ohio @ Schottenstein Center
• Aug. 11 – Toronto, Ontario @ Scotiabank Arena
• Aug. 13 – Boston, Mass. @ TD Garden
• Aug. 14 – Philadelphia, Pa. @ Wells Fargo Center
• Aug. 15 – Brooklyn, N.Y. @ Barclays Center
• Aug. 17 – Washington, D.C. @ Capital One Arena
• Aug. 20 – New Orleans, La. @ Smoothie King Center
• Aug. 22 – Houston, Texas @ Toyota Center
• Aug. 23 – San Antonio, Texas @ Frost Bank Center
• Aug. 24 – Dallas, Texas @ American Airlines Center
• Aug. 25 – Tulsa, Okla. @ BOK Center
• Aug. 27 – Denver, Colo. @ Ball Arena
• Aug. 28 – Salt Lake City, Utah @ Delta Center
• Aug. 30 – Las Vegas, Nev. @ T-Mobile Arena
• Aug. 31 – Inglewood, Calif. @ Intuit Dome
• Sept. 3 – Sacramento, Calif. @ Golden 1 Center
• Sept. 4 – Oakland, Calif. @ Oakland Arena
• Sept. 6 – Seattle, Wash. @ Climate Pledge Arena
• Sept. 7 – Portland, Ore. @ Moda Center
• Sept. 9 – Vancouver, B.C. @ Rogers Arena

'Lamest S*** I Ever Did': J. Cole Regrets Kendrick Diss

In a surprising turn of events, J. Cole expressed regret over his recent diss track aimed at Kendrick Lamar during his performance at the Dreamville Festival in North Carolina.

During his set on Sunday, Cole reflected on his latest project, "Might Delete Later," and openly admitted to feeling remorse regarding his diss towards Kendrick Lamar.

Acknowledging his own misstep, Cole described it as "the most regrettable, misguided s—t," expressing a desire for reconciliation. This revelation follows a recent feud ignited by songs on both Lamar's and Cole's latest projects.

This is my 9/11
pic.twitter.com/zjLF0XN7Rn

— Cole World (@JColeVillle) April 8, 2024

Cole placed the song last on his surprise new project "Might Delete Later," which dropped on April 5. On the track, he responded to Lamar's verse on Future and Metro Boomin's "Like That," where Lamar took shots at Drake and J. Cole for categorizing him as part of "the big three."

"I'm so proud of ['Might Delete Later'], except for one part," said Cole. "It's one part of that sh—t that makes me feel like, man, that's the lamest sh—t I did in my life, right? And I know this is not what a lot of people want to hear."

Continuing his reflection, Cole expressed feeling conflicted about publicly responding to Lamar's diss and the pressure to engage in the discourse it sparked. He admitted that releasing the diss track "spiritually felt bad" and disrupted his peace.

In a plea for forgiveness and reconciliation, Cole publicly addressed Lamar, acknowledging his greatness and expressing regret for his actions. He concluded by hoping to return to his true path and acknowledging the discomfort he felt over the past two days as a result of the feud.

Additionally, Cole announced his decision to remove "7 Minute Drill" from streaming services as a gesture of remorse for its content.

Beyoncé's 'Cowboy Carter' Scores Biggest Sales Week of 2024

Courtesy Photo: Blair Caldwell/Parkwood Entertainment

Beyoncé has once again ascended to the pinnacle of the music industry, with her latest album "Cowboy Carter" galloping straight to the top of the Billboard 200 albums chart, securing her eighth No. 1 album on the all-genre chart.

According to data from Luminate, "Cowboy Carter" debuted at No. 1 on the Billboard 200 chart dated April 13, with an impressive 407,000 equivalent album units earned in the U.S. for the week ending April 4. This remarkable achievement marks Beyoncé's biggest week in terms of album units since her groundbreaking "Lemonade" album debuted with 653,000 units back in May 2016.

Notably, "Cowboy Carter" also achieved the biggest week for any album in 2024 and the largest since Taylor Swift's "1989 (Taylor's Version)" debuted with 1.653 million units in November 2023. The album's launch also marks Beyoncé's largest streaming week ever, underlining her enduring influence and popularity across various platforms.

In a historic moment, "Cowboy Carter" simultaneously topped multiple Billboard charts, including Top Country Albums, Americana/Folk Albums, and Top Album Sales charts. Beyoncé becomes the first Black woman ever to lead the Top Country Albums list, further solidifying her status as a boundary-breaking artist transcending genre boundaries.

The success of "Cowboy Carter" was propelled by the release of singles "Texas Hold ‘Em" and "16 Carriages," which debuted and peaked at Nos. 1 and 9, respectively, on Billboard's Hot Country Songs chart. These achievements mark Beyoncé's first entries on the country chart and further underscore her versatility as an artist capable of dominating multiple genres.

"Cowboy Carter" boasts an impressive lineup of featured artists, including Miley Cyrus, Willie Nelson, Dolly Parton, Post Malone, and Stevie Wonder, among others. The album's eclectic mix of collaborators adds depth and diversity to Beyoncé's musical repertoire, showcasing her ability to collaborate with a wide range of talents.

In addition to its chart-topping success, "Cowboy Carter" also achieved remarkable sales figures across various formats. The vinyl edition of the album sold 62,000 copies, marking Beyoncé's biggest week on vinyl and the largest week for any vinyl album in 2024.

From Lizard to Legend: 'The Dragon' Sisqo Unmasked on 'Masked Singer'

Photo Credit: Michael Becker/FOX

Fans of “The Masked Singer” who thought the Lizard might prevail in the popular Fox reality singing competition were proved wrong-wrug-wrong-wrong-wrong Wednesday when the show unleashed “The Dragon.” This reveal showed that Grammy-nominated singer Mark Althavan Andrews, better known as Sisqó, was the man behind the Lizard’s mask.

As the Group C final unfolded, Sisqó's Lizard persona bid farewell to the competition after a spirited performance of "Bring Me to Life" by Evanescence. He placed third.

Following his unmasking, Sisqó, 45, spoke with host Nick Cannon about his love for the show. "My family watches religiously, and they always insisted I was on it!" he said. "So when the opportunity came, I jumped at it – it's been a blast."

During the competition's "smackdowns," Sisqó channeled his resilience into the Dragon's performances. A poignant clue package alluded to his past struggles, highlighting how he overcame the temptations of a reckless lifestyle. Visual clues connected to fellow "Masked Singer" participant Busta Rhymes (as the Dragon), a microphone, and a photo of Beyoncé hinted at moments in his career.

Since his iconic 2000 hit "Thong Song," Sisqo's career has experienced highs and lows. Despite early success, he faced record label conflicts and a reputation for being "difficult."

In a 2016 "Where Are They Now?" interview, Sisqó reflected on these industry challenges and his desire for more creative control. He continues to make music and tours with the R&B group Dru Hill.