From Gladys Knight to Beyoncé: Library of Congress Names 2026 Audio Treasures

Sometime in the distant future, historians digging through the United States' most sacred cultural archives will find the Declaration of Independence, the Constitution, and Beyoncé telling them to put a ring on it.

On Thursday, the Library of Congress announced the 2026 class of the National Recording Registry, naming 25 audio treasures deemed so culturally, historically, or aesthetically important that they must be preserved for all of time. While the selections span 70 years of American history, this year’s list reads like a masterclass in the foundational sounds of hip-hop, R&B, and 90s alternative culture.

Beyoncé’s 2008 blockbuster "Single Ladies (Put a Ring on It)" was inducted into the permanent archives alongside Taylor Swift’s transformative 2014 pop pivot, "1989." The Library noted that Beyoncé didn't just release a song; she generated a cultural phenomenon that spawned millions of plays, a new catchphrase, and an epochal dance craze simultaneously.

But for fans of golden-era hip-hop and R&B, the 2026 registry goes much deeper than modern pop.

The U.S. government officially cemented the foundation of hip-hop production by inducting The Winstons' 1969 single "Amen, Brother." The B-side track features a six-second drum loop performed by Gregory Coleman — now universally known as the "Amen Break." That explosive rhythm became the most sampled musical riff in history, serving as the rhythmic backbone for acts ranging from N.W.A. to Salt-N-Pepa.

The Throwback Archives

The Library of Congress preserves audio deemed culturally or historically vital. Key 2026 throwback additions include:

• The Hip-Hop Blueprint: "Amen, Brother" – The Winstons (1969)
• The R&B Standard: "Midnight Train to Georgia" – Gladys Knight and the Pips (1973)
• The Crossover: "I Feel For You" – Chaka Khan (1984)
• The House Pioneer: "Your Love" – Jamie Principle/Frankie Knuckles (1986/1987)
• The Alt-Rock Anthem: "Weezer (The Blue Album)" – Weezer (1994)
• The Pop Phenomenon: "Single Ladies (Put a Ring on It)" – Beyoncé (2008)

The registry also honored the moment R&B, pop, and hip-hop vocabulary fully converged: Chaka Khan's 1984 smash "I Feel for You."

Originally written by Prince, Khan’s reimagined cover brought rap to the global mainstream with a legendary guest verse from Grandmaster Melle Mel and harmonica work from Stevie Wonder.

"'I Feel for You’ was a moment where everything converged: Prince’s genius, Stevie’s harmonica, Grandmaster Melle Mel’s rap, and whatever God put in me that day,” Khan said regarding the induction. “For the Library of Congress to say this recording belongs in the permanent collection of American sound heritage, that means it wasn’t just a hit, it was history. And I am so very grateful to have been part of it.”

The history of club culture was also preserved this year with the induction of "Your Love," the inescapable 1986 dance track by Chicago's Jamie Principle, which was later famously reworked by Frankie Knuckles. The Library recognized the track as a groundbreaking artifact in the history of house music and electronica.

Other massive legacy inductions include Gladys Knight and the Pips’ 1973 storytelling masterpiece "Midnight Train to Georgia," The Go-Go’s trailblazing 1981 debut "Beauty and the Beat," and Weezer’s 1994 self-titled grunge-era breakthrough, "Weezer (The Blue Album)."

In a nod to the 90s digital revolution, the Library even preserved the heavy metal-fueled soundtrack to the 1993 MS-DOS video game "Doom."

“Music and recorded sound are essential, wonderful parts of our daily lives and our national heritage," Acting Librarian of Congress Robert R. Newlen said Thursday. "The National Recording Registry works to preserve our national playlist for generations to come.”

The 2026 selections bring the registry to exactly 700 titles, a highly exclusive fraction of the Library’s massive collection of nearly 4 million audio items.

The Complete 2026 National Recording Registry

(Chronological Order)

• "Cocktails for Two" – Spike Jones and His City Slickers (1944)
• "Mambo No. 5" – Pérez Prado and His Orchestra (1950)
• "Teardrops from My Eyes" – Ruth Brown (1950)
• "Fly Me to the Moon (In Other Words)" – Kaye Ballard (1954)
• "Put Your Head On My Shoulder" – Paul Anka (1959)
• "The Blues and the Abstract Truth" – Oliver Nelson (1961)
• "Modern Sounds in Country and Western Music" – Ray Charles (1962)
• "Turn! Turn! Turn! (To Everything There Is a Season)" – The Byrds (1965)
• "Amen, Brother" – The Winstons (1969)
• "Feliz Navidad" – José Feliciano (1970)
• "The Fight of the Century: Ali vs. Frazier" (March 8, 1971)
• "Midnight Train to Georgia" – Gladys Knight and the Pips (1973)
• "Chicago" Original Cast Album (1975)
• "The Devil Went Down to Georgia" – The Charlie Daniels Band (1979)
• "Beauty and the Beat" – The Go-Go’s (1981)
• "Texas Flood" – Stevie Ray Vaughan and Double Trouble (1983)
• "I Feel For You" – Chaka Khan (1984)
• "Your Love" – Jamie Principle (1986) / Jamie Principle/Frankie Knuckles (1987)
• "Rumor Has It" – Reba McEntire (1990)
• "The Wheel" – Rosanne Cash (1993)
• "Doom" Soundtrack – Bobby Prince, composer (1993)
• "Go Rest High On That Mountain" – Vince Gill (1994)
• "Weezer (The Blue Album)" – Weezer (1994)
• "Single Ladies (Put a Ring on It)" – Beyoncé (2008)
• "1989" – Taylor Swift (2014)

Mary J. Blige Turns the Las Vegas Strip Into a Sanctuary for Survival Songs

Mary J. Blige appears in a promotional poster for "Mary J. Blige: My Life, My Story The Las Vegas Residency" at Dolby Live at Park MGM. Following a sold-out opening run in May, the "Queen of Hip-Hop Soul" added 10 additional performances scheduled for August, September, and October to meet overwhelming fan demand. (Promotional image via Live Nation)

Mary J. Blige has turned survival into a stage language, and now the Queen of Hip-Hop Soul is extending that testimony on the Las Vegas Strip.

After opening her first Las Vegas residency with a sold-out weekend at Dolby Live at Park MGM, Blige has added 10 new performances to "Mary J. Blige: My Life, My Story The Las Vegas Residency." The new dates will run Aug. 28-29, Sept. 2, Sept. 5-6, Oct. 23-24, Oct. 28 and Oct. 30-31, extending a production built around one of the most emotionally durable catalogs in modern R&B.

The residency, which opened May 1, is the first Vegas residency of Blige’s career. The show traces the arc of an artist who helped redraw the border between hip-hop and soul, moving through the pain, defiance and hard-earned joy that made records such as "Real Love," "My Life," "I’m Goin’ Down," "Family Affair" and "Be Without You" more than radio hits for generations of listeners.

The opening weekend also carried the feel of a New York family reunion, with appearances from The LOX, Method Man, Jadakiss and 50 Cent, according to MGM Resorts. But the larger story is Blige herself, standing in a Vegas spotlight after more than three decades of turning heartbreak, recovery and self-possession into communal release.

In an interview with Robin Roberts for "Good Morning America" that also featured footage on "Nightline," Blige described the residency as a milestone earned through endurance.

"The next chapter is just enjoying the fruits of my labor," Blige said. "This residency is the fruits. This is what I’ve worked for, this is what I’ve earned. And I’m here. I’m where I’m supposed to be. I’m doing what I’m supposed to do. And I didn’t give up."

That sense of arrival has been central to the rollout. Blige framed the show not as nostalgia, but as proof of survival for a fanbase that has mirrored her own life's journey.

"My fans have seen me go through so much — good, bad, the whole thing," Blige said. "But what they love most — the true fans — is that I’m not bitter, I’m better."

Tickets for the newly added performances are available through Ticketmaster. A Citi/AAdvantage presale began May 7 through Citi Entertainment, with the general on-sale having opened May 11. All shows are scheduled for 8 p.m. at Dolby Live at Park MGM.

From 'All Eyez on Me' to Camden Yards, Tupac Shakur’s Legacy Gets a Historic Weekend

A Tupac Shakur bobblehead released by the Baltimore Orioles is shown with Oriole Park at Camden Yards in the background. The Orioles hosted a Tupac Shakur bobblehead night Friday, May 8, 2026, during a game against the Athletics, capping a day that also included a Baltimore street dedication honoring the late rapper’s legacy. (Courtesy of the Baltimore Orioles)

Tupac Shakur’s cultural impact reached new institutional and civic milestones over the weekend, as the late hip-hop icon was honored with an induction into the Grammy Hall of Fame and a street dedication in one of the cities that shaped his early life.

More than three decades after it helped redefine West Coast hip-hop, Shakur’s 1996 double album “All Eyez On Me” has officially entered the Grammy Hall of Fame. The Recording Academy inducted the diamond-certified project as part of its 2026 class, honoring it Friday at the Grammy Hall of Fame Gala at the Beverly Hilton in Beverly Hills as a historically and culturally significant recording.

E.D.I. Mean, a longtime collaborator of Shakur and a member of the Outlawz, accepted the honor on behalf of the late rapper’s family, estate, friends and fans.

On the East Coast, the city of Baltimore celebrated Shakur’s formative years. On Friday, Mayor Brandon Scott officially rededicated a portion of Greenmount Avenue — in the Pen Lucy neighborhood where the rapper spent part of his childhood — as Tupac Shakur Way.

During the dedication ceremony, Scott reflected on Shakur’s artistic beginnings, noting that Baltimore was where he “really became a rapper.” The mayor highlighted that Shakur won his first rap contest at the Enoch Pratt Free Library and performed his first concert at the Cherry Hill Recreation Center.

“We have to continue to live and walk in the honor and legacy of Tupac Shakur, not just because he’s a Baltimorean, but most importantly because he was a man who lifted up and fought for his people and wanted us to be better for each other,” Scott said.

The Tupac Amaru Shakur Foundation also participated in the event, planting a peace pole as part of its effort to help create safe spaces for communities.

View this post on Instagram

A post shared by The Source (@thesource)

The tributes continued later that evening at Camden Yards, where the Baltimore Orioles hosted a Tupac Shakur bobblehead night during a game against the Athletics. Shakur’s sister, Sekyiwa “Set” Shakur, attended the game to throw out the ceremonial first pitch.

The baseball matchup held special geographic significance, bridging Shakur’s East Coast roots with his West Coast legacy in Oakland, California, where the Athletics played before leaving the city ahead of last season. In a nod to that legacy, the stadium played the familiar riff from “California Love” while the Athletics’ starting lineup was announced.

‘Thanks, Uncle Snoop’: Rapper Fulfills Promise To Upgrade Australian School’s Music Studio

Rapper Snoop Dogg interacts with students at Warringa Park School in Werribee, Australia. After noticing the school's outdated gear during this studio visit, the rapper donated thousands of dollars in new audio equipment. (Screengrab via Warringa Park School/YouTube)

Uncle Snoop has officially delivered for the students of Warringa Park School.

Snoop Dogg has donated thousands of dollars worth of professional music equipment to the special education school located in Victoria, Australia. The delivery, which included state-of-the-art studio speakers, microphones, and microphone stands, arrived months after the West Coast rap pioneer initially visited the campus.

View this post on Instagram

A post shared by JACQUELINE FELGATE (@jacquifelgate)

During his initial visit, Snoop surprised the students and spent time in their music class, famously laying down a verse for their original song, "Drip." According to local news reports, while the rapper was in the studio recording with the children, he noticed the school's music equipment had "seen better days" and personally promised to upgrade their setup.

Community Impact

Artist: Snoop Dogg
Recipient: Warringa Park School (Werribee, Victoria, Australia)
Donation: Professional studio monitors, microphones, and microphone stands to support special education music programs.

The new gear is designed to help take the students' music production to the next level.

"When it arrived, we just saw that same excitement and joy on the students' faces when they went to receive the equipment," Warringa Park School Principal Ashwini Sharma told reporters. "They felt so proud."

The students have already unboxed the new gear and recorded a heartfelt video message thanking the legendary rapper.

"Yeah, thanks, Uncle Snoop," one student said into a newly gifted microphone. "We love you. Alright, chill, peace out."

Quavo and Offset Reunite in Recording Studio, Teasing Posthumous Takeoff Album

The most important trio in modern Atlanta hip-hop is officially repairing its fractured foundation to honor the one who held them together.

On Sunday evening, the hip-hop world was sent into overdrive after Offset posted footage to his Instagram Story showing himself and Quavo working together in a recording studio. The video serves as the first definitive visual confirmation that the two foundational members of Migos have reconciled and are actively collaborating, confirming rumors of a posthumous project honoring their late groupmate, Takeoff.

The studio reunion follows a highly emotional exchange between the two rappers on social media earlier this week. Quavo initiated the public reconciliation by posting a tribute on Instagram, explicitly laying out the roadmap for their upcoming releases.

Quavo outlines the future of the Migos legacy in a heartfelt Instagram Story tribute to the late Takeoff, confirming plans for a dedicated posthumous album. The emotional post served as the catalyst for a highly anticipated public reconciliation with Offset earlier this week. (Quavo via Instagram)

"Warriors Never fold," Quavo wrote in the caption. "Jobs Not Finished. TAKEOFF ALBUM. UNC N PHEW 2. LAST ????? ALBUM. REAL MIGO BLOOD RUN IN MY VIENS!!! AINT NO NEW CHAPTER JUST THE NEXT ONE!!!"

Offset quickly validated the post, commenting, "On dat!!!" before sharing a photograph of all three Migos members together on his own page.

For fans of 2010s trap music, the reconciliation is the ultimate silver lining to a devastating few years. Migos has not released a collective studio album since "Culture III" in 2021. Shortly after that release, internal business disputes and personal grievances caused Quavo and Offset to drift apart, leading Quavo and Takeoff to form the splinter duo Unc & Phew.

Quavo commands the mixing console during a late-night recording session in a photo shared to Offset’s Instagram Story on Sunday. The studio link-up provides the first definitive visual confirmation that the surviving Migos members have officially reunited to finish Takeoff's posthumous project. (Offset via Instagram)

The tragic shooting death of Takeoff in late 2022 left a massive void in the Atlanta rap scene, fundamentally altering the trajectory of the group. While both surviving members have since released successful solo material — including Quavo's recent collaboration "MUTT" with NAV — the underlying tension regarding the group's legacy remained a heavy, unresolved topic in urban media.

Tonight's studio footage effectively closes that chapter of division. By putting their differences aside to finalize a posthumous Takeoff album, Quavo and Offset are ensuring that the architect of their signature triplet flow receives a proper musical send-off.

While an official release date and tracklist have yet to be confirmed, the image of Quavo and Offset back behind the boards guarantees that the Migos story is not over.

12-Year-Old North West Praised by Critics for Sonic Pivot on Debut EP 'N0rth4evr'

North West signals a definitive shift in her family's musical legacy. The 12-year-old artist released her self-produced debut EP, "N0rth4evr," on Friday, May 1, 2026, earning critical praise for bypassing traditional hip-hop to engineer her own wave of hyperpop, kawaii metal, and Gen Alpha digital aesthetics.

For millennials who grew up worshipping the chopped-up soul loops of the Roc-A-Fella dynasty, the sound of the future is officially a system shock.

On Friday, 12-year-old North West shattered expectations — and traditional hip-hop purists’ eardrums — with the release of her debut EP, "N0rth4evr."

Released via Larry Jackson's gamma. imprint, the six-track project acts as a blistering precursor to her highly anticipated full-length album, "The Elementary School Dropout." But instead of leaning on the classic boom-bap or polished R&B that defined her parents' generation, North has engineered a chaotic, self-assured masterclass in Gen Alpha aesthetics.

The Rolling Stone Review — North West's 'N0rth4evr'

"At just 12 years old, North’s debut is impressive regardless of her famous pedigree. Even for music royalty, talent still has to announce itself, and that’s what she’s done with N0rth4evr."

⭐️⭐️⭐️⭐️ pic.twitter.com/ClgB7qF1Sw

— Rolling Stone (@RollingStone) May 1, 2026

Operating with total creative conviction, she weaves a heavy, digital tapestry of kawaii metal, pluggnb, and hyperactive jersey club bounce.

The bold pivot is already paying critical dividends. Reviewing the project, Jeff Ihaza of Rolling Stone noted that the young artist "traverses the sonic styles of her generation — from nu-metal riffs to rage-rap 808s — with startling confidence." That sentiment was echoed across the industry Friday morning. The FADER praised her for "mutating her source material into something darker and more feral," while Apple Music described the EP as a space where "blistering rage-rap meets goth-rock with a sprinkle of Harajuku street style."

It is a critical reception that mirrors the industry-shaking impact of her father's 2004 debut, "The College Dropout." Just as a 26-year-old Kanye West bypassed the dominant gangster rap of the era by speeding up Chaka Khan and Lauryn Hill samples, his daughter is bypassing traditional pop structures entirely.

Instead of 1970s soul, North is aggressively mining 2000s digital culture. The EP’s opening track, "H0w Sh0uld ! f33l," flips a sample from Meg & Dia’s 2006 emo-pop anthem "Monster." Her experimental instincts drive the entire runtime. On "Th!s t!m3," she loops artist Social Repose's rock cover of Mumford & Sons' "Little Lion Man." The closing cut, "Aishite (愛して)," folds in 2015 Japanese Vocaloid culture, sampling producer Kikuo's "Love Me, Love Me, Love Me" alongside a credited appearance from digital icon Hatsune Miku.

Visually and sonically, "N0rth4evr" is a pure product of the internet. As Dazed magazine pointed out in its glowing review, her track titles "read like Roblox usernames or the mashed-up chat of a streamer Discord." The publication commended her "Carti-inspired maximalism" and the "whiplash melodics of jersey club basslines."

The response from her inner circle has been immediate. Her mother, Kim Kardashian, celebrated the release via Instagram with blue heart emojis, while her uncle Rob Kardashian made a rare social media appearance to post a screenshot of the EP. Beyond her family, North's credibility in the alternative space is cementing rapidly, building on her recent Japanese verse on FKA twigs' "Childlike Things." To cement the moment, West will be celebrating the EP today at a special pop-up experience at Complex L.A.

Lyrically, the 12-year-old tackles the reality of her impossible inheritance head-on. "How am I younger than you? / I'm who you look up to!" she taunts on the shuddering trap beat of "D!e." Later, on the trap-metal ripper "W0ah," she embraces the "nepo baby" discourse with an unexpectedly poignant finality: "I was born a star, I never had a choice."

"N0rth4evr" is a chaotic, 12-minute adrenaline shot. It proves that the scion of the West-Kardashian empire is not just inheriting the family business — she is tearing it down and rebuilding it on her own server.

Hip-Hop and Soul Legends Wu-Tang Clan, Sade and Luther Vandross Among 2026 Rock Hall Inductees

Nearly 30 years of cultural dominance are recognized as the Wu-Tang Clan is announced as an inductee to the Rock & Roll Hall of Fame Class of 2026. The group poses for a portrait circa April 1997, (L-R) U-God, Method Man, Raekwon, GZA, Ghostface Killah, Masta Killa, RZA, and Ol' Dirty Bastard. (Photo by Bob Berg/Getty Images)

The Rock & Roll Hall of Fame has officially announced its Class of 2026, delivering a monumental victory for the foundations of hip-hop and R&B.

Wu-Tang Clan, Sade, and the late Luther Vandross were officially named as performer inductees Monday night. The announcement cements the legacy of several foundational acts that significantly shaped the global musical landscape throughout the 1980s, 90s, and early 2000s.

Entering the Hall of Fame on their very first ballot, Wu-Tang Clan fundamentally redefined the structure and sound of hip-hop with their game-changing 1993 debut album, "Enter the Wu-Tang (36 Chambers)." Their induction recognizes the Staten Island collective's raw power, innovative business model, and enduring cultural impact.

Sade, whose smooth fusion of jazz and R&B defined late-century soul with hits like "Smooth Operator" and "The Sweetest Taboo," will join the hip-hop innovators in the main performer category. Vandross, widely considered one of the greatest vocalists of his generation with more than 25 million albums sold, will also be inducted posthumously.

"This diverse list of talented nominees recognizes the ever-evolving faces and sounds of rock & roll and its continued impact on youth culture," John Sykes, chairman of the Rock & Roll Hall of Fame Foundation, previously stated regarding this year's selection process.

Hip-hop's foundational roots were also heavily recognized in the Early Influence Award category, with pioneering MCs Queen Latifah and MC Lyte selected for induction. Additionally, Def Jam Recordings co-founder Rick Rubin, who produced iconic rap records throughout the 1980s and 90s, will receive the Musical Excellence Award.

However, the announcement did not arrive without significant controversy for R&B fans. The legendary group New Edition was surprisingly passed over for induction. Other notable 90s nominees who came up short this year include Lauryn Hill and Mariah Carey.

The official 2026 induction ceremony is scheduled to take place Nov. 14 at the Peacock Theater in Los Angeles.

Click here to view the full list of inductees. 

Usher and Chris Brown Announce Joint Stadium Tour for Late 2026

R&B superstars Chris Brown (left) and Usher (right) look at each other inside an elevator in this screengrab from the official trailer announcing their 2026 "The R&B Tour: Raymond & Brown." The surprise joint stadium run, touted as a historic event by fans, signifies a definitive public reconciliation following widespread reports of a violent physical altercation between the two artists in Las Vegas in May 2023.

Three years after a heavily publicized physical altercation in Las Vegas threatened to permanently fracture their relationship, R&B icons Usher and Chris Brown are joining forces for a massive co-headlining stadium run.



The two superstars officially announced "The R&B Tour: Raymond & Brown" over the weekend, dropping a synchronized cinematic trailer across their social media platforms. The high-production teaser features the two artists riding motorcycles through city streets before entering an elevator together. As they prepare to walk out to a roaring crowd, the artists exchange the only official words spoken about the collaboration so far: Usher turns and declares, "It's time," to which Brown responds, "Hell yeah."

View this post on Instagram

A post shared by BROWN (@chrisbrownofficial)

For millions of fans spanning two decades of contemporary rhythm and blues, the announcement is the ultimate realization of a long-requested collaboration — a stadium-sized alternative to the Verzuz battles that have historically dominated R&B debates.

However, the pairing is equally notable for the turbulent history it seemingly leaves behind.

In May 2023, the relationship between the two foundational artists appeared severely strained following an incident at Skate Rock City in Las Vegas. During Brown’s 34th birthday party, held the night before Usher’s Lovers & Friends festival, Brown reportedly became irate over the presence of singer Teyana Taylor. When Usher, who was hosting the event, attempted to intervene and de-escalate the situation, the confrontation spilled into the venue's parking lot. Multiple witnesses at the time alleged Brown and his security team jumped the "Confessions" singer, reportedly leaving him with a bloodied nose.

Neither artist pressed charges, and both ultimately performed at the festival the following day without publicly addressing the physical confrontation.

Now, any lingering animosity appears fully resolved as they prepare to share the stage for what industry analysts predict will be a historic box-office run.

Both artists enter the joint venture with massive commercial momentum. According to Billboard, Brown’s 2025 "Breezy Bowl XX" stadium tour raked in a staggering $295.5 million, making it the highest-grossing tour ever by a Black American male solo artist. Usher, meanwhile, continues to ride the wave of his widely celebrated Super Bowl LVIII Halftime Show and a multi-year Las Vegas residency that reportedly grossed over $100 million.

While official dates, specific cities, and venues for "The R&B Tour: Raymond & Brown" have not yet been released, the trek is expected to kick off in late 2026. The announcement coincides perfectly with Brown’s current promotional run; his highly anticipated new album is scheduled for release on May 8.

Representatives for the tour have not yet announced when official dates will drop or when tickets will go on sale.

Death Row Records Enters Its Cinematic Era as Snoop Dogg Readies New Album and True-Crime Thriller

Snoop Dogg appears in a scene from his newly released short film, "Ten Til Midnight." The West Coast rap mogul dropped the visual project on Friday as a precursor to his April 10 studio album, signaling Death Row Records' aggressive expansion into a full-fledged Hollywood production studio. (Screengrab/Death Row Records)

There was a time when Calvin Broadus Jr. was public enemy number one, a lanky, silky-voiced gangsta rapper who sent shockwaves through the American political establishment with a drawl smoother than a fresh set of Daytons. Three decades later, the artist universally known as Snoop Dogg isn't just surviving the culture — he is actively architecting its future from the Hollywood executive suite.

The West Coast icon is currently orchestrating a multimedia expansion that proves the Doggfather's bite is still as potent as his bark. Juggling a massive double-drop for his new "Ten Til Midnight" project with a high-profile acting and producing gig alongside cinema royalty, Snoop is effectively transforming the notorious Death Row Records banner into a full-fledged Hollywood studio.

This week, it was announced that the 54-year-old mogul will star in and produce the upcoming true-crime thriller "God of the Rodeo." Partnering with Ridley Scott's Scott Free Productions, the film adapts journalist Daniel Bergner's gritty reporting from inside Louisiana's infamous Angola Prison in 1967.

Directed by Rosalind Ross, the plot follows an inmate serving a life sentence (Shia LaBeouf) who enters the facility's brutal, gladiatorial inmate rodeo. But Snoop’s involvement is not limited to trading dialogue with LaBeouf. Through his Death Row Pictures banner, he and partner Sara Ramaker are co-producing the film, while Death Row Records is handling the entire soundtrack.

“Linking up with Scott Free Productions and working with Ridley Scott and Giannina Scott on 'God of the Rodeo' is life-changing and an honor,” Snoop said in a statement to Deadline. “Rosalind Ross brought a story with heart and grit, and that's what I'm about. Me and the team at Death Row Pictures stepping in as producers, I'm acting in it, and Death Row Records is building the soundtrack — and this one got soul.”

For a label that once terrorized the industry with raw, unfiltered G-funk, producing a Ridley Scott thriller is a staggering pivot. Yet, it fits perfectly into Snoop's 2026 playbook.

Simultaneously, the rapper is ushering in his next musical era. On Friday, Snoop dropped the short film "Ten Til Midnight," starring a new generation of West Coast heavyweights including Ray Vaughn, G Perico, BLK ODYSSY, and Hitta J3. The cinematic release serves as the visual appetizer for his full-length studio album of the same name, slated to hit streaming platforms on April 10.

By merging cinematic storytelling with his musical output — a strategy he honed with 2024's "Missionary" and 2025's "Iz It a Crime?" — Snoop is refusing to coast on nostalgia.

From 187 on an undercover cop to executive producing with the director of "Gladiator," Snoop's evolution is one of the most compelling character arcs in hip-hop history. Death Row Records is no longer just a label; it is a cinematic universe in its infancy. And right now, the Dogg is writing a script that could see it grow into an entertainment powerhouse.

Jay-Z Questions the Future of Rap Battles and Social Media Toxicity in New GQ Interview

THE ELDER STATESMAN: In this screengrab from his recent sit-down interview with GQ, Jay-Z reflects on the current state of hip-hop and the 30th anniversary of his seminal 1996 debut, "Reasonable Doubt." The 56-year-old mogul, who famously penned some of the most lethal diss tracks in rap history, called out the toxicity of modern internet "stan culture," warning that the genre's elite are too busy tearing each other apart to recognize the real political threats aimed at the culture. (Screengrab/GQ)

It is one of the great ironies of hip-hop history: the man who arguably perfected the modern diss track is now questioning whether the culture still needs the bloodsport.

As he prepares to celebrate three decades of his seminal 1996 debut, "Reasonable Doubt," Jay-Z is taking a hard, critical look at the current state of hip-hop warfare. In a sprawling, deeply candid cover story with GQ's Frazier Tharpe published this week, the Roc Nation founder addressed the toxic fallout of modern rap beefs — specifically referencing the historic, scorched-earth clash between Kendrick Lamar and Drake.

While Hov is intimately familiar with monumental hip-hop battles — his 2001 feud with Nas via tracks like "Takeover" and "Supa Ugly" remains the gold standard for lyrical warfare — he expressed deep reservations about how the internet era and rabid fanbases have weaponized the culture.

"We love the excitement, and I love the sparring, but in this day and age, there's so much negative stuff that comes with it that you almost wish it didn't happen," he told the magazine.

The 56-year-old billionaire mogul noted that the modern ecosystem of "stan culture" transforms competitive sparring into permanent character assassination.

"Now, people that like Kendrick hate Drake, no matter what he makes. It's like an attack on his character," he explained. "I don't know if I love that. I don't know if it's helpful to our growth where the fallout lands, especially on social media."

During the height of the Lamar and Drake feud, fans repeatedly attempted to drag Jay-Z into the fray, particularly after Lamar was selected to headline the 2025 Super Bowl Halftime Show — a decision brokered by Roc Nation. Hov found the internet's conspiracy theories absurd.

"What do I care about them two guys battling? What's that got to do with me? Have at it," he said. "They drag everybody in it, like everyone's part of this conspiracy to undermine Drake, I guess. But, it's like, what the f---? I'm f---ing Jay-Z! [Laughs.] All due respect to him. I'm f---ing Hov. Respectfully. It doesn't make any sense."

Beyond the sheer pettiness of social media, Jay-Z warned that the genre's elite are currently distracted by tearing each other apart while a larger, systemic threat looms.

"There is clearly an agenda to silence voices in our community, a heavy rightwing agenda," he stated. "And the culture is happily playing along in the name of this insane thirst of Stan culture to have something on the other side. We are in a strange time."

With his Yankee Stadium 30th-anniversary shows completely sold out for this summer, fans are naturally questioning if he will release a new studio project to accompany the run. While he admitted to having "a lot of scratch ideas," he refuses to drop music just to feed the algorithm or match the current fiery climate.

"I don't know what I need to create currently that's going to fulfill me and make me happy because that's most important. I know I just got to be honest about what I feel and where I am," he told GQ. "Trying to create something that people like is where I think a lot of artists get jammed up. And people can feel that because it's not authentic. I just got to make something timeless that I really love and that's really honest and true to who I am."

Watch Jay-Z reflect on three decades of dominance, the toxicity of modern rap beefs, and the 30th anniversary of "Reasonable Doubt" in the full video below.

Trap Choir and Tuxedos: Rick Ross Sets Formal Dress Code for ‘Port of Miami’ 20th-Anniversary Tour

Grammy-nominated hip-hop heavyweight Rick Ross, shown in this promotional portrait, is set to celebrate the 20th anniversary of his 2006 debut album, "Port of Miami," with a unique 17-city national tour. The "Port of Miami" 20th Anniversary Black-Tie Experience — featuring the Renaissance Orchestra and Sainted Trap Choir — will visit prestigious theaters across the country, with formal attire heavily encouraged for attendees. (Photo: Will Sterling Courtesy of MMG)

The Biggest Boss is trading standard arenas for symphony halls to celebrate the album that laid the foundation for his empire.

On Wednesday, Rick Ross officially announced the "Port of Miami" 20th Anniversary Black-Tie Experience. The 17-city national tour will celebrate two decades since the release of his blockbuster 2006 debut, pairing his foundational street anthems with the Renaissance Orchestra and the Sainted Trap Choir.

The ambitious trek will kick off on May 29 at the James L. Knight Center in his hometown of Miami, delivering an unprecedented level of luxury to chart-topping, trap-heavy records like "Hustlin'" and "Push It."

View this post on Instagram

A post shared by Rick Ross (@richforever)

For the Grammy-nominated hip-hop heavyweight, the tour is a deliberate pivot from a traditional hip-hop show into a high-society gala aesthetic. Attendees are heavily encouraged to dress in formal black-tie attire for the performances, which will hit illustrious venues across the country, including the Fox Theatre in Atlanta, the Beacon Theatre in New York, and the Chicago Theatre, before concluding in Charlotte, North Carolina, on August 29.

View this post on Instagram

A post shared by Rick Ross (@richforever)

“Port of Miami was the foundation of an empire, the blueprint to the biggest boss,” Ross stated in a press release regarding the tour's grand vision. “Twenty years later, we aren't just celebrating an album; we are elevating the culture. Bringing this music to the stage with a full orchestra and choir in a black-tie setting is about cementing the legacy. It's luxury, it's historic, and it's a milestone we are going to celebrate at the absolute highest level."

Released in August 2006, "Port of Miami" debuted at No. 1 on the Billboard 200 and permanently altered the soundscape of Southern rap. The album introduced the world to the undeniable, larger-than-life persona that would eventually define the Maybach Music Group era.

Ross also took to social media to celebrate the milestone, acknowledging his relentless two-decade run in the industry.

"Twenty summers later. I never stopped Hustlin," Ross wrote to his followers on Instagram. "A black-tie experience performed live with @renaissanceorchestra and the legendary @saintedtrapchoir. From the 305 to the world. Lock in your city. Get fly."

Tickets for the historic anniversary tour went on sale to the general public this morning, Friday, March 13.

30 Years Later: Snoop Dogg Pours One Out for Tupac With Limited-Edition Cali Red Blend

Snoop Dogg, center, and Tupac Shakur, right, share a toast in this archival behind-the-scenes footage from the 1996 music video shoot for "2 of Amerikaz Most Wanted." The rare footage is featured in a new short film released Tuesday accompanying Snoop Dogg's launch of a limited-edition Cali by Snoop wine honoring the 30th anniversary of their iconic collaboration. (Image courtesy of Treasury Wine Estates/Cali by Snoop)

Thirty years after they helped define the golden era of West Coast hip-hop, Snoop Dogg is raising a glass to his late friend and collaborator, Tupac Shakur.

On Tuesday Snoop Dogg's wine brand, Cali by Snoop, officially released "2 of Amerikaz Most Wanted," a limited-edition red blend celebrating the 30th anniversary of their iconic 1996 anthem. Developed in partnership with Treasury Wine Estates and the Tupac Estate, the release serves as a liquid tribute to one of the most legendary brotherhoods in rap history.

"It's hard to believe it's been 30 years since Pac and I got together to make '2 of Amerikaz Most Wanted,'" Snoop Dogg said in a press statement regarding the release. "Nobody did it like us, and I can't think of a better way to honor his legacy than with a drink. This wine is perfect for celebrating with loved ones, and I'm looking forward to the people pourin' a little out with me for my friend".

For the culture, the milestone runs deep. Released during the absolute peak of Death Row Records' dominance, the original track became the defining soundtrack of a turbulent but triumphant 1990s hip-hop boom. Notably, the cinematic visual for "2 of Amerikaz Most Wanted" stands as the only music video Snoop and Tupac ever filmed together.

The limited-edition "2 of Amerikaz Most Wanted" red blend by Cali by Snoop is shown in a promotional image. Snoop Dogg released the wine in partnership with the Tupac Estate to celebrate the 30th anniversary of their classic 1996 collaboration. The bottle's label features a custom illustration of the two hip-hop legends inspired by their joint appearance at the 1996 MTV Video Music Awards. (Image courtesy of Treasury Wine Estates/Cali by Snoop)

To accompany the wine launch, Cali by Snoop released a moving short film featuring rare, behind-the-scenes archival footage of the two superstars on the set of that exact video. In the clip, Snoop reminisces about their rapid rise, noting that they were often the only ones who truly understood the pressure they were under.

"When I think back on that time, I sometimes trip off all the drama, the courtrooms, the cases, the battles on and off record," Snoop says to his late friend in the tribute film. "But all of that played a part in the legends we became".

The wine itself is a Petite Sirah-dominant California red blend, characterized by tasting notes of toasty oak, dark fruit, toffee, and baking spice. The bottle's label artwork features a custom illustration of Snoop and Tupac inspired by their legendary joint appearance at the 1996 MTV Video Music Awards, complete with a written tribute to Shakur.

The "2 of Amerikaz Most Wanted" wine retails for $14.99 and is currently available at major retailers nationwide.

Legendary Producers Jimmy Jam and Terry Lewis Announce ‘Nothing but Hits’ Las Vegas Run

Legendary producers Jimmy Jam, left, and Terry Lewis are shown in a promotional image for their upcoming Las Vegas residency. The duo's "Nothing But Hits" shows will debut at Voltaire at The Venetian Resort this spring, featuring special guest appearances by vocalists Ruben Studdard and Shanice Wilson to perform their massive catalog of R&B classics.

The architects behind the Minneapolis Sound are officially taking their legendary, multi-decade catalog to the Strip.

Rock & Roll Hall of Fame production duo Jimmy Jam and Terry Lewis have announced a limited-run Las Vegas residency titled "Nothing But Hits," set to debut this spring at Voltaire at The Venetian Resort. The immersive live experience will mark the first time the iconic songwriting and production team will take the stage to perform and share the stories behind their staggering catalog.

The residency is currently scheduled for six performances on April 17–18, 22, and 24–26.

"We've been fortunate to do so many incredible things in our careers," Jimmy Jam said in a statement regarding the announcement. "But we've never had the chance to perform our catalog live. Being able to share these songs — and the stories behind them — is going to be special".

With a record-breaking 42 Billboard No. 1 hits and over 100 gold, platinum, and diamond albums to their credit, Jam & Lewis aim to deliver upwards of 40 hits per night. To handle the massive vocal requirements of their discography, the duo will be backed by a live band and a rotating cast of special guest vocalists, with "American Idol" winner Ruben Studdard and "Star Search" legend Shanice already confirmed to appear.

The Las Vegas run coincides with the 40th anniversary of Janet Jackson's landmark 1986 album, "Control," a project that fundamentally shifted the landscape of R&B and pop and cemented the duo's status as super-producers. Fans can expect a heavy emphasis on their defining work with Jackson, alongside anthems they crafted for Michael Jackson, Prince, Usher, Mary J. Blige and Boyz II Men.

"The show will feel like traveling through the soundtrack of your life," Terry Lewis added. "It's not just the music — it's the memories and moments connected to it."

Michael Jordan, Jay-Z, and Now Dr. Dre: How 90s Icons Dominate the 2026 Forbes Billionaires List

Record producer and entrepreneur Dr. Dre is shown in a May 2014 file photo. Twelve years after the landmark sale of Beats Electronics to Apple — which prompted Dre to prematurely declare himself hip-hop's first billionaire — Forbes officially added the Aftermath founder to its 2026 World's Billionaires List on Tuesday. Dre is currently back in the studio producing tracks for T.I.'s upcoming final album.

Twelve years ago, in a grainy, celebratory video alongside Tyrese Gibson, Dr. Dre infamously declared
himself the first billionaire in hip-hop following Apple's massive acquisition of Beats Electronics. Forbes quickly corrected the math at the time, noting he was still a couple hundred million dollars short. But as of this morning, the financial record has finally caught up to the brag.

Dr. Dre has officially joined the three-comma club. The legendary Aftermath founder made his debut on the Forbes 2026 World's Billionaires List on Tuesday, boasting an estimated net worth of exactly $1 billion.

"Dr. Dre has become the latest hip-hop artist to join the billionaire club. On Tuesday, March 10, Forbes confirmed the veteran rapper-producer landed on its World Billionaires List for the first time. The business outlet attributes his billion-dollar fortune to the success of his Aftermath Entertainment record label... and Beats Electronics."

— Forbes 2026 Billionaires List
Source: Forbes

According to Forbes, Dre's historic wealth is still primarily driven by the foundational $3 billion sale of Beats to Apple in 2014, combined with the enduring value of his Aftermath Entertainment record label — the launching pad for generational icons like Eminem, 50 Cent, and Kendrick Lamar. Recent business ventures, including his "Gin & Juice" ready-to-drink cocktail brand with Snoop Dogg, have also padded his portfolio.

The Billionaire Class: Where Dre Ranks Among the Culture's Elite

Dre’s induction into the billionaire ranks places him in highly exclusive company, making him only the sixth musician in history to cross the threshold.

He becomes just the second hip-hop artist currently on the list, trailing his longtime peer Jay-Z, who remains the wealthiest musician in the world with an estimated net worth of $2.8 billion. Jay-Z famously became hip-hop's first viable billionaire in 2019. The two moguls are now standing alone following the financial falls of Kanye West and Sean "Diddy" Combs. West, who peaked at over $2 billion, dropped to an estimated $400 million following the termination of his Adidas partnership. Combs, previously hovering near the milestone, has seen his net worth plummet to an estimated $400 million to $800 million amid mounting legal battles and lost partnerships.

The women of the golden era are also commanding massive fortunes. Rihanna remains America’s youngest self-made billionaire, sitting at $1.4 billion thanks to her Fenty Beauty and Savage X Fenty empires. Beyoncé has also officially solidified her billionaire status, boasting an even $1 billion valuation driven by decades of record-breaking music sales and world tours.

"As of December 2025, six music artists have reached the billionaire status... Jay-Z leading the list with $2.5 billion, Taylor Swift—the richest female musician—and then Rihanna, the first female artist to become a billionaire."

— Industry Wealth Rankings

Outside of music, the sports icons beloved by the 90s and 00s crowd continue to dominate the financial rankings. Michael Jordan towers over the athlete category with an estimated net worth of $3.8 billion, fueled by his enduring Nike royalties and the sale of the Charlotte Hornets. He is followed by Magic Johnson at $1.5 billion and LeBron James at $1.2 billion, both of whom crossed the milestone through savvy real estate, sports ownership, and business investments.

Back Behind the Boards

However, the newly minted billionaire is proving he has no intention of retiring his legendary ear. As his financial status hits a historic high, Dre is stepping back behind the boards to help craft a highly anticipated farewell for another rap pioneer.

Atlanta legend T.I. recently confirmed that Dr. Dre has contributed production to his forthcoming final album, "Kill the King". During a recent interview, Tip revealed the two collaborated on a track titled "Where I'm From," which also features Grammy-winning vocalist Anderson .Paak.