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| Southern soul legend Clarence Carter performs on stage in Baltimore in 1995. Carter, the blind singer and guitarist known for 1960s R&B hits and the enduring party anthem "Strokin'," died Wednesday, May 13, 2026, near Atlanta at the age of 90. (Photo by John Mathew Smith & www.celebrity-photos.com) |
Clarence Carter, the blind Southern soul pioneer who scored deep-feeling R&B hits in the 1960s before securing a permanent, multi-generational legacy with the bawdy cookout anthem "Strokin'," has died. He was 90.
Carter died Wednesday. Bill Carpenter, a spokesman for his former wife and fellow soul singer Candi Staton, confirmed the passing on Thursday. According to reports, Carter had recently been diagnosed with stage four prostate cancer and died from complications including sepsis and pneumonia. Rodney Hall, president of FAME Studios in Muscle Shoals, Alabama, where Carter recorded many of his biggest hits, also confirmed the news to Rolling Stone.
Born in Montgomery, Alabama, Carter lost his sight to glaucoma as an infant. He attended the Alabama School for the Blind and later earned a music degree from Alabama State College, using his formal education to develop a signature, blues-soaked baritone and a hard-driving rhythm guitar style.
Signing with FAME Records, Carter became a formidable force on the R&B charts in the late 1960s and early 1970s. He delivered a string of emotionally complex, brass-heavy hits, most notably the 1968 cheating ballad "Slip Away" and the 1970 Grammy-nominated tearjerker "Patches," a spoken-word hybrid about rural poverty that crossed over to the top of the pop charts.
But for the hip-hop and 90s/00s throwback generation, Carter’s cultural footprint extends far beyond traditional soul radio.
His raw, unfiltered 1968 holiday track "Back Door Santa" famously provided the foundational, blaring horn sample for Run-D.M.C.’s 1987 classic "Christmas in Hollis".
More prominently, Carter achieved a rare feat of cultural permanence in 1986 with the release of "Strokin'." Driven by a relentless synthesizer and Carter's unapologetic, spoken-word sexual humor, the track was deemed too explicit for mainstream radio play. Instead, it bypassed the industry entirely, thriving in nightclub jukeboxes and on mixtape cassettes to become an undisputed standard at cookouts, family reunions, and block parties for the next four decades.
Carter's ability to seamlessly pivot from heart-wrenching soul to working-class, juke-joint humor allowed him to survive changing musical eras that left many of his peers behind. He continued to tour and release music deep into his later years, keeping the Southern soul circuit alive while leaning heavily into his status as a cult-classic icon.
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