In a revealing interview on Shannon Sharpe's popular YouTube show "Club Shay Shay" on Thursday, R&B superstar Usher offered a heartwarming anecdote about encountering a young Beyoncé, then part of the group Girls Tyme (later known as Destiny's Child), during their early days in Atlanta.
Setting the record straight on longstanding rumors, Usher clarified he was never Beyoncé's nanny but acknowledged his role as the older presence during their early days. "I guess I watched over them while they were doing something in the house," Usher shared during the interview.
Beyond mere supervision, Usher recognized something extraordinary in the budding superstar. "I think I knew there was something very special about all of them," he admitted, emphasizing Beyoncé's unparalleled talent, brilliance and brightness. He credited choreographer Frank Gatson for echoing his early sentiments, noting Gatson's endorsement of Beyoncé's unique qualities.
As the interview unfolded, Usher expressed pride in witnessing Beyoncé's rise to fame. "It's amazing to see what she's done," he marveled, highlighting her multifaceted success not just in music but across various creative endeavors.
Usher's revelations extended beyond personal anecdotes to encompass his experience dancing with the legendary Michael Jackson. He described the encounter as "nerve-wracking" and shared the praise he received for seamlessly combining singing and dancing.
The conversation also touched upon Atlanta's current dominance in the music industry, with Usher, a proud representative of the city's vibrant scene, underscoring the importance of celebrating the broader cultural movement fueling the music.
Shifting gears to the state of R&B, Usher offered a nuanced perspective, debunking the notion that R&B is dead. He challenged the conventional measure of success based solely on chart positions, asserting that R&B's influence permeates various genres, acknowledging its roots in gospel, blues and modern music.
In a bold move, Megan Thee Stallion has announced a summer tour and album titled "Hot Girl Summer" on Tuesday, reclaiming the term associated with her and fellow rapper Nicki Minaj despite their recent public feud.
The tour and album signal a powerful revival of empowerment and self-love, harking back to the collaboration that Megan and Minaj once celebrated together. This revelation unfolds amidst a contentious back-and-forth between the two artists, turning what was once a celebrated partnership into a clash marked by subliminal disses and online confrontations.
Confidently declaring on "Good Morning America," Megan stated, "The Hot Girl Summer Tour is gonna be 2024 summertime." This announcement goes beyond a mere return to the stage; it's a bold assertion of ownership for Megan, reclaiming a phrase she helped popularize and infusing it with fresh energy after years of navigating industry dynamics and personal battles.
While specific tour details, including dates and locations, remain under wraps, fans can anticipate the ultimate "Megan Thee Stallion experience." Expect sweat-drenched anthems celebrating self-love and female empowerment, interwoven with fire beats to create an electrifying spectacle. Adding to the excitement, Megan teased a new album dropping before the tour, promising fresh bangers to soundtrack the season's liberation.
However, the impending summer's heat is shadowed by a chilling development. Minaj, once a collaborator and friend, has become an antagonist in this unfolding drama. According to TMZ, Paradise South Cemetery, where Megan's mother rests, is now under heightened security after Minaj's fans leaked its location online — an incident that adds another layer to the ongoing battle between the two artists.
Their collaboration began showing cracks in late 2019, coinciding with Megan's work with Cardi B, Minaj's longtime rival. Public appearances together dwindled, and social media interactions became less frequent. In August 2020, Minaj's tweet questioning the narrative surrounding Megan's shooting was interpreted by many as insensitive, sparking accusations of betrayal. Minaj later clarified her tweet as a general message about protecting women, but the damage was done.
Subliminal disses in both artists' music fueled further speculation about a rift, reaching new heights in January 2024 when Minaj made disrespectful comments about Megan's late mother on a streaming platform. This ignited a social media firestorm and led to the doxxing of Megan's mother's gravesite.
Despite the ongoing drama, both Megan and Nicki Minaj continue to be successful solo artists with dedicated fan bases and numerous accolades. As Megan gears up for her "Hot Girl Summer" reclamation tour and album, the unfolding personal conflict will undoubtedly be closely watched by the public eye.
From cold nights spent huddled on the unforgiving streets of Hollywood to a radiant star gleaming on the prestigious Walk of Fame, Charlie Wilson's journey is a testament to resilience and the transformative power of music. On Monday, surrounded by music royalty like Kanye West and Snoop Dogg, Wilson received the 2,770th star, marking a triumphant return to the very boulevard where he once sought refuge in his darkest hour.
The star-studded celebration unfolded on Hollywood Boulevard, where the echoes of Wilson's iconic hits like "You Dropped A Bomb On Me" and "Early In The Morning" must have danced on the wind years ago, unknowingly serenading the future hitmaker who walked amongst them. Now, an ecstatic crowd adorned with birthday balloons pulsated to these familiar rhythms, celebrating not only Wilson's 71st birthday but also his induction into the hallowed halls of the Walk of Fame.
"The Lord has truly blessed me," Wilson declared, his voice brimming with emotion as he gazed upon his star. For him, this wasn't just a career milestone; it was a symbol of redemption. Years ago, this very stretch of asphalt served as his cold, unforgiving bed during a period of homelessness and addiction. But tonight, the deafening cheers of the crowd drowned out the ghosts of his past, replaced by heartfelt tributes and the warmth of a community that had witnessed his struggles and now reveled in his triumph.
"To my Snoop," Wilson proclaimed, his eyes glistening with gratitude as he addressed his fellow music icon, "when some people would say no, you would make them say yes. What did you do to them, man?" His playful quip drew laughter from the crowd, highlighting the deep bond he shared with Snoop Dogg, who not only celebrated his artistic legacy but also acknowledged his unwavering support for their families.
Snoop Dogg, in turn, reflected on Wilson's impact beyond the realm of music, declaring, "Charlie Wilson, this man right here means the world to me, especially in terms of me and my wife." The scene unfolded like a surreal movie, with Kanye West materializing in his signature mask and gloves to pay his respects, and Pharrell Williams sending a pre-recorded message praising Wilson's enduring influence.
Amidst the glitter and glamour, the undercurrent of resilience remained. Wilson's battle with prostate cancer in 2008 served as a stark reminder of life's fragility, but it also fueled his advocacy for early detection and treatment. Today, 16 years cancer-free, he continues to inspire through his music and his autobiography, "I Am Charlie Wilson," a testament to the human spirit's potential for overcoming adversity.
Hollywood's streaming giants are poised for a major clash at the 55th NAACP Image Awards, with Netflix leading the pack with 55 nominations. Rival Amazon trails closely behind with 27 nods, setting the stage for a thrilling battle for supremacy across film, television and music.
But beyond the streaming duel, a timeless classic reasserted its cultural relevance. "The Color Purple" garnered a commanding 16 nominations in the Outstanding Motion Picture category, earning acting recognition for powerhouses like Fantasia Barrino, Danielle Brooks, Halle Bailey, Taraji P. Henson, Colman Domingo and Corey Hawkins.
This year's nominations, unveiled Thursday, showcase the dazzling spectrum of artistic talent within the Black community. On the television front, the critically acclaimed comedy "Abbott Elementary" landed multiple nominations for its star-studded cast, including Quinta Brunson, Tyler James Williams, Janelle James and Sheryl Lee Ralph.
2024 NAACP Image Awards Nominations
Outstanding Supporting Actress in a Comedy Series
Ayo Edebiri – “The Bear”⁰Ego Nwodim – “Saturday Night Live”⁰Janelle James – “Abbott Elementary”⁰Sheryl Lee Ralph – “Abbott Elementary”⁰Shoniqua Shandai – “Harlem” pic.twitter.com/H5gVXjcb3m
Music saw Victoria Monét dominate with six nominations, including outstanding new artist, outstanding female artist, and outstanding album for "Jaguar II." Super Bowl LVIII performer Usher also grabbed five nominations, including outstanding male artist and outstanding music video/visual album for "Boyfriend."
2024 NAACP Image Awards Nominees Announced: Victoria Monét and Usher Lead Music Categories https://t.co/Y3uDvDGbcU
"NAACP President Derrick Johnson called this year's nominees 'an inspiration to us all,'" stating, "The Image Awards stand as a tribute to their creativity, talent, and dedication to authentic storytelling, a testament to the richness and diversity of our community."
The public can have their say in select categories through voting, open until February 24 at www.naacpimageawards.net. The 55th NAACP Image Awards air live on March 16 at 8 PM Eastern Time on BET and CBS. A full list of nominees is available here.
Marlena Shaw, the revered soul and jazz vocalist whose voice graced timeless hits like "California Soul" and "Woman of the Ghetto," has died at the age of 81. The news was confirmed by Shaw's daughter, Marla Bradshaw, in a video posted on Facebook on Friday. No cause of death was given.
“It’s with a very heavy heart for myself and my family I announce that our beloved mother, your beloved icon and artist Marlena Shaw has passed away today at 12:03,” Bradshaw shared. “She was peaceful. We were at peace.”
Shaw's musical journey began in 1966 when she signed with Chess Records. Her rise to prominence came through Cadet Records, a subsidiary of Chess, where she released two defining albums: "Out of Different Bags" (1967) and "The Spice of Life" (1969). The latter featured the iconic "California Soul," penned by Ashford & Simpson. With its infectious groove and optimistic lyrics, the song became an instant classic, later sampled by countless artists and featured in numerous films and TV shows, solidifying its place as a timeless treasure.
RIP Marlena Shaw. The Spice Of Life LP was one of those records which shaped my teens, but as a kid raised on jazz, I can’t help but love seeing Marlena in action with Count Basie. Here they are in Stockholm in ‘68 pic.twitter.com/wigtj3HGoQ
In 1972, Shaw transitioned to Blue Note Records, where she continued to release critically acclaimed albums like "Marlena" (1972), "From the Depths of My Soul" (1973) and the live album "Marlena Shaw Live at Montreux" (1974). Her prolific career spanned eight record labels and yielded a total of 17 albums, each showcasing her versatility and artistic depth.
RIP to one of the greatest & beautifully distinctive Soul/Jazz/Blues songstresses, Marlena Shaw. 🕊️
Since it’s #NationalDJDay, what better way to celebrate 2 Icons than sharing this fly-assed routine of ‘California Soul’ by the one n only @SkratchBastid 🔥🔥
While "California Soul" remains her most recognized song, Shaw's repertoire extended far beyond this single hit. Her soulful renditions of "Feel Like Making Love," "Loving You Was Like A Party" and "Go Away Little Boy" captivated audiences with their raw emotion and playful energy. Her 1990 Grammy nomination for her cover of "Is You or Is You Ain't My Baby" further cemented her place as a vocal powerhouse with an impressive range.
Beyond her solo career, Shaw's musical tapestry became a treasure trove for hip-hop artists.
Jay-Z's iconic "California Love" wove Shaw's vocals into a smooth West Coast anthem, while Gang Starr's "Check the Technique" laid a gritty boom-bap foundation with the song's chorus. But Shaw's influence wasn't limited to this one hit. DJ Shadow's "Organ Donor" chopped and reimagined "Loving You Was Like a Party" into a mesmerizing soundscape, and Laika reclaimed the iconic melody for female empowerment in her own "California Soul." Even the defiant fire of "Go Away Little Boy" found new life in Xzhibit's hard-hitting "Infiltrator."
George "Dr. Funkenstein" Clinton, the 82-year-old funk pioneer, was honored with a star on the Hollywood Walk of Fame on Friday. The ceremony featured speeches from notable figures such as Anthony Kiedis of the Red Hot Chili Peppers, legendary Motown songwriter Janie Bradford and civil rights lawyer Ben Crump.
“This feels good as s***,” exclaimed Clinton during the ceremony. “I’m proud as hell.”
Serving as the creative force behind the iconic bands Parliament/Funkadelic, Clinton played a pivotal role in crafting timeless classics such as “(I Wanna) Testify,” “P. Funk (Wants to Get Funked Up),” “Star Child (Mothership Connection),” “Tear the Roof Off the Sucker (Give Up the Funk),” “Flash Light,” “Aqua Boogie,” “One Nation Under a Groove,” “(Not Just) Knee Deep” and “Atomic Dog.”
Parliament-Funkadelic's musical influence transcends the dance floor, weaving into the very fabric of contemporary genres. Their groundbreaking fusion of psychedelia, funk, rock, and soul ignited a sonic revolution resonating across generations.
Reflecting on his seven-decade music career, Clinton shared insights into the highs and lows, emphasizing the ever-changing nature of fame. “I learned early on in this journey that you are only as big as your latest hit,” he remarked. “So you had to keep things in perspective, to keep from getting a big head. I found out that there would be times when it seemed like everyone knew your name. Then were times when no one knew you. I learned to respect the balance.”
Recounting his early inspirations and challenges, Clinton revealed how rejection by Motown for not looking as cool as the Temptations led him to adopt a new, hippie-inspired look for his groundbreaking groups Funkadelic and Parliament. “About as anti-Motown as you could get!” he quipped.
Before Clinton’s speech, Kiedis took to the podium, sharing his memories of being inspired by the funk icon and living near him during the production of Red Hot Chili Peppers' 1985 album, "Freaky Styley." “We started writing, and George started teaching us,” said Kiedis. “For me personally, George became an instant friend, a teacher, a mentor, a father figure, a co-conspirator, an instigator, and, honestly, a conductor of alien enterprises, truth be told.”
Bradford, looking back at the '70s heyday of Funkadelic, congratulated Clinton on his continued work at 82. “My kids think I’m cool because I know George Clinton. I think I am blessed that he is my friend and I am his. Congratulations, George!”
Crump emphasized the unifying power of Clinton’s music, stating, “Now more than ever in the world, we need music that brings us all together. And nobody’s music brings us all together quite like this brother’s brings us together — one nation under a groove. This brother got brothers and sisters all across the globe coming together through the Mothership Connection.”
The star, located at 6752 Hollywood Blvd. in front of the Musicians Institute, marks the 2769th addition to the Hollywood Walk of Fame.
In addition to the Walk of Fame induction, a documentary titled "Mommy, What’s a Funkadelic?" is in the works, delving into Clinton’s life and influence. Written by Ishmael Reed and co-directed by Alan Elliott and Christopher Harris, the documentary promises an absurdist take on Parliament-Funkadelic’s history with unprecedented access to Clinton’s archive.
Snoop Dogg's daughter, Cori Broadus, 24, suffered a severe stroke earlier on Thursday, she revealed in a series of emotional Instagram posts. Broadus, who has battled lupus since she was 6, shared her shock and confusion after learning of the diagnosis.
"I had a severe stroke this am," she wrote, accompanied by a photo of herself in a hospital bed. "I started breaking down crying when they told me."
The young singer, known by her stage name CHOC, further expressed her disbelief in a subsequent post. "Like I'm only 24," she wrote. "What did I do in my past to deserve all of this?"
Broadus' announcement resonated with her 657,000 followers, sparking an outpouring of support. This isn't the first time she's opened up about her health struggles. In 2021, she spoke candidly about battling mental and physical health issues, including a past suicide attempt.
"Just because my dad is who he is doesn't mean I don't get sad," she shared at the time. "I've been sick, I am sick. It's a lot."
Her father, Snoop Dogg, and his wife Shante have been unwavering in their support throughout her health journey. In fact, Cori's decision to switch to a holistic approach to managing her lupus last year stemmed from a desire to reduce her reliance on medication.
"I've had medication since I was 6 years old, depending on these drugs all my life," she explained to People magazine. "So I kind of just went cold turkey."
Her Instagram posts offered no updates on the type of stroke she experienced or her current medical status. However, the outpouring of love and concern online suggests a close-knit community anxiously awaiting further details.
Diddy helping launch CirocVodka Spritz in a 2022 campaign.
Sean "Diddy" Combs has reached a settlement with Diageo, the London-based spirits giant, concluding a legal battle that spanned seven months. The agreement, announced on Tuesday, results in Diageo taking sole ownership of Ciroc vodka and DeLeon tequila, brands previously endorsed by Combs.
In a joint statement, both parties declared that "Mr. Combs has withdrawn all of his allegations about Diageo and will voluntarily dismiss his lawsuits against Diageo with prejudice. Diageo and Mr. Combs have no ongoing business relationship, either with respect to Ciroc Vodka or DeLeón Tequila, which Diageo now solely owns."
While the specific financial terms of the settlement remain undisclosed, the resolution follows Combs' accusations against Diageo, including claims of racist tactics and negligence in promoting and investing in his spirits. The Supreme Court of New York had initially rejected Diageo's attempt to dismiss Combs' claims.
Combs, who entered a promotional deal for Ciroc in 2007 and later acquired DeLeon with Diageo in 2013, alleged that the company failed to fulfill promised investments and treated the brands as inferior "urban" products. The neglect reportedly intensified after Diageo acquired competing tequila brands, Don Julio in 2014 and Casamigos in 2017.
In addition to financial grievances, Combs accused Diageo of racism, claiming that the company restricted distribution to racially defined "urban" neighborhoods and harbored resentment for his financial success. Diageo vehemently denied these allegations, dismissing them as "false and reckless."
The legal dispute had broader implications beyond the spirits industry, impacting Combs' public image, which has faced multiple legal challenges in recent months. In November 2023, former girlfriend Cassie Ventura (R&B singer Cassie) filed a $30 million lawsuit accusing Combs of rape, sex trafficking, and abuse, which was settled for an undisclosed sum.
Another lawsuit was filed by Joi Dickerson-Neal, alleging that Combs drugged, sexually assaulted, and filmed her in 1991 when she was a college student. Bad Boy Records and Bad Boy Entertainment are also listed as defendants. Combs denies these allegations.
A third woman, identified as Jane Doe, filed a lawsuit accusing Combs of sexual assault and revenge porn in the early 1990s, which he also denies.
In a groundbreaking moment at Monday night's Emmy Awards, Quinta Brunson made history by securing the award for Best Lead Actress in a Comedy Series for her stellar performance in ABC's "Abbott Elementary." The accolade, presented by television legend Carol Burnett, marked a significant milestone in Brunson's career.
As Brunson took the stage to accept the Emmy, her emotions were palpable. The recognition not only honored her exceptional talent but also positioned her as the first Black woman to achieve this feat since Isabel Sanford in 1981 for "The Jeffersons."
Visibly overwhelmed in the moment, Brunson began her acceptance speech with a heartfelt "Wow," expressing gratitude and acknowledging the profound impact of receiving the award from Burnett. Fighting back tears, she said, "Thank you so much. I don't even know why I'm so emotional. I think, like, the Carol Burnett of it all. I love making 'Abbott Elementary' so much, and I am so happy to live my dream and act out comedy."
She closed her speech by extending her gratitude to her parents, sisters, brothers, husband, and the cast of "Abbott Elementary."
Other prominent Black winners included Ayo Edebiri, who took home the award for Outstanding Supporting Actress in a Comedy Series, and Niecy Nash-Betts, who won the award for Outstanding Supporting Actress for her role as Glenda Cleveland in the Netflix series "Dahmer — Monster: The Jeffrey Dahmer Story." She dedicated the win to overlooked Black and Brown women.
Niecy Nash-Betts is finally an Emmy winner after 5 nominations and she gave one of the best speeches in #Emmys history!
Brunson's groundbreaking win is not only a personal triumph but also a significant step toward increased representation and diversity in the entertainment industry. Her role as the creator, writer, and lead actress in "Abbott Elementary" reflects her multifaceted talent and dedication to her craft.
The two-time Emmy winner, previously awarded in 2022 for outstanding writing in a comedy series, continues to make waves with her nominations at the 75th Emmy Awards. Nominated for outstanding guest actress in a comedy series for her episode of "Saturday Night Live," and with "Abbott Elementary" in the running for outstanding comedy series, Brunson's impact on the television landscape is undeniable.
"Abbott Elementary," a workplace comedy set in a public school in Philadelphia, showcases Brunson's commitment to telling compelling stories that resonate with audiences despite resource constraints. As Brunson etches her name in the Emmy history books, her win marks a moment of celebration, inspiration, and a testament to the power of diverse voices in entertainment.
For the complete list of winners, please find it below.
Outstanding Drama Series:
"Andor"
"Better Call Saul"
"The Crown"
"House of the Dragon"
"The Last of Us"
"Succession" (WINNER)
"The White Lotus"
"Yellowjackets"
Outstanding Comedy Series:
"Abbott Elementary"
"Barry"
"The Bear" (WINNER)
"Jury Duty"
"The Marvelous Mrs. Maisel"
"Only Murders in the Building"
"Ted Lasso"
"Wednesday"
Outstanding Limited Series:
"Beef" (WINNER)
"Dahmer — Monster: The Jeffrey Dahmer Story"
"Daisy Jones & the Six"
"Fleishman Is in Trouble"
"Obi-Wan Kenobi"
Outstanding Lead Actor in a Drama Series:
Jeff Bridges, "The Old Man"
Brian Cox, "Succession"
Kieran Culkin, "Succession" (WINNER)
Bob Odenkirk, "Better Call Saul"
Pedro Pascal, "The Last of Us"
Jeremy Strong, "Succession"
Outstanding Lead Actress in a Drama Series:
Sharon Horgan, "Bad Sisters"
Melanie Lynskey, "Yellowjackets"
Elisabeth Moss, "The Handmaid’s Tale"
Bella Ramsey, "The Last of Us"
Keri Russell, "The Diplomat"
Sarah Snook, "Succession" (WINNER)
Outstanding Supporting Actor in a Drama Series:
F. Murray Abraham, "The White Lotus"
Nicholas Braun, "Succession"
Michael Imperioli, "The White Lotus"
Theo James, "The White Lotus"
Matthew Macfadyen, "Succession" (WINNER)
Alan Ruck, "Succession"
Will Sharpe, "The White Lotus"
Alexander Skarsgård, "Succession"
Outstanding Supporting Actress in a Drama Series:
Jennifer Coolidge, "The White Lotus" (WINNER)
Elizabeth Debicki, "The Crown"
Meghann Fahy, "The White Lotus"
Sabrina Impacciatore, "The White Lotus"
Aubrey Plaza, "The White Lotus"
Rhea Seehorn, "Better Call Saul"
J. Smith-Cameron, "Succession"
Simona Tabasco, "The White Lotus"
Outstanding Lead Actor in a Comedy Series:
Bill Hader, "Barry"
Martin Short, "Only Murders in the Building"
Jason Segel, "Shrinking"
Jason Sudeikis, "Ted Lasso"
Jeremy Allen White, "The Bear" (WINNER)
Outstanding Lead Actress in a Comedy Series:
Christina Applegate, "Dead to Me"
Rachel Brosnahan, "The Marvelous Mrs. Maisel"
Quinta Brunson, "Abbott Elementary" (WINNER)
Natasha Lyonne, "Poker Face"
Jenna Ortega, "Wednesday"
Outstanding Supporting Actress in a Comedy Series:
Alex Borstein, "The Marvelous Mrs. Maisel"
Ayo Edebiri, "The Bear" (WINNER)
Janelle James, "Abbott Elementary"
Sheryl Lee Ralph, "Abbott Elementary"
Juno Temple, "Ted Lasso"
Hannah Waddingham, "Ted Lasso"
Jessica Williams, "Shrinking"
Outstanding Supporting Actor in a Comedy Series:
Anthony Carrigan, "Barry"
Phil Dunster, "Ted Lasso"
Brett Goldstein, "Ted Lasso"
James Marsden, "Jury Duty"
Ebon Moss-Bachrach, "The Bear" (WINNER)
Tyler James Williams, "Abbott Elementary"
Henry Winkler, "Barry"
Outstanding Lead Actor in a Limited Series or TV Movie:
Taron Egerton, "Black Bird"
Kumail Nanjiani, "Welcome to Chippendales"
Evan Peters, "Dahmer — Monster: The Jeffrey Dahmer Story"
Daniel Radcliffe, "Weird: The Al Yankovic Story"
Michael Shannon, "George & Tammy"
Steven Yeun, "Beef" (WINNER)
Outstanding Lead Actress in a Limited Series or TV Movie:
Lizzy Caplan, "Fleishman Is in Trouble"
Jessica Chastain, "George & Tammy"
Dominique Fishback, "Swarm"
Kathryn Hahn, "Tiny Beautiful Things"
Riley Keough, "Daisy Jones & the Six"
Ali Wong, "Beef" (WINNER)
Outstanding Supporting Actor in a Limited Series or TV Movie:
Murray Bartlett, "Welcome To Chippendales"
Paul Walter Hauser, "Black Bird" (WINNER)
Richard Jenkins, "Dahmer -Monster: The Jeffrey Dahmer Story"
Joseph Lee, "Beef"
Ray Liotta, "Black Bird"
Young Mazino, "Beef"
Jesse Plemons, "Love & Death"
Outstanding Supporting Actress in a Limited Series or TV Movie:
Annaleigh Ashford, "Welcome To Chippendales"
Maria Bello, "Beef"
Claire Danes, "Fleishman Is In Trouble"
Juliette Lewis, "Welcome To Chippendales"
Camila Morrone, "Daisy Jones & The Six"
Niecy Nash-Betts, "Dahmer - Monster: The Jeffrey Dahmer Story" (WINNER)
Merritt Wever, "Tiny Beautiful Things"
Outstanding Reality/Competition Series:
"The Amazing Race"
"RuPaul’s Drag Race" (WINNER)
"Survivor"
"Top Chef"
"The Voice"
Outstanding Talk Series:
"The Daily Show with Trevor Noah" (WINNER)
"Jimmy Kimmel Live!"
"Late Night With Seth Meyers"
"The Late Show with Stephen Colbert"
"The Problem with Jon Stewart"
Outstanding Scripted Variety Series:
"A Black Lady Sketch Show"
"Saturday Night Live"
"Last Week Tonight With John Oliver" (WINNER)
Outstanding Writing for a Drama Series:
Jesse Armstrong, "Succession" (WINNER)
Beau Willimon, "Andor"
Sharon Horgan, Dave Finkel and Brett Baer, "Bad Sisters"
Gordon Smith, "Better Call Saul"
Peter Gould, "Better Call Saul"
Craig Mazin, "The Last of Us"
Mike White, "The White Lotus"
Outstanding Writing for a Limited or Anthology Series or Movie:
Lee Sung Jin, "Beef" (WINNER)
Joel Kim Booster, "Fire Island"
Taffy Brodesser-Akner, "Fleishman is in Trouble"
Patrick Aison and Dan Trachtenberg, "Prey"
Janine Nabers and Donald Glover, "Swarm"
Al Yankovic and Eric Appel, "Weird: The Al Yankovic Story"
Outstanding Directing for a Drama Series:
Mark Mylod, "Succession" (WINNER)
Benjamon Caron, "Andor"
Dearbhla Walsh, "Bad Sisters"
Peter Hoar, "The Last of Us"
Andrij Parekh, "Succession"
Lorene Scafaria, "Succession"
Mike White, "The White Lotus"
Outstanding Variety Special (Live):
"Elton John Live: Farewell From Dodger Stadium" (WINNER)
"The Apple Music Super Bowl LVII Halftime Show Starring Rihanna"
"Chris Rock: Selective Outrage"
"The Oscars"
"75th Annual Tony Awards"
Outstanding Writing for a Comedy Series:
Christopher Storer, "The Bear" (WINNER)
Bill Hader, "Barry"
Mekki Leeper, "Jury Duty"
John Hoffman, Matteo Borghese and Rob Turbovsky, "Only Murders in the Building"
Chris Kelly and Sarah Schneider, "The Other Two"
Brendan Hunt, Joe Kelly and Jason Sudeikis, "Ted Lasso"
Outstanding Directing for a Comedy Series:
Christopher Storer, "The Bear" (WINNER)
Bill Hader, "Barry"
Amy Sherman-Palladino, "The Marvelous Mrs. Maisel"
Rapper Wyclef Jean, 54, ventures into a new domain — financial literacy — with the release of "Paper Right." Collaborating with Pusha T, Lola Brooke, Capella Grey, and Flau'jae, Jean seeks to emphasize the importance of building generational wealth and financial acumen.
"Paper Right is about building a financial legacy for future generations and the reward and gratification this brings. The most important thing I hope people take away from the song and my partnership with TIAA is that saving earlier can set you and your family up for long-term success," said Jean, a founding member of the legendary hip-hop group the Fugees, in a statement about the release. "As a father, when I look at my financial legacy and impact, I want to make sure my daughter is taken care of and has the tools needed to understand why saving early and preparing for the future is crucial."
This musical endeavor transcends mere catchy beats; it represents a strategic partnership with TIAA, a financial services giant and advocate for its ongoing "#RetireInequality" campaign. TIAA's focus on cultural relevance aligns with Jean's mission, evident in its previous initiatives like "The Dre$$," a couture gown symbolizing the retirement gender gap.
However, partnering with Jean raises eyebrows for some, casting a shadow from his past financial controversies. His Yéle Haiti Foundation, co-founded in 2001, faced investigations by the New York Attorney General over concerns about financial mismanagement and potential misuse of funds exceeding $9 million.
While specific claims of misappropriation haven't been proven in court, reports detailed significant expenses on travel, salaries, consultants, and related costs, raising questions about how donations were allocated. Haitian lawsuits seeking to recover unpaid debts from Yéle vendors and contractors further add to the cloud of uncertainty.
TIAA, however, views Jean's past as an opportunity for a relatable narrative. By partnering with an artist who has navigated financial complexities, TIAA aims to offer a story of overcoming adversity and achieving financial security.
"We're doubling down on keeping culture at the core of creativity," Danny Robinson, Chief Creative Officer at The Martin Agency, told Fast Company. The collaboration, he states, tackles the pressing issue of retirement insecurity, particularly affecting 54% of Black Americans who cannot maintain their standard of living post-retirement.
Jean acknowledges the challenge of engaging listeners, especially younger generations. "I know the message has to start with the Gen Zs and then on to my generation," he says. To bridge the gap, the song features Flau'jae, a Gen Z artist and the first millionaire in her family, Lola Brooke, a young rapper addressing social housing realities, and Capella Grey, offering his unique perspective. OGs Pusha T and Jean add experience and credibility.
But "Paper Right" isn't just about lyrics; it's an action-oriented initiative. Every stream of the song benefits First Generation Investors, a non-profit empowering underserved high school students with financial literacy tools.
Wyclef Jean's "Paper Right" transcends the typical hip-hop narrative, aiming to be a powerful financial education tool. While Jean's past with Yéle casts a shadow, the initiative's potential to inspire financial awareness and empower underserved communities offers a glimmer of hope. Only time will tell if "Paper Right" strikes the right chord, both financially and ethically.
The heartbeat of Memphis' music scene fell silent on Saturday when Anthony 'Big Jook' Mims, brother of renowned rapper Yo Gotti, was ruthlessly targeted and fatally shot outside Perignons Restaurant & Event Center in the home of the blues.
The assailants struck during a repast service at 4:15 p.m., leaving Big Jook and another attendee with gunshot wounds. Despite immediate medical attention, Big Jook succumbed to his injuries at the scene, while the second victim is fighting for survival in critical condition.
Deputy Chief Paul Wright, addressing the media in a press conference, asserted, "We believe the individual shot was targeted." While investigators work to unravel the details, Wright urged witnesses to step forward, emphasizing the community's pivotal role in this ongoing investigation.
The motive and identity of the assailants remain elusive, but surveillance footage capturing a white Ford Explorer with black wheels and dark tints leaving the scene is now a focal point in the quest for justice.
The news of Big Jook's untimely demise reverberated through the music industry, casting a shadow over Collective Music Group (CMG), where he played a crucial behind-the-scenes role.
CMG artist GloRilla shared a poignant Grammy Awards photo featuring Yo Gotti and Big Jook, captioned simply, 'Get your rest' with a crying emoji."
Labelmate Est Gee penned a touching tribute, posting a photo with Big Jook and recalling their connection: "Kept it real wit me I could never forget," wrote Gee.
Big Jook's final Instagram post, dated Friday, now carries an eerie resonance. A self-portrait is accompanied by a seemingly prophetic caption: "They don't want to face you they wanna snake you. Stay alert 2 stay alive watch your back at all times."
This devastating loss compounds the grief for Yo Gotti and his family, who had already laid another relative to rest earlier that day. The Grammy-nominated rapper's silence speaks volumes about the tragedy's impact, shining a harsh light on the human cost of violence within the artist community.
The Memphis Police Department implores anyone with information about the shooting to come forward. Crime Stoppers can be reached at 528-CASH (2274) or online at crimestopmem.org.
Move aside, confetti cannons; Usher has just raised the halftime bar by weaponizing an oven door. The King of R&B dropped the trailer for his highly anticipated Super Bowl LVIII Halftime Show today, delivering a star-studded, genre-bending spectacle that promises to redefine the halftime experience.
Picture LeBron James belting out "Yeah!" from the window of his car, BTS' Jung Kook seamlessly gliding through Usher's signature moves alongside the artist himself, and a Latin twist on the iconic synth riff courtesy of J. Balvin — all ingeniously crafted using a squeaky oven door.
This isn't just a sneak peek; it's a 30-year musical odyssey set to explode on February 11th, showcasing why Usher rightfully claims a spot on the R&B Mount Rushmore.
The electrifying trailer kicks off with a gospel-infused rendition of "Yeah!" sung by an impassioned fan chorus, instantly transporting viewers through Usher's illustrious career. James joins the chorus, belting out the lyrics from his car window. Jung Kook, drawing from their viral TikTok duet, effortlessly glides through Usher's iconic moves alongside the artist himself.
Then comes the unexpected twist: J. Balvin, the Latin sensation, brings the playful spirit of Las Vegas to life by transforming a squeaky oven door into the iconic "Yeah!" synth riff, infusing a Latin flair into the sonic tapestry. But this is no mere nostalgia trip.
The trailer expertly weaves together glimpses of Usher's genre-bending prowess, from the early days of "Climax" to the pulsating beats of "OMG." Marching bands, a lone busker's flute, and a soulful gospel choir flash by, each a testament to the artist's multifaceted musical DNA.
Usher, in declaring earlier this year, "It's an honor of a lifetime to finally check a Super Bowl performance off my bucket list," has set the stage for a show that promises to be unlike anything the world has seen from him before.
Witness the spectacle unfold in the trailer below, and decide for yourself if Usher is on the brink of redefining the Super Bowl halftime experience.
In a striking departure from the typical "dry January" resolutions, an increasing number of hip-hop heavyweights are opting for a more radical form of self-improvement: celibacy.
This unexpected wave of abstinence, emerging amidst a recent string of industry sex scandals involving everyone from billionaire Bad Boy Diddy to Atlanta power couple T. I. and Tiny and a spate of other examples to numerous to cite here, has sent shockwaves through the music world and sparked conversations about self-mastery, spiritual exploration, and redefining masculinity within the often hyper-sexualized genre.
Leading the charge is rap mogul 50 Cent, whose Instagram post declaring his newfound commitment went viral. "My new idea is so big, I don't have time to be distracted," he wrote, citing meditation and celibacy as tools for laser focus on his goals. "I hope this New Year helps you excel to the next level."
This pledge carries particular weight for 50 Cent, a figure whose own past is deeply intertwined with themes of hyper-masculinity and sexual exploits. Notably, his rise to fame came after surviving nine bullet wounds in a 2000 shooting, an experience that later inspired his hit album "Get Rich or Die Tryin'."
His music and public persona often portrayed a toughened image, with lyrics celebrating materialism and sexual conquest. Yet, this recent embrace of celibacy suggests a potential shift in his priorities and a willingness to challenge the expectations traditionally associated with hip-hop masculinity.
Following suit is rising star GloRilla, who updated her followers with a relatable struggle: "Started my 90-day celibacy little thing for New Year's or whatever; I'm on the 9th day & my vision blurry af !!!!! Send help." In an exclusive interview with Billboard, GloRilla opened up about the challenges, stating, "It's not easy, but I'm committed to it. I think it's important to take a break from intimacy and focus on other aspects of life. It's a way to reset and refocus."
Started my 90 day celibacy lil shit for new year’s or wtv, I’m on da 9th day & my vision blurry af !!!!! Send help😭
GloRilla's journey is particularly intriguing. Gearing up for her highly anticipated album release in early 2024, she's building on the success of a remarkable 2023. A Grammy nomination, a memorable Coachella performance, and a third Billboard Hot 100 entry with Moneybagg Yo's "On Wat U On" paint a picture of an artist on the rise. Now, she navigates the uncharted territory of celibacy, potentially redefining her narrative within the hip-hop landscape.
Beyond 50 Cent and GloRilla, whispers of similar commitments are spreading through the industry. Some artists cite the desire for spiritual growth, while others seek personal transformation or a refuge from the pressures of fame and tabloid scrutiny.
This trend's potential impact remains unclear. Could it be a temporary blip or a lasting shift in hip-hop culture's hypersexualized image? Will it inspire fans to follow suit or ignite debates about masculinity, relationships, and mental health within the industry? One thing is certain: hip-hop's New Year's resolutions are no longer limited to ditching the booze. As these stars trade the hustle for holiness, they raise intriguing questions about the future of sex, relationships, and self-discovery in the world of hip-hop.
Angela Bassett, a trailblazing figure in Hollywood, took center stage as she received an honorary Oscar at the 14th Governors Awards on Tuesday night. The event, held at the Hollywood and Highland Center, celebrated Bassett's remarkable career, showcasing her impact on the industry.
Wearing a tuxedo, Bassett, known for her powerful performances, delivered an impassioned speech that delved into the history of Black actresses in Hollywood. She expressed gratitude for being recognized, acknowledging the significance of being only the second Black actress to receive an honorary Academy Award after Cicely Tyson.
Bassett reflected on the achievements of Black actresses who paved the way, from Hattie McDaniel's historic win in 1940 to the present day. In her acceptance speech, she emphasized the importance of creating a future where the recognition of Black talent is the norm, not the exception.
"I hope this moment means we are taking the necessary steps toward a future in which it is the norm, not the exception, to see and embrace one another’s full humanity, stories, and perspectives," Bassett declared. She urged fellow Black actresses to stand strong, emphasizing that their contributions matter.
The 65-year-old actress closed her speech with optimism, stating, "The best is yet to come."
Oscar winner Regina King, a close friend and colleague, presented the honorary award to Bassett, describing her as a "national treasure" and "a sister." King celebrated Bassett's ageless artistry and highlighted her significant roles in iconic films like "Boyz N the Hood" and "How Stella Got Her Groove Back."
The Jean Hersholt Humanitarian Award was also presented at the ceremony, honoring Michelle Satter, the founding director of the Sundance Institute. Satter, the 45th recipient of the award and only the 10th woman to receive it, was recognized for her impactful work in supporting indie filmmakers.
The event, initially scheduled for November 18, had been delayed due to strikes in the industry. Despite being an untelevised ceremony, it drew attention as Hollywood's luminaries gathered to honor outstanding individuals in the film industry. The honorary Oscars were also awarded to legendary filmmaker Mel Brooks and film editor Carol Littleton.
In a revelatory exploration of Hollywood's shadows, Katt Williams unleashed verbal grenades during interviews on two high-profile podcasts – first on Shannon Sharpe's "Club Shay Shay" and, more recently, on Willie D Live.
The initial shockwave reverberated when Williams, famed for his unfiltered comedy, took the spotlight on Sharpe's podcast. In a scorched-earth diatribe, he labeled certain Hollywood celebrities as "deviants" and predicted a 2024 reckoning.
"Race is not where the line is drawn. It's God's side and the other side, and we don't care nothing about the other side," declared Williams, foreseeing an imminent exposure of all "deviants." His claim to fame? A 30-year collection of information, knowledge, and Hollywood's deepest secrets.
Williams aimed his verbal artillery at celebrities like Kevin Hart and Ludacris. He accused Ludacris of being a studio "plant" and claimed both were offered Illuminati deals involving haircuts and staggering sums of money. The three-hour podcast racked up nearly 40 million views, dominating the pop-culture landscape.
Katt Williams explains why he and Suge Knight got arrested back in 2014, and reveals why he's targeted by police.
The saga continued Tuesday on Willie D Live, where Williams shed light on different facets of his life in an interview that crossed a million views less than six hours after being posted. Notably, he addressed a 2014 incident that led to his arrest alongside ex-Death Row CEO Suge Knight. Contrary to initial appearances, Williams clarified that the altercation with a female photographer arose from a protective instinct toward Suge Knight's 5-year-old son.
Explaining the incident, Williams stated, "We had a meeting with a hologram company going into a licensing deal on holograms in Beverly Hills. Suge brought his 5-year-old son, who, before the meeting, urinated behind a dumpster. A woman filmed the child, not realizing he was Suge's son."
Williams didn't delve into the aftermath but dismissed the paparazzi's theft accusation, which led to charges against both him and Knight. He emphasized the protective nature of the encounter and clarified that he eventually pleaded no contest to stealing the camera in 2017.
Williams also addressed allegations from Houston comedian Ali Siddiq regarding an incident at a Reliant Arena show. Siddiq claimed he was barred from entering the venue and received a check, fueling a narrative of a feud with Williams.
Responding with clarity and a touch of amusement, Williams debunked Siddiq's version of events. He highlighted the logistical impossibility of excluding a comedian from the show when the lineup was pre-determined and traveled together. Williams brushed off the allegations, expressing bewilderment at Siddiq's claim.
"I don't care where you're from, what the venue is, or how cool you are with the people that work there. Cat Williams' show means Cat Williams' show," he asserted, emphasizing the professionalism of his tour and the lack of space for additional performers.
Williams further dismantled Siddiq's narrative, revealing that the incident transpired before he even arrived at the venue. "I wasn't there. All of this happened before I got there," Williams clarified, pointing out the absurdity of a personal grudge when the two comedians had never met.
As the conversation unfolded, Williams showcased a willingness to resolve any misunderstanding, emphasizing that he held no animosity toward Siddiq. The comedian extended an olive branch, suggesting that if Siddiq were willing to engage in a conversation, a resolution could be reached.
Amidst these revelations, Torrei Hart, ex-wife of comedian Kevin Hart, announced she would join Williams' The Dark Matter tour for select dates in January and February. This announcement came less than a week after Williams mocked and criticized Kevin on Shannon Sharpe's "Club Shay Shay" podcast.
The first weekend and second Monday of 2014 marked significant milestones for some of Black entertainment's most influential figures.
Newborn Joy
R&B singer and "The Little Mermaid" star Halle Bailey joyfully introduced her newborn son, Halo, to the world. Bailey shared on Instagram, "Even though we're a few days into the new year, the greatest thing that 2023 could have done for me was bring me my son."
DDG, in a YouTube video on Sunday (January 8), expressed his sentiments, saying, "I wouldn't have chosen no other person in the world to have a child with."
Clearing the Air
Oprah Winfrey addressed persistent rumors of a feud with "The Color Purple" star Taraji P. Henson, one of the actresses in the new musical adaptation produced by Winfrey. At the 2024 Golden Globes, Winfrey refuted the rumors, stating, "There's no validity to there being a thing between Taraji and I."
"Taraji will tell you herself that I've been the greatest champion of this film," Winfrey asserted on the red carpet, effectively shutting down further speculation.
Amid rumors of tensions with “The Color Purple” star Taraji P. Henson, Oprah sets the record straight with @GayleKing. pic.twitter.com/gbKeknacgK
Monday actor Jonathan Majors broke his silence following his recent conviction for assaulting and harassing his ex-girlfriend, Grace Jabbari. Speaking with ABC News Live on Good Morning America, Majors expressed shock at the guilty verdict, stating, "How is that possible based off the evidence, based off the prosecution's evidence, let alone our evidence?"
While maintaining he had "never hit a woman," he admitted to an unhealthy relationship with Jabbari, acknowledging he was reckless with her heart. Majors recounted the March 2023 altercation, expressing uncertainty about the cause of Jabbari's injuries.
Jabbari's attorney, Brittany Henderson, criticized Majors for his lack of accountability, stating, "His denigration of our jury system is not dissimilar from the above-the-law attitude that he has maintained throughout this legal process."
Jonathan Majors is speaking out for the first time since his conviction in a domestic violence trial in an interview with ABC News: pic.twitter.com/bYpwZ4qbfq
In 2022, Diddy's declaration that R&B had shuffled off its mortal coil sparked debate, but Rolling Stone's recently released list "100 Greatest R&B Songs of the 21st Century" serves as a vibrant rebuttal—less a funeral dirge and more a celebratory mixtape proving the genre's undeniable pulse.
"This century," the magazine declares, "it's the pop world that's been doing the moonwalk across R&B's floorboards." This sentiment underpins the list, highlighting how R&B has not only infiltrated the mainstream but has also retained its own dynamic identity, refusing to be eclipsed.
At the pinnacle sits Usher's "Confessions Part II," a timeless representation of R&B's emotional depth and enduring impact. It's a worthy crown for a list that pulsates with diversity, showcasing the genre's evolution and breadth. Further down, Beyoncé's "Lemonade" burns with an intensity that defies categorization, while Mariah Carey's "The Emancipation of Mimi" and Rihanna's genre-bending "Anti" underscore R&B's chart dominance, each track a melodic journey through heartbreak, redemption, and empowerment.
Far from a dusty museum exhibit, Rolling Stone's list pulsates with the diversity of contemporary R&B. Neo-soul torchbearers like Bilal and Jill Scott groove alongside the piano-driven classicism of Alicia Keys and John Legend. The avant-garde futurism of Janelle Monáe finds common ground with the brooding mystique of The Weeknd, while the rawness of Monica and SZA underscores the genre's adaptability and inclusivity, proving it embraces all voices.
The symbiotic relationship between R&B and hip-hop, forged in the '90s, receives its due recognition. Outkast, Pharrell, and Drake's contributions remind us of the intertwined DNA of the two genres. Visionaries like Frank Ocean, Childish Gambino, and Solange further blur the lines, captivating both mainstream audiences and tastemakers, proving R&B's constant evolution and genre-bending potential.
Diddy's pronouncement, once viewed as a requiem, now feels like a missed cue. Rolling Stone's list doesn't just prove R&B's vitality; it thrusts the genre's microphone center stage, ready to drop beats and rewrite the narrative. The rhythm of rebellion remains strong, proving that R&B isn't ready to say its final goodbye but rather to belt out a powerful encore, its future vibrant and expansive. Ultimately, Rolling Stone's list isn't just a ranking; it's a powerful declaration of R&B's vibrant presence and its refusal to be confined by pronouncements of demise. It's a testament to the genre's adaptability, inclusivity, and enduring impact on the musical landscape, proving that the rhythm of R&B continues to beat strong, resonating throughout the 21st century and beyond.
And as if to underscore this point, Usher—whose "Confessions Part II" reigns supreme on the list—gears up for a monumental Super Bowl halftime performance in 2024. His return to the NFL's grandest stage, armed with the experience of his 2011 appearance, promises to be a fitting testament to R&B's enduring power and cultural impact, ensuring that the genre's mic remains center stage, ready to drop beats and rewrite narratives for years to come.
Here are the Top 10 songs that have etched their names in the annals of R&B history according to the list:
Usher - "Confessions Part II" (2004): At the zenith of the list, Usher's magnum opus delves into the complexities of love, earning its place as a timeless representation of R&B's emotional depth and enduring impact.
D’Angelo - "Untitled (How Does It Feel)" (2000): A soul-stirring masterpiece that transcends time, D’Angelo's 'Untitled' remains an iconic exploration of sensuality.
Beyoncé - "Dangerously in Love" (2003): Beyoncé's solo debut is a testament to her vocal prowess and undeniable presence in the R&B realm.
Mary J Blige - "Be Without You" (2005): Mary J Blige's soulful anthem of resilience and love solidifies her status as the 'Queen of Hip-Hop Soul.'
Mariah Carey - "We Belong Together" (2005): Mariah Carey's comeback hit is a melodic journey through heartbreak and redemption, showcasing her vocal range.
Frank Ocean - "Thinkin Bout You" (2012): Frank Ocean's poignant ballad is a modern classic, offering a contemplative exploration of love and desire.
Alicia Keys - "Fallin'' (2001): Alicia Keys' breakthrough hit remains a timeless showcase of her piano virtuosity and emotive vocals.
John Legend - "Ordinary People" (2004): John Legend's stripped-down ballad captures the complexities of relationships with raw honesty.
Erykah Badu - "Bag Lady (Cheeba Sac Radio Edit)" (2000): Erykah Badu's 'Bag Lady' is a soulful meditation on emotional baggage and growth.
Brandy - "Full Moon" (2002): Brandy's ethereal 'Full Moon' rounds out the Top 10 with its celestial R&B vibes.
Hip-hop power couple T.I. (Clifford Harris) and Tiny (Tameka Harris), renowned for their music careers and reality TV appearances, are facing serious allegations of drugging and sexually assaulting a woman in 2005. The claims are detailed in a lawsuit filed in Los Angeles on Tuesday.
According to the complaint, a Jane Doe accuses the celebrity couple of luring her from a nightclub to a Los Angeles hotel room, where she alleges they assaulted her after giving her a spiked drink. The incident, said to have occurred almost 18 years ago, has resurfaced due to California's Sexual Abuse and Cover-Up Accountability Act.
The plaintiff, an Air Force veteran in her early twenties at the time, claims to have met T.I. and Tiny through an associate named “Caviar,” whom she encountered at a party at rapper Coolio’s house. She asserts that she was separated from her group and ended up alone with the couple and two other women.
The lawsuit provides graphic details of the alleged abuse, accusing T.I. of coercing the plaintiff into watching pornographic material and engaging in inappropriate acts. Tiny is alleged to have been involved in restraining the accuser and participating in the assault.
The accuser describes feeling extremely ill during the assault and asserts that she was escorted out of the hotel room the next morning while in "serious pain."
In a statement to TMZ, T.I. and Tiny deny the accusations, stating that they have consistently refuted these claims for the past three years. They characterize the allegations as "fake claims" and express confidence in their innocence, stating, "We will not be shaken down, and we look forward to our day in court."
The lawsuit adds to the ongoing legal challenges faced by the celebrity couple, who have been outspoken against previous accusations.
In a surprising turn of events, the bail hearing for Duane "Keffe D" Davis, the individual charged in connection with the 1996 murder of hip-hop icon Tupac Shakur, faced postponement on Tuesday in Las Vegas. The delay was granted in response to prosecutors' concerning claims that witnesses in the case might be at risk, citing jail telephone recordings and a list of names shared with Davis' family members.
Davis, a former Los Angeles-area gang leader, is the only person ever charged in the infamous drive-by shooting that claimed Shakur's life and left rap mogul Marion "Suge" Knight wounded. Knight is currently serving a 28-year sentence in a California prison for an unrelated shooting in 2015.
The court-appointed defense team for Davis sought the delay to allow for a proper response to the prosecution's assertions. Attorney Robert Arroyo, representing Davis, indicated that the defense aims to address the allegations in court in writing. Last week, Arroyo stated that he did not see evidence indicating any witness had been named or threatened.
The prosecution's court filing, presented last week, asserted that Davis poses a threat to the public based on jail telephone recordings and the dissemination of a list of names. The filing did not specify if Davis instructed harm to anyone or if any individuals directly associated with the case faced physical harm.
Davis, originally from Compton, California, is currently held at the Clark County Detention Center in Las Vegas. If convicted at trial, he could potentially face a life sentence.
The case resurfaced in July with Davis' arrest, a significant breakthrough in the decades-old investigation into Shakur's murder. Davis, once considered a gang member, had previously disclosed his involvement in the killing on BET's "Death Row Chronicles" in 2018 and later chronicled the events in his 2019 memoir, "Compton Street Legend."
Prosecutors argued that Davis' own words, including jailhouse calls and interviews over the years, serve as critical evidence in the case. In an October jail call, Davis' son allegedly mentioned a "green light" authorization, a phrase suggesting permission for violence, causing enough concern for authorities to take steps to ensure the safety of at least one witness.
The legal battle intensifies as Davis' defense contends that his descriptions of Shakur's killing were embellished for financial gain and "entertainment purposes." Meanwhile, prosecutors assert that Davis' repeated confessions, both in interviews and before law enforcement, indicate his responsibility for orchestrating Shakur's murder.
Davis' bail hearing is now scheduled for January 9, adding another layer of anticipation to a case that has captivated the public for over two decades.
Photo Credit: F.N. Broers, National Archives of the Netherlands McCann (left) with the Les McCann Trio (Herbie Lewis & Ron Jefferson), in 1962.
Les McCann, the legendary jazz pianist whose iconic 1969 protest anthem "Compared to What" resonated across genres, has died at the age of 88.
The news, confirmed by his longtime manager, Alan Abrahams, to various media outlets, attributes the cause of death to pneumonia. McCann breathed his last on Friday at a Los Angeles hospital.
A self-taught musician, samples of McCann's dynamic and soulful playing, particularly with his trio, laid the foundation for some of hip-hop's biggest hits. His influence echoes in tracks by The Notorious B.I.G. ("10 Crack Commandments"), A Tribe Called Quest ("After Hours"), Snoop Dogg, Dr. Dre ("The Next Episode"), and more.
Beyond his instrumental prowess, McCann showcased his vocal talents. In 1968, he signed with Atlantic, releasing the rendition of Gene McDaniel's "Compared to What" in collaboration with saxophonist Eddie Harris, a song that remains a powerful protest anthem.
In 1971, McCann participated in the historic "Soul to Soul" concert in Accra, Ghana, alongside R&B and rock luminaries, documented in the film of the same name. Despite facing challenges such as a stroke in the 1990s limiting his keyboard playing, McCann continued to perform.
Born in Lexington, Kentucky, McCann's journey began with a Navy singing contest, leading to an appearance on "The Ed Sullivan Show." Rejecting an offer to join Cannonball Adderley's band, he pioneered soul jazz, merging jazz with funk, soul, and world rhythms.
McCann's legacy extends beyond music; he was the first artist in residence at Harvard University's Learning From Performers program. An avid photographer, his work is featured in the book "Invitation to Openness: The Jazz & Soul Photography of Les McCann 1960-1980."
His prolific discography boast over 60 albums. McCann's final album, "Les McCann — Never a Dull Moment! Live From Coast to Coast 1966-1977," a collection of unreleased live recordings, was released posthumously on Dec. 1, 2023.
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