Tuesday, September 2, 2025

Lil Jon Places Third at Muscle Beach in Fitness Debut

Lil Jon flexes with his third-place medal after competing in the Men’s Physique Masters Over 45 division at the Muscle Beach Championships in Venice, Calif., on Labor Day. (Instagram/@musclebeachvenice)
Monday. Lil Jon didn’t just show up at Muscle Beach on Labor Day — he stepped onstage. The Grammy winning “Yeah!” producer made his fitness-competition debut at the 2025 Muscle Beach Championships, placing third in the Men’s Physique Masters Over 45 division as fans packed the Venice Beach Recreation Center.


The event — run with the City of Los Angeles Department of Recreation and Parks — is billed as “the greatest outdoor bodybuilding show on earth” and is open to amateurs only, a throwback SoCal spectacle where posing oil meets block-party energy. This year, the “King of Crunk” performed and competed, a full-circle Venice moment under the sun.

On camera, Jon framed the day as a lifestyle marker as much as a medal. “It’s been a lot physically — just in the gym, dedication, eating, focus. I’m winning just by being here and changing my lifestyle, mentally and physically,” he told ABC7. “One thing I hope is that I can be an inspiration to people who say, ‘I just don’t have time.’ If I can do it, you can do it too.”

His camp added a view from backstage. In an Instagram post, trainer Jay Galvin wrote, “My bro Lil Jon came straight off a plane to his first show ever @musclebeachvenice and took 3rd place,” a snapshot of what a podium day really looks like — travel, tan, macros and the nerve to be judged in a new arena.
 

The pivot tracks with his wellness era. In 2024, Jon released two guided-meditation projects — “Total Meditation” and “Manifest Abundance: Affirmations for Personal Growth” — a deliberate downshift from one of hip-hop’s loudest hype men. And he hasn’t disappeared from the culture’s biggest stages: in 2024’s Super Bowl LVIII halftime show, he joined Usher and Ludacris for a ring-shaking run that moved from “Turn Down for What” into “Yeah!”

What’s next blends work and workout. Jon’s tour calendar continues to thread clubs and festivals — from TAO/Hakkasan dates to fairground stages — while his HGTV remodel series “Lil Jon Wants to Do What?” keeps him teaming with designer Anitra Mecadon on homeowner makeovers.

Not Liable: L.A. Jury Rejects $24 Million Claim Against Cardi B

ChrisallmeidCC BY-SA 4.0, via Wikimedia Commons
Cardi B beat a $24 million civil lawsuit on Tuesday, as a Los Angeles County jury found her not liable over a 2018 hallway confrontation at a Beverly Hills OB-GYN’s office. “I would say this on my death bed: I did not touch the woman,” the rapper said outside the Alhambra courthouse after the verdict.

The plaintiff, Emani Ellis, a former security guard, alleged that Cardi B scratched her face with a fingernail, spat on her and verbally abused her — claims Ellis said led to lasting injury and the loss of her job. Cardi B, whose legal name is Belcalis Marlenis Almánzar, denied any physical contact and testified the dispute began because Ellis appeared to be recording her while she was secretly pregnant.
Jurors heard from Tierra Malcolm, a receptionist at the doctor’s office, who said she stepped into the hallway after hearing a commotion and saw Ellis cornering Cardi — not the other way around. Defense attorneys also emphasized that Ellis did not file a police report at the time and did not seek immediate medical care.
Inside the courtroom, the exchanges were blunt. Asked by the plaintiff’s lawyer if she was angry, Cardi replied, “Yes, I was angry because I’m pregnant! And this girl’s about to beat my ass. Hello?” Pressed on whether she called Ellis “fat,” she answered, “No. I was calling her a b**.**” In closing, her lawyer attacked the injury narrative: “She claims that Cardi mauled her … cut her face, and this woman went home … She took a nap.”

After the verdict, Cardi thanked supporters and said the case pulled her away from family time. “Because of this, I missed my kids’ first day of school,” she said, adding a warning about future claims: “Don’t ever think that you’re going to file a frivolous lawsuit against me and I’m just going to give you my money … Next time, I’m going to countersue."

Sunday, August 31, 2025

‘New Edition Way’ Unveiled as Boston Salutes the Group During for the Culture Week

Boston honored New Edition on Saturday with the unveiling of ‘New Edition Way’ in Roxbury and a proclamation of ‘New Edition Day’ during For the Culture Week.
Saturday. Boston didn’t just throw a party — it changed the map. As part of For the Culture Week, the city renamed Dearborn Street as “New Edition Way” and proclaimed “New Edition Day,” anchoring a four decade story of melody, brotherhood and Black Boston pride to a specific corner in Roxbury.

Mayor Michelle Wu led the ceremony at Ambrose and Albany — steps from Orchard Gardens, the housing community where the group first found its blend. “And now I have the honor of officially declaring today New Edition Day,” she said as the crowd cheered.

All six members — Ralph Tresvant, Bobby Brown, Ricky Bell, Michael Bivins, Ronnie DeVoe and Johnny Gill — returned for the honor as neighbors and families filled the block. Latoyia Edwards of NBC10 Boston emceed; a community block party at the Orchard Gardens Boys & Girls Club kept the celebration going.
Onstage, the group credited the neighborhood for the discipline, style and support that carried them from talent shows to stadiums — and back to the corner where it began. “New Edition Way is the way life is for us and has been for us for a long time,” Brown said. Tresvant added, “Everything we learned … our attitude, our swag is from all of y’all, man. We got what we got from here.”

They also spoke to longevity. “One of the hardest things in this industry to do is to stay together,” Bell told the crowd. “We’ve been through so much together … and the thing that keeps bringing us back is we remember where we came from. Orchard Park Projects was the very beginning of New Edition.”


Gill offered a note of gratitude — and a reminder: “You’re looking at all six of us here … nothing lasts forever … while we’re here, we should learn to love on each other, appreciate each other, and know tomorrow’s not promised.” A final salute to the city followed: “There’s something about this place … we stick together, we rep together, and we’re always going to be one. One love to Boston.”

U.S. Rep. Ayanna Pressley widened the frame, calling New Edition “a source for joy, romance, and the soundtrack of our lives, loves and heartbreak,” and reminding the city that Black history is American history. She congratulated the six members and longtime mentor Brooke Payne, and thanked the Orchard Park community, Mayor Wu and former Mayor Kim Janey for helping make the moment possible.

City paperwork matched the pride. The proclamation designates Aug. 30 as “New Edition Day” going forward; the honorary co-naming fixes “New Edition Way” on Dearborn Street; and the chosen corner — Ambrose and Albany — places the sign within walking distance of the group’s origin point. For neighbors who showed up with kids on their shoulders, that precision mattered.

It also tracks the arc. From “Candy Girl” in 1983 to solo careers, supergroups and reunions, New Edition wrote a playbook — tight harmonies, choreography, style — that still echoes in today’s pop and R&B. Putting their name on a street does more than celebrate six men; it tells the next crew exactly where excellence came from — and how close it still is.

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