Showing posts with label Artist News. Show all posts
Showing posts with label Artist News. Show all posts

Monday, February 10, 2025

Ye and the Art of the Swastika Grift: Kanye Drops Super Bowl Ad for Nazi Merch, Then Disappears

A screengrab fromYe's Super Bowl commercial.

After a weekend of hateful posts on X — where he declared himself a Nazi, praised Adolf Hitler, and made a series of misogynistic and conspiracy-laden remarks — Ye’s account suddenly disappeared Sunday night. The move came hours after he aired a bizarre self-shot Super Bowl commercial, directing viewers to his website, yeezy.com, where the only item for sale was a $20 white T-shirt emblazoned with a black swastika.

The page featured no explanation, only the text "HH-01," a term widely interpreted as shorthand for “Heil Hitler.” The Anti-Defamation League quickly condemned the shirt, calling it “further proof of Ye’s dangerous, escalating antisemitism.” The organization, which combats anti-Jewish discrimination, pointed out that the swastika “continues to threaten and instill fear in those targeted by white supremacy.”

The Super Bowl ad, which aired in select markets including Los Angeles, showed Ye reclining in a dentist’s chair, telling viewers, “I spent all the money for the commercial on these new teeth. So once again, I had to shoot it on the iPhone. Um, um, um, go to yeezy.com.” There was no mention of the swastika shirts, but by Monday morning, they were the only item available for purchase.

In an ironic twist, Ye had explicitly stated days earlier that he would never sell such a shirt, posting: “I would never sell a swastika tee because people could be physically harmed wearing it … I love my fans and supporters.” His rapid reversal fueled speculation that his latest spiral is not just another episode of erratic behavior but a calculated attempt to provoke outrage and capitalize on controversy.

Before his abrupt departure from X, Ye expressed gratitude to Elon Musk for keeping his platform open to him. “I appreciate Elon for allowing me to vent,” he wrote. “It has been very cathartic to use the world as a sounding board.”

Musk, for his part, publicly distanced himself from Ye's content but allowed him to continue posting well beyond the point where most accounts would have been banned. He acknowledged that Ye had posted explicit content, replying to one X user, “Given what he has posted, his account is now classified as NSFW. You should not be seeing that anymore.”

Ye’s latest outburst also included a bizarre defense of jailed music mogul Sean “Diddy” Combs, whom he called his “idol” while criticizing celebrities for not speaking out on Combs’ behalf. He then claimed “dominion” over his wife, Bianca Censori, who has drawn attention in recent weeks for appearing nearly nude in public alongside Ye.

His antisemitic rhetoric is nothing new. In 2022, he infamously tweeted that he was going “death con 3 on Jewish people,” which led to his suspension from Twitter and Instagram, the loss of multi-billion-dollar deals with Adidas and other companies, and widespread condemnation. He later apologized in 2023, claiming he was committed to “learning from the experience.” But as his latest meltdown demonstrates, any notion of repentance was short-lived.

Now, Ye’s X account is gone, his swastika-laden shirts are the only remnant of his latest self destruction, and his Super Bowl stunt has left the world wondering: Will he finally face real consequences, or is this just another cycle in his endless spiral of controversy?

Saturday, February 8, 2025

Gary Grier, Veteran Member of The Contours, Dies at 72

Gary Grier, bottom left, with The Contours in 2017. Grier, a longtime member of the Motown vocal group, died in February, the band announced.
Gary Grier, a veteran performer and staple of Motown’s legendary vocal group The Contours, has died at 72. The group announced his passing on Facebook.

"Today, we lost one of our own," the statement read. "We are profoundly saddened by the sudden death of Gary Grier. He was an integral part of our group, and he will be sorely missed. Our thoughts and prayers go out to all of Gary’s family and friends."

Grier, who joined The Contours in 1993, spent more than three decades helping preserve and extend the legacy of one of Motown’s most beloved groups. Although he was not part of the original lineup, his voice and stage presence became a defining part of the band’s continued success. He took over after the departure of Darell Nunlee, joining a roster that had already been evolving since the group's early years.



The Contours first rose to fame in the early 1960s as one of Motown’s premier vocal acts. Their signature hit, “Do You Love Me,” written by Berry Gordy, was a massive success in 1962, topping the R&B charts and reaching No. 3 on the Billboard Hot 100. The track, known for its raw, high-energy vocals, became one of the defining sounds of early Motown and sold more than a million copies.

The song experienced a second wave of success in 1988, when it was prominently featured in the box-office smash Dirty Dancing. The exposure propelled it back onto the Billboard Top 40 charts for another eight weeks, introducing a new generation to the group’s infectious sound.

Beyond “Do You Love Me,” The Contours recorded several other charting singles, including “Can You Do It,” “Shake Sherry,” “First I Look at the Purse” and “Just a Little Misunderstanding.” Though they never reached the same heights as their debut smash, The Contours’ impact on rhythm and blues — and their reputation as one of the most dynamic acts in early Motown history — remained intact.

Grier played a key role in keeping the group’s legacy alive, performing well into the 2000s alongside longtime members Joe Billingslea and Al Chisholm. SoulTracks.com described him as “a seasoned performer with a commanding stage presence”, a reputation he upheld in performances across the country.

The Contours remained active in the decades following Motown’s golden era, adapting to lineup changes while continuing to tour and perform for loyal fans. In 2015, they were inducted into the R&B Hall of Fame, followed by their 2016 induction into the Michigan Rock and Roll Legends Hall of Fame.

Friday, February 7, 2025

Master P, Louis Armstrong, Lil Wayne Among Inductees on New Orleans Walk of Fame

Master P
New Orleans’ rich cultural legacy is now set in stone — literally.

On Thursday, hip-hop mogul and city ambassador Percy "Master P" Miller officially unveiled the New Orleans Walk of Fame in downtown New Orleans, honoring 50 influential figures who have shaped the city’s music, sports, business, and activism.

The inductees — ranging from jazz greats and hip-hop pioneers to civil rights leaders, actors, and entrepreneurs — were honored with custom-designed Fleur-de-lis plaques embedded along Canal Street.

"This Walk of Fame is a curriculum," Master P said. "We want kids to be able to know who these people are and who these people were. So, from Louis Armstrong to Tom Benson to Archie Manning, we want people to be able to celebrate the greats that come from here."

The inaugural class includes music legends such as Armstrong, Fats Domino, Allen Toussaint, and Lil Wayne, alongside actors like Wendell Pierce and Carl Weathers and sports icons Peyton, Eli and Archie Manning. The honorees also include trailblazers in politics, education, and activism, such as civil rights attorney A.P. Tureaud, restaurateur Leah Chase and educator Norman Francis.

New Orleans Mayor LaToya Cantrell, the city’s first Black woman mayor, was among the inductees and played a key role in bringing the Walk of Fame to life. The city has granted 4.5 miles for expansion, and plans are already in motion to establish a museum highlighting the contributions of each honoree.

The Fleur-de-lis plaques, created by local artist Brandon "BMike" Odums, reflect a symbol that has been woven into New Orleans’ history since its founding in 1718 and remains synonymous with the city’s identity.

Master P and Joseph "Mongo" Mongeluzzi, global vice president of nightlife and entertainment for Hard Rock International and Seminole Gaming, stand Friday with memorabilia from the No Limit Reunion Tour donated to Hard Rock Cafe New Orleans.
Following the Walk of Fame unveiling, Master P continued the celebration Friday by donating a piece of hip-hop history to the Hard Rock Café New Orleans on Bourbon Street. The rap icon handed over the camouflage outfit he wore on the No Limit Reunion Tour in 2020 during performances of his anthems "Make 'Em Say Uhh!" and "I Got the Hook-Up!"

“We’re thrilled to welcome this new piece of memorabilia to our extensive collection of items from music history,” said Giovanni Taliaferro, vice president of memorabilia and design at Hard Rock International. “Master P’s influence on Southern hip-hop is undeniable, and we are proud to showcase this outfit in New Orleans, where locals and fans alike can celebrate his legacy for years to come.”



The donation ceremony was attended by family, friends, and fans, adding to the excitement of a day that celebrated New Orleans’ rich artistic and cultural heritage. With the Walk of Fame set to expand and a museum in the works, Master P and city officials hope the project will serve as an educational and inspirational landmark for generations to come.

For visitors, Super Bowl LIX attendees, and lifelong residents alike, the Walk of Fame now stands as a permanent tribute to the figures who made New Orleans the cultural powerhouse it is today.

Ye's Latest Rant: Praise for Hitler, Support for Diddy, and More

Kanye West, reignited controversy with an explosive spree of antisemitic posts on X, echoing the rhetoric that cost him billion-dollar fashion deals and mainstream credibility two years ago.

In dozens of posts early Friday morning, he praised Hitler, called himself a Nazi, and dismissed antisemitism as “just some bulls–t Jewish people made up to protect their bulls–t.” Making it clear that his statements were intentional and not influenced by substances, he wrote, “AMY JEWISH PERSON THAT DOES BUSINESS WITH ME NEEDS TO KNOW I DONT LIKE OR TRUST ANY JEWISH PERSON AND THIS IS COMPLETELY SOBER WITH NO HENNESY.” He doubled down moments later, adding, “IM NEVER APOLOGIZING FOR MY JEWISH COMMENTS.”

Ye on X
The outburst was a near-carbon copy of his 2022 antisemitic tirades, which included incendiary remarks on social media, a string of unhinged interviews, and an infamous dinner with Donald Trump and white nationalist Nick Fuentes at Mar-a-Lago. The fallout was swift, as Adidas, Balenciaga, and GAP all severed ties, stripping him of lucrative partnerships. He was banned from multiple platforms and lost an estimated $1.5 billion in brand value in just a matter of weeks. Despite eventually being reinstated on X, his latest comments have once again raised the question of whether there will be lasting repercussions this time around.

In the midst of the antisemitic rant, Ye abruptly pivoted to advocating for the release of Sean "Diddy" Combs, who remains jailed on federal charges. “FREE PUFF,” he posted to his 32 million followers, calling Combs his “idol” and “hero.” Hours later, he stunned fans by announcing a Yeezy x Sean John collaboration, claiming it was something they had discussed before Combs’ arrest. “I’M SELLING THE SEAN JOHN COLLABORATION THAT ME AND MY BROTHER SPOKE ABOUT BEFORE THEY LOCKED HIM UP WE SPLITTING THE PROFITS 50/50.” He went further, alleging that Combs is prohibited from earning money while behind bars, saying, “I JUST FOUND OUT THAT PUFF IS NOT ALLOWED TO MAKE OR COLLECT MONEY WHILE HE'S LOCKED UP SO I'MA SEND HIS HALF OF THE MONEY TO JUSTIN.”

The move was unexpected given Ye’s history with Combs. In 2022, Combs publicly condemned Ye for his "White Lives Matter" stunt and attempted to intervene during his antisemitic meltdown. Ye responded by mocking him, calling him a pawn of Jewish executives. Now, despite their past tension, Combs acknowledged Ye’s support from jail, writing on Instagram, “Thank you to my brother @Ye YEEZY.COM.” His son, Christian Combs, echoed the message in a repost.

Ye didn’t stop with Combs. In his flurry of posts, he also attacked other celebrities for not speaking out, calling them “pssies” and “btches,” and praised Chris Brown, despite Brown facing past allegations of violence against women. He hurled homophobic slurs, made crude remarks about former Vice President Kamala Harris, and made a series of bizarre declarations, including claiming that he is a billionaire again, announcing that he is a racist, and stating that he no longer listens to rap music.

While the backlash to Ye’s comments has been swift, his X account remains active, a stark contrast to 2022 when his antisemitic remarks led to outright bans from Twitter and Instagram. His willingness to embrace public self-destruction—burning bridges, alienating allies, and reveling in controversy—seems to know no bounds. The only question now is whether he will once again face real consequences or if the cycle of outrage and acceptance will repeat itself yet again.

Thursday, February 6, 2025

Long Live Dilla: Detroit Honors Hip-Hop Visionary With Street Renaming and ‘J Dilla Day’

The newly unveiled J Dilla Street sign stands at the intersection of Nevada and Charest in Detroit today, a day before what is now officially recognized as "J Dilla Day." 
Detroit has immortalized J Dilla, the visionary producer and hip-hop artist, with a street named in his honor and an official day of recognition in his hometown.

On Thursday city officials, fans, and Dilla’s family gathered for the unveiling of J Dilla Street, marking the corner of Nevada and Charest on the east side of Detroit — just steps from where he grew up. The ceremony took place on the eve of what is now officially "J Dilla Day," set to be observed annually on February 7, following a unanimous vote by the Detroit City Council earlier this week.
Dilla’s daughters, Ja'Mya Yancey and Ty'Monae Whitlow, were in attendance to witness the momentous occasion.

"Words cannot describe how grateful we are for this declaration," Ja’Mya said. "For years, he has been celebrated all over the world, and this is such a monumental step to help us continue the work he left behind."

J Dilla, born James Dewitt Yancey, rose to prominence in the mid-1990s as a member of the influential rap group Slum Village before solidifying his place as one of the most revered producers in hip-hop. His distinct, jazz-infused, off-kilter drum patterns and soulful sampling techniques redefined production, influencing artists such as The Roots, Common, Busta Rhymes, D'Angelo and Kanye West.

His solo catalog includes the critically acclaimed albums "Donuts" and "Welcome 2 Detroit," as well as production credits on classic records for A Tribe Called Quest, Erykah Badu, and Madlib, among many others.


Dilla died on February 10, 2006, at age 32 after battling thrombotic thrombocytopenic purpura (TTP), a rare blood disorder, and lupus. Despite his passing, his influence has only grown, with his beats, legacy, and signature sound continuing to inspire new generations of musicians.
The inaugural J Dilla Day in Detroit coincides with the upcoming Dilla Day L.A. concert on Saturday, hosted by Maureen "Ma Dukes" Yancey and the James Dewitt Yancey Estate. The event will feature performances by Slum Village, Guilty Simpson, and others, with proceeds benefiting victims of the Eaton wildfires.

Dilla’s daughters, now in their early twenties, say their mission is to preserve his legacy and ensure his genius is never forgotten.

"He put his stamp on the map," Ty’Monae Whitlow said. "Now it’s official. It’s on the street, and the world knows what we’ve known all along."

Killer Mike Sues Security Firm After Grammys Arrest, Claims Assault and Negligence

Photo Credit: Alberto E. Rodriguez/Getty Images for The Recording Academy
Killer Mike, the Grammy-winning rapper and activist, has filed a lawsuit against private security company S&S Labor Force, alleging false imprisonment, assault, and emotional distress over his arrest at the 2024 Grammy Awards.

The rapper, whose legal name is Michael Render, was detained on Feb. 4, 2024, at Los Angeles’ Crypto.com Arena, just moments after winning three Grammy Awards, including Best Rap Album for "Michael."

The lawsuit contends that security personnel wrongfully restrained and detained him, despite multiple attempts to clarify his identity and purpose for being backstage. Render alleges he was physically grabbed and surrounded by security guards as he attempted to move toward the red carpet area after his historic wins, and that their actions led to both public humiliation and physical harm.

The lawsuit, filed in Los Angeles County Superior Court, describes an incident where a female security guard allegedly used unnecessary force, grabbing Render’s arm to stop him from leaving. Render claims he was then confined by multiple security personnel, who refused to listen as he attempted to explain that he had just won three Grammy Awards and was authorized to be in the secured area.

“Defendants used their position of authority to degrade, embarrass, and physically hurt [Killer Mike] in public view, subjecting him to emotional distress and public humiliation,” the lawsuit states. The rapper contends that his detainment not only caused physical harm but also robbed him of a once-in-a-lifetime moment — celebrating his career-defining wins on one of music’s biggest nights, in front of an international television audience.

S&S Labor Force, which operates as JRM Security, has denied involvement in the incident, issuing a statement in response to the lawsuit. “We unequivocally state that we had zero involvement in the incident described,” the company said in a statement to TMZ, asserting that while they provided security for the Grammys, their personnel were not responsible for Render’s detainment. “S&S Labor Force Inc takes pride in our commitment to ethical practices and the safety of our employees, clients, and guests. We have thorough protocols in place to ensure all actions taken by our security personnel adhere to the law and our company standards. The claim in question appears to be based on misinformation and lacks credible evidence.” The company stated they are investigating the claims outlined in the lawsuit.

The arrest, which was widely publicized in real-time as videos circulated on social media showing Render being led away in handcuffs, sparked outrage among fans and the hip-hop community. Several hours later, the rapper was released without charges. In July, the Los Angeles City Attorney’s Office formally declined to pursue charges, citing a lack of evidence. That same month, Render addressed the incident through music, releasing the song "Humble Me," which included the lyrics: "I was sitting there in a room full of cops, like Daniel was sitting with the lions / I had to quiet my mind, I prayed and I prayed and I prayed / The liars were lying their lies, I kept on just keeping my faith." The song was included on his album "Michael & the Mighty Midnight Revival: Songs for Sinners and Saints."

Render, a longtime activist and advocate for social justice, has been vocal about issues of racial profiling and the treatment of Black men by law enforcement and security forces. He has spoken at length about criminal justice reform and economic empowerment within Black communities, and his lawsuit underscores what he sees as a pattern of mistreatment and excessive force used against Black men in public spaces, even in moments of triumph. His legal filing seeks unspecified damages for what he describes as a wrongful arrest that caused serious emotional and reputational harm.

Wednesday, February 5, 2025

Irv Gotti, Ja Rule and Ashanti’s Producer and Murder Inc. Founder, Dies at 54

Photo Credit: Aaron J. Thornton/Getty Images for BET

Irv Gotti, the influential music producer and record executive who built Murder Inc. Records into one of hip-hop’s most dominant labels, has died at 54.

The Hollywood Reporter first confirmed his passing Wednesday, though the cause of death has not been officially disclosed. Sources close to the situation told Variety that Gotti, born Irving Domingo Lorenzo Jr., had suffered a series of strokes in recent months, linked to his long battle with diabetes.

A key architect of early 2000s hip-hop and R&B, Gotti was the mastermind behind Ja Rule’s meteoric rise, Ashanti’s chart-topping success, and some of the most memorable rap and R&B collaborations of the era. 


As the co-founder of Murder Inc., he produced and oversaw a string of crossover hits, including "Always on Time," "What’s Luv?" and "I’m Real (Murder Remix)," which dominated radio and defined the sound of mainstream hip-hop at the turn of the millennium.

Born and raised in Queens, New York, Gotti started as a DJ and aspiring producer, earning early credits on Jay-Z’s "Can I Get A…", Foxy Brown’s "Hot Spot," and DMX’s landmark debut, "It’s Dark and Hell Is Hot" (1998). His talent for blending hard-edged rap with melodic hooks caught the attention of Def Jam executive Lyor Cohen, who gave him his own label under the Def Jam umbrella in 1998. That same year, Gotti co-founded Murder Inc. with his brother Chris Gotti, and their first major project, Ja Rule’s debut album "Venni Vetti Vecci" (1999), set the stage for the label’s ascension.

By the early 2000s, Ja Rule had evolved from a gritty rapper into a mainstream superstar, thanks in large part to Gotti’s vision. His knack for mixing rap with R&B hooks, a formula perfected in collaborations with Ashanti, Jennifer Lopez, and Fat Joe, led to back-to-back No. 1 albums and platinum-selling singles. 

In 2002, Ashanti’s self-titled debut album, produced and executive-produced by Gotti, sold over 500,000 copies in its first week and won a Grammy for Best Contemporary R&B Album. For a time, Murder Inc. rivaled Bad Boy Records and Roc-A-Fella, churning out hit after hit, with Gotti positioned as one of the most powerful executives in music.

That dominance began to unravel in 2003, when the federal government raided Murder Inc.’s offices, investigating the label for alleged money laundering and ties to drug kingpin Kenneth “Supreme” McGriff. Though Gotti and his brother were acquitted in 2005, the scandal damaged Murder Inc.’s reputation beyond repair. Around the same time, Ja Rule’s high-profile feud with 50 Cent further eroded the label’s standing in hip-hop, shifting the genre’s momentum toward a more street-oriented sound that left Murder Inc.’s brand of melodic rap-R&B hybrids struggling to maintain relevance.

Gotti rebranded the label as The Inc. in 2006, moving it under Universal Motown, but the momentum was gone. With Ashanti as the label’s only remaining major artist, The Inc. struggled, and Gotti eventually pivoted away from music, focusing on television projects, including the BET series "Tales." In 2013, he rebranded the label again as Visionary, before reviving Murder Inc. in 2017 through a partnership with 300 Entertainment. In 2022, he made headlines for selling a 50 percent stake in his Murder Inc. masters for $300 million in a deal with Iconoclast, ensuring financial control over his legacy despite the label’s decline.

In his later years, Gotti openly battled diabetes, a condition he discussed candidly in interviews. In 2023, he revealed on "Drink Champs" that the disease was taking a toll on his body, admitting that it was “not under control” despite taking insulin. "It starts deteriorating your body," he said. "And anything that tastes good is horrible for you." By August 2024, reports surfaced that Gotti had suffered another stroke, requiring the use of a cane. In a statement to The Shade Room, he addressed his health, saying, "I’m getting older, but the only thing worse than getting old is not getting old."

Even as his business ventures shifted, Gotti remained a larger-than-life personality, often making headlines for his outspoken opinions and lingering rivalries. His feud with 50 Cent, one of the most infamous in hip-hop history, resurfaced once again just hours before Gotti’s death, when 50 mocked reports that the Murder Inc. founder had suffered a stroke. Posting on Instagram, 50 wrote, "Damn, I wanted him to see my new shows, yo!"—a callous jab at his longtime adversary.

That rivalry dated back two decades, as 50 Cent’s rise coincided with Murder Inc.’s decline, leading to a years-long war of words that played out in interviews, diss tracks, and even courtrooms. In recent years, Gotti downplayed the feud’s significance, but 50’s persistent taunts kept their animosity in the public eye.

Though Murder Inc. never regained its early 2000s dominance, Gotti left an undeniable mark on hip-hop history. His production and executive credits shaped an entire era, with classics like:
  • DMX’s "It’s Dark and Hell Is Hot" (1998)
  • Ja Rule’s "Between Me and You" (2000)
  • Ashanti’s "Foolish" (2002)
  • Fat Joe’s "What’s Luv?" (2002)
  • Jennifer Lopez’s "I’m Real (Murder Remix)" (2001)
Gotti’s legacy is complicated, but his impact on hip-hop and R&B is undeniable. At his peak, he was a visionary who redefined the intersection of rap and mainstream music, helping craft some of the most enduring records of the early 2000s. His ability to blend street narratives with radio-friendly melodies influenced a generation of artists, and his business acumen paved the way for future moguls navigating the industry.

He is survived by his children, siblings, and extended family.

Tyga Announces 'Red Light Tour' Ahead of 'NSFW' Album Release

Tyga is headlining his first tour in over a decade, in support of his upcoming album "NSFW." The rapper, known for club anthems like "Rack City" and "Taste," took to Instagram on Wednesday to break the news, telling fans:

"For all my day 1s... Red Light Tour 🚨 presale tomorrow. General sale Friday 10 a.m. Tag your city!!! 🔥🔥 See y’all there!"

The 15-date tour, produced in partnership with Rolling Loud and Live Nation, kicks off March 20 in Phoenix and will hit major cities across the U.S., including stops in San Diego, Seattle, Chicago, Atlanta, and New York, before wrapping up May 3 in Hollywood, California.

'NSFW' Set to Drop Feb. 7

The tour announcement comes just days before the release of NSFW, Tyga's first full-length project in six years. The 17-track album features an eclectic mix of collaborations, including appearances from Lil Wayne, Shenseea, Cher, Flo Milli, and Ty Dolla $ign.

With a blend of hip-hop, R&B, and unexpected genre crossovers, NSFW could mark a new chapter for Tyga, who has built a career on crafting viral hits and high-energy anthems.

Tickets and Availability

Presale tickets for the Red Light Tour go live Thursday, followed by a general sale on Friday at 10 a.m. For more details, visit Tyga’s official website.

Tuesday, February 4, 2025

New Lawsuit Accuses Diddy of Drugging, Sexually Assaulting Man in 2015

Tony Buzbee, attorney representing the plaintiff in a new lawsuit against Sean "Diddy" Combs, shared details of the case on his Instagram Tuesday, alleging sexual assault and battery. The lawsuit accuses Combs of drugging and assaulting the plaintiff after a 2015 performance in Los Angeles.

Sean "Diddy" Combs is facing a new lawsuit alleging sexual assault and battery. Tuesday attorney Tony Buzbee filed a lawsuit in New York State Court on behalf of a plaintiff identified as John Doe, who was 23 years old at the time of the alleged assault in 2015. The lawsuit accuses Combs of drugging and sexually assaulting the plaintiff after a performance in Los Angeles.

According to the lawsuit, Combs attended the event to promote his Ciroc vodka brand and scout talent for Bad Boy Records. After the plaintiff’s performance, Combs allegedly approached him, leading him to believe that a record deal was a possibility. The lawsuit claims Combs then invited the plaintiff backstage, where the alleged assault took place.

The plaintiff alleges that after consuming a drink provided by a member of Combs’ team, he began to feel lightheaded and eventually passed out. Upon regaining consciousness, he says he found himself sexually assaulted by Combs, with the lawsuit further claiming that Combs performed sexual acts on him without consent.

In an Instagram post, Tony Buzbee confirmed the details, writing, “Combs lured the Plaintiff backstage after the show where Plaintiff was allegedly drugged and sexually assaulted.” Buzbee further emphasized, “This new case alleges that Defendant Combs sexually assaulted Plaintiff after luring him backstage and drugging him.”

The lawsuit also claims that Combs threatened the plaintiff, warning him that “his career would be damaged” if he spoke out.

Buzbee’s firm is preparing to file additional lawsuits against Combs and his associates. While Buzbee did not specify the exact number of cases, he indicated that many more lawsuits will be filed before the February deadline for such cases in New York. Buzbee noted, “Because there is a looming deadline for cases to be filed in New York City, I would expect many more cases will be filed by our firm prior to the end of February.”

This new lawsuit follows a previous legal battle. In November 2023, Combs' ex-partner, Cassie Ventura, filed a lawsuit accusing him of years of abuse, including sexual assault and trafficking. That case was settled privately but led to similar allegations from other individuals.

Combs is also reportedly under federal investigation. In early 2024, law enforcement agents raided several of Combs’ properties, seizing electronics and documents linked to trafficking and abuse claims. Details of the federal investigation remain largely undisclosed, though it is ongoing.

Combs' legal team has strongly denied the allegations, calling them “false and sensational.” They have consistently maintained that Combs has never sexually assaulted or trafficked anyone.

Combs' federal trial is scheduled for May 2025, though the specific court has not been disclosed.

Sunday, February 2, 2025

Beyoncé Wins Album of the Year, Kendrick Lamar and Doechii Score Historic Wins at 2025 Grammys

Beyoncé stunsin a promotional image for her "Cowboy Carter" tour, which she announced just a day before making history at the 2025 Grammy Awards Sunday. The singer became the first Black woman to win Best Country Album and finally secured her long-awaited Album of the Year win for "Cowboy Carter." (Photo: Beyoncé via X)
Beyoncé shattered barriers once again at the 67th Annual Grammy Awards, winning Album of the Year for "Cowboy Carter"— her long-awaited victory in a category that had eluded her four previous times. The win, announced Sunday night at Crypto.com Arena, made her the first Black woman in 26 years to take home the Grammy's top prize, a feat last achieved by Lauryn Hill for "The Miseducation of Lauryn Hill" in 1999.
"I just feel very full and very honored," Beyoncé said onstage, standing beside her 13-year-old daughter, Blue Ivy Carter, as she accepted the award. "It’s been many, many years, and I just want to thank the Grammys, every songwriter, every collaborator, every producer."

Her victory capped off a historic night for Black artists, with Kendrick Lamar and Doechii also securing major wins.

Beyoncé’s 'Cowboy Carter' Breaks New Ground in Country Music

Beyoncé's history-making night began even earlier in the premiere ceremony, where she became the first Black woman in 50 years to win a country Grammy. She and Miley Cyrus took home the award for best country duo/group performance for "II Most Wanted." (The Pointer Sisters last won in a country category in 1975.) Later in the main telecast, Beyoncé made history again by becoming the first Black woman to win Best Country Album for "Cowboy Carter." 
Accepting the award from Taylor Swift, Beyoncé appeared momentarily stunned.

"Wow, I really was not expecting this," she said. "I think sometimes ‘genre’ is a code word to keep us in our place as artists. I just want to encourage people to do what they’re passionate about, and to stay persistent."

Her win follows the success of "Texas Hold ‘Em," which topped the Billboard Hot 100, and her collaboration with country pioneer Linda Martell on "Spaghetti," where Martell reflects on how musical genres often serve as barriers rather than creative spaces.

The moment also came just one day after Beyoncé announced her highly anticipated "Cowboy Carter" tour, sending the BeyHive into a frenzy online.

Kendrick Lamar Reaffirms His Grammy Dominance

Kendrick Lamar continued his reign as one of hip-hop's most decorated artists, securing Record of the Year and Song of the Year for "Not Like Us." These wins bring Lamar's total Grammy count to 20, further cementing his legacy as one of rap's most critically acclaimed voices. 

In his acceptance speech, Lamar paid tribute to his hometown and family: "This is for Compton, straight up... My mom and pop out there doing front flips on the couch right now. My son is six years old. Go to sleep, it's past your bedtime right now." 

Doechii Makes History

Rising star Doechii made history by becoming the third woman to win Best Rap Album, securing the award for "Alligator Bites Never Heal." Her win represents a major milestone for women in hip-hop, breaking barriers in a category historically dominated by male artists. 
In her emotional speech, Doechii reflected on her journey: "This is for all the little Black girls who were ever told they weren't enough. We are enough. We are more than enough."

Rapsody and Erykah Badu's Collaborative Triumph

In another significant highlight of the evening, Rapsody and Erykah Badu clinched the Best Melodic Rap Performance award for their collaboration "3:AM." This victory marked Rapsody's inaugural Grammy win and Badu's first in two decades, underscoring their enduring influence in the music industry.

A Night of Legacy: Quincy Jones Tribute Brings Star-Studded Lineup

The Recording Academy also paid tribute to the legendary Quincy Jones, who died in November 2024 at age 91. The segment featured performances by Stevie Wonder, Will Smith, Janelle Monáe, and Herbie Hancock, celebrating Jones’ groundbreaking contributions to music.

The tribute included "Fly Me to the Moon," "Let the Good Times Roll," and "We Are the World," the 1985 charity single produced by Jones.

"He taught us that life is a feast, and you don’t stop ‘til you get enough," Smith said, referencing Jones’ collaborations with Michael Jackson.

For the full list of winners, go to GRAMMY.com.

Wednesday, January 29, 2025

From Battle Raps to the Grammys: Roxanne Shanté’s Influence Recognized with Lifetime Achievement Honor

Roxanne Shanté speaks during an interview on "CBS Mornings" about her journey from pioneering battle rapper to Grammy Lifetime Achievement Award honoree. The Queensbridge legend will make history as the first solo female rapper to receive the honor. (CBS Mornings via screengrab)
Hip-hop trailblazer Roxanne Shanté will make history on Feb. 1, becoming the first solo female rapper to receive the Grammy Lifetime Achievement Award at the Recording Academy’s Special Merit Awards Ceremony. The honor, recognizing her pioneering role in rap’s formative years, places Shanté among an elite group of 2025 recipients, including Prince, The Clash, Frankie Beverly, Taj Mahal, Dr. Bobby Jones and Frankie Valli.

For a culture that has often overlooked its female pioneers, Shanté’s recognition is a landmark moment. The Queensbridge native, who first gained fame at 14 years old with the groundbreaking 1984 single "Roxanne’s Revenge," helped lay the foundation for hip-hop’s global ascent. The track, a scathing response to UTFO’s "Roxanne, Roxanne," ignited The Roxanne Wars, inspiring more than 80 response songs and cementing Shanté’s reputation as one of rap’s fiercest lyricists.

2025 Grammy Lifetime Achievement Award Honorees

  • 🎤 Prince – Seven-time Grammy winner, musical innovator, and genre-defying icon behind Purple Rain and Sign o’ the Times.
  • 🎸 The Clash – British punk pioneers known for London Calling and politically charged anthems like Rock the Casbah.
  • 🎶 Frankie Beverly – Soul and R&B legend whose work with Maze produced classics like Before I Let Go.
  • 🙏 Dr. Bobby Jones – Gospel music trailblazer and longtime host of Bobby Jones Gospel, the longest-running original show on BET.
  • 🎷 Taj Mahal – Blues and world music visionary who helped redefine roots music over a six-decade career.
  • 🎤 Frankie Valli – The unmistakable falsetto behind Sherry, Can’t Take My Eyes Off You, and Big Girls Don’t Cry.
In a recent interview with CBS Mornings’ Gayle King, Shanté reflected on her journey.

"It took 40 years, but it's here. And now, all the young girls coming up in hip-hop will know that it’s possible," she said. “They’ll know that their contributions won’t be erased.”

A Battle Rap Prodigy Turned Pioneer

Shanté’s influence extended beyond the mic. She became a central figure in the Juice Crew, a legendary hip-hop collective that helped define the golden era of rap. Big Daddy Kane, Biz Markie, MC Shan, and Nas were all connected to her early impact on the Queensbridge rap scene.

However, despite her status as a teen prodigy and one of rap’s earliest female stars, Shanté saw little financial reward for her success.

"You had a record deal, you had a hit song, it was making money — but you weren’t making money," she recalled. "I was a girl. That was enough to make sure I wasn’t getting paid."

Frustrated by industry exploitation, she walked away from music in the early ’90s, choosing instead to focus on her family and education. She later earned a Ph.D. in psychology, proving that her battle spirit extended far beyond hip-hop.

A Long-Overdue Honor

In recent years, Shanté’s contributions have gained well-deserved recognition. In 2017, Netflix released "Roxanne Roxanne," a biopic chronicling her rise in hip-hop. In 2023, she received the NAACP Legacy Award and the Hip-Hop Grandmaster Award from the Paid in Full Foundation, a group dedicated to compensating hip-hop pioneers who never saw financial returns for their work.

Now, the Grammy Lifetime Achievement Award stands as the highest recognition yet of her impact. Shanté, however, sees it as more than just a personal win.

"It’s not about what I didn't get back then," she said. "It’s about making sure the next generation of girls in hip-hop never have to fight for their flowers."

Shanté’s honor comes amid a broader push to acknowledge hip-hop’s pioneers, with the Recording Academy inducting other rap icons like Grandmaster Flash & The Furious Five and Salt-N-Pepa in recent years. Her distinction as the first solo female rapper to receive the award highlights hip-hop’s evolution and growing recognition of its female architects.

Now a SiriusXM host on LL Cool J’s "Rock The Bells Radio," where she reaches seven million listeners daily, Shanté continues to amplify hip-hop’s history and the artists who helped build it. And despite stepping away from rap decades ago, her legendary skills remain sharp.

When asked if she could still freestyle on command, Shanté smiled and delivered an impromptu verse, proving that her quick-witted lyricism is as sharp as ever.

The Special Merit Awards Ceremony will take place at the Wilshire Ebell Theatre in Los Angeles on Feb. 1. The 67th Grammy Awards will air live on CBS and Paramount+ on Sunday, Feb. 2.

Monday, January 27, 2025

N.O.R.E. Rewinds Time with New Hair Dye Campaign, Challenges Grooming Norms

The box for Rewind It 10's Jet Black Hair Dye, now endorsed by rapper and "Drink Champs" podcast host N.O.R.E., marks the latest collaboration between the hip-hop icon and the brand.
N.O.R.E., the rapper-turned-podcast titan known for hits like “Superthug” and “Oye Mi Canto,” has debuted a striking new look as the ambassador for Rewind It 10, a men’s hair dye brand co-founded by fellow hip-hop heavyweight Fat Joe. Known for decades as a bald icon, N.O.R.E. has traded his signature style for jet-black hair, sparking a cultural conversation about aging, masculinity, and reinvention in hip-hop.

“Ever since I started using Rewind It 10, I’ve been looking and feeling younger,” N.O.R.E. said in a statement. “I’m proof that you can rewind time, baby!”

Rewind It 10, launched in 2023 by Fat Joe, beauty entrepreneur Carolyn Aronson, and industry veteran Jeff Aronson, has positioned itself as a disruptor in the men’s grooming industry. Its products aim to challenge the stigma around hair coloring while offering options for men to express themselves confidently. The brand has quickly gained traction, with ambassadors like DJ Khaled, Travis Kelce and Tyson Beckford joining the campaign.

For fans who remember N.O.R.E. from his “Superthug” days, the transformation is jarring. His bald look was as much a part of his persona as his gruff voice and unapologetic swagger. The move has led many to question whether this shift represents a savvy business decision, a midlife reinvention, or a genuine embrace of self-expression.

Hip-hop has long been a genre steeped in hyper-masculinity, where appearances are tied to dominance and youth. N.O.R.E.’s embrace of hair dye challenges these long-standing norms, opening the door to more nuanced conversations about aging in a culture that often prizes staying “forever young.” Fat Joe’s involvement with Rewind It 10 also underscores how prominent hip-hop figures are normalizing self-care and self-reinvention, creating space for artists to embrace change without compromising their credibility.

While N.O.R.E.’s foray into hair dye may seem like a lighthearted shift, it represents something deeper: a new chapter in the evolution of hip-hop’s elder statesmen. Artists like N.O.R.E. and Fat Joe are reshaping what it means to age within a genre that has traditionally celebrated rebellion and youthful bravado. Through ventures like this, they remain relevant while challenging outdated stereotypes about masculinity.

N.O.R.E., whose influence extends beyond music through his widely popular podcast “Drink Champs,” continues to leverage his platform to connect with audiences in unexpected ways. The podcast, ranked among Edison Research’s top 50 in the U.S., has featured cultural heavyweights such as Dave Chappelle, Alicia Keys, and Kevin Hart. N.O.R.E.’s ability to pivot between music, media, and business speaks to his entrepreneurial spirit and ability to adapt in an ever-changing industry.

Rewind It 10’s rapid rise in popularity reflects a growing cultural shift. The brand has quickly become a best-seller at major retailers like CVS and Amazon, generating more than $50 million in sales since its launch. Co-founder Jeff Aronson called N.O.R.E. “one of the most influential voices in media and culture” and praised his ability to inspire others to embrace change.

Whether N.O.R.E.’s new look is a calculated move to stay relevant or a genuine embrace of personal reinvention, one thing is certain: he continues to keep people talking. In a genre where reinvention often defines success, N.O.R.E.’s decision to embrace change reinforces his legacy as an artist who refuses to stand still.

Friday, January 24, 2025

'Walk It Out' Rapper DJ Unk Dead at 43, Atlanta Music Scene in Mourning

Anthony Leonard Platt, known to hip-hop fans as DJ Unk, the Atlanta rapper who rose to fame with the 2006 hit "Walk It Out," has died at the age of 43.

News of his passing was shared Wednesday by family and collaborators, including his wife, Sherkita Long-Platt, who confirmed his death in an emotional Facebook post.

“I just lost my husband and my kids just lost their father,” Long-Platt wrote. “Our life will never be the same. I LOVE YOU ANTHONY FOREVER.” She asked for privacy as her family processes their loss.

No cause of death has been disclosed.

DJ Unk, a pioneer of Atlanta's snap music movement, was signed to Korey “Big Oomp” Robinson’s Big Oomp Records in 2000. The label released his breakout hits, including "Walk It Out" and "2 Step," both of which became anthems of the mid-2000s.

In a heartfelt tribute, Big Oomp Records reflected on his impact. “It is with a heavy heart and profound sadness that we announce the passing of a true ATL legend, Anthony Platt better known as ‘DJ Unk,’” the label wrote in an Instagram post. “Hit songs such as ‘Walk It Out’ and ‘2 Step’ have left an indelible mark on the industry, and his legacy will continue to inspire artists, DJs, and fans alike for years to come.”

The Falcons, Atlanta’s NFL team, also paid tribute on social media, posting, “Rest in peace DJ Unk.”

Unk’s music, known for its high-energy beats and infectious hooks, was emblematic of the snap music era that dominated Atlanta in the 2000s. “Walk It Out” peaked at No. 10 on the Billboard Hot 100 chart, and its remix featured hip-hop heavyweights André 3000, Jim Jones and Big Boi.

Though he kept a low profile in recent years, DJ Unk openly discussed his health struggles after suffering a heart attack in 2009. In a 2010 interview with XXL, he detailed how stress and poor lifestyle habits led to his health scare.

“I got to get healthy not just for my sake, but also for my kids and for my wife,” he said at the time. The rapper emphasized his efforts to change his lifestyle, cutting back on drinking and smoking while focusing on his faith.

“Everything was so fast. Instead of praying once like before, I go twice a day,” Unk shared. “It’s a blessing to be here.”

DJ Unk’s influence on Atlanta’s music scene remains undeniable. His sound helped define a generation of Southern hip-hop and continues to inspire artists today.

Wednesday, January 22, 2025

Diddy Drops $50M Bombshell Lawsuit Against Accuser and NewsNation

A stark contrast to today's news: Sean "Diddy" Combs presents a $1 million check to Howard University in 2023. The university revoked his honorary degree and returned the donation in June 2024, citing actions inconsistent with their values.
Sean “Diddy” Combs filed a $50 million defamation lawsuit Wednesday, against Courtney Burgess, his attorney Ariel Mitchell, and Nexstar Media Group, the parent company of NewsNation.

The lawsuit, filed in the U.S. District Court for the Southern District of New York, accuses Burgess and Mitchell of fabricating explosive claims that Combs possessed sex tapes involving celebrities and minors, allegations that NewsNation broadcast without verifying their authenticity.

Combs' criminal trial on sex trafficking and racketeering charges is scheduled for May 2025. The lawsuit contends that these accusations have severely damaged Combs’ reputation and could hinder his ability to receive a fair trial, as the claims could prejudice potential jurors.

“These fabricated claims are a blatant attempt to exploit Mr. Combs’ success and fame for financial gain,” Combs’ legal team asserted in a statement. “We are committed to holding all responsible parties accountable for their reckless actions.”

The lawsuit alleges that Burgess and Mitchell knowingly spread these false claims, and NewsNation amplified them without conducting proper journalistic due diligence. Combs’ attorneys characterize the allegations as a calculated smear campaign aimed at destroying his personal and professional life. Combs is seeking compensatory and punitive damages for the lasting harm inflicted on his businesses and public image.

Burgess, who first accused Combs of criminal wrongdoing in late 2024, has not publicly addressed the defamation suit. NewsNation has declined to comment on the pending litigation.

The allegations aired by NewsNation have drawn widespread criticism for their lack of evidence. Combs’ legal team argues that the network's decision to broadcast the story without thoroughly investigating the claims constitutes journalistic negligence, with serious consequences for their client.

As one of the most influential figures in hip-hop and the founder of Bad Boy Records, Combs has cultivated a decades-long career as a Grammy-winning artist, entrepreneur, and cultural icon. However, recent legal troubles, including his September 2024 arrest on federal charges, have put him under intense media scrutiny. He has pleaded not guilty to the sex trafficking and racketeering charges and has been denied bail three times.

Legal analysts suggest this defamation lawsuit is part of a broader strategy to protect Combs' reputation amid growing controversy. The case raises important questions about media responsibility in an era of sensationalism. If Combs prevails, the lawsuit could set new precedents for how media outlets handle high-profile allegations.

While the Southern District of New York has yet to schedule a date for initial hearings in the defamation case, Combs remains in federal custody awaiting trial on the separate sex trafficking and racketeering charges.

Trombone Shorty’s Mockly Partnership Highlights Alcohol-Free Trend in Music Scene

Trombone Shorty performs at the White House in 2024, showcasing his signature blend of jazz, funk, and soul during a celebration of American music. The Grammy-nominated artist continues to honor his New Orleans roots through music and community initiatives.
Trombone Shorty, the Grammy-nominated musician synonymous with New Orleans’ vibrant music scene,
has announced a partnership with Mockly, a locally founded premium mocktail brand. The collaboration bridges his personal lifestyle with a growing cultural shift toward inclusive, alcohol-free social options while paying homage to the city that shaped his sound.

Troy Andrews, known professionally as Trombone Shorty, has built an international reputation for his genre-defying music that fuses jazz, funk, soul, R&B and rock. A child prodigy from New Orleans’ Tremé neighborhood, he earned his nickname as a young boy when his trombone dwarfed his frame. Today, he’s one of the city’s most celebrated cultural ambassadors, headlining events like the New Orleans Jazz & Heritage Festival and hosting the annual Treme Threauxdown concert.

Trombone Shorty enjoys a Mockly mocktail, part of his new partnership with the New Orleans-based beverage brand. 
The partnership with Mockly aligns with Andrews’ personal choices — he has never consumed alcohol, once noting that the craziest thing he has ever done was getting a panther tattooed on his left shoulder at 18 — and his commitment to representing New Orleans’ rich cultural legacy. Mockly, launched in 2020, has gained attention for its handcrafted, non-alcoholic beverages like Love Bite (pomegranate ginger tonic) and Baron von Blue (blueberry rose spritz), offering a fresh way to enjoy the city’s festive spirit.

“This is about celebrating the culture I grew up with and making it accessible to everyone,” Andrews said. “Mockly is something I enjoy and believe in — it’s part of what makes New Orleans special.”

The collaboration comes as demand for alcohol-free beverages surges, driven by a new generation seeking flavorful alternatives without compromising the social experience. Mockly’s co-founder, Aimee Sedky, emphasized how seamlessly Andrews embodies the brand’s mission. “Trombone Shorty represents the joy and inclusivity of New Orleans, which is exactly what Mockly stands for,” Sedky said.

Andrews’ influence extends beyond music. Through the Trombone Shorty Foundation, he has worked to nurture the next generation of New Orleans musicians, ensuring the city’s rich traditions remain vibrant. This dedication to cultural preservation mirrors Mockly’s mission to reflect New Orleans’ unique flavor and spirit.

Tuesday, January 21, 2025

Missy Elliott, The Killers, and Anderson .Paak Lead RiverBeat 2025 in Celebration of Memphis Music

RiverBeat 2025 brings a star-studded lineup to Memphis this May, featuring headliner Missy Elliott alongside The Killers, Anderson .Paak & The Free Nationals, Public Enemy, Ludacris, and local legends in the Memphis Rap OGz showcase. The festival promises three days of music, culture, and unforgettable performances on the banks of the Mississippi River.
Memphis’s musical legacy will be on full display at RiverBeat 2025, where Missy Elliott will lead a star studded lineup that honors the city’s role as a crossroads of sound and culture. Set to run May 2-4 on the banks of the Mississippi River, the three-day festival brings together global superstars and local legends, showcasing the city’s enduring impact on music.

Elliott, a hip-hop trailblazer whose hits like “Work It” and “Lose Control” redefined the genre’s possibilities, shares headlining honors with rock powerhouses The Killers and genre-blurring innovators Anderson .Paak & The Free Nationals. Public Enemy, Ludacris, and a slate of Memphis rap pioneers round out a roster that blends big names with deep local roots.

While RiverBeat’s programming spans genres, this year’s spotlight firmly shines on hip-hop. Public Enemy, the iconic group behind politically charged anthems like “Fight the Power,” and Ludacris, celebrated for his Southern rap dominance and dynamic wordplay, join the lineup. Adding a distinctly Memphis touch, the Memphis Rap OGz showcase will bring together local legends La Chat, Crunchy Black, Al Kapone, Skinny Pimp, DJ Zirk, Gangsta Pat, and DJ Spanish Fly — trailblazers whose raw, underground sound continues to influence the global hip-hop scene.

“Memphis is a city where music is constantly evolving,” said Jeff Bransford, Festival Producer at Mempho Presents. “RiverBeat isn’t just about bringing big names to the stage; it’s about honoring the artists who have shaped Memphis and celebrating the city’s ongoing contribution to music.”

The festival also delves into Memphis’s roots in blues and gospel, featuring performances that underscore its place in the cultural fabric of American music. Grammy-winning producer Lawrence “Boo” Mitchell will curate the Royal Studios Blues Jam, which includes blues icons Bobby Rush and members of the Burnside family. Meanwhile, the Sunday Gospel Celebration will close the festival with soulful performances by The Wilkins Sisters, The Jubilee Hummingbirds, and Elizabeth King.

Organizers are building on the success of RiverBeat’s 2024 debut with a host of upgrades, including five stages equipped with immersive visuals, cutting-edge sound, and interactive projections. Two newly added entrances — the North Entrance and the Butler Street Entrance — aim to streamline access for festivalgoers while connecting them to downtown Memphis businesses. Returning favorites like the Ferris wheel, nightly fireworks, and an expanded lineup of food vendors ensure an experience that refle cts Memphis’s vibrant culture.

Tickets for RiverBeat 2025 are now on sale. Three-day general admission passes are priced at $199, with VIP packages available for $849, inclusive of fees. Single-day tickets and the full daily lineup will be announced in February. Fans can visit www.RiverBeat.com for more information.

A$AP Rocky Faces Up to 24 Years in Prison as Assault Trial Commences

Rihanna and A$AP Rocky, pictured in a Fenty Skin campaign, are navigating legal challenges as Rocky’s assault trial begins in Los Angeles.
Rakim Mayers, better known as rapper A$AP Rocky, rejected a plea deal Tuesday as jury selection began in his long-delayed trial on assault charges stemming from a 2021 confrontation in Hollywood.

The deal would have required Rocky to plead guilty to one count of assault with a semiautomatic firearm in exchange for six months behind bars, three years of probation, and a suspended seven-year sentence. Instead, the 36-year-old artist, who faces up to 24 years in prison if convicted on two felony assault counts, declined the offer.

Rocky’s attorney, Joe Tacopina, has maintained his client’s innocence, claiming the gun in question was a starter pistol used as a prop for security purposes. "The evidence we have that they don’t know about is going to be devastating—devastating," Tacopina said earlier this year, expressing confidence in an acquittal.

The charges stem from a November 2021 incident in which Rocky is accused of firing two shots at Terell Ephron, a former member of the A$AP Mob known as A$AP Relli, during an argument outside a Hollywood hotel. Ephron testified in November 2023 that Rocky allegedly brandished the firearm, threatened to kill him, and later fired at him, striking him in the hands. Surveillance footage reportedly captured Rocky holding a gun, while the sound of gunfire was recorded nearby.

Ephron, who had a falling-out with Rocky over a financial dispute, alleged the rapper had grown “big-headed” from fame and “failed everybody.” Bullet casings presented as evidence were provided to authorities by Ephron, but no matching weapons were found when police searched Rocky’s Los Angeles home in 2022.

The trial marks yet another significant moment in the rapper’s legal history. Fans may recall Rocky’s 2019 arrest in Sweden for assault, which became an international incident after figures like Donald Trump intervened on his behalf. His experiences have cast a shadow over his career, though they’ve done little to diminish his influence as a cultural icon.

Rocky’s rise to prominence as part of the Harlem-based A$AP Mob collective helped redefine East Coast hip-hop. With hits like “Praise the Lord” and his fashion-forward image, Rocky became a leader in bridging streetwear, high fashion, and music. Despite the controversy surrounding his legal battles, his fans remain loyal, eager to see how the trial will unfold.

Rihanna, Rocky’s partner and the mother of their two children, was not present in court Tuesday and is unlikely to attend the proceedings, according to the defense team.

The trial is expected to last about three weeks.

Monday, January 20, 2025

Black Eyed Peas Scrap '3008 The Las Vegas Residency' Due to Unspecified Issues

The Black Eyed Peas, pictured in a promotional image for their now-canceled "3008 The Las Vegas Residency," announced the show’s cancellation due to "current circumstances." The residency was set to debut in February 2025 at PH Live in Planet Hollywood Resort & Casino.
The Black Eyed Peas have canceled their Las Vegas residency, originally set to begin in February 2025 at PH Live in Planet Hollywood Resort & Casino. The announcement was made Sunday via Instagram Stories, where the group cited "current circumstances" as the reason for the cancellation.

In a message to their fans, known as Peabodies, the group wrote, "It is with a heavy heart that, in light of current circumstances, our Las Vegas shows will not be moving forward as planned." They assured ticket holders that full refunds would be issued automatically and encouraged fans to stay tuned for updates on future performances.


The residency, titled "Black Eyed Peas: 3008 The Las Vegas Residency," was set to be a groundbreaking production, featuring 15 dates across February, March, and May 2025. This would have marked the group’s first residency on the Las Vegas Strip, blending their futuristic aesthetic with cutting-edge technology, including the introduction of an artificial intelligence entity named "Vida."

Will.i.am, a founding member of the group, had earlier described the project as "an interactive journey to 3008," inspired by Disney rides and Las Vegas’ iconic shows. “We predicted this in 2009 with The E.N.D. album,” Will.i.am said in a prior statement. “To think that we would have the first AI member of a globally recognized urban pop-hip-hop group … man.”

The residency was expected to feature the current members—Will.i.am, Apl.de.Ap, Taboo, and J. Rey Soul—and further cement the group’s reputation for blending technology with live performances. Fans had eagerly awaited the innovative experience, which was to build on the Peas’ decades-long career of chart-topping hits and genre-blurring artistry.

Despite the cancellation, the Black Eyed Peas promised to reconnect with fans in the future, stating, "We can’t wait to see you again."

This cancellation comes after months of planning and promotion, leaving fans and insiders speculating about what circumstances led to the decision. Representatives for the group have not elaborated further.

The Black Eyed Peas’ residency was announced in September 2024, following a string of successful tours in Europe and North America. Known for hits like "Where Is The Love?" and "I Gotta Feeling," the group has sold over 35 million albums and continues to influence the global music scene.

Wednesday, January 15, 2025

DeVante Swing Removed from Lawsuit Alleging Sexual Assault by Sean ‘Diddy’ Combs

Jodeci, pictured in a promotional photo from their 2024 Las Vegas residency. DeVante Swing (third from left) was recently dismissed without prejudice from a sexual assault lawsuit that also names Sean "Diddy" Combs.
DeVante Swing, a founding member of the iconic R&B group Jodeci, has been removed from a high profile sexual assault lawsuit that also names music mogul Sean “Diddy” Combs and others. The lawsuit was filed in October 2024 by Liza Gardner, who alleged that Combs assaulted her when she was 16. Swing had been accused of facilitating the situation leading to the alleged abuse.

In a legal filing submitted by Gardner’s attorney, Tyrone A. Blackburn, she announced her decision to “voluntarily dismiss all claims” against Swing without prejudice. The dismissal means Gardner retains the right to refile accusations against Swing in the future.


The lawsuit alleged that Swing acted as Gardner’s “co-guardian” at the time of the alleged assault and contributed to the situation by allegedly trafficking her across state lines, supplying her with drugs and alcohol, and “prostituting” her to Combs. According to Gardner, Swing was present during the alleged assault and failed to intervene. A witness statement included in the filing described Swing as “leaning against the wall or furniture or something, watching whatever Puffy was doing to Liza.”

While the dismissal is a notable development for Swing, it does not equate to exoneration, as the claims could be refiled.

Sean Combs, through his legal team, has denied the allegations, calling them “fabricated claims falsely alleging misconduct from over 30 years ago.” A representative for Combs described the lawsuit as a “money grab,” stating, “Because of Mr. Combs’ fame and success, he is an easy target for anonymous accusers who lie without conscience or consequence for financial benefit.”

The lawsuit remains active against other defendants, including singer Aaron Hall, who is accused of assaulting Gardner during the same incident.

This case has reignited scrutiny of the music industry’s treatment of young women during the 1990s and has drawn attention to allegations of abuse by high-profile figures in the industry.

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