Thursday, December 1, 2022

Watch: Detroit Inmates Facing Increased Prison Time After Shooting Rap Video In Prison

Screengrab of "In Dis Cell" YouTube video posted by "Da Hub."

They say there is no such thing as bad publicity. For two Detroit-based wannabe rappers, whether or not that proves to be true remains to be seen.

Either way, it looks like they will have plenty of extra time to think about it.

The inmates at the Macomb prison unit in suburban Detroit, have been separated and segregated from the general population after it was discovered they filmed a video at the facility.

Authorities made the moves after guards found a YouTube link written on a piece of paper during a routine search and discovered a rap video titled "In Dis Cell" — filmed in the prison — when they tried the link.

“The prisoners who were in the video certainly made no attempts to hide or disguise who they were, so staff was able to recognize them and go to their cell and confront them about this,” Chris Gautz, the spokesman for Michigan’s Department of Corrections, told Fox 2.

Now thanks to the two cell phones shown in the video, which Gautz said the men shot back in September before posting it to YouTube on Nov. 3rd, the inmates are facing additional prison time.

Possession of a cell phone in prison is a crime.

"Because while you can make rap videos with them, that’s one thing you can do with a contraband cell phone," Gautz said. "But you can also effectuate an escape, you could put out a hit on another staff member, another prisoner, a member of the public. You could harass witnesses, you could intimidate your victims.

"There’s a whole number of things untoward that you can do with contraband cellphones."

Watch the "In Dis Cell" video below:

Wednesday, November 30, 2022

Joyce Byrant, 'The Black Marilyn Monroe,' Dies at 95

Carl Van Vechten, via Wikimedia Commons

Joyce Bryant, the sultry singer whose signature silver hair and tight mermaid dresses earned her the nicknames the "Bronze Blond Bombshell" and "The Black Marilyn Monroe," is dead.

Her niece and caretaker, Robyn LaBeaud, broke the news that her aunt died at home on Nov. 20 in Los Angeles, following a long battle with Alzheimer's disease. She was 95.

"What a woman she was I will share our journey soon and please don't forget auntie she loves each and everyone of you," LaBeaud posted on Bryant's official Instagram.

Bryant was one of the most popular acts on the nightclub circuit during the 1950s, reportedly amassing $1 million in performance and recording contracts by the middle of the decade.

She was one of the country's first Black sex symbols, using radiator paint to dye her hair silver early in her career and wowing audiences with her four-octave vocal range and suggestive choreography.


At the height of her first brush with fame, the devout Seventh-day Adventist left the limelight. Feeling guilty about the sexual nature of her performances and scared of the drug dependency that had taken hold of many of her friends in entertainment, she enrolled at what is now Oakwood University, a historically Black Seventh-day Adventist institution in Huntsville, Ala.

Bryant worked as a missionary before retraining, under the direction of Washington vocal coach Frederick Wilkerson, as a classical singer and eventually starting a career in opera. She sang the role of the female lead for the Gershwin opera "Porgy and Bess" after winning a contract with the New York City Opera. Bryan also toured internationally with Italian, French, and Vienna opera companies.

Later the torch singer would return to her roots in the 1980s to much acclaim and she subsequently began a career as a vocal instructor, with a stable of famous clients such as Jennifer Holliday and Raquel Welch.

Tuesday, November 29, 2022

Jazz Great, Louis Armstrong, Back on Billboard Charts With Posthumous Yuletide Collection Release

Louis Armstrong is back on the charts with the release of his first-ever Christmas album, "Louis Wishes You A Cool Yule." Photo of Louis & Lucille Armstrong. Courtesy of The Louis Armstrong House Museum.

This year fans of Louis Armstrong are getting one last gift from the jazz great who passed away more than 50 years ago — a hit Christmas album.

“Louis Wishes You a Cool Yule,” a first-of-its-kind collection of yuletide songs from the "What a Wonderful World" singer has become his highest-charting work since "Hello Dolly," which spent six weeks at No. 1 on the Billboards Hot 100 chart in 1964 and earned him a Grammy Award for best male vocal performance.

The compilation (released Oct. 28) opened at No. 122 on the Billboard 200 album chart. It debuted in the Top 10 across multiple Billboard charts including Top Holiday Albums (No. 9), Jazz Albums (No. 4), Traditional Jazz Albums (No. 4), Top Album Sales (No. 7), Top Current Album Sales (No. 6) and Vinyl Albums (No. 7).

It is an outstanding feat for an artist that passed away in 1971, but not unexpected since the trumpeter and vocalist had been a holiday staple long before the release of an official Christmas album.

“Louis Armstrong’s first album of holiday-associated songs is an auspicious aural example of why he was a man for all seasons, singing and playing his Promethean trumpet in the cause of happiness,” said Wynton Marsalis, president of the Louis Armstrong Educational Foundation (LAEF), of the album's success. 

“Whether you’re seven or 70, these evergreen selections featuring the great composer/arranger Benny Carter, and the incomparable vocalists Ella Fitzgerald and Velma Middleton are illuminated by Pops’ down-home vocals. His reading of ‘The Night Before Christmas,’ with my New Orleans homeboy, Sullivan Fortner on piano, is a swinging Crescent City Christmas card. If anybody can bring joy to the world, Louis Armstrong can!”

In addition to holiday staples “White Christmas,” “Baby, It’s Cold Outside,” “Winter Wonderland” and the aforementioned “What a Wonderful World,” the 11-track collection includes the previously unreleased recording “A Visit from St. Nicholas (‘Twas the Night Before Christmas).”

Recorded shortly before his death it is Armstrong’s first newly released track in over two decades.

Slider[Style1]

Trending